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Today In History
June 7th
Years
1995
29.5k
PlaybackListensHours
48h773107
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h63389
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h4k525
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.8k356
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h9.1k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k339
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h3k371
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k155
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.2k251
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h90199
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k215
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k146
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.5k204
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k222
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k300
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h6k642
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k184
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k290
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h18.1k2.5k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.7k506
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h79278
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k561
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.5k592
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.5k426
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2.1k229
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k954
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k366
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h42351
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10014
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h23318
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1983
4/17/83
Touch Of Grey >
6:27
Little Red Rooster
9:56
Dupree's Diamond Blues >
6:32
Beat It On Down The Line
4:41
It Must Have Been The Roses
5:19
Cassidy
5:50
Big Railroad Blues
6:06
My Brother Esau
5:26
Peggy O
8:10
Let It Grow
13:30
Might As Well
4:42
Help On The Way >
3:54
Slipknot! >
6:18
Franklin's Tower >
11:31
Man Smart (Woman Smarter)
9:03
Playin' In The Band >
15:37
Drums >
7:14
Space >
10:41
Love The One You're With (w/Stephen Stills)>
6:47
The Wheel >
5:20
Playin' In The Band Reprise >
3:59
Throwing Stones >
9:56
Not Fade Away (w/Stephen Stills)>
10:12
Not Fade Away Chant >
1:02
E: Not Fade Away Reprise
2:55
E: Brokedown Palace
5:21
FIN
View on archive.org
Sources
Taper: Candace Brightman
3:06:13
SBD
Taper:
Candace Brightman
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] September 21, 2024
SHNID:
gd1983-04-17.169154.E.Rutherford.NJ.sbd.brightman.miller.t-flac1644
Source:
SBD > PCM Master > Cassette (TDK SA-X90)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Candace Brightman for the cassettes -- Love The One You're With and Not Fade Away with Stephen Stills -- Thanks to Rob Eaton, Charlie Miller and Scott Clugston for the patch source -- Thanks to Joe B. Jones for checking the pitch for me -- This is 169109 2448 > 1644
Taper: Candace Brightman
3:06:12
SBD
Taper:
Candace Brightman
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] September 21, 2024
SHNID:
gd1983-04-17.169109.sbd.brightman.miller.flac2448
Source:
SBD > PCM Master > Cassette (TDK SA-X90)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Candace Brightman for the cassettes -- Love The One You're With and Not Fade Away with Stephen Stills -- Thanks to Rob Eaton, Charlie Miller and Scott Clugston for the patch source -- Thanks to Joe B. Jones for checking the pitch for me
Taper: Rob Eaton
3:08:16
SBD
Rating:
10.00 / 3 ratings
Taper:
Rob Eaton
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1983-04-17.140357.sbd.eaton.miller.clugston.flac1648
Source:
Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/48
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the source Dat - Thanks to Charlie Miller for the transfer - Speed corrected - Thanks to the folks responsible for the shnid127256 Recoton source which supplies the crowd and first few seconds of "Touch Of Grey" (0:13 total), a 20:12 patch in "Drums > Space", a 0:08 patch in "Throwing Stones", as well as a 0:13 patch as Weir thanks Stephen Stills before the encore - Between song transitions smoothed - Stephen Stills sits in for "Love The One You're With" thru the end of the show Mastered by Scott Clugston 12/24/2017
Taper: From Gastwirt Collection
1:52:11
SBD
Taper:
From Gastwirt Collection
Transferrer:
Rick Gastwirt;Charlie Miller;Joe Noel
SHNID:
gd1983-04-17.138602.sbd.set2.Gastwirt.Miller.Noel.t-flac16
Source:
SBD > Cassette Master* > Dat; Charlie Miller
Lineage:
Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Joe Noel Edits: Track, Flac, Pack & Patch: Wave > Audacity > track/label > export multiple > flac 16/44; Checksum & tags created in xACT
Taper Notes:
View Notes* "Could be a dolby thing, but I think its a 1st gen cassette." - C. Miller Checksum & tags created in xACT. Patch info: Drums is spliced three times, shnid: 7317, was used to fill in the missing 7 minutes. shnid: 14941 (SBD : MC > C > DAT > CDR) - tuning - 0:00 - 0:36 - Drums - 8:02 - end - Space - 0:00 - 10:25 shnid: 7317 - Steve Rolfe; Nak 700's recording - Throwing Stones - 2:10 - 2:20 - encore break - 11:43 - end Notes: - operating heavy machinery while listening this second set is highly encouraged :D - Space; can you pass the acid test?? - Happy Fortieth, LSD
Taper: Happy Jack
1:29:53
SBD
Taper:
Happy Jack
Transferrer:
Happy Jack
SHNID:
gd1983-04-17.137399.sbd.msc.happyjack.flac16
Source:
Partial Show Source: sbd;
Lineage:
mixingboard > d5 [recording level 4.5. No Dolbly] > MASTER Cassettes [Maxell XLII90]; Master Cassette copied on an Aiwa CX-NA555 [using Maxell XLll 90 Type ll with High (CrO2 Tape OFF] no Dolby; Tape Transfer: Sharp RT100 Deck > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Laptop HD by way of USB > 96.00kHz/24bit wav; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, fade ins & outs; Converting Sample Rate: Adobe Audition 3.0 was also used to to convert 96.00kHz/24bit.WAV to sample rate to 44.10kHz/16bit with High Qulaity at 100%, Pre Post Filter checked, Dither enabled, Dither Depth at 1, P.D.F set to Triangular and No Noise Shaping; CD Wave Editor To Split Tracks & converted to Flac16 [Level 6]; TLH to fix SBE
Taper Notes:
View NotesSource Notes * - Tape Flip [No Music was lost] ^ - cuts out of tape about 3 minutes into Franklin' By the sounds of my ears I think this may be the clone of the master. We dubbed every recording as a backup in the old days This is all I had left of this show. The rest stolen. I did not fade out the end of the 2nd set in case anyone wants to use it for patching.
