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Bands
Grateful Dead
Today In History
June 12th
Years
1995
30.1k
PlaybackListensHours
48h57076
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h817112
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3.3k454
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h4.4k586
7d5.9k756
30d38.5k5.1k
57 shows
538 tapes
1991
36.3k
PlaybackListensHours
48h6.6k830
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h3.4k450
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h2.8k352
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1.1k128
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h4.2k468
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h990111
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.7k203
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h3.4k398
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.3k173
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k148
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h1.9k233
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h4.6k547
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.6k229
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.8k250
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h8.5k1.2k
7d47.4k6.5k
30d292.7k40.4k
64 shows
418 tapes
1976
61.3k
PlaybackListensHours
48h21.3k2.8k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h23726
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.3k440
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h6.3k879
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h2.3k290
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.5k171
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.4k169
7d12.9k1.3k
30d46.3k4.9k
101 shows
375 tapes
1969
27.2k
PlaybackListensHours
48h1.4k174
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h42055
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h13117
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h40128
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h222
7d1368
30d63237
2 shows
2 tapes
1983
Sources
Taper: Candace Brightman
3:06:13
SBD
Taper:
Candace Brightman
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] September 21, 2024
SHNID:
gd1983-04-17.169154.E.Rutherford.NJ.sbd.brightman.miller.t-flac1644
Source:
SBD > PCM Master > Cassette (TDK SA-X90)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Candace Brightman for the cassettes -- Love The One You're With and Not Fade Away with Stephen Stills -- Thanks to Rob Eaton, Charlie Miller and Scott Clugston for the patch source -- Thanks to Joe B. Jones for checking the pitch for me -- This is 169109 2448 > 1644
Taper: Candace Brightman
3:06:12
SBD
Taper:
Candace Brightman
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] September 21, 2024
SHNID:
gd1983-04-17.169109.sbd.brightman.miller.flac2448
Source:
SBD > PCM Master > Cassette (TDK SA-X90)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Candace Brightman for the cassettes -- Love The One You're With and Not Fade Away with Stephen Stills -- Thanks to Rob Eaton, Charlie Miller and Scott Clugston for the patch source -- Thanks to Joe B. Jones for checking the pitch for me
Taper: Rob Eaton
3:08:16
SBD
Rating:
10.00 / 3 ratings
Taper:
Rob Eaton
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1983-04-17.140357.sbd.eaton.miller.clugston.flac1648
Source:
Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/48
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the source Dat - Thanks to Charlie Miller for the transfer - Speed corrected - Thanks to the folks responsible for the shnid127256 Recoton source which supplies the crowd and first few seconds of "Touch Of Grey" (0:13 total), a 20:12 patch in "Drums > Space", a 0:08 patch in "Throwing Stones", as well as a 0:13 patch as Weir thanks Stephen Stills before the encore - Between song transitions smoothed - Stephen Stills sits in for "Love The One You're With" thru the end of the show Mastered by Scott Clugston 12/24/2017
Taper: From Gastwirt Collection
1:52:11
SBD
Taper:
From Gastwirt Collection
Transferrer:
Rick Gastwirt;Charlie Miller;Joe Noel
SHNID:
gd1983-04-17.138602.sbd.set2.Gastwirt.Miller.Noel.t-flac16
Source:
SBD > Cassette Master* > Dat; Charlie Miller
Lineage:
Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Joe Noel Edits: Track, Flac, Pack & Patch: Wave > Audacity > track/label > export multiple > flac 16/44; Checksum & tags created in xACT
Taper Notes:
View Notes* "Could be a dolby thing, but I think its a 1st gen cassette." - C. Miller Checksum & tags created in xACT. Patch info: Drums is spliced three times, shnid: 7317, was used to fill in the missing 7 minutes. shnid: 14941 (SBD : MC > C > DAT > CDR) - tuning - 0:00 - 0:36 - Drums - 8:02 - end - Space - 0:00 - 10:25 shnid: 7317 - Steve Rolfe; Nak 700's recording - Throwing Stones - 2:10 - 2:20 - encore break - 11:43 - end Notes: - operating heavy machinery while listening this second set is highly encouraged :D - Space; can you pass the acid test?? - Happy Fortieth, LSD
Taper: Happy Jack
1:29:53
SBD
Taper:
Happy Jack
Transferrer:
Happy Jack
SHNID:
gd1983-04-17.137399.sbd.msc.happyjack.flac16
Source:
Partial Show Source: sbd;
Lineage:
mixingboard > d5 [recording level 4.5. No Dolbly] > MASTER Cassettes [Maxell XLII90]; Master Cassette copied on an Aiwa CX-NA555 [using Maxell XLll 90 Type ll with High (CrO2 Tape OFF] no Dolby; Tape Transfer: Sharp RT100 Deck > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Laptop HD by way of USB > 96.00kHz/24bit wav; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, fade ins & outs; Converting Sample Rate: Adobe Audition 3.0 was also used to to convert 96.00kHz/24bit.WAV to sample rate to 44.10kHz/16bit with High Qulaity at 100%, Pre Post Filter checked, Dither enabled, Dither Depth at 1, P.D.F set to Triangular and No Noise Shaping; CD Wave Editor To Split Tracks & converted to Flac16 [Level 6]; TLH to fix SBE
Taper Notes:
View NotesSource Notes * - Tape Flip [No Music was lost] ^ - cuts out of tape about 3 minutes into Franklin' By the sounds of my ears I think this may be the clone of the master. We dubbed every recording as a backup in the old days This is all I had left of this show. The rest stolen. I did not fade out the end of the 2nd set in case anyone wants to use it for patching.
