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1983
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June 17th
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1995
30.9k
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1993
38.6k
83 shows
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46.1k
57 shows
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1991
43k
78 shows
973 tapes
1990
51.1k
78 shows
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1989
48.5k
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1988
20.2k
82 shows
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1987
43k
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1986
12.7k
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1985
28.5k
73 shows
1,357 tapes
1984
27.2k
67 shows
1,075 tapes
1983
20.6k
71 shows
1,069 tapes
1982
42.4k
63 shows
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1981
30.4k
92 shows
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1980
70.9k
91 shows
794 tapes
1979
21.2k
79 shows
608 tapes
1978
38k
87 shows
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1977
253k
64 shows
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1976
99.8k
45 shows
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1975
6.3k
25 shows
63 tapes
1974
88.3k
42 shows
324 tapes
1973
90.5k
75 shows
445 tapes
1972
58.6k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
38.8k
101 shows
376 tapes
1969
28.5k
112 shows
326 tapes
1968
7.7k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8.2k
32 shows
78 tapes
1965
638
2 shows
2 tapes
1983
6/18/83
Scarlet Begonias ->
14:32
Fire On The Mountain
14:03
Playing In The Band ->
18:24
Drums ->
5:20
Space ->
7:59
The Wheel ->
6:54
Playing In The Band ->
3:14
Morning Dew ->
11:21
Throwing Stones ->
9:44
Not Fade Away ->
6:39
Touch Of Grey
6:52
FIN
View on archive.org
Sources
Taper: Chris Hecht
2:47:55
Rating:
7.33 / 3 ratings
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-06-18.148044.akg.d330bt.senn421.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and Charlie Miller for the shnid103285 Sennheiser 421 source which supplies the Crowd and first 0:05 of "Bertha" (0:11 total), the final 3:24 of "Deal, the crowd and first 0:07 of "Scarlet Begonias" (0:27 total), a 4:15 patch in "Drums > Space", as well as a 0:16 patch in the "Not Fade Away > Touch Of Grey" transition - Pitch corrected Mastered by Scott Clugston September 2019
Taper: Chris Hecht
2:47:55
Rating:
4.00 / 1 rating
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-06-18.148043.akg.d330bt.senn421.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and Charlie Miller for the shnid103285 Sennheiser 421 source which supplies the Crowd and first 0:05 of "Bertha" (0:11 total), the final 3:24 of "Deal, the crowd and first 0:07 of "Scarlet Begonias" (0:27 total), a 4:15 patch in "Drums > Space", as well as a 0:16 patch in the "Not Fade Away > Touch Of Grey" transition - Pitch corrected Mastered by Scott Clugston September 2019
Taper: Recorded by Jeff Silberman PCM to DAT Transfer by Jeff Silberman
1:45:36
Rating:
10.00 / 1 rating
Taper:
Recorded by Jeff Silberman PCM to DAT Transfer by Jeff Silberman
Transferrer:
DAT Transfer by John Ammons Edited & Mastered (Adobe Audition) by Joe Noel November 05, 2021
SHNID:
gd1983-06-18.154660.S2.Senn441-FRB-PCM-DAT.Silberman-Ammons-Noel.t-flac16
Source:
Source: Sennheiser 441 > Technics 14 bit PCM > DAT Location: Front Row Balcony
Lineage:
Transfer info: PCM VHS Master > Sony PCM 2500 DAT recorder @ 44.1kHz (by Jeff); Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 @ 44.1K > Wave (by John)
Taper Notes:
View NotesNotes: - upgrade to shnid 21741, 103293 & 143267 - Jeff's first digital recording - Due to rain Jeff did not record the first set as he didn't want to risk his new digital gear. - Brent offer's hints of Johnny Nash's "I Can See Clearly Now" at the onset of Scarlet. - There's a little 2 minute jam that occurs between FotM & PitB - encore is missing
Taper: Executive Crew Fran Walsh Kyle Holbrook Mike Yacavone Olvy Johnson Rick Cantor
2:37:36
Rating:
10.00 / 1 rating
Taper:
Executive Crew Fran Walsh Kyle Holbrook Mike Yacavone Olvy Johnson Rick Cantor
Transferrer:
Kyle Holbrook
SHNID:
gd1983-06-18.142271.beyer201.executive-crew.holbrook.flac2448
Source:
<b/>flac24/48 </b> Master: AUD MC Beyer M201's X-Y 8'up > Sony TCD5M no dolby Maxell MX90 x 2.First Gen patch: [Same mics]Sony TCD5M no dolby Maxell UDXLII 90Cassette copy: Sony TCD5M> Denon DR330 Location: ~150 feet from stage, 40 feet from lawn rail on lawn DFC
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8.