Taper: Happy Jack
1:29:53
SBD
Taper:
Happy Jack
Transferrer:
Happy Jack
SHNID:
gd1983-04-17.137398.sbd.msc.happyjack.flac24
Source:
Partial Show Source: sbd;
Lineage:
mixingboard > d5 [recording level 4.5. No Dolbly] > MASTER Cassettes [Maxell XLII90]; Master Cassette copied on an Aiwa CX-NA555 [using Maxell XLll 90 Type ll with High (CrO2 Tape OFF] no Dolby; Tape Transfer: Sharp RT100 Deck > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Laptop HD by way of USB > 96.00kHz/24bit wav; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, fade ins & outs; CD Wave Editor to Split Tracks & covert to Flac24 [Level 6]
Taper Notes:
View NotesSource Notes * - Tape Flip [No Music was lost] ^ - cuts out of tape about 3 minutes into Franklin' By the sounds of my ears I think this may be the clone of the master. We dubbed every recording as a backup in the old days This is all I had left of this show. The rest stolen. I did not fade out the end of the 2nd set in case anyone wants to use it for patching.
Transferrer: Keo
3:06:41
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Keo
SHNID:
gd1983-04-17.132876.SBD.Keo.Flac1644
Source:
Soundboard Master Cassettes > Unk > Low Gen PCM Early 90's > Sony HG L750 Beta Tape > Sony SL2405 Beta VCR > Modified PCM601ESD > SPDIF > VX Pocket Emphasis Decoded In Neundo Track @ 16/44 Wave; Track Renamed With AudioGate Software V.3.0.2 @ 16/44 Wave; Tracked/Flacked With AudiGate V.3.0.2; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* With Stephen Stills ** Patched With Steve Hills Unk Master Audience: Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz Dithered/Flacked With AudioGate V.3.0.2/Korg Aqua To 16/44 Wave. There Was Only 5 More Seconds From Drums On The Hill Source. Drums Patch Used From Steve Rolfe Source shnid 7317 Decoded Back To Wave With Trader's Little Helper Flacked With AudioGate V.3.0.2 ** Comments:This Was shared by a friend to work on and to circulate.Some tape pauses between first set songs, also some higher right channel recording levels through out most of the show.I decided to not patch the drums but to add the missing section as it's own track, the space was patched and joined.Considering there was only one other soundboard source for this show we thought folks would enjoy this one as well and to compare with the one that circulates all ready!!!!!! AS ALWAYS ENJOY!!!!!!!!!
Source 8 of 25
3:01:22
SBD
Rating:
7.42 / 34 ratings
SHNID:
gd83-04-17.sbd.fink.14941.sbeok.shnf
Source:
SBD : MC > C > DAT > CDRExtraction and .shn encoding by Alan J Fink ([email protected]) via EAC and MKW. Proper sector boundaries verified via shntool.Seeded to Etree by Alan J Fink 02/02/2003.Thanks to Jeff Williams for the disks!
Taper Notes:
View NotesSBD : MC > C > DAT > CDR Extraction and .shn encoding by Alan J Fink ([email protected]) via EAC and MKW. Proper sector boundaries verified via shntool. Seeded to Etree by Alan J Fink 02/02/2003. Thanks to Jeff Williams for the disks!
