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Today In History
June 11th
Years
1995
29.8k
PlaybackListensHours
48h53271
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k194
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.9k384
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2.1k280
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.4k550
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.6k947
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.9k351
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k130
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.5k283
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h949107
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k209
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k505
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.3k173
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k152
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.3k292
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.3k258
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k212
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k257
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.4k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h18.4k2.4k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h21323
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.7k487
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.4k1.5k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k241
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k179
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k164
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h56572
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8012
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h46830
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h554
7d895
30d58534
2 shows
2 tapes
1983
6/18/83
Intro
1:05
Bertha ->
6:27
Jack Straw
5:45
Bird Song /
9:41
Mexicali Blues ->
5:19
Big River **
6:31
Althea ** /
10:42
Hell In A Bucket
5:49
Deal
8:46
Tuning
2:16
Scarlet Begonias # ^ -> Fire On The Mountain
25:45
Playing In The Band ->
14:24
Space> Drums -> //!
2:25
Space -> The Wheel -> &
7:18
Playing In The Band ->
3:33
Morning Dew ->
11:17
Throwing Stones ->
9:34
Not Fade Away -> ///
6:35
Touch Of Grey
6:09
Encore break
0:44
Don't Ease Me In ->
2:52
One More Saturday Night
4:39
FIN
View on archive.org
Sources
Taper: Chris Hecht
2:47:55
Rating:
7.33 / 3 ratings
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-06-18.148044.akg.d330bt.senn421.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and Charlie Miller for the shnid103285 Sennheiser 421 source which supplies the Crowd and first 0:05 of "Bertha" (0:11 total), the final 3:24 of "Deal, the crowd and first 0:07 of "Scarlet Begonias" (0:27 total), a 4:15 patch in "Drums > Space", as well as a 0:16 patch in the "Not Fade Away > Touch Of Grey" transition - Pitch corrected Mastered by Scott Clugston September 2019
Taper: Chris Hecht
2:47:55
Rating:
4.00 / 1 rating
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-06-18.148043.akg.d330bt.senn421.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and Charlie Miller for the shnid103285 Sennheiser 421 source which supplies the Crowd and first 0:05 of "Bertha" (0:11 total), the final 3:24 of "Deal, the crowd and first 0:07 of "Scarlet Begonias" (0:27 total), a 4:15 patch in "Drums > Space", as well as a 0:16 patch in the "Not Fade Away > Touch Of Grey" transition - Pitch corrected Mastered by Scott Clugston September 2019
Taper: Rudy Huston
2:48:33
Rating:
9.20 / 16 ratings
Taper:
Rudy Huston
Transferrer:
Charlie Miller
SHNID:
gd1983-06-18.beyer.huston.miller.105236.flac16
Source:
(2) Beyer M160 + (1) Beyer M88 -> Cassette Master (Nakamichi 550/TDK SA90/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Best Morning Dew ever!!! -- Each set sounds different due to mic placement and mic mix -- Thanks to Rudy Huston for lending me his master cassettes -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Jeff Silberman
1:44:52
Rating:
10.00 / 7 ratings
Taper:
Jeff Silberman
Transferrer:
Charlie Miller
SHNID:
gd1983-06-18.set2.senn441.silberman.miller.103293.flac16
Source:
(Front Row Balcony) Sennheiser 441 -> PCM -> Dat -> CD -> Dat
Lineage:
Dat (Sony D8) -> Behringer UltraMatch SRC 2000 -> CD (Tascam CDRW700) -> Samplitude Professional v10.22 -> FLAC
Taper Notes:
View NotesNotes: -- Disc change is seamless -- This is a re-master of shnid=21741 -- I fixed the emphasis setting and made disc change seamless -- Recorded by Jeff Silberman -- Best Morning Dew ever!!!
