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Today In History
June 7th
6 shows
37 tapes
Years
1995
29.8k
PlaybackListensHours
48h822115
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h59985
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h4.5k599
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.8k353
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h8.1k1.1k
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h2.7k356
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h2.9k366
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.2k147
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.3k258
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h87296
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h1.8k212
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.1k140
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k189
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.8k220
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.3k301
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h5.6k618
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.2k172
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h2.3k306
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h15.9k2.2k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h3.8k523
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h79174
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.3k556
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.7k610
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.5k430
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2k225
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h9.4k965
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.3k386
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h41049
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10916
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h23318
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h493
7d1066
30d56034
2 shows
2 tapes
1983
5/14/83
Crowd/Tuning
1:16
Feel Like A Stranger
8:20
Friend Of The Devil
10:14
Me & My Uncle > Mexicali Blues
8:39
Happy Birthday Billy
1:01
Tennessee Jed
8:37
My Brother Esau >
5:29
Bertha
6:33
Shakedown Street
12:59
Playin' In The Band >
12:48
China Doll > Jam >
10:59
Drums >
5:35
Space >
7:40
The Wheel >
5:26
Playin' In The Band Reprise >
5:31
Morning Dew >
10:03
Sugar Magnolia
10:37
Encore Break
0:54
E: One More Saturday Night
4:56
FIN
View on archive.org
Sources
Taper: Rob Eaton
2:17:59
SBD
Taper:
Rob Eaton
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1983-05-14.140368.sbd.aud.composite.eaton.miller.clugston.flac1648
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the source Dat - Thanks to Charlie Miller for the transfer - According to Rob's list, the entire show is MSC>RR, his Dat begs to differ (1st set sbd/2nd set audience) - Clean "Feel Like A Stranger" - copies in general circulation are missing the tuning and first 1:29 - Noodle into "Bertha" starts as a soundboard, Jerry hits a sour note and a few seconds later, the soundboard cuts until the first verse - Thanks to the folks responsible for shnid94396 Sony ECM220t source which supplies a 0:05 patch in the beginning of "Bertha", a 0:11 patch in "Drums", as well as a 0:06 patch in "Sugar Magnolia" - Weir stays on stage and jams with the drummers after "Playin' In The Band" - Wheel space included in "The Wheel" - "At this time, we've selected for everyone, a couple of fine shoot 'em up polkas" Mastered by Scott Clugston 12/27/2017
Taper: See info file
48:55
SBD
Rating:
8.00 / 2 ratings
Taper:
See info file
Transferrer:
Bill Tetzeli
SHNID:
gd1983-05-14.sbd-set1.samaritano.tetzeli.patch-25407.91136.sbeok.flac16
Source:
Repatched edit of shnid 25407
Lineage:
See info file
Taper Notes:
View Notes------------------------------------------------------------------------------- Repatched edit of shnid 25407 I smoothed out the patch at the beginning of Stranger and patched the tape flip in the beginning of Bertha. AUD patch source was pitch and volume adjusted and 1 second crossfades were used. Thanks to both Joe Samaritano for the SBD source and to Gustin for the Senn patch source. The repatching resulted in the need to fix SBE errors starting from the first file, so all files were converted to flac. FLAC audio data verify using a .cfp checksum created from the repatched t01, t08 and original .shn files t02-t07. Bill Tetzeli ([email protected]) 3/31/2008 -----------------------------------------------------------------
Source 3 of 19
48:54
SBD
Rating:
7.00 / 2 ratings
SHNID:
gd83-05-14.set1-sbd.samaritano.25407.sbeok.shnf
Source:
