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June 8th
Years
1995
30k
PlaybackListensHours
48h71698
7d11.4k1.6k
30d30k4.2k
49 shows
341 tapes
1994
8.5k
PlaybackListensHours
48h737101
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h3.6k475
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.8k359
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h9.2k1.3k
7d9k1.2k
30d40.6k5.5k
78 shows
972 tapes
1990
35.2k
PlaybackListensHours
48h2.7k352
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h3k370
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.3k150
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h2.2k247
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h928102
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.8k207
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.1k143
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.5k205
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.8k219
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.3k291
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.4k686
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.3k181
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h2.1k277
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.4k2.7k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.5k485
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h86985
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.5k574
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.5k583
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h3.3k403
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h2k222
7d6.2k691
30d34.3k3.9k
82 shows
357 tapes
1970
42.2k
PlaybackListensHours
48h9.1k926
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.3k361
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h36344
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h11115
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h23618
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h402
7d1026
30d57334
2 shows
2 tapes
1983
4/15/83
Shakedown Street
13:41
My Brother Esau
6:46
Brown Eyed Women
5:40
Little Red Rooster /
8:59
Dire Wolf //
3:33
Lazy Lightning -> Supplication ->
10:02
Deal
7:37
Feel Like A Stranger *
10:33
Samson And Delilah
8:22
Ship Of Fools
7:43
Maybe You Know
4:48
He's Gone ->
12:44
Bob Star -> / #
1:52
Drums -> /*
6:41
Space ->
11:53
Throwing Stones ->
9:31
Not Fade Away ->
5:59
Goin' Down The Road Feeling Bad ->
6:24
Around And Around -> /
3:47
Johnny B. Goode /##
3:29
encore It's All Over Now, Baby Blue
6:56
FIN
View on archive.org
Sources
Taper: David Gans
1:48:15
SBD
Taper:
David Gans
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1983-04-15.140059.set2.sbd.pcm.gans.miller.clugston.flac1644
Source:
Master Soundboard PCM > PCM
Taper Notes:
View NotesNotes: - Thanks to David Gans for the PCM clone - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for shnid9974 sennheiser 421 source which supplies the crowd/tunings and first few notes of "Maybe You Know" (0:12 in total) - Thanks to Charlie Miller for the shnid94282 Audio Technica source that supplies some crowd and the first 0:04 of "It's All Over Now, Baby Blue" - Jam with Bob and drummers before "Drums" - All copies in general circulation emanate from this PCM clone Transfer by Charlie Miller Mastered by Scott Clugston Date 11/22/17
Transferrer: Matrix by Dave Usborne
2:53:08
SBD
Rating:
10.00 / 3 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1983-04-15.138067.mtx.dusborne.flac16
Source:
2 source matrix by Dusborne; Soundboard (shnid:32780), Recording Info: set 1: SBD -> Cassette Master -> Reel -> Dat (48k)Set 2: SBD -> PCM -> Dat (44.1k)Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC and Audience (shnid:94282), Recording Info: (FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II/Dolby B); Transfer Info: Cassette Master (Namamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) ->Samplitude Professional v10.1 -> FLAC/16, Recorded and Transfered By Charlie Miller
Transferrer: Charlie Miller
2:47:42
SBD
Rating:
8.60 / 11 ratings
Transferrer:
Charlie Miller
SHNID:
gd1983-04-15.sbd.miller.32780.sbeok.flac16
Source:
Set 1: SBD -> Cassette, Set 2: SBD -> PCM
Lineage:
Set 1: Cassette Master -> Reel -> Dat (48k), Set 2: PCM -> Dat (44.1k), both sets: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View NotesPatch Info: (FOB) Audio Technica's>Cass Master recorded by Charlie Miller supplies: 2 seconds at the start of My Brother Esau 4 seconds at the start of Baby Blue Notes: -- Seamless transition between Discs 2 and 3
Taper: david barfield + david lane
2:42:18
SBD
Taper:
david barfield + david lane
Transferrer:
david barfield
SHNID:
gd1983-04-15.140687.nak300.flac2496
Source:
source: nak-300 (12’ near sbd) > tcd5m > udxliis +dolby > tascam 122mkii > apogee rosetta 200 (24/96) > audacity (normalize, fades, tracks) > flac2496 > xact (tags, checksums); recorded: david barfield + david lane; transferred seeded: barfield
Source 5 of 23
1:43:51
SBD
Rating:
8.55 / 11 ratings
SHNID:
gd83-04-15s2.sbd.dodd.9975.sbeok.shnf
Source:
SBD>PCM>DAT>Sonic Solutions>CDR
Taper Notes:
View Notes2nd set; SBD>PCM>DAT>Sonic Solutions>CDR; via Paul B; Seeded to etree by Ernie Dodd
Taper: Rob Eaton
3:01:54
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1983-04-15.163649.senn441.neumann.u87.miller.clugston.flac2496
Source:
Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (left + right) + (1) Neumann U87 (center) blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Charlie Miller and Ernie Dodd for the Audio Technica and Sennheiser 421 sources, which combined, supplies a 15:46 patch from "Little Star" thru "Drums" - Pitch corrected Mastered by Scott Clugston November 2022
Taper: Rob Eaton
3:01:54
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1983-04-15.163648.senn441.neumann.u87.miller.clugston.flac1648
Source:
Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (left + right) + (1) Neumann U87 (center) blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Charlie Miller and Ernie Dodd for the Audio Technica and Sennheiser 421 sources, which combined, supplies a 15:46 patch from "Little Star" thru "Drums" - Pitch corrected Mastered by Scott Clugston November 2022
Taper: Charlie Miller
2:51:14
Taper:
Charlie Miller
Transferrer:
Charlie Miller
SHNID:
gd1983-04-15.143504.fob.atm11.cm.miller.flac1644
Source:
(FOB) Audio Technica ATM11 > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This was the first Grateful Dead show I taped -- Recorded 15 feet in front of sbd, about 10 feet to the right -- I was patched out of a Sony TC-D5M (lead deck) -- This source is an upgraded transfer (this is the last one) -- I chose to playback without dolby since it sounded better -- Patch source recorded by Brian Schley -- Thanks to Joe B. Jones for the pitch correction settings -- This file set is 16 bit @ 44.1
Transferrer: Charlie Miller
2:51:14
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1983-04-15.143055.at.miller.flac2496
Source:
(FOB) Audio Technica ATM11 > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: (FOB) Nakamichi 300/CP4 > Cassette Master > FLAC (shnid=135460) supplies: He's Gone (12:53 - 13:01) Little Star (0:31 - 0:39) Drums (0:13 - end of track) Space (0:00 - 0:48) Around And Around (0:00 - 0:07) (0:56 - 1:09) Notes: -- This was the first Grateful Dead show I taped -- Recorded 15 feet in front of sbd, about 10 feet to the right -- I was patched out of a Sony TC-D5M (lead deck) -- This source is an upgraded transfer (this is the last one) -- I chose to playback without dolby since it sounded better -- Patch source recorded by Brian Schley -- Thanks to Joe B. Jones for the pitch correction settings
Taper: Charlie Miller
2:52:09
Rating:
10.00 / 2 ratings
Taper:
Charlie Miller
Transferrer:
Charlie Miller
SHNID:
gd1983-04-15.fob.miller.94283.sbeok.flac24
Source:
(FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II/Dolby B)
Lineage:
Cassette Master (Namamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24
Taper Notes:
View NotesPatch Info: (FOB) Sennheiser 421 -> Cassette Master -> Dat -> CD (shnid=9974) supplies: Little Star (0:31 - 0:40) Drums (0:15 - end of track) Space (0:00 - 0:30) Around And Around (0:50 - 1:05) Notes: -- Recorded 15 feet in front of sbd, about 10 feet to the right -- This was the first Grateful Dead show I taped -- Unpatched cut during first few seconds of Around And Around -- Previous transfers were not dolby decoded, this one is
Taper: Charlie Miller
2:52:10
Rating:
10.00 / 2 ratings
Taper:
Charlie Miller
Transferrer:
Charlie Miller
SHNID:
gd1983-04-15.fob.miller.94282.sbeok.flac16
Source:
(FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II/Dolby B)
Lineage:
Cassette Master (Namamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16
Taper Notes:
View NotesPatch Info: (FOB) Sennheiser 421 -> Cassette Master -> Dat -> CD (shnid=9974) supplies: Little Star (0:31 - 0:40) Drums (0:15 - end of track) Space (0:00 - 0:30) Around And Around (0:50 - 1:05) Notes: -- Set 2 is seamless -- Recorded 15 feet in front of sbd, about 10 feet to the right -- This was the first Grateful Dead show I taped -- Unpatched cut during first few seconds of Around And Around -- Previous transfers were not dolby decoded, this one is
Taper: Charlie Miller
2:52:06
Rating:
6.00 / 2 ratings
Taper:
Charlie Miller
Transferrer:
Charlie Miller
SHNID:
gd1983-04-15.fob.miller.87753.flac24
Source:
(FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II)
Lineage:
Cassette Master (Namamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/24
Taper Notes:
View Notes-- Set 2 is seamless -- This is a 24-bit recording, 16-bit version also circulates -- Recorded 15 feet in front of sbd, about 10 feet to the right -- This was the first Grateful Dead show I taped -- Patch source was slightly EQ'd to better match my tape -- Unpatched cut during first few seconds of Around And Around
Taper: Charlie Miller
2:52:06
Rating:
8.67 / 3 ratings
Taper:
Charlie Miller
Transferrer:
Charlie Miller
SHNID:
gd1983-04-15.fob.at.miller.87725.sbeok.flac16
Source:
(FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II)
Lineage:
Cassette Master (Namamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16
Taper Notes:
View NotesPatch Info: (FOB) Sennheiser 421 -> Cassette Master -> Dat -> CD (shnid=9974) supplies: Little Star (0:32 - 0:37) Drums (0:16 - end of track) Space (0:00 - 1:47) Around And Around (0:50 - 1:03) Notes: -- Set 2 is seamless -- Recorded 15 feet in front of sbd, about 10 feet to the right -- This was the first Grateful Dead show I taped -- Patch source was slightly EQ'd to better match my tape -- Unpatched cut during first few seconds of Around And Around
Taper: Tom Pinney assist to Executive Crew
2:36:59
Taper:
Tom Pinney assist to Executive Crew
Transferrer:
Kyle Holbrook
SHNID:
gd1983-04-15.141641.senn421.executive-crew.holbrook.flac2448
Source:
flac24/48; First Gen AUD: Master was: Sennheiser MD421's XY 60ft from stacks ->Sony TCD5M -> Marantz Superscope PMD430 (3rd in line)|TDK MA no Dolby
Lineage:
JVC -> Sony TCD5MTransfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD
Taper Notes:
View NotesRecording notes * ~6:45 brief drop outs / tape flip // pause tape /# two cuts, first for this deck, 2nd for the lead deck /* cut from lead deck, start again with space /## two cuts but about 2 minutes apart
Taper: Tom Pinney assist to Executive Crew
2:37:00
Taper:
Tom Pinney assist to Executive Crew
Transferrer:
Kyle Holbrook
SHNID:
gd1983-04-15.141640.senn421.executive-crew.holbrook.flac1644
Source:
flac24/48; First Gen AUD: Master was: Sennheiser MD421's XY 60ft from stacks ->Sony TCD5M -> Marantz Superscope PMD430 (3rd in line)|TDK MA no Dolby
Lineage:
JVC -> Sony TCD5MTransfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD
Taper Notes:
View NotesRecording notes * ~6:45 brief drop outs / tape flip // pause tape /# two cuts, first for this deck, 2nd for the lead deck /* cut from lead deck, start again with space /## two cuts but about 2 minutes apart
Taper: Executive Crew;Kyle Holbrook;Olvy Johnson;Mike Yacavone;assist to Tom Pinney
2:44:19
Taper:
Executive Crew;Kyle Holbrook;Olvy Johnson;Mike Yacavone;assist to Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1983-04-15.141639.beyerm201.executive-crew.holbrook.flac2448
Source:
<b/>flac24/48 </b> Recording InformationMaster AUD: Beyer M201 hypercardiod XY 65ft from stacks ->Sony TCD5M|TDK MA 90 No Dolby
Lineage:
Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD
Taper Notes:
View NotesRecording notes * ~7:00 brief drop outs / tape flip /^ tape swap from tape 1 to 2 /^^tape swap from 2 to 1 Olvy had the idea that he wanted to record ALL of the drums and space so he decided to keep tape 1 side B in the deck to start set 2. Fortunate were we as many tapers had cuts. A bit of tape hiss throughout, no dolby added some noise to these old tapes.
