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Today In History
June 6th
5 shows
39 tapes
Years
1995
29.2k
PlaybackListensHours
48h2k277
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h61687
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h5.2k697
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.5k198
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h3.7k481
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.7k355
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.5k441
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k155
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.6k283
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h78989
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k237
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.5k193
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k186
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k237
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.2k283
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.8k682
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.3k182
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h5.4k700
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h13.9k1.9k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h6.9k960
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h87273
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.4k554
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.3k564
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.3k408
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.2k248
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h8.3k820
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k579
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h60575
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h14521
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h36526
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h433
7d1277
30d57234
2 shows
2 tapes
1983
6/18/83
crowd / tuning
1:41
Scarlet Begonias ->
13:09
Fire on the Mountain ->
14:29
Playing in the Band ->
18:23
Drums ->
5:21
Space ->
7:21
The Wheel ->
7:04
Playing in the Band (reprise) ->
3:32
Morning Dew
11:12
Throwing Stones ->
9:52
Not Fade Away ->
6:42
Touch of Grey
6:50
FIN
View on archive.org
Sources
Taper: Chris Hecht
2:47:55
Rating:
7.33 / 3 ratings
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-06-18.148044.akg.d330bt.senn421.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and Charlie Miller for the shnid103285 Sennheiser 421 source which supplies the Crowd and first 0:05 of "Bertha" (0:11 total), the final 3:24 of "Deal, the crowd and first 0:07 of "Scarlet Begonias" (0:27 total), a 4:15 patch in "Drums > Space", as well as a 0:16 patch in the "Not Fade Away > Touch Of Grey" transition - Pitch corrected Mastered by Scott Clugston September 2019
Taper: Chris Hecht
2:47:55
Rating:
4.00 / 1 rating
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-06-18.148043.akg.d330bt.senn421.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and Charlie Miller for the shnid103285 Sennheiser 421 source which supplies the Crowd and first 0:05 of "Bertha" (0:11 total), the final 3:24 of "Deal, the crowd and first 0:07 of "Scarlet Begonias" (0:27 total), a 4:15 patch in "Drums > Space", as well as a 0:16 patch in the "Not Fade Away > Touch Of Grey" transition - Pitch corrected Mastered by Scott Clugston September 2019
Taper: Rudy Huston
2:48:33
Rating:
9.20 / 16 ratings
Taper:
Rudy Huston
Transferrer:
Charlie Miller
SHNID:
gd1983-06-18.beyer.huston.miller.105236.flac16
Source:
(2) Beyer M160 + (1) Beyer M88 -> Cassette Master (Nakamichi 550/TDK SA90/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Best Morning Dew ever!!! -- Each set sounds different due to mic placement and mic mix -- Thanks to Rudy Huston for lending me his master cassettes -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Jeff Silberman
1:44:52
Rating:
10.00 / 7 ratings
Taper:
Jeff Silberman
Transferrer:
Charlie Miller
SHNID:
gd1983-06-18.set2.senn441.silberman.miller.103293.flac16
Source:
(Front Row Balcony) Sennheiser 441 -> PCM -> Dat -> CD -> Dat
Lineage:
Dat (Sony D8) -> Behringer UltraMatch SRC 2000 -> CD (Tascam CDRW700) -> Samplitude Professional v10.22 -> FLAC
Taper Notes:
View NotesNotes: -- Disc change is seamless -- This is a re-master of shnid=21741 -- I fixed the emphasis setting and made disc change seamless -- Recorded by Jeff Silberman -- Best Morning Dew ever!!!