Taper Notes:
View Notesshow notes Very unique segue between Morning Dew and Throwing Stones. Recording Notes ** on Master we overtaped from 1/3 through Big River until end Althea by putting side A tape 1 in deck rather than side B at the tape swap between Throwing Stones and Not Fade Away. Fortunately, we had several patchers and the first in line, Sony TCD5M had the clean copy so the Big River|Althea is 1st gen. / paused between songs while band tuned # Something changes at 2:38 a speaker or amp blows then they crank it up. ^ 7:38 they pop white noise through the PA twice //! missing most of drums and some space- deck must have shut off without us noticing. & Another wild change in volume as the vocals get much louder /// Tape swap; fade out at start of Touch of Grey, missed about 10 seconds Our location was directly in front of one repeater stack consisting of 2 Meyer UPA1's. At some point (#) the vocals got overdriven in that stack, maybe one amp blew, but the vocal sound is oddly overdriven while the rest of the sound is not. We have been led to believe the PA system's repeater delay stacks must have malfunctioned during most of this second set.
Taper: Executive Crew Fran Walsh Kyle Holbrook Mike Yacavone Olvy Johnson Rick Cantor
2:37:36
Taper:
Executive Crew Fran Walsh Kyle Holbrook Mike Yacavone Olvy Johnson Rick Cantor
Transferrer:
Kyle Holbrook
SHNID:
gd1983-06-18.142270.beyer201.executive-crew.holbrook.flac1644
Source:
<b/>flac16 44.1khz </b> Master: AUD MC Beyer M201's X-Y 8'up > Sony TCD5M no dolby. Maxell MX90 x 2. First Gen patch: [Same mics]Sony TCD5M no dolby Maxell UDXLII 90. Cassette copy: Sony TCD5M> Denon DR330 Location: ~150 feet from stage, 40 feet from lawn rail on lawn DFC
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View Notesshow notes Very unique segue between Morning Dew and Throwing Stones. Recording Notes ** on Master we overtaped from 1/3 through Big River until end Althea by putting side A tape 1 in deck rather than side B at the tape swap between Throwing Stones and Not Fade Away. Fortunately, we had several patchers and the first in line, Sony TCD5M had the clean copy so the Big River|Althea is 1st gen. / paused between songs while band tuned # Something changes at 2:38 a speaker or amp blows then they crank it up. ^ 7:38 they pop white noise through the PA twice //! missing most of drums and some space- deck must have shut off without us noticing. & Another wild change in volume as the vocals get much louder /// Tape swap; fade out at start of Touch of Grey, missed about 10 seconds Our location was directly in front of one repeater stack consisting of 2 Meyer UPA1's. At some point (#) the vocals got overdriven in that stack, maybe one amp blew, but the vocal sound is oddly overdriven while the rest of the sound is not. We have been led to believe the PA system's repeater delay stacks must have malfunctioned during most of this second set.
Taper: Jeff Silberman
1:45:40
Rating:
7.50 / 4 ratings
Taper:
Jeff Silberman
Transferrer:
Keo
SHNID:
gd1983-06-18.Senn441.PCM.Keo.124473.Flac1644
Taper Notes:
View Notes* Please Note We Are Not 100% sure Of The Actual Lineage Before The DAT Copy Used For This Tape!* ** My Recollection From This Time Frame and My Tape Was My Friend Made Several Copies To Tapes (Multiple Decks Used At Once) For His Friends From The DATS He Received. Most Likely From Listening To This Tape It Came From One Of Those Dubbing Sessions.Though A Very Slight Possibility It Was Put To PCM Before He Dubbed To My Tape. Again Having Multiple Tapes Dubbed From His PCM Most Likely Not! ** Comments:While Listening to another PCM source of this show I remembered this tape tucked away.In the time frame (Early 90's) When I received this tape I was graced to have access of complete shows of my friends masters fresh off of tour, needless to say they took a higher priorty listening to them then this one did. Some distortion in some areas and a few small digi snits from somewhere in the lineage, still all in all a nice listen!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Jeff Silberman
1:45:40
Taper:
Jeff Silberman
Transferrer:
Keo
SHNID:
gd1983-06-18.Senn441.PCM.Keo.124469.Flac2496
Taper Notes:
View Notes* Please Note We Are Not 100% sure Of The Actual Lineage Before The DAT Copy Used For This Tape!* ** My Recollection From This Time Frame and My Tape Was My Friend Made Several Copies To Tapes (Multiple Decks Used At Once) For His Friends From The DATS He Received. Most Likely From Listening To This Tape It Came From One Of Those Dubbing Sessions.Though A Very Slight Possibility It Was Put To PCM Before He Dubbed To My Tape. Again Having Multiple Tapes Dubbed From His PCM Most Likely Not! ** Comments:While Listening to another PCM source of this show I remembered this tape tucked away.In the time frame (Early 90's) When I received this tape I was graced to have access of complete shows of my friends masters fresh off of tour, needless to say they took a higher priorty listening to them then this one did. Some distortion in some areas and a few small digi snits from somewhere in the lineage, still all in all a nice listen!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!