Might As Well | 1983-04-17 | Grateful Dead

View NotesNotes:
-- Thanks to Candace Brightman for the cassettes
-- Love The One You're With and Not Fade Away with Stephen Stills
-- Thanks to Rob Eaton, Charlie Miller and Scott Clugston for the patch source
-- Thanks to Joe B. Jones for checking the pitch for me
-- This is 169109 2448 > 1644

Taper: Candace Brightman

3:06:12

SBD

Taper:

Candace Brightman

Transferrer:

All Transfers and Mastering by Charlie Miller [email protected] September 21, 2024

SHNID:

gd1983-04-17.169109.sbd.brightman.miller.flac2448

Source:

SBD > PCM Master > Cassette (TDK SA-X90)

Lineage:

Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Samplitude Pro X6 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Thanks to Candace Brightman for the cassettes
-- Love The One You're With and Not Fade Away with Stephen Stills
-- Thanks to Rob Eaton, Charlie Miller and Scott Clugston for the patch source
-- Thanks to Joe B. Jones for checking the pitch for me

Taper: Rob Eaton

Charlie Miller and Scott Clugston

SHNID:

gd1983-04-17.140357.sbd.eaton.miller.clugston.flac1648

Source:

Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/48

Taper Notes:

View NotesNotes:
- Thanks to Rob Eaton for the source Dat
- Thanks to Charlie Miller for the transfer
- Speed corrected
- Thanks to the folks responsible for the shnid127256 Recoton source which supplies the crowd and first few seconds of "Touch Of Grey" (0:13 total), a 20:12 patch in "Drums > Space", a 0:08 patch in "Throwing Stones", as well as a 0:13 patch as Weir thanks Stephen Stills before the encore
- Between song transitions smoothed
- Stephen Stills sits in for "Love The One You're With" thru the end of the show

Mastered by Scott Clugston
12/24/2017

Taper: From Gastwirt Collection

1:52:11

SBD

Taper:

From Gastwirt Collection

Transferrer:

Rick Gastwirt;Charlie Miller;Joe Noel

SHNID:

gd1983-04-17.138602.sbd.set2.Gastwirt.Miller.Noel.t-flac16

Source:

SBD > Cassette Master* > Dat; Charlie Miller

Lineage:

Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Joe Noel Edits: Track, Flac, Pack & Patch: Wave > Audacity > track/label > export multiple > flac 16/44; Checksum & tags created in xACT

Taper Notes:

View Notes* "Could be a dolby thing, but I think its a 1st gen cassette." - C. Miller

Checksum & tags created in xACT. 

Patch info: 

Drums is spliced three times, shnid: 7317, was used to fill in the missing 7 minutes. 

shnid: 14941 (SBD : MC > C > DAT > CDR)
- tuning - 0:00 - 0:36
- Drums - 8:02 - end
- Space - 0:00 - 10:25

shnid: 7317 - Steve Rolfe; Nak 700's recording 
- Throwing Stones - 2:10 - 2:20
- encore break - 11:43 - end

Notes:
- operating heavy machinery while listening this second set is highly encouraged :D
- Space; can you pass the acid test?? 
- Happy Fortieth, LSD

Taper: Happy Jack

gd1983-04-17.137399.sbd.msc.happyjack.flac16

Source:

Partial Show Source: sbd;

Lineage:

mixingboard > d5 [recording level 4.5. No Dolbly] > MASTER Cassettes [Maxell XLII90]; Master Cassette copied on an Aiwa CX-NA555 [using Maxell XLll 90 Type ll with High (CrO2 Tape OFF] no Dolby; Tape Transfer: Sharp RT100 Deck > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Laptop HD by way of USB > 96.00kHz/24bit wav; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, fade ins & outs; Converting Sample Rate: Adobe Audition 3.0 was also used to to convert 96.00kHz/24bit.WAV to sample rate to 44.10kHz/16bit with High Qulaity at 100%, Pre Post Filter checked, Dither enabled, Dither Depth at 1, P.D.F set to Triangular and No Noise Shaping; CD Wave Editor To Split Tracks & converted to Flac16 [Level 6]; TLH to fix SBE

Taper Notes:

View NotesSource Notes
* - Tape Flip [No Music was lost]
^ - cuts out of tape about 3 minutes into Franklin'
By the sounds of my ears I think this may be the clone of the master. We dubbed every recording as a backup in the old days
This is all I had left of this show. The rest stolen. I did not fade out the end of the 2nd set in case anyone wants to use it for patching.

