gd83-04-22 s2t07 Man Smart (Woman Smarter) | 1983-04-22 | Grateful Dead

View NotesNotes:
- Thanks to Rob Eaton for the recording, as well as the transfer and harddrive
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Jim Wise for the Sennheiser 421 source which supplies a 0:19 patch in the post "Man Smart (Woman Smarter)" jam, a 5:32 patch in "Drums", as well as a 0:15 patch in "Good Lovin'"
- Pitch verified

Mastered by Scott Clugston
November 2022

Taper: Rob Eaton

3:06:56

Taper:

Rob Eaton

Transferrer:

Rob Eaton, Scott Clugston, Charlie Miller

SHNID:

gd1983-04-22.163796.senn441.eaton.miller.clugston.flac1648

Source:

Rob Eaton's Master (FOB) Audience Cassettes; Sennheiser 441 mics (16th row, DFC) > Sony D5M

Lineage:

Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496

Taper Notes:

View NotesNotes:
- Thanks to Rob Eaton for the recording, as well as the transfer and harddrive
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Jim Wise for the Sennheiser 421 source which supplies a 0:19 patch in the post "Man Smart (Woman Smarter)" jam, a 5:32 patch in "Drums", as well as a 0:15 patch in "Good Lovin'"
- Pitch verified

Mastered by Scott Clugston
November 2022

Taper: Jim Vita

Scott Clugston, Charlie Miller

SHNID:

gd1983-04-22.163140.senn421.vita.miller.clugston.flac2496

Source:

Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics (18th row, center) > Sony D5M (Maxell XLII-S)

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jim Wise and the folks responsible for the (FOB) Sennheiser 421 source which supplies an 0:18 patch in "Row Jimmy", a 0:25 patch in "Samson & Delilah", a 0:09 patch in "Man Smart (Woman Smarter)", as well as a 0:15 patch in the "Drums > Space" transition
- Pitch corrected

Mastered by Scott Clugston
September 2022

Taper: Jim Vita

Scott Clugston, Charlie Miller

SHNID:

gd1983-04-22.163139.senn421.vita.miller.clugston.flac1648

Source:

Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics (18th row, center) > Sony D5M (Maxell XLII-S)

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jim Wise and the folks responsible for the (FOB) Sennheiser 421 source which supplies an 0:18 patch in "Row Jimmy", a 0:25 patch in "Samson & Delilah", a 0:09 patch in "Man Smart (Woman Smarter)", as well as a 0:15 patch in the "Drums > Space" transition
- Pitch corrected

Mastered by Scott Clugston
September 2022

Taper: Jim Wise

Scott Clugston and Charlie Miller

SHNID:

gd1983-04-22.143129.fob.senn421.wise.clugston.miller.flac2496

Source:

Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5M (Maxell UDXLII C90)

Lineage:

Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Wise for recording the show and the fresh transcription of his FOB audience master
- Thanks to Charlie Miller for coordinating this effort
- Two sets of masters were used to make this complete
- Noodle into Truckin' included in "Truckin'"
- Pitch corrected
- A very nice listen

Mastered by Scott Clugston
September 2018

Taper: Jim Wise

Scott Clugston and Charlie Miller and Jim Wise

SHNID:

gd1983-04-22.143128.fob.senn421.wise.clugston.miller.flac1648

Source:

Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5M (Maxell UDXLII C90)

Lineage:

Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Wise for recording the show and the fresh transcription of his FOB audience master
- Thanks to Charlie Miller for coordinating this effort
- Two sets of masters were used to make this complete
- Noodle into Truckin' included in "Truckin'"
- Pitch corrected
- A very nice listen

Mastered by Scott Clugston
September 2018

Taper: Tom Pinney assist to Executive Crew

2:52:54

Taper:

Tom Pinney assist to Executive Crew

Transferrer:

Kyle Holbrook

SHNID:

gd1983-04-22.141734.nak700.pinney.holbrook.flac2448

Source:

flac24/48 First Gen AUD Cassette: Maxell XLII90 x 2 noNR Master was: Nakamichi 700 wcp1 caps 70ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby (arrived late and patched)

Lineage:

Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD

Taper Notes:

View NotesShow Notes:
"Funiculi Funicula" & "Beer Barrel Polka" tunings before "Stranger" - last "Spoonful": 10-15-81 [94]
Recording Notes:
// Tape flip
/  Tape paused when band left stage
/+ Resumed for Mickey on bells/band back onstage
#  Intermittent Right channel cut outs
/# cut near end
/* One quick cut out near end from lead deck flip?

