RELISTENTOTHE Grateful Dead
Re
Bands
Featured
Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 10th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h57177
7d2.1k285
30d29.8k4.2k
49 shows
341 tapes
1994
8.7k
PlaybackListensHours
48h2k252
7d1.8k240
30d8.7k1.2k
85 shows
460 tapes
1993
39.3k
PlaybackListensHours
48h2.4k299
7d9k1.2k
30d39.3k5.2k
83 shows
656 tapes
1992
37k
PlaybackListensHours
48h1.5k197
7d4.8k614
30d37k4.9k
57 shows
539 tapes
1991
35k
PlaybackListensHours
48h2.9k419
7d11.7k1.6k
30d35k4.8k
78 shows
973 tapes
1990
38.5k
PlaybackListensHours
48h9.4k1.1k
7d9.3k1.2k
30d38.5k5k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.5k304
7d6.5k807
30d47k5.9k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.1k133
7d2.7k310
30d21k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h2k225
7d4.7k520
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h76687
7d1.8k197
30d11.7k1.3k
47 shows
684 tapes
1985
21.3k
PlaybackListensHours
48h1.7k191
7d3.7k437
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h5.4k626
7d2.6k335
30d15.3k2k
67 shows
1,075 tapes
1983
33.4k
PlaybackListensHours
48h1.2k158
7d3k402
30d33.4k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k143
7d3.8k466
30d41.6k5.2k
63 shows
753 tapes
1981
45.9k
PlaybackListensHours
48h1.8k232
7d4.5k573
30d45.9k5.8k
92 shows
868 tapes
1980
69.5k
PlaybackListensHours
48h2.7k303
7d14.6k1.6k
30d69.5k8.1k
91 shows
794 tapes
1979
22.9k
PlaybackListensHours
48h1.4k206
7d2.9k413
30d22.9k3.2k
79 shows
600 tapes
1978
51.7k
PlaybackListensHours
48h1.9k251
7d5.7k756
30d51.7k7.1k
87 shows
592 tapes
1977
285.6k
PlaybackListensHours
48h17.1k2.3k
7d36.3k5.1k
30d285.6k39.4k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h11.5k1.6k
7d8.9k1.2k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h34036
7d1.8k162
30d6.3k644
25 shows
63 tapes
1974
98.8k
PlaybackListensHours
48h4.2k553
7d12.3k1.6k
30d98.8k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h10.4k1.4k
7d8.9k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
68.1k
PlaybackListensHours
48h2.1k272
7d6.8k827
30d68.1k8.3k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.7k196
7d4.1k452
30d33.5k3.8k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.8k197
7d15.5k1.6k
30d45k4.8k
101 shows
376 tapes
1969
26.5k
PlaybackListensHours
48h1.1k167
7d6.2k1k
30d26.5k4k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h72390
7d1.3k168
30d6.9k870
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9815
7d27740
30d1.5k206
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h41826
7d55340
30d7.8k523
32 shows
78 tapes
1965
576
PlaybackListensHours
48h654
7d885
30d57633
2 shows
2 tapes
1983
6/20/83
Minglewood Blues
9:55
They Love Each Other
9:44
Little Red Rooster
9:20
Peggy-O
7:47
My Brother Esau
5:21
Tennessee Jed
8:10
Hell In A Bucket
6:27
West L.A. Fadeaway
7:31
The Music Never Stopped
9:19
China Cat Sunflower ->
7:33
I Know You Rider
6:15
Samson And Delilah
7:54
He's Gone ->
12:11
Truckin' -> Jam ->
11:21
Space ->
5:09
Bob Star ->
1:06
The Other One ->
4:38
Wharf Rat ->
8:23
Sugar Magnolia
11:29
It's All Over Now, Baby Blue
7:20
FIN
View on archive.org
Sources
Taper: Jim Vita
2:48:43
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-06-20.163432.senn421.vita.miller.clugston.flac2496
Source:
Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics (18th row, center) > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k .wav) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Chris Hecht for the AKG D330BT Sennheiser 421 blend source which supplies the crowd and first notes of "China Cat Sunflower" (0:16 total), as well as the end of the Jam out of "Truckin'" and "Drums" (8:23 total) - Pitch Corrected Mastered by Scott Clugston August 2022
Taper: Jim Vita
2:48:43
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-06-20.163431.senn421.vita.miller.clugston.flac1648
Source:
Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics (18th row, center) > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k .wav) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Chris Hecht for the AKG D330BT Sennheiser 421 blend source which supplies the crowd and first notes of "China Cat Sunflower" (0:16 total), as well as the end of the Jam out of "Truckin'" and "Drums" (8:23 total) - Pitch Corrected Mastered by Scott Clugston August 2022