*Set 1 Only* <br>Soundboard->Cassette Master->1st Generation Cassette. 1st Generation Cassette->Audiophile 2496->Samplitude v7.02 Professional->.wav->mkw->SHN.Transfer, editing, and SHN by Joe Samaritano
Taper Notes:
View Notes*Set 1 Only* <br /> Soundboard->Cassette Master->1st Generation Cassette. 1st Generation Cassette->Audiophile 2496->Samplitude v7.02 Professional->.wav->mkw->SHN. Transfer, editing, and SHN by Joe Samaritano
Taper: Scott Wiseman
2:16:35
Taper:
Scott Wiseman
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-05-14.176405.senn421.blend.wiseman.miller.clugston.flac2496
Source:
Scott Wiseman's Master Audience Cassettes; Sennheiser 421 mics (x3) > Sony PCM F-1 > Sony D5 (patched out of Dave Kramer & Matt Field)
Lineage:
Master Cassettes (Nakamichi BX-150)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the master cassettes source and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Dave Kramer and Matt Field for the Sennheiser (x3) 421 source which supplies a 0:42 patch in "China Doll, as well as a 0:10 patch in "Sugar Magnolia" - Pitch corrected Mastered by Scott Clugston September 2025
Taper: Scott Wiseman
2:16:35
Taper:
Scott Wiseman
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-05-14.176404.senn421.blend.wiseman.miller.clugston.flac1648
Source:
Scott Wiseman's Master Audience Cassettes; Sennheiser 421 mics (x3) > Sony PCM F-1 > Sony D5 (patched out of Dave Kramer & Matt Field)
Lineage:
Master Cassettes (Nakamichi BX-150)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the master cassettes source and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Dave Kramer and Matt Field for the Sennheiser (x3) 421 source which supplies a 0:42 patch in "China Doll, as well as a 0:10 patch in "Sugar Magnolia" - Pitch corrected Mastered by Scott Clugston September 2025
Taper: Ken Kelley
2:17:37
Taper:
Ken Kelley
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-05-14.168030.beyer.m201.kelley.miller.clugston.flac2496
Source:
Ken Kelley's Master Audience Cassettes; Beyer M201 mics > JVC KD-2 w/Super ANRS (Maxell XLII-S90)
Lineage:
Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition 2023 > TLH 2496
Taper Notes:
View NotesNotes: - Thanks to Ken Kelley for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Powell and J. Barnes for the Sennheiser 421 source which supplies a 0:12 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston November 2023
Taper: Ken Kelley
2:17:37
Taper:
Ken Kelley
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-05-14.168029.beyer.m201.kelley.miller.clugston.flac1648
Source:
Ken Kelley's Master Audience Cassettes; Beyer M201 mics > JVC KD-2 w/Super ANRS (Maxell XLII-S90)
Lineage:
Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition 2023 > TLH 2496
Taper Notes:
View NotesNotes: - Thanks to Ken Kelley for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Powell and J. Barnes for the Sennheiser 421 source which supplies a 0:12 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston November 2023
Taper: Jim Vita
2:16:18
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-05-14.163384.nak304.vita.miller.clugston.flac2496
Source:
Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Jim Vita's 1st Generation Cassettes
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jamie Porris and Mark Severson for the Nakamichi 700 source which supplies the first 0:05 of "Bertha" - Thanks to Rango Keshavan and Charlie Miller for the Sony ECM220t source which supplies a 1:06 patch in "Drums" - Pitch corrected Mastered by Scott Clugston September 2022
Taper: Jim Vita
2:16:18
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-05-14.163383.nak304.vita.miller.clugston.flac1648
Source:
Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Jim Vita's 1st Generation Cassettes
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jamie Porris and Mark Severson for the Nakamichi 700 source which supplies the first 0:05 of "Bertha" - Thanks to Rango Keshavan and Charlie Miller for the Sony ECM220t source which supplies a 1:06 patch in "Drums" - Pitch corrected Mastered by Scott Clugston September 2022
Taper: Unknown
2:24:16
Rating:
8.00 / 1 rating
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1983-05-14.138938.schoeps.miller.sirmick.sbeok.flac16
Taper Notes:
View NotesThanks to Rango for the patches and Charlie for providing this source. edited and mastered SIRMick August 2017
Taper: Rango Keshavan
2:16:11
Rating:
9.33 / 5 ratings
Taper:
Rango Keshavan
Transferrer:
Charlie Miller
SHNID:
gd1983-05-14.fob.sonyecm220t.keshavan.miller.fix.94515.sbeok.flac16
Source:
(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16
Taper Notes:
View NotesPatch Info: (FOB) Beyer M201 -> Cassette Master -> CD (shnid=33502) supplies: Drums (6:31 - 6:40) Notes: -- Disc change is seamless -- Thanks to Rango Keshavan for lending me his masters -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Rango Keshavan
2:15:18
Rating:
9.33 / 4 ratings
Taper:
Rango Keshavan
Transferrer:
Charlie Miller
SHNID:
gd1983-05-14.fob.sonyecm220t.keshavan.miller.94396.sbeok.flac16
Source:
(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16
Taper Notes:
View NotesPatch Info: (FOB) Beyer M201 -> Cassette Master -> CD (shnid=33502) supplies: Drums (6:31 - 6:40) Notes: -- Disc change is seamless -- Thanks to Rango Keshavan for lending me his masters
Taper: xecutive Crew Tom Pinney Kyle Holbrook John Hance
2:14:04
Taper:
xecutive Crew Tom Pinney Kyle Holbrook John Hance
Transferrer:
Kyle Holbrook
SHNID:
gd1983-05-14.141946.beyerm201.executivecrew-holbrook.flac1644
Source:
<b/>flac16/44.1 </b> Master: AUD MC Beyer M201's X-Y > Sony TCD5M no dolby TDK MA90 s1|Maxell MX90 s2 Location: 85 feet from stage DFC
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View NotesShow notes 5 PM start # cut start * Actual Kreutzmann Birthday is May 7 One of my favorite GD shows. The Shakedown and Morning Dew are standouts. Recording Notes // Tape Flip & Missed first few seconds //* Tape swap Encore was on set 1 tape
Taper: Executive Crew Tom Pinney Kyle Holbrook John Hance
2:14:03
Taper:
Executive Crew Tom Pinney Kyle Holbrook John Hance
Transferrer:
Kyle Holbrook
SHNID:
gd1983-05-14.141945.beyerm201.executivecrew-holbrook.flac2448
Source:
<b/>flac24/48 </b> Master: AUD MC Beyer M201's X-Y > Sony TCD5M no dolby TDK MA90 s1|Maxell MX90 s2 Location: 85 feet from stage DFC
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View NotesShow notes 5 PM start # cut start * Actual Kreutzmann Birthday is May 7 One of my favorite GD shows. The Shakedown and Morning Dew are standouts. Recording Notes // Tape Flip & Missed first few seconds //* Tape swap Encore was on set 1 tape
Taper: anonymous taper, Jamie Poris, Mark Severson
2:14:35
Taper:
anonymous taper, Jamie Poris, Mark Severson
Transferrer:
Brian Green and SIRMick
SHNID:
gd1983-05-14.nak700.anon-severson-poris.LMPP.96570.flac16
Source:
3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter)> -15 db pads > 3 mic mixer Preamp> Patchbay > Sony D6 > MAC (Dolby B )
Lineage:
MAC (Dolby B ) > CR-5A > HD-P2 > 24/96 Wave > Adobe Audition > Wavelab with iZotope Ozone and Waves RBass > iZotope RX Advanced > 16/44.1 wave > CD Wave > TLH > flac16
Taper Notes:
View NotesNotes: - crossfades after Mexicali Blues and Tennessee Jed - the bass on this recording was extremely heavy and has been toned down. There is some distortion from time to time, and it's especially noticeable during the first few seconds of Feel Like A Stranger - seamless change between discs 2 and 3 patches: Happy Birthday Billy 0:37 - 0:53 Drums 3:45 - 3:53 patch source: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B) (shnid 94515)
Transferrer: Kyle Holbrook
2:11:06
Rating:
6.00 / 1 rating
Transferrer:
Kyle Holbrook
SHNID:
gd1983-05-14.beyerm201.holbrook.33502.sbeok.flac16
Source:
Beyer M201's X-Y > Sony TCD5M (Maxell MX 90, no dolby) 85 feet from stage, DFC
Lineage:
Sony TC-RX 370 > Echo Gina 24@16/48 > BIAS PEAK VST 2.8 > Mac G-4 dual 533 > Adaptec toast > Matshita CD-RW 7573 (internal) > EAC (PC w/pentium III 700) > flac v1.7.1 etree ed.
Taper Notes:
View NotesComments: One of my favorite GD shows. The Shakedown and Morning Dew are standouts.
Taper: Dave Kramer & Matt Field
2:21:48
Taper:
Dave Kramer & Matt Field
Transferrer:
Jim Powell and J. Barnes
SHNID:
gd1983-05-14.fob.senn421.barnes-powell.18225.sbeok.shnf
Source:
FOB Sennheiser 421s>Sony PCM F-1>DAT
Lineage:
DAT>CDR>EAC(secure)>SHN
Taper Notes:
View Notesnotes from jim powell: - Dave Kramer & Matt Field FOB MAP > D > CD - 3 Sennheiser 421s > Sony PCM F-1. - We fixed a couple minor glitches in the Playin on second disc using Rango's FOB MAC.
Taper: Jeff Silberman
2:53:35
Rating:
10.00 / 2 ratings
Taper:
Jeff Silberman
Transferrer:
DAT(fostex d10)>CDR>DAE (via EAC)>CDR-WAV (for Tracking)>MKW>SHN encoded by Jeff Fishman, via Dougal Donaldson
SHNID:
gd83-05-14.senn.fishman.15387.sbeok.shnf
Source:
FOB: Sennheiser 421's > Sony PCM-F1
Lineage:
Master AUD:PCM > DAT > CDR > EAC > SHN
Taper Notes:
View NotesFOB: Sennheiser 421's > Sony PCM-F1 (Jeff Silberman's PCM Master) encoded by Jeff Fishman
Source 19 of 19
2:17:00
Rating:
7.86 / 14 ratings
SHNID:
gd83-05-14.sennheiser.gustin.342.sbeok.shnf
Source:
FOB: 3 Sennheiser 421's > Sony PCM-F1, M. Field, D. Cramer
Taper Notes:
View NotesFOB: 3 Sennheiser 421's > Sony PCM-F1, M. Field, D. Cramer; Conversion: 3800-> Montego II Plus @44k > HD via Soundforge> CDWav, A. Gustin; known flaw: very end of Bertha is cut