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June 12th
Years
1995
29.9k
PlaybackListensHours
48h56675
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h801110
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.3k454
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.6k608
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.7k844
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.3k429
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h2.9k360
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k133
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.3k481
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h997112
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k205
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.4k402
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k177
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.2k152
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h1.9k236
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h4.9k577
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k230
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.8k255
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.6k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h21.6k2.8k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h24627
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.3k444
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6.1k851
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.3k295
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k173
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.4k167
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k177
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h42856
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h13217
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h40128
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1983
4/15/83
Tuning
3:52
Shakedown Street
13:59
My Brother Esau
7:07
Brown Eyed Women
6:57
Little Red Rooster
9:33
Dire Wolf
4:08
Lazy Lightning ->
3:46
Supplication ->
6:38
Deal
7:43
Tuning
1:00
Feel Like A Stranger
9:35
Samson and Delilah
9:05
Ship Of Fools
8:40
Maybe You Know
5:04
He's Gone ->
13:01
Little Star ->
5:58
Drums ->
7:06
Space ->
10:57
Throwing Stones ->
9:46
Not Fade Away ->
6:03
Goin' Down The Road Feeling Bad ->
6:50
Around And Around ->
3:37
Johnny B. Goode
4:29
It's All Over Now, Baby Blue
7:15
FIN
View on archive.org
Sources
Taper: David Gans
1:48:15
SBD
Taper:
David Gans
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1983-04-15.140059.set2.sbd.pcm.gans.miller.clugston.flac1644
Source:
Master Soundboard PCM > PCM
Taper Notes:
View NotesNotes: - Thanks to David Gans for the PCM clone - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for shnid9974 sennheiser 421 source which supplies the crowd/tunings and first few notes of "Maybe You Know" (0:12 in total) - Thanks to Charlie Miller for the shnid94282 Audio Technica source that supplies some crowd and the first 0:04 of "It's All Over Now, Baby Blue" - Jam with Bob and drummers before "Drums" - All copies in general circulation emanate from this PCM clone Transfer by Charlie Miller Mastered by Scott Clugston Date 11/22/17
Transferrer: Matrix by Dave Usborne
2:53:08
SBD
Rating:
10.00 / 3 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1983-04-15.138067.mtx.dusborne.flac16
Source:
2 source matrix by Dusborne; Soundboard (shnid:32780), Recording Info: set 1: SBD -> Cassette Master -> Reel -> Dat (48k)Set 2: SBD -> PCM -> Dat (44.1k)Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC and Audience (shnid:94282), Recording Info: (FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II/Dolby B); Transfer Info: Cassette Master (Namamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) ->Samplitude Professional v10.1 -> FLAC/16, Recorded and Transfered By Charlie Miller
Transferrer: Charlie Miller
2:47:42
SBD
Rating:
8.60 / 11 ratings
Transferrer:
Charlie Miller
SHNID:
gd1983-04-15.sbd.miller.32780.sbeok.flac16
Source:
Set 1: SBD -> Cassette, Set 2: SBD -> PCM
Lineage:
Set 1: Cassette Master -> Reel -> Dat (48k), Set 2: PCM -> Dat (44.1k), both sets: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View NotesPatch Info: (FOB) Audio Technica's>Cass Master recorded by Charlie Miller supplies: 2 seconds at the start of My Brother Esau 4 seconds at the start of Baby Blue Notes: -- Seamless transition between Discs 2 and 3
Taper: david barfield + david lane
2:42:18
SBD
Taper:
david barfield + david lane
Transferrer:
david barfield
SHNID:
gd1983-04-15.140687.nak300.flac2496
Source:
source: nak-300 (12’ near sbd) > tcd5m > udxliis +dolby > tascam 122mkii > apogee rosetta 200 (24/96) > audacity (normalize, fades, tracks) > flac2496 > xact (tags, checksums); recorded: david barfield + david lane; transferred seeded: barfield
Source 5 of 23
1:43:51
SBD
Rating:
8.55 / 11 ratings
SHNID:
gd83-04-15s2.sbd.dodd.9975.sbeok.shnf
Source:
SBD>PCM>DAT>Sonic Solutions>CDR
Taper Notes:
View Notes2nd set; SBD>PCM>DAT>Sonic Solutions>CDR; via Paul B; Seeded to etree by Ernie Dodd
Taper: Rob Eaton
3:01:54
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1983-04-15.163649.senn441.neumann.u87.miller.clugston.flac2496
Source:
Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (left + right) + (1) Neumann U87 (center) blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Charlie Miller and Ernie Dodd for the Audio Technica and Sennheiser 421 sources, which combined, supplies a 15:46 patch from "Little Star" thru "Drums" - Pitch corrected Mastered by Scott Clugston November 2022
Taper: Rob Eaton
3:01:54
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1983-04-15.163648.senn441.neumann.u87.miller.clugston.flac1648
Source:
Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (left + right) + (1) Neumann U87 (center) blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Charlie Miller and Ernie Dodd for the Audio Technica and Sennheiser 421 sources, which combined, supplies a 15:46 patch from "Little Star" thru "Drums" - Pitch corrected Mastered by Scott Clugston November 2022
Taper: Charlie Miller
2:51:14
Taper:
Charlie Miller
Transferrer:
Charlie Miller
SHNID:
gd1983-04-15.143504.fob.atm11.cm.miller.flac1644
Source:
(FOB) Audio Technica ATM11 > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This was the first Grateful Dead show I taped -- Recorded 15 feet in front of sbd, about 10 feet to the right -- I was patched out of a Sony TC-D5M (lead deck) -- This source is an upgraded transfer (this is the last one) -- I chose to playback without dolby since it sounded better -- Patch source recorded by Brian Schley -- Thanks to Joe B. Jones for the pitch correction settings -- This file set is 16 bit @ 44.1
Transferrer: Charlie Miller
2:51:14
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1983-04-15.143055.at.miller.flac2496
Source:
(FOB) Audio Technica ATM11 > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: (FOB) Nakamichi 300/CP4 > Cassette Master > FLAC (shnid=135460) supplies: He's Gone (12:53 - 13:01) Little Star (0:31 - 0:39) Drums (0:13 - end of track) Space (0:00 - 0:48) Around And Around (0:00 - 0:07) (0:56 - 1:09) Notes: -- This was the first Grateful Dead show I taped -- Recorded 15 feet in front of sbd, about 10 feet to the right -- I was patched out of a Sony TC-D5M (lead deck) -- This source is an upgraded transfer (this is the last one) -- I chose to playback without dolby since it sounded better -- Patch source recorded by Brian Schley -- Thanks to Joe B. Jones for the pitch correction settings
Taper: Charlie Miller
2:52:09
Rating:
10.00 / 2 ratings
Taper:
Charlie Miller
Transferrer:
Charlie Miller
SHNID:
gd1983-04-15.fob.miller.94283.sbeok.flac24
Source:
(FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II/Dolby B)
Lineage:
Cassette Master (Namamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24
Taper Notes:
View NotesPatch Info: (FOB) Sennheiser 421 -> Cassette Master -> Dat -> CD (shnid=9974) supplies: Little Star (0:31 - 0:40) Drums (0:15 - end of track) Space (0:00 - 0:30) Around And Around (0:50 - 1:05) Notes: -- Recorded 15 feet in front of sbd, about 10 feet to the right -- This was the first Grateful Dead show I taped -- Unpatched cut during first few seconds of Around And Around -- Previous transfers were not dolby decoded, this one is
Taper: Charlie Miller
2:52:10
Rating:
10.00 / 2 ratings
Taper:
Charlie Miller
Transferrer:
Charlie Miller
SHNID:
gd1983-04-15.fob.miller.94282.sbeok.flac16