Taper: Happy Jack

gd1983-04-17.137398.sbd.msc.happyjack.flac24

Source:

Partial Show Source: sbd;

Lineage:

Taper Notes:

View NotesSource Notes
* - Tape Flip [No Music was lost]
^ - cuts out of tape about 3 minutes into Franklin'
By the sounds of my ears I think this may be the clone of the master. We dubbed every recording as a backup in the old days
This is all I had left of this show. The rest stolen. I did not fade out the end of the 2nd set in case anyone wants to use it for patching.

Transferrer: Keo

gd1983-04-17.132876.SBD.Keo.Flac1644

Source:

Soundboard Master Cassettes > Unk > Low Gen PCM Early 90's > Sony HG L750 Beta Tape > Sony SL2405 Beta VCR > Modified PCM601ESD > SPDIF > VX Pocket Emphasis Decoded In Neundo Track @ 16/44 Wave; Track Renamed With AudioGate Software V.3.0.2 @ 16/44 Wave; Tracked/Flacked With AudiGate V.3.0.2; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View Notes* With Stephen Stills
 ** Patched With Steve Hills Unk Master Audience:
     Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz
      Dithered/Flacked With AudioGate V.3.0.2/Korg Aqua To 16/44 Wave.
       There Was Only 5 More Seconds From Drums On The Hill Source.
        Drums Patch Used From Steve Rolfe Source shnid 7317 
         Decoded Back To Wave With Trader's Little Helper
          Flacked With AudioGate V.3.0.2 **
    
 Comments:This Was shared by a friend to work on and to
circulate.Some tape pauses between first set songs, also
some higher right channel recording levels through out
most of the show.I decided to not patch the drums but to
add the missing section as it's own track, the space was
patched and joined.Considering there was only one other
soundboard source for this show we thought folks would
enjoy this one as well and to compare with the one that
circulates all ready!!!!!!
AS ALWAYS ENJOY!!!!!!!!!

Source 8 of 25

gd83-04-17.sbd.fink.14941.sbeok.shnf

Source:

SBD : MC > C > DAT > CDRExtraction and .shn encoding by Alan J Fink ([email protected]) via EAC and MKW. Proper sector boundaries verified via shntool.Seeded to Etree by Alan J Fink 02/02/2003.Thanks to Jeff Williams for the disks!

Taper Notes:

View NotesSBD : MC > C > DAT > CDR
Extraction and .shn encoding by Alan J Fink ([email protected]) via EAC and MKW. 
Proper sector boundaries verified via shntool.
Seeded to Etree by Alan J Fink 02/02/2003.

Thanks to Jeff Williams for the disks!

Taper: Doug Lamarre

Scott Clugston, Charlie Miller

SHNID:

gd1983-04-17.167344.senn441.lamarre.miller.clugston.flac2496_202404

Source:

Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 > Tascam Hi-Res Editor (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Doug Lamarre for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jim Vita (RIP) for the Sennheiser 421 source which supplies some crowd and opening notes of "Touch Of Grey" (0:14 total)
- Thanks to Mark McCue and Alex Ford for the Recoton mic source which supplies a 6:43 patch in "Drums"
- "Love The One You're With" and "Not Fade Away" with Stephen Stills
- Pitch corrected

Mastered by Scott Clugston
January 2024

Taper: Doug Lamarre

Scott Clugston, Charlie Miller

SHNID:

gd1983-04-17.167343.senn441.lamarre.miller.clugston.flac1648

Source:

Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 > Tascam Hi-Res Editor (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Doug Lamarre for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jim Vita (RIP) for the Sennheiser 421 source which supplies some crowd and opening notes of "Touch Of Grey" (0:14 total)
- Thanks to Mark McCue and Alex Ford for the Recoton mic source which supplies a 6:43 patch in "Drums"
- "Love The One You're With" and "Not Fade Away" with Stephen Stills
- Pitch corrected