Taper: Executive Crew;Kyle Holbrook;Olvy Johnson;Mike Yacavone;assist to Tom Pinney
2:44:19
Taper:
Executive Crew;Kyle Holbrook;Olvy Johnson;Mike Yacavone;assist to Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1983-04-15.141638.beyerm201.executive-crew.holbrook.flac1644
Source:
<b/>flac16/44.1 </b> Recording InformationMaster AUD: Beyer M201 hypercardiod XY 65ft from stacks ->Sony TCD5M|TDK MA 90 No Dolby
Lineage:
Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD
Taper Notes:
View NotesRecording notes * ~7:00 brief drop outs / tape flip /^ tape swap from tape 1 to 2 /^^tape swap from 2 to 1 Olvy had the idea that he wanted to record ALL of the drums and space so he decided to keep tape 1 side B in the deck to start set 2. Fortunate were we as many tapers had cuts. A bit of tape hiss throughout, no dolby added some noise to these old tapes.
Taper: Doug Lamarre
2:40:29
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1983-04-15.140095.aud.lamarre.berger.flac24
Source:
aud cassette master, nak 300 guns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
Taper: Doug Lamarre
2:40:29
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1983-04-15.140094.aud.lamarre.berger.flac16
Source:
aud cassette master; nak 300 guns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
Taper: Brian Schley
2:51:56
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1983-04-15.135460.nak300.schley.flac1644
Source:
AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLII (Set 1 + JBG & Baby Blue), Hitachi ME-Metal (Set 2 thru A&A), FOB recording by Brian Schley.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2016
Taper Notes:
View NotesNote: Re-mixed ID-9974 patches; Little Star 0:33 > 0:38, Drums 0:03 > Space 0:53, Around & Around 3:41 > Johnny B. Goode 0:04. Thanks Jon Pasternak & Charlie McGuth for organizing this project!
Taper: Rick "Coyotte" Colyard
2:44:06
Rating:
10.00 / 1 rating
Taper:
Rick "Coyotte" Colyard
Transferrer:
Muletaper
SHNID:
gd1983-04-15.senn421.coyotte.muletaper.88659.sbeok.flac16
Source:
Sennheiser MD421's>Sony D5 (two maxell UD-XL2-S-Cassettes), Location: FOB-11th row DFC @6 ft high on stand (head high)
Lineage:
Cassette Masters > Sony TC-W21 > Edirol Digi-Mod [email protected] > Optical out > Nomad JB3 > WAV > Poulderbits Sound Editor for (fades/cuts) > FlacFrontend (level-8) > flac-16
Taper Notes:
View Notes*Tape flip between rooster and dire wolf -no loss *Tapefip in between Hes Gone and Little star in set 2 *Tape starts at beginning of little star *Tape flip splice at beginning of around and around **most all transitions are smoothe
Source 22 of 23
2:48:45
Rating:
9.33 / 3 ratings
SHNID:
gd83-04-15.fob-miller.23850.sbeok.shnf
Source:
(FOB) Audio Technica Mics -> Sony D5 (Lead Deck) -> Cassette Master (Patched Off Of Lead Deck With Sony D6, Maxell XL-II)Transfer Info: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee MiniMe (24bit/96k) -> RME Hammerfall Digiface ->Sony V505 ->
Taper Notes:
View Notes(FOB) Audio Technica Mics -> Sony D5 (Lead Deck) -> Cassette Master (Patched Off Of Lead Deck With Sony D6, Maxell XL-II) Transfer Info: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee MiniMe (24bit/96k) -> RME Hammerfall Digiface -> Sony V505 -> Samplitude v7.02 Professional -> SHN. Recorded and Transfered By Charlie Miller
Source 23 of 23
2:48:50
Rating:
8.40 / 6 ratings
SHNID:
gd83-04-15.sennheiser.dodd.9974.sbeok.shnf
Source:
Senn. 421’s > MC>DAT>CD
Taper Notes:
View NotesSenn. 421Âs > MC>DAT>CD; via Paul B; Seeded to etree by Ernie Dodd