Bands
Featured
Bands
Grateful Dead
Today In History
June 5th
Years
1995
27k
PlaybackListensHours
48h3k414
7d8.6k1.2k
30d27k3.8k
49 shows
340 tapes
1994
8k
PlaybackListensHours
48h69296
7d1.1k167
30d8k1.2k
85 shows
460 tapes
1993
31.5k
PlaybackListensHours
48h3.5k480
7d1.9k257
30d31.5k4.2k
83 shows
656 tapes
1992
32.7k
PlaybackListensHours
48h1k133
7d8.1k1k
30d32.7k4.4k
57 shows
539 tapes
1991
35.8k
PlaybackListensHours
48h1.7k229
7d8k1.1k
30d35.8k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.7k344
7d5k661
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.2k
PlaybackListensHours
48h3.9k494
7d5.7k709
30d45.2k5.6k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.2k140
7d4.1k444
30d21k2.4k
82 shows
882 tapes
1987
38.4k
PlaybackListensHours
48h2.7k287
7d8.6k821
30d38.4k4.2k
88 shows
1,025 tapes
1986
14.4k
PlaybackListensHours
48h940105
7d1.8k202
30d14.4k1.7k
47 shows
683 tapes
1985
19.9k
PlaybackListensHours
48h1.9k228
7d3.4k399
30d19.9k2.3k
73 shows
1,356 tapes
1984
20.3k
PlaybackListensHours
48h1.6k200
7d2.2k289
30d20.3k2.6k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.5k194
7d3.3k441
30d32.4k4.3k
71 shows
1,069 tapes
1982
40k
PlaybackListensHours
48h1.7k215
7d3.4k418
30d40k5k
63 shows
753 tapes
1981
56.7k
PlaybackListensHours
48h2.1k269
7d4.4k552
30d56.7k7.2k
92 shows
868 tapes
1980
67.5k
PlaybackListensHours
48h5.2k594
7d12.3k1.5k
30d67.5k7.9k
91 shows
794 tapes
1979
27.9k
PlaybackListensHours
48h1.4k193
7d3k406
30d27.9k3.9k
79 shows
600 tapes
1978
52.8k
PlaybackListensHours
48h8.4k1.1k
7d5.4k719
30d52.8k7.3k
87 shows
592 tapes
1977
329.3k
PlaybackListensHours
48h15.9k2.1k
7d25k3.5k
30d329.3k46k
64 shows
419 tapes
1976
37.9k
PlaybackListensHours
48h10.3k1.4k
7d17.3k2.4k
30d37.9k5.1k
45 shows
298 tapes
1975
5.1k
PlaybackListensHours
48h78672
7d71378
30d5.1k544
25 shows
63 tapes
1974
94.5k
PlaybackListensHours
48h4.2k529
7d10.2k1.3k
30d94.5k11.9k
42 shows
324 tapes
1973
76.5k
PlaybackListensHours
48h4.2k551
7d9.7k1.3k
30d76.5k9.7k
75 shows
445 tapes
1972
75k
PlaybackListensHours
48h3k365
7d6.8k832
30d75k9.1k
88 shows
361 tapes
1971
32.6k
PlaybackListensHours
48h2.2k250
7d5.3k592
30d32.6k3.7k
82 shows
356 tapes
1970
31.5k
PlaybackListensHours
48h6.6k638
7d3.8k409
30d31.5k3.5k
101 shows
376 tapes
1969
22.6k
PlaybackListensHours
48h3.2k519
7d6.7k892
30d22.6k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h52066
7d1.1k133
30d6.4k799
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h14922
7d28439
30d1.4k197
23 shows
55 tapes
1966
7.6k
PlaybackListensHours
48h51339
7d1k60
30d7.6k497
32 shows
78 tapes
1965
553
PlaybackListensHours
48h372
7d1086
30d55333
2 shows
2 tapes
1983
Sources
Taper: Rob Eaton
3:06:56
Rating:
10.00 / 1 rating
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1983-04-22.163797.senn441.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master (FOB) Audience Cassettes; Sennheiser 441 mics (16th row, DFC) > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Jim Wise for the Sennheiser 421 source which supplies a 0:19 patch in the post "Man Smart (Woman Smarter)" jam, a 5:32 patch in "Drums", as well as a 0:15 patch in "Good Lovin'" - Pitch verified Mastered by Scott Clugston November 2022
Taper: Rob Eaton
3:06:56
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1983-04-22.163796.senn441.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master (FOB) Audience Cassettes; Sennheiser 441 mics (16th row, DFC) > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Jim Wise for the Sennheiser 421 source which supplies a 0:19 patch in the post "Man Smart (Woman Smarter)" jam, a 5:32 patch in "Drums", as well as a 0:15 patch in "Good Lovin'" - Pitch verified Mastered by Scott Clugston November 2022
Taper: Jim Vita
3:00:06
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-04-22.163140.senn421.vita.miller.clugston.flac2496
Source:
Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics (18th row, center) > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and the folks responsible for the (FOB) Sennheiser 421 source which supplies an 0:18 patch in "Row Jimmy", a 0:25 patch in "Samson & Delilah", a 0:09 patch in "Man Smart (Woman Smarter)", as well as a 0:15 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston September 2022
Taper: Jim Vita
3:00:06
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-04-22.163139.senn421.vita.miller.clugston.flac1648
Source:
Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics (18th row, center) > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and the folks responsible for the (FOB) Sennheiser 421 source which supplies an 0:18 patch in "Row Jimmy", a 0:25 patch in "Samson & Delilah", a 0:09 patch in "Man Smart (Woman Smarter)", as well as a 0:15 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston September 2022
Taper: Jim Wise
3:00:44
Rating:
8.00 / 1 rating
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-04-22.143129.fob.senn421.wise.clugston.miller.flac2496
Source:
Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5M (Maxell UDXLII C90)
Lineage:
Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his FOB audience master - Thanks to Charlie Miller for coordinating this effort - Two sets of masters were used to make this complete - Noodle into Truckin' included in "Truckin'" - Pitch corrected - A very nice listen Mastered by Scott Clugston September 2018
Taper: Jim Wise
3:00:44
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller and Jim Wise
SHNID:
gd1983-04-22.143128.fob.senn421.wise.clugston.miller.flac1648
Source:
Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5M (Maxell UDXLII C90)
Lineage:
Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his FOB audience master - Thanks to Charlie Miller for coordinating this effort - Two sets of masters were used to make this complete - Noodle into Truckin' included in "Truckin'" - Pitch corrected - A very nice listen Mastered by Scott Clugston September 2018
Taper: Tom Pinney assist to Executive Crew
2:52:54
Taper:
Tom Pinney assist to Executive Crew
Transferrer:
Kyle Holbrook
SHNID:
gd1983-04-22.141734.nak700.pinney.holbrook.flac2448
Source:
<b/>flac24/48 </b> First Gen AUD Cassette: Maxell XLII90 x 2 noNR Master was: Nakamichi 700 wcp1 caps 70ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby (arrived late and patched)
Lineage:
Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD
Taper Notes:
View NotesShow Notes: "Funiculi Funicula" & "Beer Barrel Polka" tunings before "Stranger" - last "Spoonful": 10-15-81 [94] Recording Notes: // Tape flip / Tape paused when band left stage /+ Resumed for Mickey on bells/band back onstage # Intermittent Right channel cut outs /# cut near end /* One quick cut out near end from lead deck flip? *** see tour story in text file***
Taper: Tom Pinney assist to Executive Crew
2:52:54
Rating:
8.00 / 1 rating
Taper:
Tom Pinney assist to Executive Crew
Transferrer:
Kyle Holbrook
SHNID:
gd1983-04-22.141733.nak700.pinney.holbrook.flac1644
Source:
<b/>flac16/44.1 </b> First Gen AUD Cassette: Maxell XLII90 x 2 noNR Master was: Nakamichi 700 wcp1 caps 70ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby (arrived late and patched)
Lineage:
Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD
Taper Notes:
View NotesShow Notes: "Funiculi Funicula" & "Beer Barrel Polka" tunings before "Stranger" - last "Spoonful": 10-15-81 [94] Recording Notes: // Tape flip / Tape paused when band left stage /+ Resumed for Mickey on bells/band back onstage # Intermittent Right channel cut outs /# cut near end /* One quick cut out near end from lead deck flip? *** see tour story in text file***
Taper: Doug Lamarre
2:48:06
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1983-04-22.140319.aud.lamarre.berger.flac2496
Source:
source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlII90, xlIIs90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger
Taper: Doug Lamarre
2:48:06
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1983-04-22.140318.aud.lamarre.berger.flac1644
Source:
source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlII90, xlIIs90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger
Source 11 of 20
2:50:27
Rating:
9.00 / 2 ratings
SHNID:
gd1983-04-22.124522.aud.flac16
Taper: chasingwilma
2:50:38
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1983-04-22.119995.chasingwilma.flac24
Source:
Updated
Lineage:
(2) sennheiser 441 fob>d-5> mc> sony tc we435> sony pcm m-10 96khz/24bit> cdwave> traders little helper encoding option 8; conversion rate: 96khz/24bit; <b>Note</b>: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures
Taper: chasingwilma
2:50:53
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1983-04-22.119995.aud.chasingwilma.flac24
Source:
source: (2) sennheiser 441 fob>d-5>d-5 (mine); conversion: sony tc we435> sbm-1>d-8>sony pcm m-10 96khz/24bit> cdwave> traders little helper encoding option 8 conversion rate: 96khz/24bit
Taper: Joe Morrone
3:07:59
Rating:
6.00 / 1 rating
Taper:
Joe Morrone
Transferrer:
Andrew F.