Taper: Jim Wise
2:50:53
Rating:
8.50 / 9 ratings
Taper:
Jim Wise
Transferrer:
Charlie Miller
SHNID:
gd1983-06-18.senn421.wise.miller.103285.flac16
Source:
Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Best Morning Dew ever!!! -- Recorded By Jim Wise -- Thanks to Jim Wise for lending me his master cassettes -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Recorded by Jeff Silberman PCM to DAT Transfer by Jeff Silberman
1:45:36
Rating:
10.00 / 1 rating
Taper:
Recorded by Jeff Silberman PCM to DAT Transfer by Jeff Silberman
Transferrer:
DAT Transfer by John Ammons Edited & Mastered (Adobe Audition) by Joe Noel November 05, 2021
SHNID:
gd1983-06-18.154660.S2.Senn441-FRB-PCM-DAT.Silberman-Ammons-Noel.t-flac16
Source:
Source: Sennheiser 441 > Technics 14 bit PCM > DAT Location: Front Row Balcony
Lineage:
Transfer info: PCM VHS Master > Sony PCM 2500 DAT recorder @ 44.1kHz (by Jeff); Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 @ 44.1K > Wave (by John)
Taper Notes:
View NotesNotes: - upgrade to shnid 21741, 103293 & 143267 - Jeff's first digital recording - Due to rain Jeff did not record the first set as he didn't want to risk his new digital gear. - Brent offer's hints of Johnny Nash's "I Can See Clearly Now" at the onset of Scarlet. - There's a little 2 minute jam that occurs between FotM & PitB - encore is missing
Taper: Unknown
1:43:27
REMASTER
Rating:
9.00 / 2 ratings
Transferrer:
Beerengineer
SHNID:
gd1983-06-18.143267.partial-set2.Beerengineer.flac1644
Taper Notes:
View NotesRemasterd Beerengineer On 10-05 18 %% Missing Music Scarlet Begonias 600.0 to 602.0 If Some Wants To Patch< CONCACT ME THRU DIME> Ive Heard 5 Copys Of This Show The Lawn Mixes Dont Sound Right After Remastering This From The Ampitheater Pcm Copy Sounds Very Good This Show is In My Top 5 2Nd Sets that Ive Seen This Says It All
Taper: Executive Crew Fran Walsh Kyle Holbrook Mike Yacavone Olvy Johnson Rick Cantor
2:37:36
Rating:
10.00 / 1 rating
Taper:
Executive Crew Fran Walsh Kyle Holbrook Mike Yacavone Olvy Johnson Rick Cantor
Transferrer:
Kyle Holbrook
SHNID:
gd1983-06-18.142271.beyer201.executive-crew.holbrook.flac2448
Source:
<b/>flac24/48 </b> Master: AUD MC Beyer M201's X-Y 8'up > Sony TCD5M no dolby Maxell MX90 x 2.First Gen patch: [Same mics]Sony TCD5M no dolby Maxell UDXLII 90Cassette copy: Sony TCD5M> Denon DR330 Location: ~150 feet from stage, 40 feet from lawn rail on lawn DFC
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8.
Taper Notes:
View Notesshow notes Very unique segue between Morning Dew and Throwing Stones. Recording Notes ** on Master we overtaped from 1/3 through Big River until end Althea by putting side A tape 1 in deck rather than side B at the tape swap between Throwing Stones and Not Fade Away. Fortunately, we had several patchers and the first in line, Sony TCD5M had the clean copy so the Big River|Althea is 1st gen. / paused between songs while band tuned # Something changes at 2:38 a speaker or amp blows then they crank it up. ^ 7:38 they pop white noise through the PA twice //! missing most of drums and some space- deck must have shut off without us noticing. & Another wild change in volume as the vocals get much louder /// Tape swap; fade out at start of Touch of Grey, missed about 10 seconds Our location was directly in front of one repeater stack consisting of 2 Meyer UPA1's. At some point (#) the vocals got overdriven in that stack, maybe one amp blew, but the vocal sound is oddly overdriven while the rest of the sound is not. We have been led to believe the PA system's repeater delay stacks must have malfunctioned during most of this second set.
Taper: Executive Crew Fran Walsh Kyle Holbrook Mike Yacavone Olvy Johnson Rick Cantor
2:37:36
Taper:
Executive Crew Fran Walsh Kyle Holbrook Mike Yacavone Olvy Johnson Rick Cantor
Transferrer:
Kyle Holbrook
SHNID:
gd1983-06-18.142270.beyer201.executive-crew.holbrook.flac1644
Source:
<b/>flac16 44.1khz </b> Master: AUD MC Beyer M201's X-Y 8'up > Sony TCD5M no dolby. Maxell MX90 x 2. First Gen patch: [Same mics]Sony TCD5M no dolby Maxell UDXLII 90. Cassette copy: Sony TCD5M> Denon DR330 Location: ~150 feet from stage, 40 feet from lawn rail on lawn DFC
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View Notesshow notes Very unique segue between Morning Dew and Throwing Stones. Recording Notes ** on Master we overtaped from 1/3 through Big River until end Althea by putting side A tape 1 in deck rather than side B at the tape swap between Throwing Stones and Not Fade Away. Fortunately, we had several patchers and the first in line, Sony TCD5M had the clean copy so the Big River|Althea is 1st gen. / paused between songs while band tuned # Something changes at 2:38 a speaker or amp blows then they crank it up. ^ 7:38 they pop white noise through the PA twice //! missing most of drums and some space- deck must have shut off without us noticing. & Another wild change in volume as the vocals get much louder /// Tape swap; fade out at start of Touch of Grey, missed about 10 seconds Our location was directly in front of one repeater stack consisting of 2 Meyer UPA1's. At some point (#) the vocals got overdriven in that stack, maybe one amp blew, but the vocal sound is oddly overdriven while the rest of the sound is not. We have been led to believe the PA system's repeater delay stacks must have malfunctioned during most of this second set.