*** see tour story in text file***

Taper: Tom Pinney assist to Executive Crew

Tom Pinney assist to Executive Crew

Transferrer:

Kyle Holbrook

SHNID:

gd1983-04-22.141733.nak700.pinney.holbrook.flac1644

Source:

flac16/44.1 First Gen AUD Cassette: Maxell XLII90 x 2 noNR Master was: Nakamichi 700 wcp1 caps 70ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby (arrived late and patched)

Lineage:

Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD

Taper Notes:

View NotesShow Notes: "Funiculi Funicula" & "Beer Barrel Polka" tunings before "Stranger" - last "Spoonful": 10-15-81 [94]

Recording Notes:
// Tape flip
/  Tape paused when band left stage
/+ Resumed for Mickey on bells/band back onstage
#  Intermittent Right channel cut outs
/# cut near end
/* One quick cut out near end from lead deck flip?

*** see tour story in text file***

Taper: Doug Lamarre

gd1983-04-22.140319.aud.lamarre.berger.flac2496

Source:

source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlII90, xlIIs90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger

Taper: Doug Lamarre

gd1983-04-22.140318.aud.lamarre.berger.flac1644

Source 11 of 20

gd1983-04-22.124522.aud.flac16

Taper: chasingwilma

gd1983-04-22.119995.chasingwilma.flac24

Source:

Updated

Lineage:

(2) sennheiser 441 fob>d-5> mc> sony tc we435> sony pcm m-10 96khz/24bit> cdwave> traders little helper encoding option 8; conversion rate: 96khz/24bit; Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures

Taper: chasingwilma

gd1983-04-22.119995.aud.chasingwilma.flac24

Source:

source: (2) sennheiser 441 fob>d-5>d-5 (mine); conversion: sony tc we435> sbm-1>d-8>sony pcm m-10 96khz/24bit> cdwave> traders little helper encoding option 8 conversion rate: 96khz/24bit

Taper: Joe Morrone

gd1983-04-22.beyer-m88.morrone.119987.flac1644

Source:

AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, fifteen rows up in the riser, taped by Joe Morrone.

Lineage:

MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2012

Taper Notes:

View NotesPatches as follows:
- AUD 1st-gen cassette, tuning (before Stranger) 1:48 > 4:42.
- Long piece of ID-21442, Jam 0:03 > Drums 5:53 (11:08 overall).
- Small bit of ID-88088, Drums 5:08 > 5:35.

CDRs: D1 s1t01 > s1t10, D2 s2t01 > s2t04, D3 s2t05 > s2t16.

Taper: Joe Morrone

gd1983-04-22.beyer-m88.morrone.119986.flac2448

Source:

AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, fifteen rows up in the riser, taped by Joe Morrone.

Lineage:

MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2012

Taper Notes:

View NotesPatches as follows:
- AUD 1st-gen cassette, tuning (before Stranger) 1:48 > 4:42.
- Long piece of ID-21442, Jam 0:03 > Drums 5:53 (11:08 overall).
- Small bit of ID-88088, Drums 5:08 > 5:35.

Taper: Da Weez

gd1983-04-22.112522.Sennheiser.daweez.d5scott.flac16

Source:

Source: 2 Sennheiser 421 microphones (up front-center)> Sony TC-D5M - master analog cassettes;

Lineage:

Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files

Taper Notes:

View Notesnotes:
* fades in
---------------------------------
R.I.P. Sandy - aka "Bigfoot"  
---------------------------------

Taper: Bob Morris

gd1983-04-22.nak300.morris.102045.sbeok.flac16

Source:

Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90);

Lineage:

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

Taper Notes:

View Notes- Tape flip between Drums and Space.
Patched w/ shnid 21442 Nak 700s using Soundforge 9.0:
jam (0:03-0:20); drums (0:59-2:11)
Recorded by Bob Morris -- thanks to Sam for help.
Transferred, edited, patched by Bob M 9/09.
Flaced and shared by Chuck T./Crazyfingers

Taper: Richard Colyard

gd1983-04-22.fob.senn421.coyotte.muletaper.88088.sbeok.flac16

Source:

FOB-14th row DFC @6 ft high on stand 2-Sennheiser MD421's>Sony D5 > 2 maxell xl2's-cassette MASTERS

Lineage:

Sony ES-950>Edirol Digi-Mod [email protected]>Optical out>>Nomad JB3>WAV>Poulderbits Sound Editor for (fades/cuts)> FlacFrontend (level-8)>flac-16

Taper: Barry Glassberg

gd1983-04-22.fob.nak700.glassberg.21442.sbeok.shnf

Source:

F.O.B. AUDMC w/Nak 700s > Sony TC-D5

Lineage:

MC > DAT > CDR

Taper Notes:

View NotesSec 9F,  Row 17,  Seat 12

Source 20 of 20

gd83-04-22.sennheiser.martinson.1863.sbeok.shnf

Source:

FOB-Sennheiser 421> Master Cass(Sony D5)> Dat> CDR> EAC> SHN

Taper Notes:

View NotesFOB-Sennheiser 421> Master Cass(Sony D5)> Dat> CDR> EAC> SHN; via Jeff M.; see info file for flaw notes