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Stone House Studio - Rehearsals
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47:22
1
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6/18/83
GD 01 6-18-83 Scarlet-Fire 01-fixed
25:47
GD 02 6-18-83 Playin-Drumz-wheel-Playin- Morning Dew 02-fixed
54:33
GD 03 6-18-83 Throwing Stones-NFA-Touch Of Grey 03-fixed
23:07
FIN
View on archive.org
Sources
Taper: Chris Hecht
2:47:55
Rating:
7.33 / 3 ratings
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-06-18.148044.akg.d330bt.senn421.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View Notes
Notes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and Charlie Miller for the shnid103285 Sennheiser 421 source which supplies the Crowd and first 0:05 of "Bertha" (0:11 total), the final 3:24 of "Deal, the crowd and first 0:07 of "Scarlet Begonias" (0:27 total), a 4:15 patch in "Drums > Space", as well as a 0:16 patch in the "Not Fade Away > Touch Of Grey" transition - Pitch corrected Mastered by Scott Clugston September 2019
Taper: Chris Hecht
2:47:55
Rating:
4.00 / 1 rating
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-06-18.148043.akg.d330bt.senn421.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View Notes
Notes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and Charlie Miller for the shnid103285 Sennheiser 421 source which supplies the Crowd and first 0:05 of "Bertha" (0:11 total), the final 3:24 of "Deal, the crowd and first 0:07 of "Scarlet Begonias" (0:27 total), a 4:15 patch in "Drums > Space", as well as a 0:16 patch in the "Not Fade Away > Touch Of Grey" transition - Pitch corrected Mastered by Scott Clugston September 2019
Taper: Rudy Huston
2:48:33
Rating:
9.20 / 16 ratings
Taper:
Rudy Huston
Transferrer:
Charlie Miller
SHNID:
gd1983-06-18.beyer.huston.miller.105236.flac16
Source:
(2) Beyer M160 + (1) Beyer M88 -> Cassette Master (Nakamichi 550/TDK SA90/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16
Taper Notes:
View Notes
Notes: -- Set 2 is seamless -- Best Morning Dew ever!!! -- Each set sounds different due to mic placement and mic mix -- Thanks to Rudy Huston for lending me his master cassettes -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Jeff Silberman
1:44:52
Rating:
10.00 / 7 ratings
Taper:
Jeff Silberman
Transferrer:
Charlie Miller
SHNID:
gd1983-06-18.set2.senn441.silberman.miller.103293.flac16
Source:
(Front Row Balcony) Sennheiser 441 -> PCM -> Dat -> CD -> Dat
Lineage:
Dat (Sony D8) -> Behringer UltraMatch SRC 2000 -> CD (Tascam CDRW700) -> Samplitude Professional v10.22 -> FLAC
Taper Notes:
View Notes
Notes: -- Disc change is seamless -- This is a re-master of shnid=21741 -- I fixed the emphasis setting and made disc change seamless -- Recorded by Jeff Silberman -- Best Morning Dew ever!!!
Taper: Jim Wise
2:50:53
Rating:
8.50 / 9 ratings
Taper:
Jim Wise
Transferrer:
Charlie Miller
SHNID:
gd1983-06-18.senn421.wise.miller.103285.flac16
Source:
Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16
Taper Notes:
View Notes
Notes: -- Set 2 is seamless -- Best Morning Dew ever!!! -- Recorded By Jim Wise -- Thanks to Jim Wise for lending me his master cassettes -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Recorded by Jeff Silberman PCM to DAT Transfer by Jeff Silberman
1:45:36
Rating:
10.00 / 1 rating
Taper:
Recorded by Jeff Silberman PCM to DAT Transfer by Jeff Silberman
Transferrer:
DAT Transfer by John Ammons Edited & Mastered (Adobe Audition) by Joe Noel November 05, 2021
SHNID:
gd1983-06-18.154660.S2.Senn441-FRB-PCM-DAT.Silberman-Ammons-Noel.t-flac16
Source:
Source: Sennheiser 441 > Technics 14 bit PCM > DAT Location: Front Row Balcony
Lineage:
Transfer info: PCM VHS Master > Sony PCM 2500 DAT recorder @ 44.1kHz (by Jeff); Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 @ 44.1K > Wave (by John)
Taper Notes:
View Notes
Notes: - upgrade to shnid 21741, 103293 & 143267 - Jeff's first digital recording - Due to rain Jeff did not record the first set as he didn't want to risk his new digital gear. - Brent offer's hints of Johnny Nash's "I Can See Clearly Now" at the onset of Scarlet. - There's a little 2 minute jam that occurs between FotM & PitB - encore is missing
Taper: Unknown
1:43:27
REMASTER
Rating:
9.00 / 2 ratings
Transferrer:
Beerengineer
SHNID:
gd1983-06-18.143267.partial-set2.Beerengineer.flac1644
Taper Notes:
View Notes
Remasterd Beerengineer On 10-05 18 %% Missing Music Scarlet Begonias 600.0 to 602.0 If Some Wants To Patch< CONCACT ME THRU DIME> Ive Heard 5 Copys Of This Show The Lawn Mixes Dont Sound Right After Remastering This From The Ampitheater Pcm Copy Sounds Very Good This Show is In My Top 5 2Nd Sets that Ive Seen This Says It All
Taper: Executive Crew Fran Walsh Kyle Holbrook Mike Yacavone Olvy Johnson Rick Cantor
2:37:36
Rating:
10.00 / 1 rating
Taper:
Executive Crew Fran Walsh Kyle Holbrook Mike Yacavone Olvy Johnson Rick Cantor
Transferrer:
Kyle Holbrook
SHNID:
gd1983-06-18.142271.beyer201.executive-crew.holbrook.flac2448
Source:
<b/>flac24/48 </b> Master: AUD MC Beyer M201's X-Y 8'up > Sony TCD5M no dolby Maxell MX90 x 2.First Gen patch: [Same mics]Sony TCD5M no dolby Maxell UDXLII 90Cassette copy: Sony TCD5M> Denon DR330 Location: ~150 feet from stage, 40 feet from lawn rail on lawn DFC
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8.