Mastered by Scott Clugston
January 2024

Taper: Jim Vita

Scott Clugston, Charlie Miller

SHNID:

gd1983-04-17.162894.senn421.vita.miller.clugston.flac2496

Source:

Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics (15th row, center) > Sony D5M (Maxell XLII-S)

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to d5scott for the Sennheiser 421 source which supplies a 5:22 patch in "Drums", as well as a 0:14 patch in the "Throwing Stones > Not Fade Away" transition
- "Love The One You're With" and "Not Fade Away" with Stephen Stills
- Pitch corrected

Mastered by Scott Clugston
September 2022

Taper: Jim Vita

Scott Clugston, Charlie Miller

SHNID:

gd1983-04-17.162893.senn421.vita.miller.clugston.flac1648

Source:

Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics (15th row, center) > Sony D5M (Maxell XLII-S)

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to d5scott for the Sennheiser 421 source which supplies a 5:22 patch in "Drums", as well as a 0:14 patch in the "Throwing Stones > Not Fade Away" transition
- "Love The One You're With" and "Not Fade Away" with Stephen Stills
- Pitch corrected

Mastered by Scott Clugston
September 2022

Taper: Charlie Miller

gd1983-04-17.154393.fob.3-beyer.m160.cm.miller.t.flac16

Source:

(FOB) 3-Beyer M160's > Yamaha Mixer > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Really bad PA problems for the first 2 songs
-- Set 2 comes from a 1st gen copy off my master that I made for a friend back in 1990
-- Love The One You're With and Not Fade Away with Stephen Stills
-- Recorded 5 feet in front of the sbd 10 feet to the left patched out of a bunch of D5's
-- Patch source recorded by Jim Vita, transferred by me and mastered by Scott Clugston
-- Thanks to Joe B. Jones for the pitch correction settings
-- This is 153580 2496 > 1644

Taper: Charlie Miller

gd1983-04-17.153580.m160.miller.flac2496

Source:

(FOB) 3-Beyer M160's > Yamaha Mixer > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Really bad PA problems for the first 2 songs
-- Set 2 comes from a 1st gen copy off my master that I made for a friend back in 1990
-- Love The One You're With and Not Fade Away with Stephen Stills
-- Recorded 5 feet in front of the sbd 10 feet to the left patched out of a bunch of D5's
-- Patch source recorded by Jim Vita, transferred by me and mastered by Scott Clugston
-- Thanks to Joe B. Jones for the pitch correction settings

Transferrer: Charlie Miller

gd1983-04-17.137378.set1.m160.miller.flac16

Source:

(FOB) 3 Beyer M160's > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched)

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

Transferrer: Charlie Miller

gd1983-04-17.137377.set1.m160.miller.flac24

Source:

(FOB) 3 Beyer M160's > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched)

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

Taper: Tom Pinney

gd1983-04-17.141683.beyerm201-pinney-holbrook.flac2448

Source:

flac24/48 First Gen AUD Cassette: Maxell UDXLI90 set1; Maxell XLII90 set2 Master was: Beyer M201 hypercardiod XY 120ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby

Lineage:

Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD

Taper Notes:

View NotesShow notes:
* With Stephen Stills; only "Love The One You're With"

Recording Information
#  Lots of level and tonal changes- probably both PA and deck adjustments
   recording evens out near end of Touch of Grey
&  Slight tape glitches
+  levels turned up end of Franklins > Womens = bass distortion
/  paused between songs
// Tape Flip
//^ cut-Tape swap at very end

***For tour story see text file***

Taper: Tom Pinney

gd1983-04-17.141682.beyerm201-pinney-holbrook.flac1644

Source:

flac16/44.1khz First Gen AUD Cassette: Maxell XLII90 x 2 Master was: Beyer M201 hypercardiod XY 70ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby

Lineage:

Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD

Taper Notes:

View NotesShow notes:
* With Stephen Stills; only "Love The One You're With"