Source:
(FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II/Dolby B)
Lineage:
Cassette Master (Namamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16
Taper Notes:
View NotesPatch Info: (FOB) Sennheiser 421 -> Cassette Master -> Dat -> CD (shnid=9974) supplies: Little Star (0:31 - 0:40) Drums (0:15 - end of track) Space (0:00 - 0:30) Around And Around (0:50 - 1:05) Notes: -- Set 2 is seamless -- Recorded 15 feet in front of sbd, about 10 feet to the right -- This was the first Grateful Dead show I taped -- Unpatched cut during first few seconds of Around And Around -- Previous transfers were not dolby decoded, this one is
Taper: Charlie Miller
2:52:06
Rating:
6.00 / 2 ratings
Taper:
Charlie Miller
Transferrer:
Charlie Miller
SHNID:
gd1983-04-15.fob.miller.87753.flac24
Source:
(FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II)
Lineage:
Cassette Master (Namamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/24
Taper Notes:
View Notes-- Set 2 is seamless -- This is a 24-bit recording, 16-bit version also circulates -- Recorded 15 feet in front of sbd, about 10 feet to the right -- This was the first Grateful Dead show I taped -- Patch source was slightly EQ'd to better match my tape -- Unpatched cut during first few seconds of Around And Around
Taper: Charlie Miller
2:52:06
Rating:
8.67 / 3 ratings
Taper:
Charlie Miller
Transferrer:
Charlie Miller
SHNID:
gd1983-04-15.fob.at.miller.87725.sbeok.flac16
Source:
(FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II)
Lineage:
Cassette Master (Namamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16
Taper Notes:
View NotesPatch Info: (FOB) Sennheiser 421 -> Cassette Master -> Dat -> CD (shnid=9974) supplies: Little Star (0:32 - 0:37) Drums (0:16 - end of track) Space (0:00 - 1:47) Around And Around (0:50 - 1:03) Notes: -- Set 2 is seamless -- Recorded 15 feet in front of sbd, about 10 feet to the right -- This was the first Grateful Dead show I taped -- Patch source was slightly EQ'd to better match my tape -- Unpatched cut during first few seconds of Around And Around
Taper: Tom Pinney assist to Executive Crew
2:36:59
Taper:
Tom Pinney assist to Executive Crew
Transferrer:
Kyle Holbrook
SHNID:
gd1983-04-15.141641.senn421.executive-crew.holbrook.flac2448
Source:
flac24/48; First Gen AUD: Master was: Sennheiser MD421's XY 60ft from stacks ->Sony TCD5M -> Marantz Superscope PMD430 (3rd in line)|TDK MA no Dolby
Lineage:
JVC -> Sony TCD5MTransfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD
Taper Notes:
View NotesRecording notes * ~6:45 brief drop outs / tape flip // pause tape /# two cuts, first for this deck, 2nd for the lead deck /* cut from lead deck, start again with space /## two cuts but about 2 minutes apart
Taper: Tom Pinney assist to Executive Crew
2:37:00
Taper:
Tom Pinney assist to Executive Crew
Transferrer:
Kyle Holbrook
SHNID:
gd1983-04-15.141640.senn421.executive-crew.holbrook.flac1644
Source:
flac24/48; First Gen AUD: Master was: Sennheiser MD421's XY 60ft from stacks ->Sony TCD5M -> Marantz Superscope PMD430 (3rd in line)|TDK MA no Dolby
Lineage:
JVC -> Sony TCD5MTransfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD
Taper Notes:
View NotesRecording notes * ~6:45 brief drop outs / tape flip // pause tape /# two cuts, first for this deck, 2nd for the lead deck /* cut from lead deck, start again with space /## two cuts but about 2 minutes apart
Taper: Executive Crew;Kyle Holbrook;Olvy Johnson;Mike Yacavone;assist to Tom Pinney
2:44:19
Taper:
Executive Crew;Kyle Holbrook;Olvy Johnson;Mike Yacavone;assist to Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1983-04-15.141639.beyerm201.executive-crew.holbrook.flac2448
Source:
<b/>flac24/48 </b> Recording InformationMaster AUD: Beyer M201 hypercardiod XY 65ft from stacks ->Sony TCD5M|TDK MA 90 No Dolby
Lineage:
Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD
Taper Notes:
View NotesRecording notes * ~7:00 brief drop outs / tape flip /^ tape swap from tape 1 to 2 /^^tape swap from 2 to 1 Olvy had the idea that he wanted to record ALL of the drums and space so he decided to keep tape 1 side B in the deck to start set 2. Fortunate were we as many tapers had cuts. A bit of tape hiss throughout, no dolby added some noise to these old tapes.
