RELISTENTOTHE Grateful Dead
Re
1983
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June 16th
5 shows
82 tapes
Years
1995
30.1k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
20.3k
82 shows
882 tapes
1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1983
6/20/83
New Minglewood Blues
10:31
They Love Each Other
8:19
Little Red Rooster
11:38
Peggy-O
9:02
My Brother Esau
5:31
Tennessee Jed
8:02
Hell In A Bucket
7:40
West L.A. Fadeaway
9:10
The Music Never Stopped
10:08
China Cat Sunflower >
7:30
I Know You Rider
7:09
Samson and Delilah
8:26
Tuning
0:10
He's Gone >
12:37
Truckin' >
11:01
Drums >
7:50
Space >
0
Space >
5:01
Little (Bob) Star >
1:54
The Other One >
4:44
Wharf Rat >
8:41
Sugar Magnolia
12:02
FIN
View on archive.org
Sources
Taper: Jim Vita
2:48:43
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-06-20.163432.senn421.vita.miller.clugston.flac2496
Source:
Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics (18th row, center) > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k .wav) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Chris Hecht for the AKG D330BT Sennheiser 421 blend source which supplies the crowd and first notes of "China Cat Sunflower" (0:16 total), as well as the end of the Jam out of "Truckin'" and "Drums" (8:23 total) - Pitch Corrected Mastered by Scott Clugston August 2022
Taper: Jim Vita
2:48:43
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-06-20.163431.senn421.vita.miller.clugston.flac1648
Source:
Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics (18th row, center) > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k .wav) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Chris Hecht for the AKG D330BT Sennheiser 421 blend source which supplies the crowd and first notes of "China Cat Sunflower" (0:16 total), as well as the end of the Jam out of "Truckin'" and "Drums" (8:23 total) - Pitch Corrected Mastered by Scott Clugston August 2022
Taper: Chris Hecht
2:44:04
Rating:
10.00 / 2 ratings
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-06-20.148016.fob.akg.d330bt.senn421.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to David Minor and Matt Vernon for the shnid83762 Sony 939LT source which supplies the crowd and first notes of "China Cat Sunflower" (0:25 total), as well as a 0:53 patch in the pre-drums "Jam" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston August 2019
Taper: Chris Hecht
2:44:04
Rating:
10.00 / 1 rating
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-06-20.148015.fob.akg.d330bt.senn421.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to David Minor and Matt Vernon for the shnid83762 Sony 939LT source which supplies the crowd and first notes of "China Cat Sunflower" (0:25 total), as well as a 0:53 patch in the pre-drums "Jam" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston August 2019
Taper: David Minor
2:55:40
Rating:
9.00 / 3 ratings
Taper:
David Minor
Transferrer:
David Minor and Matt Vernon
SHNID:
gd1983-06-20.fob.minor.vernon.83762.sbeok.flac16
Source:
fob about the 12th row ctr. or so with a sony 939lt stereo - single point mic > d6
Lineage:
MAC > CD > EAC > Cool Edit Pro > CDWAV > flac16 level 8
Taper Notes:
View Notesshow notes - final "Bob Star" - "Aboriginee dream" rap during "Sugar Magnolia" - lightning throughout show causes some PA volumne drops source notes - volume adjustment at the start of Minglewood (could be PA?) - tape pause after Peggy-O - tape flip after My Brother Esau - minor volume change in West LA near end (could be PA?) - drop the tuning/crowd track from disk 1 to fit onto 80 minute audio cd - about 12 secs from patch source 32795 in Truckin' after verses completed - most of drums from shnid 11931 (this source has left channel limited clipped ), shnid 32795 also was missing drums "We didn't record drums since that would've taken one extra flip and with the weather" shnid 32643 was also missing the same segment in drumz not covered by this source and 11931. Patch Source 1 : Nakamichi 300's > Sony TCD5M > Sony D-6 Maxell XLIIS Master (Dean Grabski recording) shnid 32795 Patch Source 2 (Most of Drums) : FOB-Sennheiser 421>MasterCass>Dat>CD shnid 11931 Conversion tracking etc by Matt Vernon
Taper: Dean Grabski
2:36:53
Rating:
9.29 / 29 ratings
Taper:
Dean Grabski
Transferrer:
Dean Grabski
SHNID:
gd1983-06-20.nak300.grabski.32795.sbefail.flac16
Source:
Nakamichi 300's > Sony TCD5M > Sony D-6 Maxell XLIIS Master (outside in the insane weather and thick sound!) Thanks to Ted (?) for the patch.
Lineage:
Maxell XLIIS Master > Nakamichi DR-3 > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1
Taper Notes:
View NotesLocation: Outside on the lawn, slightly right of center about 30 ft from the repeaters. The sound was incredibly clear - of course you can hear the rain during quieter parts of the second set, but for those there it just adds to the intensity of the listening experience. Notes: This is one of the most memorable Grateful Dead concerts I've attended. The weather and band were incredibly fierce. There are so many vivid memories of this night - of course the intense weather; there were record rainfall amounts set and huge bright lightning bolts filling the sky. The thoughts that go through ones head when lightning is crackling all over the place and you have an aluminum microphone stand (lightning arrestor) up in the air with a tape deck wired directly to your chest! Were we dedicated, insane or both? I remember the microphones owner dressed up in sailing foul weather gear looking like a mad ship captain around the mast -"ah mate bring it on".. There were others patched out of me and another rig or two set up during the 1st set but they all bailed shortly into the 2nd set or during the break. During the 2nd set there were a few times when the power would go out, it's pretty wild to listen to since you can hear the stunned audience come up from the silence, then the power comes on with a speaker pop and Phil just wails! Walking out I was completely stunned by the whole experience, getting into my car and trying to find a hotel since there was no way we were going to try to camp that night? Sorry for taking so long to share it with you. Flaws: We didn't record drums since that would've taken one extra flip and with the weather
Taper: Richard Colyard
2:37:45
Taper:
Richard Colyard
Transferrer:
MULETAPER
SHNID:
gd1983-06-20.fob.senn421.coyotte.muletaper.32643.sbeok.flac16
Source:
FOB-35FT off Stage@10ft 2 Sennheiser Md421's>Sony TCD5>Maxell XL2 Cassettes
Lineage:
Sony TCD21>Soundforge 8.0(record,resample,fades,anti-alias filter in highest setting)>CDWav(tracks)>Flacfrontend(flac16bit)
Taper Notes:
View Notesfinal "Bob Star" - "Aboriginee dream" rap during "Sugar Magnolia" Notes:This file required hours of editing to bring it to its best digital quality.Fades have been applied to the beginning and end of alot of songs.It does not hurt the quality.When recorded,pause was used between songs to save space on the cassette Master.This was a common practice on most analog cassettes taped then.we tried to save as much space as possible when we could back then.Coyotte did a great job of hitting pause at the right times.no music was lost except a few seconds between truckin' and Space.I blended this the best I could using Soundforge 8.0,but you wont notice it.This is the first of many of Coyotte's FOB Masters being released for you all to enjoy. Many more unrealeased sources of his will follow this.be on the lookout,his recordings are really great. Enjoy this and please feel free to leave comments,or let me know if there are any problems I missed.( I dont think there are any....but you never know.) please note during wharfrat,there is a huge lightning strike that distorts the pa for a few seconds after getting charged with 50,000 volts..lol..and the PHIL BOMBS that follow... M.T. A special thanks for Rick for making these possible for everyone to enjoy!!!