Taper: Happy Jack
1:29:53
SBD
Taper:
Happy Jack
Transferrer:
Happy Jack
SHNID:
gd1983-04-17.137398.sbd.msc.happyjack.flac24
Source:
Partial Show Source: sbd;
Lineage:
mixingboard > d5 [recording level 4.5. No Dolbly] > MASTER Cassettes [Maxell XLII90]; Master Cassette copied on an Aiwa CX-NA555 [using Maxell XLll 90 Type ll with High (CrO2 Tape OFF] no Dolby; Tape Transfer: Sharp RT100 Deck > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Laptop HD by way of USB > 96.00kHz/24bit wav; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, fade ins & outs; CD Wave Editor to Split Tracks & covert to Flac24 [Level 6]
Taper Notes:
View NotesSource Notes * - Tape Flip [No Music was lost] ^ - cuts out of tape about 3 minutes into Franklin' By the sounds of my ears I think this may be the clone of the master. We dubbed every recording as a backup in the old days This is all I had left of this show. The rest stolen. I did not fade out the end of the 2nd set in case anyone wants to use it for patching.
Transferrer: Keo
3:06:41
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Keo
SHNID:
gd1983-04-17.132876.SBD.Keo.Flac1644
Source:
Soundboard Master Cassettes > Unk > Low Gen PCM Early 90's > Sony HG L750 Beta Tape > Sony SL2405 Beta VCR > Modified PCM601ESD > SPDIF > VX Pocket Emphasis Decoded In Neundo Track @ 16/44 Wave; Track Renamed With AudioGate Software V.3.0.2 @ 16/44 Wave; Tracked/Flacked With AudiGate V.3.0.2; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* With Stephen Stills ** Patched With Steve Hills Unk Master Audience: Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz Dithered/Flacked With AudioGate V.3.0.2/Korg Aqua To 16/44 Wave. There Was Only 5 More Seconds From Drums On The Hill Source. Drums Patch Used From Steve Rolfe Source shnid 7317 Decoded Back To Wave With Trader's Little Helper Flacked With AudioGate V.3.0.2 ** Comments:This Was shared by a friend to work on and to circulate.Some tape pauses between first set songs, also some higher right channel recording levels through out most of the show.I decided to not patch the drums but to add the missing section as it's own track, the space was patched and joined.Considering there was only one other soundboard source for this show we thought folks would enjoy this one as well and to compare with the one that circulates all ready!!!!!! AS ALWAYS ENJOY!!!!!!!!!
Source 8 of 25
3:01:22
SBD
Rating:
7.42 / 34 ratings
SHNID:
gd83-04-17.sbd.fink.14941.sbeok.shnf
Source:
SBD : MC > C > DAT > CDRExtraction and .shn encoding by Alan J Fink ([email protected]) via EAC and MKW. Proper sector boundaries verified via shntool.Seeded to Etree by Alan J Fink 02/02/2003.Thanks to Jeff Williams for the disks!
Taper Notes:
View NotesSBD : MC > C > DAT > CDR Extraction and .shn encoding by Alan J Fink ([email protected]) via EAC and MKW. Proper sector boundaries verified via shntool. Seeded to Etree by Alan J Fink 02/02/2003. Thanks to Jeff Williams for the disks!