Taper Notes:
View Notes
show notes Very unique segue between Morning Dew and Throwing Stones. Recording Notes ** on Master we overtaped from 1/3 through Big River until end Althea by putting side A tape 1 in deck rather than side B at the tape swap between Throwing Stones and Not Fade Away. Fortunately, we had several patchers and the first in line, Sony TCD5M had the clean copy so the Big River|Althea is 1st gen. / paused between songs while band tuned # Something changes at 2:38 a speaker or amp blows then they crank it up. ^ 7:38 they pop white noise through the PA twice //! missing most of drums and some space- deck must have shut off without us noticing. & Another wild change in volume as the vocals get much louder /// Tape swap; fade out at start of Touch of Grey, missed about 10 seconds Our location was directly in front of one repeater stack consisting of 2 Meyer UPA1's. At some point (#) the vocals got overdriven in that stack, maybe one amp blew, but the vocal sound is oddly overdriven while the rest of the sound is not. We have been led to believe the PA system's repeater delay stacks must have malfunctioned during most of this second set.
Taper: Executive Crew Fran Walsh Kyle Holbrook Mike Yacavone Olvy Johnson Rick Cantor
2:37:36
Taper:
Executive Crew Fran Walsh Kyle Holbrook Mike Yacavone Olvy Johnson Rick Cantor
Transferrer:
Kyle Holbrook
SHNID:
gd1983-06-18.142270.beyer201.executive-crew.holbrook.flac1644
Source:
<b/>flac16 44.1khz </b> Master: AUD MC Beyer M201's X-Y 8'up > Sony TCD5M no dolby. Maxell MX90 x 2. First Gen patch: [Same mics]Sony TCD5M no dolby Maxell UDXLII 90. Cassette copy: Sony TCD5M> Denon DR330 Location: ~150 feet from stage, 40 feet from lawn rail on lawn DFC
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View Notes
show notes Very unique segue between Morning Dew and Throwing Stones. Recording Notes ** on Master we overtaped from 1/3 through Big River until end Althea by putting side A tape 1 in deck rather than side B at the tape swap between Throwing Stones and Not Fade Away. Fortunately, we had several patchers and the first in line, Sony TCD5M had the clean copy so the Big River|Althea is 1st gen. / paused between songs while band tuned # Something changes at 2:38 a speaker or amp blows then they crank it up. ^ 7:38 they pop white noise through the PA twice //! missing most of drums and some space- deck must have shut off without us noticing. & Another wild change in volume as the vocals get much louder /// Tape swap; fade out at start of Touch of Grey, missed about 10 seconds Our location was directly in front of one repeater stack consisting of 2 Meyer UPA1's. At some point (#) the vocals got overdriven in that stack, maybe one amp blew, but the vocal sound is oddly overdriven while the rest of the sound is not. We have been led to believe the PA system's repeater delay stacks must have malfunctioned during most of this second set.