Taper: Doug Lamarre
3:04:22
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-04-17.167344.senn441.lamarre.miller.clugston.flac2496_202404
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 > Tascam Hi-Res Editor (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Vita (RIP) for the Sennheiser 421 source which supplies some crowd and opening notes of "Touch Of Grey" (0:14 total) - Thanks to Mark McCue and Alex Ford for the Recoton mic source which supplies a 6:43 patch in "Drums" - "Love The One You're With" and "Not Fade Away" with Stephen Stills - Pitch corrected Mastered by Scott Clugston January 2024
Taper: Doug Lamarre
3:04:22
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-04-17.167343.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 > Tascam Hi-Res Editor (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Vita (RIP) for the Sennheiser 421 source which supplies some crowd and opening notes of "Touch Of Grey" (0:14 total) - Thanks to Mark McCue and Alex Ford for the Recoton mic source which supplies a 6:43 patch in "Drums" - "Love The One You're With" and "Not Fade Away" with Stephen Stills - Pitch corrected Mastered by Scott Clugston January 2024
Taper: Jim Vita
3:06:29
Rating:
9.00 / 2 ratings
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-04-17.162894.senn421.vita.miller.clugston.flac2496
Source:
Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics (15th row, center) > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to d5scott for the Sennheiser 421 source which supplies a 5:22 patch in "Drums", as well as a 0:14 patch in the "Throwing Stones > Not Fade Away" transition - "Love The One You're With" and "Not Fade Away" with Stephen Stills - Pitch corrected Mastered by Scott Clugston September 2022
Taper: Jim Vita
3:06:29
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-04-17.162893.senn421.vita.miller.clugston.flac1648
Source:
Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics (15th row, center) > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to d5scott for the Sennheiser 421 source which supplies a 5:22 patch in "Drums", as well as a 0:14 patch in the "Throwing Stones > Not Fade Away" transition - "Love The One You're With" and "Not Fade Away" with Stephen Stills - Pitch corrected Mastered by Scott Clugston September 2022
Taper: Charlie Miller
3:00:53
Taper:
Charlie Miller
Transferrer:
Charlie Miller
SHNID:
gd1983-04-17.154393.fob.3-beyer.m160.cm.miller.t.flac16
Source:
(FOB) 3-Beyer M160's > Yamaha Mixer > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Really bad PA problems for the first 2 songs -- Set 2 comes from a 1st gen copy off my master that I made for a friend back in 1990 -- Love The One You're With and Not Fade Away with Stephen Stills -- Recorded 5 feet in front of the sbd 10 feet to the left patched out of a bunch of D5's -- Patch source recorded by Jim Vita, transferred by me and mastered by Scott Clugston -- Thanks to Joe B. Jones for the pitch correction settings -- This is 153580 2496 > 1644
Taper: Charlie Miller
3:00:53
Taper:
Charlie Miller
Transferrer:
Charlie Miller
SHNID:
gd1983-04-17.153580.m160.miller.flac2496
Source:
(FOB) 3-Beyer M160's > Yamaha Mixer > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Really bad PA problems for the first 2 songs -- Set 2 comes from a 1st gen copy off my master that I made for a friend back in 1990 -- Love The One You're With and Not Fade Away with Stephen Stills -- Recorded 5 feet in front of the sbd 10 feet to the left patched out of a bunch of D5's -- Patch source recorded by Jim Vita, transferred by me and mastered by Scott Clugston -- Thanks to Joe B. Jones for the pitch correction settings
Transferrer: Charlie Miller
1:22:45
Transferrer:
Charlie Miller
SHNID:
gd1983-04-17.137378.set1.m160.miller.flac16
Source:
(FOB) 3 Beyer M160's > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Transferrer: Charlie Miller
1:22:45
Transferrer:
Charlie Miller
SHNID:
gd1983-04-17.137377.set1.m160.miller.flac24
Source:
(FOB) 3 Beyer M160's > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper: Tom Pinney
2:49:39
Taper:
Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1983-04-17.141683.beyerm201-pinney-holbrook.flac2448
Source:
<b/>flac24/48 </b> First Gen AUD Cassette: Maxell UDXLI90 set1; Maxell XLII90 set2 Master was: Beyer M201 hypercardiod XY 120ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby
Lineage:
Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD
Taper Notes:
View NotesShow notes: * With Stephen Stills; only "Love The One You're With" Recording Information # Lots of level and tonal changes- probably both PA and deck adjustments recording evens out near end of Touch of Grey & Slight tape glitches + levels turned up end of Franklins > Womens = bass distortion / paused between songs // Tape Flip //^ cut-Tape swap at very end ***For tour story see text file***
Taper: Tom Pinney
2:49:39
Taper:
Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1983-04-17.141682.beyerm201-pinney-holbrook.flac1644
Source:
<b/>flac16/44.1khz </b> First Gen AUD Cassette: Maxell XLII90 x 2 Master was: Beyer M201 hypercardiod XY 70ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby
Lineage:
Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD
Taper Notes:
View NotesShow notes: * With Stephen Stills; only "Love The One You're With" Recording Information # Lots of level and tonal changes- probably both PA and deck adjustments recording evens out near end of Touch of Grey & Slight tape glitches + levels turned up end of Franklins > Womens = bass distortion / paused between songs // Tape Flip //^ cut-Tape swap at very end ***For tour story see text file***
Transferrer: Matrix by Dave Usborne
3:08:45
Rating:
9.00 / 2 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1983-04-17.138277.mtx.dusborne.flac16
Source:
2 source matrix by Dusborne;Soundboard (shnid:132876), Soundboard Master Cassettes > Unk > Low Gen PCM Early 90's >Sony HG L750 Beta Tape > Sony SL2405 Beta VCR > Modified PCM601ESD >SPDIF > VX Pocket Emphasis Decoded In Neundo Track @ 16/44 Wave; Audience (shnid:117500) Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott, Source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes,
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper: Tom Gagen
3:10:40
Rating:
10.00 / 1 rating
Taper:
Tom Gagen
Transferrer:
Alex Ford
SHNID:
gd1983-04-17.127256.recoton.gagen.ford.flac16
Source:
(FOB) Recoton mics > Sony D5 > master cassette > Aiwa home deck > 1st gen cassette(McCue) FOB; center floor, approx. 35 ft. from stage
Lineage:
MAC> Sony D5> Aiwa home deck> 1st gen cassettes (1983)>Nakamichi Dragon> Lunatec V3(@24/88.2)> Lynx AES16e> WaveLab 7.2.1(UAD-2)>.wav @24/88.2> Apogee UV22HR> .wav @16/44.1> xAct> flac16(tags)
Taper Notes:
View Notes- * w/ Stephen Stills Notes: - 1st Generation cassettes supplied by Mark McCue. - Shnid 7317 supplies patches in Drums, Space, Throwing Stones and NFA. - Much thanks to Tom Gagen, Johnny Kelly, Andrew Kolodjeski and especially Mark McCue
Taper: chasingwilma
2:50:11
Rating:
8.00 / 3 ratings
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1983-04-17.120026.chasingwilma.flac24
Source:
Updated
Lineage:
(2) beyers m88 fob> d-5> mc> sony tc we435> sony pcm m-10 96khz/24bit> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96khz/24bit; <b>Note</b>: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures
Taper: chasingwilma
2:50:33
Rating:
8.00 / 3 ratings
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1983-04-17.120026.aud.chasingwilma.flac24
Source:
source: (2) beyers m88 fob>d-5>d-5 (mine); conversion: sony tc we435> sbm-1>d-8>sony pcm m-10 96khz/24bit> cdwave> traders little helper; encoding option 8; conversion rate: 96khz/24bit; <b>Note</b>: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
Taper: Da Weez
3:01:05
Rating:
8.67 / 3 ratings
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1983-04-17.117500.Sennheiser421.daweez.d5scott.flac16
Source:
Source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View NotesNotes: ** with Stephen Stills --------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Source 24 of 25
1:24:05
Rating:
4.00 / 1 rating
SHNID:
gd83-04-17.aud-miller.set1.23852.sbeok.shnf
Source:
Set 1 (FOB/3 mic Mix) Three Beyer M160's -> Sony D5 (Lead Deck) -> Cassette Master (Patched With Sony D6, Maxell XL-II)Transfer Info: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee MiniMe (24bit/96k) -> RME Hammerfall Digiface ->Sony V505 ->
Taper Notes:
View Notes(FOB/3 mic Mix) Three Beyer M160's -> Sony D5 (Lead Deck) -> Cassette Master (Patched With Sony D6, Maxell XL-II) Transfer Info: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee MiniMe (24bit/96k) -> RME Hammerfall Digiface -> Sony V505 -> Samplitude v7.02 Professional -> SHN. Recorded and Transfered By Charlie Miller
Taper: Steve Rolfe
3:10:09
Rating:
9.00 / 16 ratings
Taper:
Steve Rolfe
Transferrer:
Noah Weiner
SHNID:
gd83-04-17.rolfe.weiner.7317.sbeok.shnf
Source:
AudMC > DAT > CDWAV > SHN
Taper Notes:
View NotesAudMC > DAT > CDWAV > SHN; Taped by Steve Rolfe; via Noah Weiner; d1 tracked for 80 min; passes shntool check