Taper: Doug Lamarre
3:04:22
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-04-17.167344.senn441.lamarre.miller.clugston.flac2496_202404
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 > Tascam Hi-Res Editor (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Vita (RIP) for the Sennheiser 421 source which supplies some crowd and opening notes of "Touch Of Grey" (0:14 total) - Thanks to Mark McCue and Alex Ford for the Recoton mic source which supplies a 6:43 patch in "Drums" - "Love The One You're With" and "Not Fade Away" with Stephen Stills - Pitch corrected Mastered by Scott Clugston January 2024
Taper: Doug Lamarre
3:04:22
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-04-17.167343.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 > Tascam Hi-Res Editor (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Vita (RIP) for the Sennheiser 421 source which supplies some crowd and opening notes of "Touch Of Grey" (0:14 total) - Thanks to Mark McCue and Alex Ford for the Recoton mic source which supplies a 6:43 patch in "Drums" - "Love The One You're With" and "Not Fade Away" with Stephen Stills - Pitch corrected Mastered by Scott Clugston January 2024
Taper: Jim Vita
3:06:29
Rating:
9.00 / 2 ratings
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-04-17.162894.senn421.vita.miller.clugston.flac2496
Source:
Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics (15th row, center) > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to d5scott for the Sennheiser 421 source which supplies a 5:22 patch in "Drums", as well as a 0:14 patch in the "Throwing Stones > Not Fade Away" transition - "Love The One You're With" and "Not Fade Away" with Stephen Stills - Pitch corrected Mastered by Scott Clugston September 2022
Taper: Jim Vita
3:06:29
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-04-17.162893.senn421.vita.miller.clugston.flac1648
Source:
Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics (15th row, center) > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to d5scott for the Sennheiser 421 source which supplies a 5:22 patch in "Drums", as well as a 0:14 patch in the "Throwing Stones > Not Fade Away" transition - "Love The One You're With" and "Not Fade Away" with Stephen Stills - Pitch corrected Mastered by Scott Clugston September 2022
Taper: Charlie Miller
3:00:53
Taper:
Charlie Miller
Transferrer:
Charlie Miller
SHNID:
gd1983-04-17.154393.fob.3-beyer.m160.cm.miller.t.flac16
Source:
(FOB) 3-Beyer M160's > Yamaha Mixer > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Really bad PA problems for the first 2 songs -- Set 2 comes from a 1st gen copy off my master that I made for a friend back in 1990 -- Love The One You're With and Not Fade Away with Stephen Stills -- Recorded 5 feet in front of the sbd 10 feet to the left patched out of a bunch of D5's -- Patch source recorded by Jim Vita, transferred by me and mastered by Scott Clugston -- Thanks to Joe B. Jones for the pitch correction settings -- This is 153580 2496 > 1644
Taper: Charlie Miller
3:00:53
Taper:
Charlie Miller
Transferrer:
Charlie Miller
SHNID:
gd1983-04-17.153580.m160.miller.flac2496
Source:
(FOB) 3-Beyer M160's > Yamaha Mixer > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Really bad PA problems for the first 2 songs -- Set 2 comes from a 1st gen copy off my master that I made for a friend back in 1990 -- Love The One You're With and Not Fade Away with Stephen Stills -- Recorded 5 feet in front of the sbd 10 feet to the left patched out of a bunch of D5's -- Patch source recorded by Jim Vita, transferred by me and mastered by Scott Clugston -- Thanks to Joe B. Jones for the pitch correction settings
Transferrer: Charlie Miller
1:22:45
Transferrer:
Charlie Miller
SHNID:
gd1983-04-17.137378.set1.m160.miller.flac16
Source:
(FOB) 3 Beyer M160's > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Transferrer: Charlie Miller
1:22:45
Transferrer:
Charlie Miller
SHNID:
gd1983-04-17.137377.set1.m160.miller.flac24
Source:
(FOB) 3 Beyer M160's > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper: Tom Pinney
2:49:39
Taper:
Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1983-04-17.141683.beyerm201-pinney-holbrook.flac2448
Source:
<b/>flac24/48 </b> First Gen AUD Cassette: Maxell UDXLI90 set1; Maxell XLII90 set2 Master was: Beyer M201 hypercardiod XY 120ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby
Lineage:
Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD
Taper Notes:
View NotesShow notes: * With Stephen Stills; only "Love The One You're With" Recording Information # Lots of level and tonal changes- probably both PA and deck adjustments recording evens out near end of Touch of Grey & Slight tape glitches + levels turned up end of Franklins > Womens = bass distortion / paused between songs // Tape Flip //^ cut-Tape swap at very end ***For tour story see text file***
Taper: Tom Pinney
2:49:39
Taper:
Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1983-04-17.141682.beyerm201-pinney-holbrook.flac1644
Source:
<b/>flac16/44.1khz </b> First Gen AUD Cassette: Maxell XLII90 x 2 Master was: Beyer M201 hypercardiod XY 70ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby
Lineage:
Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD
Taper Notes:
View NotesShow notes: * With Stephen Stills; only "Love The One You're With" Recording Information # Lots of level and tonal changes- probably both PA and deck adjustments recording evens out near end of Touch of Grey & Slight tape glitches + levels turned up end of Franklins > Womens = bass distortion / paused between songs // Tape Flip //^ cut-Tape swap at very end ***For tour story see text file***
Transferrer: Matrix by Dave Usborne
3:08:45
Rating:
9.00 / 2 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1983-04-17.138277.mtx.dusborne.flac16
Source:
2 source matrix by Dusborne;Soundboard (shnid:132876), Soundboard Master Cassettes > Unk > Low Gen PCM Early 90's >Sony HG L750 Beta Tape > Sony SL2405 Beta VCR > Modified PCM601ESD >SPDIF > VX Pocket Emphasis Decoded In Neundo Track @ 16/44 Wave; Audience (shnid:117500) Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott, Source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes,
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper: Tom Gagen
3:10:40
Rating:
10.00 / 1 rating
Taper:
Tom Gagen
Transferrer:
Alex Ford
SHNID:
gd1983-04-17.127256.recoton.gagen.ford.flac16
Source:
(FOB) Recoton mics > Sony D5 > master cassette > Aiwa home deck > 1st gen cassette(McCue) FOB; center floor, approx. 35 ft. from stage
Lineage:
MAC> Sony D5> Aiwa home deck> 1st gen cassettes (1983)>Nakamichi Dragon> Lunatec V3(@24/88.2)> Lynx AES16e> WaveLab 7.2.1(UAD-2)>.wav @24/88.2> Apogee UV22HR> .wav @16/44.1> xAct> flac16(tags)
Taper Notes:
View Notes- * w/ Stephen Stills Notes: - 1st Generation cassettes supplied by Mark McCue. - Shnid 7317 supplies patches in Drums, Space, Throwing Stones and NFA. - Much thanks to Tom Gagen, Johnny Kelly, Andrew Kolodjeski and especially Mark McCue
Taper: chasingwilma
2:50:11
Rating:
8.00 / 3 ratings
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1983-04-17.120026.chasingwilma.flac24
Source:
Updated
Lineage:
(2) beyers m88 fob> d-5> mc> sony tc we435> sony pcm m-10 96khz/24bit> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96khz/24bit; <b>Note</b>: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures
Taper: chasingwilma
2:50:33
Rating:
8.00 / 3 ratings
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1983-04-17.120026.aud.chasingwilma.flac24
Source:
source: (2) beyers m88 fob>d-5>d-5 (mine); conversion: sony tc we435> sbm-1>d-8>sony pcm m-10 96khz/24bit> cdwave> traders little helper; encoding option 8; conversion rate: 96khz/24bit; <b>Note</b>: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
Taper: Da Weez
3:01:05
Rating:
8.67 / 3 ratings
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1983-04-17.117500.Sennheiser421.daweez.d5scott.flac16
Source:
Source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View NotesNotes: ** with Stephen Stills --------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Source 24 of 25
1:24:05
Rating:
4.00 / 1 rating
SHNID:
gd83-04-17.aud-miller.set1.23852.sbeok.shnf
Source:
Set 1 (FOB/3 mic Mix) Three Beyer M160's -> Sony D5 (Lead Deck) -> Cassette Master (Patched With Sony D6, Maxell XL-II)Transfer Info: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee MiniMe (24bit/96k) -> RME Hammerfall Digiface ->Sony V505 ->
Taper Notes:
View Notes(FOB/3 mic Mix) Three Beyer M160's -> Sony D5 (Lead Deck) -> Cassette Master (Patched With Sony D6, Maxell XL-II) Transfer Info: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee MiniMe (24bit/96k) -> RME Hammerfall Digiface -> Sony V505 -> Samplitude v7.02 Professional -> SHN. Recorded and Transfered By Charlie Miller
Taper: Steve Rolfe
3:10:09
Rating:
9.00 / 16 ratings
Taper:
Steve Rolfe
Transferrer:
Noah Weiner
SHNID:
gd83-04-17.rolfe.weiner.7317.sbeok.shnf
Source:
AudMC > DAT > CDWAV > SHN
Taper Notes:
View NotesAudMC > DAT > CDWAV > SHN; Taped by Steve Rolfe; via Noah Weiner; d1 tracked for 80 min; passes shntool check