Taper: Doug Lamarre
2:48:38
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1983-06-18.138860.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; nakamichi 300 shotguns* > sony d5; maxell xlIIS90’s, dolby b; lawn, center; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
Taper: Doug Lamarre
2:48:38
Rating:
8.00 / 1 rating
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1983-06-18.138859.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; nakamichi 300 shotguns* > sony d5; maxell xlIIS90’s, dolby b; lawn, center; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
Taper: Jeff Silberman
1:45:40
Rating:
7.50 / 4 ratings
Taper:
Jeff Silberman
Transferrer:
Keo
SHNID:
gd1983-06-18.Senn441.PCM.Keo.124473.Flac1644
Taper Notes:
View Notes* Please Note We Are Not 100% sure Of The Actual Lineage Before The DAT Copy Used For This Tape!* ** My Recollection From This Time Frame and My Tape Was My Friend Made Several Copies To Tapes (Multiple Decks Used At Once) For His Friends From The DATS He Received. Most Likely From Listening To This Tape It Came From One Of Those Dubbing Sessions.Though A Very Slight Possibility It Was Put To PCM Before He Dubbed To My Tape. Again Having Multiple Tapes Dubbed From His PCM Most Likely Not! ** Comments:While Listening to another PCM source of this show I remembered this tape tucked away.In the time frame (Early 90's) When I received this tape I was graced to have access of complete shows of my friends masters fresh off of tour, needless to say they took a higher priorty listening to them then this one did. Some distortion in some areas and a few small digi snits from somewhere in the lineage, still all in all a nice listen!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Jeff Silberman
1:45:40
Taper:
Jeff Silberman
Transferrer:
Keo
SHNID:
gd1983-06-18.Senn441.PCM.Keo.124469.Flac2496
Taper Notes:
View Notes* Please Note We Are Not 100% sure Of The Actual Lineage Before The DAT Copy Used For This Tape!* ** My Recollection From This Time Frame and My Tape Was My Friend Made Several Copies To Tapes (Multiple Decks Used At Once) For His Friends From The DATS He Received. Most Likely From Listening To This Tape It Came From One Of Those Dubbing Sessions.Though A Very Slight Possibility It Was Put To PCM Before He Dubbed To My Tape. Again Having Multiple Tapes Dubbed From His PCM Most Likely Not! ** Comments:While Listening to another PCM source of this show I remembered this tape tucked away.In the time frame (Early 90's) When I received this tape I was graced to have access of complete shows of my friends masters fresh off of tour, needless to say they took a higher priorty listening to them then this one did. Some distortion in some areas and a few small digi snits from somewhere in the lineage, still all in all a nice listen!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Joe Morrone
2:57:15
Rating:
8.25 / 9 ratings
Taper:
Joe Morrone
Transferrer:
Andrew F.
SHNID:
gd1983-06-18.beyer-m88.morrone.119438.flac1644
Source:
AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, recorded from inside the pavilion, directly behind the soundboard area, taped by Joe Morrone.
Lineage:
MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2012
Taper Notes:
View NotesP.A. mix improves after first two songs. Patches from ID-103293, Playin' 18:12 > Space 0:25 (5:49 total), and Touch 1:31 > 1:37. CDR's: D1 s1t01 > s1t11, D2 s2t01 > s2t05, D3 s2t06 > s2t14.
Taper: Joe Morrone
2:57:15
Rating:
8.67 / 3 ratings
Taper:
Joe Morrone
Transferrer:
Andrew F.
SHNID:
gd1983-06-18.beyer-m88.morrone.119437.flac2448
Source:
AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, recorded from inside the pavilion, directly behind the soundboard area, taped by Joe Morrone.
Lineage:
MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2012
Taper Notes:
View NotesP.A. mix improves after first two songs. Patches from ID-103293, Playin' 18:12 > Space 0:25 (5:49 total), and Touch 1:31 > 1:37.
Source 16 of 18
1:45:02
Rating:
9.25 / 32 ratings
SHNID:
gd83-06-18.set2.aud-silberman.miller.21741.sbeok.shnf
Source:
Set 2 (Front Row Balcony) Sennheiser 441 -> PCM -> CD -> Dat
Taper Notes:
View Notes(Front Row Balcony) Sennheiser 441 -> PCM -> CD -> Dat
Source 17 of 18
2:50:23
Rating:
9.03 / 35 ratings
SHNID:
gd83-06-18.senn421.nawrocki.14411.sbeok.shnf
Source:
Sennheiser 421's> Sony D-5 taped by Jim Wise
Taper Notes:
View NotesSennheiser 421's> Sony D-5 taped by Jim Wise; cass master> CDR; via Tony Gardner with thanks to Paul Bottiglio; Note-May circ with mislabelled tracks, they would read 6-13-83
Source 18 of 18
2:50:31
Rating:
7.86 / 14 ratings
SHNID:
gd83-06-18.aud.gardner.4605.sbeok.shnf
Source:
Sennheiser 421's> Sony D-5 taped by Jim Wise
Taper Notes:
View NotesSennheiser 421's> Sony D-5 taped by Jim Wise; cass master> CDR; via Tony Gardner with thanks to Paul Bottiglio; Note-May circ with mislabelled tracks, they would read 6-13-83