Taper: Doug Lamarre
2:48:38
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1983-06-18.138860.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; nakamichi 300 shotguns* > sony d5; maxell xlIIS90’s, dolby b; lawn, center; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
Taper: Doug Lamarre
2:48:38
Rating:
8.00 / 1 rating
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1983-06-18.138859.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; nakamichi 300 shotguns* > sony d5; maxell xlIIS90’s, dolby b; lawn, center; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
Taper: Jeff Silberman
1:45:40
Rating:
7.20 / 5 ratings
Taper:
Jeff Silberman
Transferrer:
Keo
SHNID:
gd1983-06-18.Senn441.PCM.Keo.124473.Flac1644
Taper Notes:
View Notes
* Please Note We Are Not 100% sure Of The Actual Lineage Before The DAT Copy Used For This Tape!* ** My Recollection From This Time Frame and My Tape Was My Friend Made Several Copies To Tapes (Multiple Decks Used At Once) For His Friends From The DATS He Received. Most Likely From Listening To This Tape It Came From One Of Those Dubbing Sessions.Though A Very Slight Possibility It Was Put To PCM Before He Dubbed To My Tape. Again Having Multiple Tapes Dubbed From His PCM Most Likely Not! ** Comments:While Listening to another PCM source of this show I remembered this tape tucked away.In the time frame (Early 90's) When I received this tape I was graced to have access of complete shows of my friends masters fresh off of tour, needless to say they took a higher priorty listening to them then this one did. Some distortion in some areas and a few small digi snits from somewhere in the lineage, still all in all a nice listen!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Jeff Silberman
1:45:40
Taper:
Jeff Silberman
Transferrer:
Keo
SHNID:
gd1983-06-18.Senn441.PCM.Keo.124469.Flac2496
Taper Notes:
View Notes
* Please Note We Are Not 100% sure Of The Actual Lineage Before The DAT Copy Used For This Tape!* ** My Recollection From This Time Frame and My Tape Was My Friend Made Several Copies To Tapes (Multiple Decks Used At Once) For His Friends From The DATS He Received. Most Likely From Listening To This Tape It Came From One Of Those Dubbing Sessions.Though A Very Slight Possibility It Was Put To PCM Before He Dubbed To My Tape. Again Having Multiple Tapes Dubbed From His PCM Most Likely Not! ** Comments:While Listening to another PCM source of this show I remembered this tape tucked away.In the time frame (Early 90's) When I received this tape I was graced to have access of complete shows of my friends masters fresh off of tour, needless to say they took a higher priorty listening to them then this one did. Some distortion in some areas and a few small digi snits from somewhere in the lineage, still all in all a nice listen!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Joe Morrone
2:57:15
Rating:
8.25 / 9 ratings
Taper:
Joe Morrone
Transferrer:
Andrew F.
SHNID:
gd1983-06-18.beyer-m88.morrone.119438.flac1644
Source:
AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, recorded from inside the pavilion, directly behind the soundboard area, taped by Joe Morrone.
Lineage:
MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2012
Taper Notes:
View Notes
P.A. mix improves after first two songs. Patches from ID-103293, Playin' 18:12 > Space 0:25 (5:49 total), and Touch 1:31 > 1:37. CDR's: D1 s1t01 > s1t11, D2 s2t01 > s2t05, D3 s2t06 > s2t14.
Taper: Joe Morrone
2:57:15
Rating:
8.67 / 3 ratings
Taper:
Joe Morrone
Transferrer:
Andrew F.
SHNID:
gd1983-06-18.beyer-m88.morrone.119437.flac2448
Source:
AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, recorded from inside the pavilion, directly behind the soundboard area, taped by Joe Morrone.
Lineage:
MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2012
Taper Notes:
View Notes
P.A. mix improves after first two songs. Patches from ID-103293, Playin' 18:12 > Space 0:25 (5:49 total), and Touch 1:31 > 1:37.
Source 16 of 18
1:45:02
Rating:
9.25 / 32 ratings
SHNID:
gd83-06-18.set2.aud-silberman.miller.21741.sbeok.shnf
Source:
Set 2 (Front Row Balcony) Sennheiser 441 -> PCM -> CD -> Dat
Taper Notes:
View Notes
(Front Row Balcony) Sennheiser 441 -> PCM -> CD -> Dat
Source 17 of 18
2:50:23
Rating:
9.03 / 35 ratings
SHNID:
gd83-06-18.senn421.nawrocki.14411.sbeok.shnf
Source:
Sennheiser 421's> Sony D-5 taped by Jim Wise
Taper Notes:
View Notes
Sennheiser 421's> Sony D-5 taped by Jim Wise; cass master> CDR; via Tony Gardner with thanks to Paul Bottiglio; Note-May circ with mislabelled tracks, they would read 6-13-83
Source 18 of 18
2:50:31
Rating:
7.86 / 14 ratings
SHNID:
gd83-06-18.aud.gardner.4605.sbeok.shnf
Source:
Sennheiser 421's> Sony D-5 taped by Jim Wise
Taper Notes:
View Notes
Sennheiser 421's> Sony D-5 taped by Jim Wise; cass master> CDR; via Tony Gardner with thanks to Paul Bottiglio; Note-May circ with mislabelled tracks, they would read 6-13-83