Taper: Jim Wise
2:50:53
Rating:
8.50 / 9 ratings
Taper:
Jim Wise
Transferrer:
Charlie Miller
SHNID:
gd1983-06-18.senn421.wise.miller.103285.flac16
Source:
Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Best Morning Dew ever!!! -- Recorded By Jim Wise -- Thanks to Jim Wise for lending me his master cassettes -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Recorded by Jeff Silberman PCM to DAT Transfer by Jeff Silberman
1:45:36
Rating:
10.00 / 1 rating
Taper:
Recorded by Jeff Silberman PCM to DAT Transfer by Jeff Silberman
Transferrer:
DAT Transfer by John Ammons Edited & Mastered (Adobe Audition) by Joe Noel November 05, 2021
SHNID:
gd1983-06-18.154660.S2.Senn441-FRB-PCM-DAT.Silberman-Ammons-Noel.t-flac16
Source:
Source: Sennheiser 441 > Technics 14 bit PCM > DAT Location: Front Row Balcony
Lineage:
Transfer info: PCM VHS Master > Sony PCM 2500 DAT recorder @ 44.1kHz (by Jeff); Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 @ 44.1K > Wave (by John)
Taper Notes:
View NotesNotes: - upgrade to shnid 21741, 103293 & 143267 - Jeff's first digital recording - Due to rain Jeff did not record the first set as he didn't want to risk his new digital gear. - Brent offer's hints of Johnny Nash's "I Can See Clearly Now" at the onset of Scarlet. - There's a little 2 minute jam that occurs between FotM & PitB - encore is missing
Taper: Unknown
1:43:27
REMASTER
Rating:
9.00 / 2 ratings
Transferrer:
Beerengineer
SHNID:
gd1983-06-18.143267.partial-set2.Beerengineer.flac1644
Taper Notes:
View NotesRemasterd Beerengineer On 10-05 18 %% Missing Music Scarlet Begonias 600.0 to 602.0 If Some Wants To Patch< CONCACT ME THRU DIME> Ive Heard 5 Copys Of This Show The Lawn Mixes Dont Sound Right After Remastering This From The Ampitheater Pcm Copy Sounds Very Good This Show is In My Top 5 2Nd Sets that Ive Seen This Says It All
Taper: Executive Crew Fran Walsh Kyle Holbrook Mike Yacavone Olvy Johnson Rick Cantor
2:37:36
Rating:
10.00 / 1 rating
Taper:
Executive Crew Fran Walsh Kyle Holbrook Mike Yacavone Olvy Johnson Rick Cantor
Transferrer:
Kyle Holbrook
SHNID:
gd1983-06-18.142271.beyer201.executive-crew.holbrook.flac2448
Source:
<b/>flac24/48 </b> Master: AUD MC Beyer M201's X-Y 8'up > Sony TCD5M no dolby Maxell MX90 x 2.First Gen patch: [Same mics]Sony TCD5M no dolby Maxell UDXLII 90Cassette copy: Sony TCD5M> Denon DR330 Location: ~150 feet from stage, 40 feet from lawn rail on lawn DFC
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8.
Taper Notes:
View Notesshow notes Very unique segue between Morning Dew and Throwing Stones. Recording Notes ** on Master we overtaped from 1/3 through Big River until end Althea by putting side A tape 1 in deck rather than side B at the tape swap between Throwing Stones and Not Fade Away. Fortunately, we had several patchers and the first in line, Sony TCD5M had the clean copy so the Big River|Althea is 1st gen. / paused between songs while band tuned # Something changes at 2:38 a speaker or amp blows then they crank it up. ^ 7:38 they pop white noise through the PA twice //! missing most of drums and some space- deck must have shut off without us noticing. & Another wild change in volume as the vocals get much louder /// Tape swap; fade out at start of Touch of Grey, missed about 10 seconds Our location was directly in front of one repeater stack consisting of 2 Meyer UPA1's. At some point (#) the vocals got overdriven in that stack, maybe one amp blew, but the vocal sound is oddly overdriven while the rest of the sound is not. We have been led to believe the PA system's repeater delay stacks must have malfunctioned during most of this second set.
Taper: Executive Crew Fran Walsh Kyle Holbrook Mike Yacavone Olvy Johnson Rick Cantor
2:37:36
Taper:
Executive Crew Fran Walsh Kyle Holbrook Mike Yacavone Olvy Johnson Rick Cantor
Transferrer:
Kyle Holbrook
SHNID:
gd1983-06-18.142270.beyer201.executive-crew.holbrook.flac1644
Source:
<b/>flac16 44.1khz </b> Master: AUD MC Beyer M201's X-Y 8'up > Sony TCD5M no dolby. Maxell MX90 x 2. First Gen patch: [Same mics]Sony TCD5M no dolby Maxell UDXLII 90. Cassette copy: Sony TCD5M> Denon DR330 Location: ~150 feet from stage, 40 feet from lawn rail on lawn DFC
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View Notesshow notes Very unique segue between Morning Dew and Throwing Stones. Recording Notes ** on Master we overtaped from 1/3 through Big River until end Althea by putting side A tape 1 in deck rather than side B at the tape swap between Throwing Stones and Not Fade Away. Fortunately, we had several patchers and the first in line, Sony TCD5M had the clean copy so the Big River|Althea is 1st gen. / paused between songs while band tuned # Something changes at 2:38 a speaker or amp blows then they crank it up. ^ 7:38 they pop white noise through the PA twice //! missing most of drums and some space- deck must have shut off without us noticing. & Another wild change in volume as the vocals get much louder /// Tape swap; fade out at start of Touch of Grey, missed about 10 seconds Our location was directly in front of one repeater stack consisting of 2 Meyer UPA1's. At some point (#) the vocals got overdriven in that stack, maybe one amp blew, but the vocal sound is oddly overdriven while the rest of the sound is not. We have been led to believe the PA system's repeater delay stacks must have malfunctioned during most of this second set.