Recording Information
#  Lots of level and tonal changes- probably both PA and deck adjustments
   recording evens out near end of Touch of Grey
&  Slight tape glitches
+  levels turned up end of Franklins > Womens = bass distortion
/  paused between songs
// Tape Flip
//^ cut-Tape swap at very end

***For tour story see text file***

Transferrer: Matrix by Dave Usborne

Matrix by Dave Usborne

SHNID:

gd1983-04-17.138277.mtx.dusborne.flac16

Source:

2 source matrix by Dusborne;Soundboard (shnid:132876), Soundboard Master Cassettes > Unk > Low Gen PCM Early 90's >Sony HG L750 Beta Tape > Sony SL2405 Beta VCR > Modified PCM601ESD >SPDIF > VX Pocket Emphasis Decoded In Neundo Track @ 16/44 Wave; Audience (shnid:117500) Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott, Source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes,

Lineage:

Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files

Taper: Tom Gagen

gd1983-04-17.127256.recoton.gagen.ford.flac16

Source:

(FOB) Recoton mics > Sony D5 > master cassette > Aiwa home deck > 1st gen cassette(McCue) FOB; center floor, approx. 35 ft. from stage

Lineage:

MAC> Sony D5> Aiwa home deck> 1st gen cassettes (1983)>Nakamichi Dragon> Lunatec V3(@24/88.2)> Lynx AES16e> WaveLab 7.2.1(UAD-2)>.wav @24/88.2> Apogee UV22HR> .wav @16/44.1> xAct> flac16(tags)

Taper Notes:

View Notes- * w/ Stephen Stills

Notes:

- 1st Generation cassettes supplied by Mark McCue.

- Shnid 7317 supplies patches in Drums, Space, Throwing Stones and NFA.

- Much thanks to Tom Gagen, Johnny Kelly, Andrew Kolodjeski and especially Mark McCue

Taper: chasingwilma

gd1983-04-17.120026.chasingwilma.flac24

Source:

Updated

Lineage:

(2) beyers m88 fob> d-5> mc> sony tc we435> sony pcm m-10 96khz/24bit> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96khz/24bit; Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures

Taper: chasingwilma

gd1983-04-17.120026.aud.chasingwilma.flac24

Source:

source: (2) beyers m88 fob>d-5>d-5 (mine); conversion: sony tc we435> sbm-1>d-8>sony pcm m-10 96khz/24bit> cdwave> traders little helper; encoding option 8; conversion rate: 96khz/24bit; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate

Taper: Da Weez

gd1983-04-17.117500.Sennheiser421.daweez.d5scott.flac16

Source:

Source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes;

Lineage:

Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files

Taper Notes:

View NotesNotes:  
** with Stephen Stills
---------------------------------
R.I.P. Sandy - aka "Bigfoot"  
---------------------------------

Source 24 of 25

gd83-04-17.aud-miller.set1.23852.sbeok.shnf

Source:

Set 1 (FOB/3 mic Mix) Three Beyer M160's -> Sony D5 (Lead Deck) -> Cassette Master (Patched With Sony D6, Maxell XL-II)Transfer Info: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee MiniMe (24bit/96k) -> RME Hammerfall Digiface ->Sony V505 ->

Taper Notes:

View Notes(FOB/3 mic Mix) Three Beyer M160's -> 
Sony D5 (Lead Deck) -> Cassette Master (Patched With Sony D6, Maxell XL-II)

Transfer Info: Cassette Master (Sony TC-WE475/Azimuth Adjusted) ->  Apogee MiniMe (24bit/96k) -> RME Hammerfall Digiface ->
Sony V505 -> Samplitude v7.02 Professional ->
SHN. Recorded and Transfered By Charlie Miller

Taper: Steve Rolfe

gd83-04-17.rolfe.weiner.7317.sbeok.shnf

Source:

AudMC > DAT > CDWAV > SHN

Taper Notes:

View NotesAudMC > DAT > CDWAV > SHN; Taped by Steve Rolfe; via Noah Weiner; d1 tracked for 80 min; passes shntool check