Taper: Chris Hecht
2:44:04
Rating:
10.00 / 2 ratings
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-06-20.148016.fob.akg.d330bt.senn421.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to David Minor and Matt Vernon for the shnid83762 Sony 939LT source which supplies the crowd and first notes of "China Cat Sunflower" (0:25 total), as well as a 0:53 patch in the pre-drums "Jam" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston August 2019
Taper: Chris Hecht
2:44:04
Rating:
10.00 / 1 rating
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-06-20.148015.fob.akg.d330bt.senn421.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to David Minor and Matt Vernon for the shnid83762 Sony 939LT source which supplies the crowd and first notes of "China Cat Sunflower" (0:25 total), as well as a 0:53 patch in the pre-drums "Jam" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston August 2019
Taper: Dave Barfield and David Lane
2:15:36
Taper:
Dave Barfield and David Lane
Transferrer:
david barfield
SHNID:
gd1983-06-20.140672.nak300.barfield.lane.flac2496
Source:
source: nak 300 (location ?) > tcd5m MX90 +dolby > master > tascam 122mkii > apogee rosetta 200 (24/96) > audacity (normalize, tracks, fades) > flac2496 > act (tags, checksums); recorded: david lane + david barfield; transferred/seeded: barfield
Taper Notes:
View NotesNOTE: 3 songs top of show missing due to loop traffic +utter chaos at venue (GONE — New Minglewood Blues They Love Each Other Little Red Rooster)
Taper: chasingwilma
2:44:21
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1983-06-20.119816.aud.chasingwilma.flac24
Source:
source: (3) audio technica atm11> d-5; conversion: sony tc we435> soundcard> cdwave 44100/stereo/24 bit> traders little helper encoding option 8
Taper: Da Weez
2:42:36
Rating:
10.00 / 1 rating
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1983-06-20.117531.Sennheiser421.daweez.d5scott.flac16
Source:
source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (origional record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notesnote: * with "Bob Star" --------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Bob Morris
2:43:22
Taper:
Bob Morris
Transferrer:
Bob Morris
SHNID:
gd1983-06-20.nak300.morris.102042.sbeok.flac16
Source:
Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Recorded from Section Right Loge, Row J, Seat 208
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper: David Minor
2:55:40
Rating:
9.00 / 3 ratings
Taper:
David Minor
Transferrer:
David Minor and Matt Vernon
SHNID:
gd1983-06-20.fob.minor.vernon.83762.sbeok.flac16
Source:
fob about the 12th row ctr. or so with a sony 939lt stereo - single point mic > d6
Lineage:
MAC > CD > EAC > Cool Edit Pro > CDWAV > flac16 level 8
Taper Notes:
View Notesshow notes - final "Bob Star" - "Aboriginee dream" rap during "Sugar Magnolia" - lightning throughout show causes some PA volumne drops source notes - volume adjustment at the start of Minglewood (could be PA?) - tape pause after Peggy-O - tape flip after My Brother Esau - minor volume change in West LA near end (could be PA?) - drop the tuning/crowd track from disk 1 to fit onto 80 minute audio cd - about 12 secs from patch source 32795 in Truckin' after verses completed - most of drums from shnid 11931 (this source has left channel limited clipped ), shnid 32795 also was missing drums "We didn't record drums since that would've taken one extra flip and with the weather" shnid 32643 was also missing the same segment in drumz not covered by this source and 11931. Patch Source 1 : Nakamichi 300's > Sony TCD5M > Sony D-6 Maxell XLIIS Master (Dean Grabski recording) shnid 32795 Patch Source 2 (Most of Drums) : FOB-Sennheiser 421>MasterCass>Dat>CD shnid 11931 Conversion tracking etc by Matt Vernon
Taper: Dean Grabski
2:36:53
Rating:
9.29 / 29 ratings
Taper:
Dean Grabski
Transferrer:
Dean Grabski
SHNID:
gd1983-06-20.nak300.grabski.32795.sbefail.flac16
Source:
Nakamichi 300's > Sony TCD5M > Sony D-6 Maxell XLIIS Master (outside in the insane weather and thick sound!) Thanks to Ted (?) for the patch.