Taper: Doug Lamarre
2:48:38
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1983-06-18.138860.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; nakamichi 300 shotguns* > sony d5; maxell xlIIS90’s, dolby b; lawn, center; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
Taper: Doug Lamarre
2:48:38
Rating:
8.00 / 1 rating
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1983-06-18.138859.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; nakamichi 300 shotguns* > sony d5; maxell xlIIS90’s, dolby b; lawn, center; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
Taper: Jeff Silberman
1:45:40
Rating:
7.50 / 4 ratings
Taper:
Jeff Silberman
Transferrer:
Keo
SHNID:
gd1983-06-18.Senn441.PCM.Keo.124473.Flac1644
Taper Notes:
View Notes* Please Note We Are Not 100% sure Of The Actual Lineage Before The DAT Copy Used For This Tape!* ** My Recollection From This Time Frame and My Tape Was My Friend Made Several Copies To Tapes (Multiple Decks Used At Once) For His Friends From The DATS He Received. Most Likely From Listening To This Tape It Came From One Of Those Dubbing Sessions.Though A Very Slight Possibility It Was Put To PCM Before He Dubbed To My Tape. Again Having Multiple Tapes Dubbed From His PCM Most Likely Not! ** Comments:While Listening to another PCM source of this show I remembered this tape tucked away.In the time frame (Early 90's) When I received this tape I was graced to have access of complete shows of my friends masters fresh off of tour, needless to say they took a higher priorty listening to them then this one did. Some distortion in some areas and a few small digi snits from somewhere in the lineage, still all in all a nice listen!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Jeff Silberman
1:45:40
Taper:
Jeff Silberman
Transferrer:
Keo
SHNID:
gd1983-06-18.Senn441.PCM.Keo.124469.Flac2496
Taper Notes:
View Notes* Please Note We Are Not 100% sure Of The Actual Lineage Before The DAT Copy Used For This Tape!* ** My Recollection From This Time Frame and My Tape Was My Friend Made Several Copies To Tapes (Multiple Decks Used At Once) For His Friends From The DATS He Received. Most Likely From Listening To This Tape It Came From One Of Those Dubbing Sessions.Though A Very Slight Possibility It Was Put To PCM Before He Dubbed To My Tape. Again Having Multiple Tapes Dubbed From His PCM Most Likely Not! ** Comments:While Listening to another PCM source of this show I remembered this tape tucked away.In the time frame (Early 90's) When I received this tape I was graced to have access of complete shows of my friends masters fresh off of tour, needless to say they took a higher priorty listening to them then this one did. Some distortion in some areas and a few small digi snits from somewhere in the lineage, still all in all a nice listen!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Joe Morrone
2:57:15
Rating:
8.25 / 9 ratings
Taper:
Joe Morrone
Transferrer:
Andrew F.
SHNID:
gd1983-06-18.beyer-m88.morrone.119438.flac1644
Source:
AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, recorded from inside the pavilion, directly behind the soundboard area, taped by Joe Morrone.
Lineage:
MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2012
Taper Notes:
View NotesP.A. mix improves after first two songs. Patches from ID-103293, Playin' 18:12 > Space 0:25 (5:49 total), and Touch 1:31 > 1:37. CDR's: D1 s1t01 > s1t11, D2 s2t01 > s2t05, D3 s2t06 > s2t14.
Taper: Joe Morrone
2:57:15
Rating:
8.67 / 3 ratings
Taper:
Joe Morrone
Transferrer:
Andrew F.
SHNID:
gd1983-06-18.beyer-m88.morrone.119437.flac2448
Source:
AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, recorded from inside the pavilion, directly behind the soundboard area, taped by Joe Morrone.
Lineage:
MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2012
Taper Notes:
View NotesP.A. mix improves after first two songs. Patches from ID-103293, Playin' 18:12 > Space 0:25 (5:49 total), and Touch 1:31 > 1:37.
Source 16 of 18
1:45:02
Rating:
9.25 / 32 ratings
SHNID:
gd83-06-18.set2.aud-silberman.miller.21741.sbeok.shnf
Source:
Set 2 (Front Row Balcony) Sennheiser 441 -> PCM -> CD -> Dat
Taper Notes:
View Notes(Front Row Balcony) Sennheiser 441 -> PCM -> CD -> Dat
Source 17 of 18
2:50:23
Rating:
9.03 / 35 ratings
SHNID:
gd83-06-18.senn421.nawrocki.14411.sbeok.shnf
Source:
Sennheiser 421's> Sony D-5 taped by Jim Wise
Taper Notes:
View NotesSennheiser 421's> Sony D-5 taped by Jim Wise; cass master> CDR; via Tony Gardner with thanks to Paul Bottiglio; Note-May circ with mislabelled tracks, they would read 6-13-83
Source 18 of 18
2:50:31
Rating:
7.86 / 14 ratings
SHNID:
gd83-06-18.aud.gardner.4605.sbeok.shnf
Source:
Sennheiser 421's> Sony D-5 taped by Jim Wise
Taper Notes:
View NotesSennheiser 421's> Sony D-5 taped by Jim Wise; cass master> CDR; via Tony Gardner with thanks to Paul Bottiglio; Note-May circ with mislabelled tracks, they would read 6-13-83