SHNID:
gd1983-04-22.beyer-m88.morrone.119987.flac1644
Source:
AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, fifteen rows up in the riser, taped by Joe Morrone.
Lineage:
MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2012
Taper Notes:
View NotesPatches as follows: - AUD 1st-gen cassette, tuning (before Stranger) 1:48 > 4:42. - Long piece of ID-21442, Jam 0:03 > Drums 5:53 (11:08 overall). - Small bit of ID-88088, Drums 5:08 > 5:35. CDRs: D1 s1t01 > s1t10, D2 s2t01 > s2t04, D3 s2t05 > s2t16.
Taper: Joe Morrone
3:07:59
Taper:
Joe Morrone
Transferrer:
Andrew F.
SHNID:
gd1983-04-22.beyer-m88.morrone.119986.flac2448
Source:
AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, fifteen rows up in the riser, taped by Joe Morrone.
Lineage:
MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2012
Taper Notes:
View NotesPatches as follows: - AUD 1st-gen cassette, tuning (before Stranger) 1:48 > 4:42. - Long piece of ID-21442, Jam 0:03 > Drums 5:53 (11:08 overall). - Small bit of ID-88088, Drums 5:08 > 5:35.
Taper: Da Weez
2:50:39
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1983-04-22.112522.Sennheiser.daweez.d5scott.flac16
Source:
Source: 2 Sennheiser 421 microphones (up front-center)> Sony TC-D5M - master analog cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notesnotes: * fades in --------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Bob Morris
3:01:30
Taper:
Bob Morris
Transferrer:
Bob Morris
SHNID:
gd1983-04-22.nak300.morris.102045.sbeok.flac16
Source:
Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90);
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper Notes:
View Notes- Tape flip between Drums and Space. Patched w/ shnid 21442 Nak 700s using Soundforge 9.0: jam (0:03-0:20); drums (0:59-2:11) Recorded by Bob Morris -- thanks to Sam for help. Transferred, edited, patched by Bob M 9/09. Flaced and shared by Chuck T./Crazyfingers
Taper: Richard Colyard
3:00:04
Rating:
8.80 / 5 ratings
Taper:
Richard Colyard
Transferrer:
MULETAPER
SHNID:
gd1983-04-22.fob.senn421.coyotte.muletaper.88088.sbeok.flac16
Source:
FOB-14th row DFC @6 ft high on stand 2-Sennheiser MD421's>Sony D5 > 2 maxell xl2's-cassette MASTERS
Lineage:
Sony ES-950>Edirol Digi-Mod [email protected]>Optical out>>Nomad JB3>WAV>Poulderbits Sound Editor for (fades/cuts)> FlacFrontend (level-8)>flac-16
Taper: Barry Glassberg
3:01:40
Rating:
8.40 / 5 ratings
Taper:
Barry Glassberg
SHNID:
gd1983-04-22.fob.nak700.glassberg.21442.sbeok.shnf
Source:
F.O.B. AUDMC w/Nak 700s > Sony TC-D5
Lineage:
MC > DAT > CDR
Taper Notes:
View NotesSec 9F, Row 17, Seat 12
Source 20 of 20
3:00:56
Rating:
7.86 / 15 ratings
SHNID:
gd83-04-22.sennheiser.martinson.1863.sbeok.shnf
Source:
FOB-Sennheiser 421> Master Cass(Sony D5)> Dat> CDR> EAC> SHN
Taper Notes:
View NotesFOB-Sennheiser 421> Master Cass(Sony D5)> Dat> CDR> EAC> SHN; via Jeff M.; see info file for flaw notes