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Today In History
June 6th
5 shows
39 tapes
Years
1995
29.2k
PlaybackListensHours
48h2k277
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h61687
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h5.2k697
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.5k198
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h3.7k481
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.7k355
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.5k441
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k155
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.6k283
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h78989
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k237
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.5k193
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k186
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k237
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.2k283
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.8k682
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.3k182
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h5.4k700
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h13.9k1.9k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h6.9k960
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h87273
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.4k554
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.3k564
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.3k408
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.2k248
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h8.3k820
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k579
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h60575
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h14521
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h36526
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h433
7d1277
30d57234
2 shows
2 tapes
1983
5/14/83
crowd/tuning
3:24
Feel Like A Stranger
9:15
Friend Of The Devil
10:41
Me And My Uncle >
3:16
Mexicali Blues
5:04
Happy Birthday Billy
1:36
Tennessee Jed
9:27
My Brother Esau
5:28
Bertha
6:29
tuning
0:35
Shakedown Street
12:44
Playing In The Band >
12:32
China Doll >
4:59
Jam >
6:10
Drums >
6:13
Space >
6:50
The Wheel >
7:05
Playing In The Band >
3:50
Morning Dew >
10:00
Sugar Magnolia
10:34
encore break~~
3:20
One More Saturday Night
4:44
FIN
View on archive.org
Sources
Taper: Rob Eaton
2:17:59
SBD
Taper:
Rob Eaton
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1983-05-14.140368.sbd.aud.composite.eaton.miller.clugston.flac1648
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the source Dat - Thanks to Charlie Miller for the transfer - According to Rob's list, the entire show is MSC>RR, his Dat begs to differ (1st set sbd/2nd set audience) - Clean "Feel Like A Stranger" - copies in general circulation are missing the tuning and first 1:29 - Noodle into "Bertha" starts as a soundboard, Jerry hits a sour note and a few seconds later, the soundboard cuts until the first verse - Thanks to the folks responsible for shnid94396 Sony ECM220t source which supplies a 0:05 patch in the beginning of "Bertha", a 0:11 patch in "Drums", as well as a 0:06 patch in "Sugar Magnolia" - Weir stays on stage and jams with the drummers after "Playin' In The Band" - Wheel space included in "The Wheel" - "At this time, we've selected for everyone, a couple of fine shoot 'em up polkas" Mastered by Scott Clugston 12/27/2017
Taper: See info file
48:55
SBD
Rating:
8.00 / 2 ratings
Taper:
See info file
Transferrer:
Bill Tetzeli
SHNID:
gd1983-05-14.sbd-set1.samaritano.tetzeli.patch-25407.91136.sbeok.flac16
Source:
Repatched edit of shnid 25407
Lineage:
See info file
Taper Notes:
View Notes------------------------------------------------------------------------------- Repatched edit of shnid 25407 I smoothed out the patch at the beginning of Stranger and patched the tape flip in the beginning of Bertha. AUD patch source was pitch and volume adjusted and 1 second crossfades were used. Thanks to both Joe Samaritano for the SBD source and to Gustin for the Senn patch source. The repatching resulted in the need to fix SBE errors starting from the first file, so all files were converted to flac. FLAC audio data verify using a .cfp checksum created from the repatched t01, t08 and original .shn files t02-t07. Bill Tetzeli ([email protected]) 3/31/2008 -----------------------------------------------------------------
Source 3 of 19
48:54
SBD
Rating:
7.00 / 2 ratings
SHNID:
gd83-05-14.set1-sbd.samaritano.25407.sbeok.shnf
Source:
*Set 1 Only* <br>Soundboard->Cassette Master->1st Generation Cassette. 1st Generation Cassette->Audiophile 2496->Samplitude v7.02 Professional->.wav->mkw->SHN.Transfer, editing, and SHN by Joe Samaritano
Taper Notes:
View Notes*Set 1 Only* <br /> Soundboard->Cassette Master->1st Generation Cassette. 1st Generation Cassette->Audiophile 2496->Samplitude v7.02 Professional->.wav->mkw->SHN. Transfer, editing, and SHN by Joe Samaritano
Taper: Scott Wiseman
2:16:35
Taper:
Scott Wiseman
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-05-14.176405.senn421.blend.wiseman.miller.clugston.flac2496
Source:
Scott Wiseman's Master Audience Cassettes; Sennheiser 421 mics (x3) > Sony PCM F-1 > Sony D5 (patched out of Dave Kramer & Matt Field)
Lineage:
Master Cassettes (Nakamichi BX-150)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the master cassettes source and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Dave Kramer and Matt Field for the Sennheiser (x3) 421 source which supplies a 0:42 patch in "China Doll, as well as a 0:10 patch in "Sugar Magnolia" - Pitch corrected Mastered by Scott Clugston September 2025
Taper: Scott Wiseman
2:16:35
Taper:
Scott Wiseman
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-05-14.176404.senn421.blend.wiseman.miller.clugston.flac1648
Source:
Scott Wiseman's Master Audience Cassettes; Sennheiser 421 mics (x3) > Sony PCM F-1 > Sony D5 (patched out of Dave Kramer & Matt Field)
Lineage:
Master Cassettes (Nakamichi BX-150)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the master cassettes source and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Dave Kramer and Matt Field for the Sennheiser (x3) 421 source which supplies a 0:42 patch in "China Doll, as well as a 0:10 patch in "Sugar Magnolia" - Pitch corrected Mastered by Scott Clugston September 2025
Taper: Ken Kelley
2:17:37
Taper:
Ken Kelley
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-05-14.168030.beyer.m201.kelley.miller.clugston.flac2496
Source:
Ken Kelley's Master Audience Cassettes; Beyer M201 mics > JVC KD-2 w/Super ANRS (Maxell XLII-S90)
Lineage:
Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition 2023 > TLH 2496
Taper Notes:
View NotesNotes: - Thanks to Ken Kelley for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Powell and J. Barnes for the Sennheiser 421 source which supplies a 0:12 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston November 2023
Taper: Ken Kelley
2:17:37
Taper:
Ken Kelley
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-05-14.168029.beyer.m201.kelley.miller.clugston.flac1648
Source:
Ken Kelley's Master Audience Cassettes; Beyer M201 mics > JVC KD-2 w/Super ANRS (Maxell XLII-S90)
Lineage:
Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition 2023 > TLH 2496
Taper Notes:
View NotesNotes: - Thanks to Ken Kelley for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Powell and J. Barnes for the Sennheiser 421 source which supplies a 0:12 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston November 2023
Taper: Jim Vita
2:16:18
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-05-14.163384.nak304.vita.miller.clugston.flac2496
Source:
Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Jim Vita's 1st Generation Cassettes
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jamie Porris and Mark Severson for the Nakamichi 700 source which supplies the first 0:05 of "Bertha" - Thanks to Rango Keshavan and Charlie Miller for the Sony ECM220t source which supplies a 1:06 patch in "Drums" - Pitch corrected Mastered by Scott Clugston September 2022
Taper: Jim Vita
2:16:18
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-05-14.163383.nak304.vita.miller.clugston.flac1648
Source:
Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Jim Vita's 1st Generation Cassettes
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jamie Porris and Mark Severson for the Nakamichi 700 source which supplies the first 0:05 of "Bertha" - Thanks to Rango Keshavan and Charlie Miller for the Sony ECM220t source which supplies a 1:06 patch in "Drums" - Pitch corrected Mastered by Scott Clugston September 2022
Taper: Unknown
2:24:16
Rating:
8.00 / 1 rating
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1983-05-14.138938.schoeps.miller.sirmick.sbeok.flac16
Taper Notes:
View NotesThanks to Rango for the patches and Charlie for providing this source. edited and mastered SIRMick August 2017
Taper: Rango Keshavan
2:16:11
Rating:
9.33 / 5 ratings
Taper:
Rango Keshavan
Transferrer:
Charlie Miller
SHNID:
gd1983-05-14.fob.sonyecm220t.keshavan.miller.fix.94515.sbeok.flac16
Source:
(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16
Taper Notes:
View NotesPatch Info: (FOB) Beyer M201 -> Cassette Master -> CD (shnid=33502) supplies: Drums (6:31 - 6:40) Notes: -- Disc change is seamless -- Thanks to Rango Keshavan for lending me his masters -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Rango Keshavan
2:15:18
Rating:
9.33 / 4 ratings
Taper:
Rango Keshavan
Transferrer:
Charlie Miller
SHNID:
gd1983-05-14.fob.sonyecm220t.keshavan.miller.94396.sbeok.flac16
Source:
(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16
Taper Notes:
View NotesPatch Info: (FOB) Beyer M201 -> Cassette Master -> CD (shnid=33502) supplies: Drums (6:31 - 6:40) Notes: -- Disc change is seamless -- Thanks to Rango Keshavan for lending me his masters
Taper: xecutive Crew Tom Pinney Kyle Holbrook John Hance
2:14:04
Taper:
xecutive Crew Tom Pinney Kyle Holbrook John Hance
Transferrer:
Kyle Holbrook
SHNID:
gd1983-05-14.141946.beyerm201.executivecrew-holbrook.flac1644
Source:
<b/>flac16/44.1 </b> Master: AUD MC Beyer M201's X-Y > Sony TCD5M no dolby TDK MA90 s1|Maxell MX90 s2 Location: 85 feet from stage DFC
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View NotesShow notes 5 PM start # cut start * Actual Kreutzmann Birthday is May 7 One of my favorite GD shows. The Shakedown and Morning Dew are standouts. Recording Notes // Tape Flip & Missed first few seconds //* Tape swap Encore was on set 1 tape
Taper: Executive Crew Tom Pinney Kyle Holbrook John Hance
2:14:03
Taper:
Executive Crew Tom Pinney Kyle Holbrook John Hance
Transferrer:
Kyle Holbrook
SHNID:
gd1983-05-14.141945.beyerm201.executivecrew-holbrook.flac2448
Source:
<b/>flac24/48 </b> Master: AUD MC Beyer M201's X-Y > Sony TCD5M no dolby TDK MA90 s1|Maxell MX90 s2 Location: 85 feet from stage DFC
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View NotesShow notes 5 PM start # cut start * Actual Kreutzmann Birthday is May 7 One of my favorite GD shows. The Shakedown and Morning Dew are standouts. Recording Notes // Tape Flip & Missed first few seconds //* Tape swap Encore was on set 1 tape
Taper: anonymous taper, Jamie Poris, Mark Severson
2:14:35
Taper:
anonymous taper, Jamie Poris, Mark Severson
Transferrer:
Brian Green and SIRMick
SHNID:
gd1983-05-14.nak700.anon-severson-poris.LMPP.96570.flac16
Source:
3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter)> -15 db pads > 3 mic mixer Preamp> Patchbay > Sony D6 > MAC (Dolby B )
Lineage:
MAC (Dolby B ) > CR-5A > HD-P2 > 24/96 Wave > Adobe Audition > Wavelab with iZotope Ozone and Waves RBass > iZotope RX Advanced > 16/44.1 wave > CD Wave > TLH > flac16
Taper Notes:
View NotesNotes: - crossfades after Mexicali Blues and Tennessee Jed - the bass on this recording was extremely heavy and has been toned down. There is some distortion from time to time, and it's especially noticeable during the first few seconds of Feel Like A Stranger - seamless change between discs 2 and 3 patches: Happy Birthday Billy 0:37 - 0:53 Drums 3:45 - 3:53 patch source: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B) (shnid 94515)
Transferrer: Kyle Holbrook
2:11:06
Rating:
6.00 / 1 rating
Transferrer:
Kyle Holbrook
SHNID:
gd1983-05-14.beyerm201.holbrook.33502.sbeok.flac16
Source:
Beyer M201's X-Y > Sony TCD5M (Maxell MX 90, no dolby) 85 feet from stage, DFC
Lineage:
Sony TC-RX 370 > Echo Gina 24@16/48 > BIAS PEAK VST 2.8 > Mac G-4 dual 533 > Adaptec toast > Matshita CD-RW 7573 (internal) > EAC (PC w/pentium III 700) > flac v1.7.1 etree ed.
Taper Notes:
View NotesComments: One of my favorite GD shows. The Shakedown and Morning Dew are standouts.
Taper: Dave Kramer & Matt Field
2:21:48
Taper:
Dave Kramer & Matt Field
Transferrer:
Jim Powell and J. Barnes
SHNID:
gd1983-05-14.fob.senn421.barnes-powell.18225.sbeok.shnf
Source:
FOB Sennheiser 421s>Sony PCM F-1>DAT
Lineage:
DAT>CDR>EAC(secure)>SHN
Taper Notes:
View Notesnotes from jim powell: - Dave Kramer & Matt Field FOB MAP > D > CD - 3 Sennheiser 421s > Sony PCM F-1. - We fixed a couple minor glitches in the Playin on second disc using Rango's FOB MAC.
Taper: Jeff Silberman
2:53:35
Rating:
10.00 / 2 ratings
Taper:
Jeff Silberman
Transferrer:
DAT(fostex d10)>CDR>DAE (via EAC)>CDR-WAV (for Tracking)>MKW>SHN encoded by Jeff Fishman, via Dougal Donaldson
SHNID:
gd83-05-14.senn.fishman.15387.sbeok.shnf
Source:
FOB: Sennheiser 421's > Sony PCM-F1
Lineage:
Master AUD:PCM > DAT > CDR > EAC > SHN
Taper Notes:
View NotesFOB: Sennheiser 421's > Sony PCM-F1 (Jeff Silberman's PCM Master) encoded by Jeff Fishman
Source 19 of 19
2:17:00
Rating:
7.86 / 14 ratings
SHNID:
gd83-05-14.sennheiser.gustin.342.sbeok.shnf
Source:
FOB: 3 Sennheiser 421's > Sony PCM-F1, M. Field, D. Cramer
Taper Notes:
View NotesFOB: 3 Sennheiser 421's > Sony PCM-F1, M. Field, D. Cramer; Conversion: 3800-> Montego II Plus @44k > HD via Soundforge> CDWav, A. Gustin; known flaw: very end of Bertha is cut