Lineage:
Maxell XLIIS Master > Nakamichi DR-3 > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1
Taper Notes:
View NotesLocation: Outside on the lawn, slightly right of center about 30 ft from the repeaters. The sound was incredibly clear - of course you can hear the rain during quieter parts of the second set, but for those there it just adds to the intensity of the listening experience. Notes: This is one of the most memorable Grateful Dead concerts I've attended. The weather and band were incredibly fierce. There are so many vivid memories of this night - of course the intense weather; there were record rainfall amounts set and huge bright lightning bolts filling the sky. The thoughts that go through ones head when lightning is crackling all over the place and you have an aluminum microphone stand (lightning arrestor) up in the air with a tape deck wired directly to your chest! Were we dedicated, insane or both? I remember the microphones owner dressed up in sailing foul weather gear looking like a mad ship captain around the mast -"ah mate bring it on".. There were others patched out of me and another rig or two set up during the 1st set but they all bailed shortly into the 2nd set or during the break. During the 2nd set there were a few times when the power would go out, it's pretty wild to listen to since you can hear the stunned audience come up from the silence, then the power comes on with a speaker pop and Phil just wails! Walking out I was completely stunned by the whole experience, getting into my car and trying to find a hotel since there was no way we were going to try to camp that night? Sorry for taking so long to share it with you. Flaws: We didn't record drums since that would've taken one extra flip and with the weather
Taper: Richard Colyard
2:37:45
Taper:
Richard Colyard
Transferrer:
MULETAPER
SHNID:
gd1983-06-20.fob.senn421.coyotte.muletaper.32643.sbeok.flac16
Source:
FOB-35FT off Stage@10ft 2 Sennheiser Md421's>Sony TCD5>Maxell XL2 Cassettes
Lineage:
Sony TCD21>Soundforge 8.0(record,resample,fades,anti-alias filter in highest setting)>CDWav(tracks)>Flacfrontend(flac16bit)
Taper Notes:
View Notesfinal "Bob Star" - "Aboriginee dream" rap during "Sugar Magnolia" Notes:This file required hours of editing to bring it to its best digital quality.Fades have been applied to the beginning and end of alot of songs.It does not hurt the quality.When recorded,pause was used between songs to save space on the cassette Master.This was a common practice on most analog cassettes taped then.we tried to save as much space as possible when we could back then.Coyotte did a great job of hitting pause at the right times.no music was lost except a few seconds between truckin' and Space.I blended this the best I could using Soundforge 8.0,but you wont notice it.This is the first of many of Coyotte's FOB Masters being released for you all to enjoy. Many more unrealeased sources of his will follow this.be on the lookout,his recordings are really great. Enjoy this and please feel free to leave comments,or let me know if there are any problems I missed.( I dont think there are any....but you never know.) please note during wharfrat,there is a huge lightning strike that distorts the pa for a few seconds after getting charged with 50,000 volts..lol..and the PHIL BOMBS that follow... M.T. A special thanks for Rick for making these possible for everyone to enjoy!!!
Source 12 of 13
2:47:06
Rating:
9.03 / 35 ratings
SHNID:
gd83-06-20.fob-senn.sws.11931.sbeok.shnf
Source:
Set 1 and Set 2 up to Drums is: FOB-Sennheiser 421>MasterCass>Dat>CD
Taper Notes:
View NotesSet 1 and Set 2 up to Drums is: FOB-Sennheiser 421>MasterCass>Dat>CD; Set 2 From Space to Sugar Mags is FOB-Sennheiser 441>PCM>Dat>CD; Seeded to etree by SWS
Taper: J. Silberman
1:26:55
Rating:
8.33 / 6 ratings
Taper:
J. Silberman
Transferrer:
PWS
SHNID:
gd1983-06-20.aud-set2.silberman.3926.sbeok.shnf
Source:
Sen. 441 -> D5 -> Dat
Lineage:
Pan SV3700 -> Za2 -> .shn
Taper Notes:
View NotesNotes: Just before the start of the set, listen for the thunder in the background. At several points during the show the power goes outand back on, creating a big pop. Distortion in Wharf Rat is on the master.