Taper: Executive Crew;Kyle Holbrook;Olvy Johnson;Mike Yacavone;assist to Tom Pinney
2:44:19
Taper:
Executive Crew;Kyle Holbrook;Olvy Johnson;Mike Yacavone;assist to Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1983-04-15.141638.beyerm201.executive-crew.holbrook.flac1644
Source:
<b/>flac16/44.1 </b> Recording InformationMaster AUD: Beyer M201 hypercardiod XY 65ft from stacks ->Sony TCD5M|TDK MA 90 No Dolby
Lineage:
Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD
Taper Notes:
View NotesRecording notes * ~7:00 brief drop outs / tape flip /^ tape swap from tape 1 to 2 /^^tape swap from 2 to 1 Olvy had the idea that he wanted to record ALL of the drums and space so he decided to keep tape 1 side B in the deck to start set 2. Fortunate were we as many tapers had cuts. A bit of tape hiss throughout, no dolby added some noise to these old tapes.
Taper: Doug Lamarre
2:40:29
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1983-04-15.140095.aud.lamarre.berger.flac24
Source:
aud cassette master, nak 300 guns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
Taper: Doug Lamarre
2:40:29
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1983-04-15.140094.aud.lamarre.berger.flac16
Source:
aud cassette master; nak 300 guns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
Taper: Brian Schley
2:51:56
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1983-04-15.135460.nak300.schley.flac1644
Source:
AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLII (Set 1 + JBG & Baby Blue), Hitachi ME-Metal (Set 2 thru A&A), FOB recording by Brian Schley.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2016
Taper Notes:
View NotesNote: Re-mixed ID-9974 patches; Little Star 0:33 > 0:38, Drums 0:03 > Space 0:53, Around & Around 3:41 > Johnny B. Goode 0:04. Thanks Jon Pasternak & Charlie McGuth for organizing this project!
Taper: Rick "Coyotte" Colyard
2:44:06
Rating:
10.00 / 1 rating
Taper:
Rick "Coyotte" Colyard
Transferrer:
Muletaper
SHNID:
gd1983-04-15.senn421.coyotte.muletaper.88659.sbeok.flac16
Source:
Sennheiser MD421's>Sony D5 (two maxell UD-XL2-S-Cassettes), Location: FOB-11th row DFC @6 ft high on stand (head high)
Lineage:
Cassette Masters > Sony TC-W21 > Edirol Digi-Mod [email protected] > Optical out > Nomad JB3 > WAV > Poulderbits Sound Editor for (fades/cuts) > FlacFrontend (level-8) > flac-16
Taper Notes:
View Notes*Tape flip between rooster and dire wolf -no loss *Tapefip in between Hes Gone and Little star in set 2 *Tape starts at beginning of little star *Tape flip splice at beginning of around and around **most all transitions are smoothe
Source 22 of 23
2:48:45
Rating:
9.33 / 3 ratings
SHNID:
gd83-04-15.fob-miller.23850.sbeok.shnf
Source:
(FOB) Audio Technica Mics -> Sony D5 (Lead Deck) -> Cassette Master (Patched Off Of Lead Deck With Sony D6, Maxell XL-II)Transfer Info: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee MiniMe (24bit/96k) -> RME Hammerfall Digiface ->Sony V505 ->
Taper Notes:
View Notes(FOB) Audio Technica Mics -> Sony D5 (Lead Deck) -> Cassette Master (Patched Off Of Lead Deck With Sony D6, Maxell XL-II) Transfer Info: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee MiniMe (24bit/96k) -> RME Hammerfall Digiface -> Sony V505 -> Samplitude v7.02 Professional -> SHN. Recorded and Transfered By Charlie Miller
Source 23 of 23
2:48:50
Rating:
8.40 / 6 ratings
SHNID:
gd83-04-15.sennheiser.dodd.9974.sbeok.shnf
Source:
Senn. 421’s > MC>DAT>CD
Taper Notes:
View NotesSenn. 421Âs > MC>DAT>CD; via Paul B; Seeded to etree by Ernie Dodd