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Bands
Grateful Dead
Today In History
June 13th
7 shows
49 tapes
Years
1995
30.2k
PlaybackListensHours
48h59179
7d1.5k202
30d30.2k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h762112
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h3.4k461
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h5.4k709
7d5.6k725
30d39.9k5.3k
57 shows
539 tapes
1991
39.2k
PlaybackListensHours
48h7k881
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h3k390
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.9k364
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.3k151
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h5k563
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1k116
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.8k212
7d4.2k488
30d22.9k2.7k
73 shows
1,357 tapes
1984
21.2k
PlaybackListensHours
48h3.6k426
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.5k192
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.3k162
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h2k251
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h6k720
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.7k242
7d3.9k557
30d21.7k3k
79 shows
608 tapes
1978
46.1k
PlaybackListensHours
48h2k276
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h9.1k1.3k
7d45.9k6.3k
30d290.3k40k
64 shows
419 tapes
1976
71.6k
PlaybackListensHours
48h22.6k3k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h28731
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.7k490
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.7k784
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.5k318
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.9k214
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.5k177
7d7.8k819
30d45k4.8k
101 shows
376 tapes
1969
27.4k
PlaybackListensHours
48h1.4k178
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h43154
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15120
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h42030
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h242
7d1268
30d63237
2 shows
2 tapes
1983
Sources
Taper: Rob Eaton
3:06:56
Rating:
10.00 / 1 rating
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1983-04-22.163797.senn441.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master (FOB) Audience Cassettes; Sennheiser 441 mics (16th row, DFC) > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Jim Wise for the Sennheiser 421 source which supplies a 0:19 patch in the post "Man Smart (Woman Smarter)" jam, a 5:32 patch in "Drums", as well as a 0:15 patch in "Good Lovin'" - Pitch verified Mastered by Scott Clugston November 2022
Taper: Rob Eaton
3:06:56
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1983-04-22.163796.senn441.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master (FOB) Audience Cassettes; Sennheiser 441 mics (16th row, DFC) > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Jim Wise for the Sennheiser 421 source which supplies a 0:19 patch in the post "Man Smart (Woman Smarter)" jam, a 5:32 patch in "Drums", as well as a 0:15 patch in "Good Lovin'" - Pitch verified Mastered by Scott Clugston November 2022
Taper: Jim Vita
3:00:06
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-04-22.163140.senn421.vita.miller.clugston.flac2496
Source:
Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics (18th row, center) > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and the folks responsible for the (FOB) Sennheiser 421 source which supplies an 0:18 patch in "Row Jimmy", a 0:25 patch in "Samson & Delilah", a 0:09 patch in "Man Smart (Woman Smarter)", as well as a 0:15 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston September 2022
Taper: Jim Vita
3:00:06
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-04-22.163139.senn421.vita.miller.clugston.flac1648
Source:
Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics (18th row, center) > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and the folks responsible for the (FOB) Sennheiser 421 source which supplies an 0:18 patch in "Row Jimmy", a 0:25 patch in "Samson & Delilah", a 0:09 patch in "Man Smart (Woman Smarter)", as well as a 0:15 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston September 2022
Taper: Jim Wise
3:00:44
Rating:
8.00 / 1 rating
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-04-22.143129.fob.senn421.wise.clugston.miller.flac2496
Source:
Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5M (Maxell UDXLII C90)
Lineage:
Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his FOB audience master - Thanks to Charlie Miller for coordinating this effort - Two sets of masters were used to make this complete - Noodle into Truckin' included in "Truckin'" - Pitch corrected - A very nice listen Mastered by Scott Clugston September 2018
Taper: Jim Wise
3:00:44
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller and Jim Wise
SHNID:
gd1983-04-22.143128.fob.senn421.wise.clugston.miller.flac1648
Source:
Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5M (Maxell UDXLII C90)
Lineage:
Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his FOB audience master - Thanks to Charlie Miller for coordinating this effort - Two sets of masters were used to make this complete - Noodle into Truckin' included in "Truckin'" - Pitch corrected - A very nice listen Mastered by Scott Clugston September 2018
Taper: Tom Pinney assist to Executive Crew
2:52:54
Taper:
Tom Pinney assist to Executive Crew
Transferrer:
Kyle Holbrook
SHNID:
gd1983-04-22.141734.nak700.pinney.holbrook.flac2448
Source:
<b/>flac24/48 </b> First Gen AUD Cassette: Maxell XLII90 x 2 noNR Master was: Nakamichi 700 wcp1 caps 70ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby (arrived late and patched)
Lineage:
Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD
Taper Notes:
View NotesShow Notes: "Funiculi Funicula" & "Beer Barrel Polka" tunings before "Stranger" - last "Spoonful": 10-15-81 [94] Recording Notes: // Tape flip / Tape paused when band left stage /+ Resumed for Mickey on bells/band back onstage # Intermittent Right channel cut outs /# cut near end /* One quick cut out near end from lead deck flip? *** see tour story in text file***
Taper: Tom Pinney assist to Executive Crew
2:52:54
Rating:
8.00 / 1 rating
Taper:
Tom Pinney assist to Executive Crew
Transferrer:
Kyle Holbrook
SHNID:
gd1983-04-22.141733.nak700.pinney.holbrook.flac1644
Source:
<b/>flac16/44.1 </b> First Gen AUD Cassette: Maxell XLII90 x 2 noNR Master was: Nakamichi 700 wcp1 caps 70ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby (arrived late and patched)
Lineage:
Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD
Taper Notes:
View NotesShow Notes: "Funiculi Funicula" & "Beer Barrel Polka" tunings before "Stranger" - last "Spoonful": 10-15-81 [94] Recording Notes: // Tape flip / Tape paused when band left stage /+ Resumed for Mickey on bells/band back onstage # Intermittent Right channel cut outs /# cut near end /* One quick cut out near end from lead deck flip? *** see tour story in text file***
Taper: Doug Lamarre
2:48:06
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1983-04-22.140319.aud.lamarre.berger.flac2496
Source:
source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlII90, xlIIs90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger
Taper: Doug Lamarre
2:48:06
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1983-04-22.140318.aud.lamarre.berger.flac1644
Source:
source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlII90, xlIIs90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger
Source 11 of 20
2:50:27
Rating:
9.00 / 2 ratings
SHNID:
gd1983-04-22.124522.aud.flac16
Taper: chasingwilma
2:50:38
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1983-04-22.119995.chasingwilma.flac24
Source:
Updated
Lineage:
(2) sennheiser 441 fob>d-5> mc> sony tc we435> sony pcm m-10 96khz/24bit> cdwave> traders little helper encoding option 8; conversion rate: 96khz/24bit; <b>Note</b>: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures
Taper: chasingwilma
2:50:53
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1983-04-22.119995.aud.chasingwilma.flac24
Source:
source: (2) sennheiser 441 fob>d-5>d-5 (mine); conversion: sony tc we435> sbm-1>d-8>sony pcm m-10 96khz/24bit> cdwave> traders little helper encoding option 8 conversion rate: 96khz/24bit
Taper: Joe Morrone
3:07:59
Rating:
6.00 / 1 rating
Taper:
Joe Morrone
Transferrer:
Andrew F.
SHNID:
gd1983-04-22.beyer-m88.morrone.119987.flac1644
Source:
AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, fifteen rows up in the riser, taped by Joe Morrone.
Lineage:
MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2012
Taper Notes:
View NotesPatches as follows: - AUD 1st-gen cassette, tuning (before Stranger) 1:48 > 4:42. - Long piece of ID-21442, Jam 0:03 > Drums 5:53 (11:08 overall). - Small bit of ID-88088, Drums 5:08 > 5:35. CDRs: D1 s1t01 > s1t10, D2 s2t01 > s2t04, D3 s2t05 > s2t16.
Taper: Joe Morrone
3:07:59
Taper:
Joe Morrone
Transferrer:
Andrew F.
SHNID:
gd1983-04-22.beyer-m88.morrone.119986.flac2448
Source:
AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, fifteen rows up in the riser, taped by Joe Morrone.
Lineage:
MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2012
Taper Notes:
View NotesPatches as follows: - AUD 1st-gen cassette, tuning (before Stranger) 1:48 > 4:42. - Long piece of ID-21442, Jam 0:03 > Drums 5:53 (11:08 overall). - Small bit of ID-88088, Drums 5:08 > 5:35.
Taper: Da Weez
2:50:39
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1983-04-22.112522.Sennheiser.daweez.d5scott.flac16
Source:
Source: 2 Sennheiser 421 microphones (up front-center)> Sony TC-D5M - master analog cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notesnotes: * fades in --------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Bob Morris
3:01:30
Taper:
Bob Morris
Transferrer:
Bob Morris
SHNID:
gd1983-04-22.nak300.morris.102045.sbeok.flac16
Source:
Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90);
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper Notes:
View Notes- Tape flip between Drums and Space. Patched w/ shnid 21442 Nak 700s using Soundforge 9.0: jam (0:03-0:20); drums (0:59-2:11) Recorded by Bob Morris -- thanks to Sam for help. Transferred, edited, patched by Bob M 9/09. Flaced and shared by Chuck T./Crazyfingers
Taper: Richard Colyard
3:00:04
Rating:
8.80 / 5 ratings
Taper:
Richard Colyard
Transferrer:
MULETAPER
SHNID:
gd1983-04-22.fob.senn421.coyotte.muletaper.88088.sbeok.flac16
Source:
FOB-14th row DFC @6 ft high on stand 2-Sennheiser MD421's>Sony D5 > 2 maxell xl2's-cassette MASTERS
Lineage:
Sony ES-950>Edirol Digi-Mod [email protected]>Optical out>>Nomad JB3>WAV>Poulderbits Sound Editor for (fades/cuts)> FlacFrontend (level-8)>flac-16
Taper: Barry Glassberg
3:01:40
Rating:
8.40 / 5 ratings
Taper:
Barry Glassberg
SHNID:
gd1983-04-22.fob.nak700.glassberg.21442.sbeok.shnf
Source:
F.O.B. AUDMC w/Nak 700s > Sony TC-D5
Lineage:
MC > DAT > CDR
Taper Notes:
View NotesSec 9F, Row 17, Seat 12
Source 20 of 20
3:00:56
Rating:
7.86 / 15 ratings
SHNID:
gd83-04-22.sennheiser.martinson.1863.sbeok.shnf
Source:
FOB-Sennheiser 421> Master Cass(Sony D5)> Dat> CDR> EAC> SHN
Taper Notes:
View NotesFOB-Sennheiser 421> Master Cass(Sony D5)> Dat> CDR> EAC> SHN; via Jeff M.; see info file for flaw notes