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Grateful Dead
Today In History
June 10th
Years
1995
30.1k
PlaybackListensHours
48h65188
7d4.3k583
30d30.1k4.2k
49 shows
341 tapes
1994
9.1k
PlaybackListensHours
48h1.8k226
7d2.2k287
30d9.1k1.3k
85 shows
460 tapes
1993
39.7k
PlaybackListensHours
48h3.3k401
7d9.6k1.3k
30d39.7k5.2k
83 shows
656 tapes
1992
37.2k
PlaybackListensHours
48h2.3k303
7d5.3k681
30d37.2k4.9k
57 shows
539 tapes
1991
40k
PlaybackListensHours
48h3.2k468
7d12.5k1.7k
30d40k5.4k
78 shows
973 tapes
1990
39.4k
PlaybackListensHours
48h9.5k1.2k
7d10.6k1.4k
30d39.4k5.2k
78 shows
1,139 tapes
1989
48k
PlaybackListensHours
48h2.4k306
7d8.5k1.1k
30d48k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.2k142
7d3.4k389
30d21.8k2.5k
82 shows
882 tapes
1987
34.4k
PlaybackListensHours
48h1.8k204
7d6k654
30d34.4k3.7k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h75283
7d2.3k257
30d12.5k1.4k
47 shows
684 tapes
1985
22.1k
PlaybackListensHours
48h1.6k179
7d4.7k552
30d22.1k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h3k362
7d3.2k420
30d15.8k2k
67 shows
1,075 tapes
1983
33.9k
PlaybackListensHours
48h1.2k163
7d3.8k501
30d33.9k4.5k
71 shows
1,069 tapes
1982
42.3k
PlaybackListensHours
48h1.2k146
7d4.4k549
30d42.3k5.3k
63 shows
753 tapes
1981
50k
PlaybackListensHours
48h1.4k178
7d5.5k706
30d50k6.3k
92 shows
868 tapes
1980
73.6k
PlaybackListensHours
48h4.7k536
7d15.8k1.8k
30d73.6k8.5k
91 shows
794 tapes
1979
25.3k
PlaybackListensHours
48h1.6k237
7d3.6k507
30d25.3k3.5k
79 shows
600 tapes
1978
54.1k
PlaybackListensHours
48h1.9k257
7d11.8k1.5k
30d54.1k7.4k
87 shows
592 tapes
1977
296.5k
PlaybackListensHours
48h20.7k2.9k
7d45.5k6.3k
30d296.5k40.9k
64 shows
419 tapes
1976
51.2k
PlaybackListensHours
48h6.4k924
7d16.4k2.3k
30d51.2k7k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h42945
7d2.1k192
30d6.6k673
25 shows
63 tapes
1974
104k
PlaybackListensHours
48h7.1k942
7d14.3k1.8k
30d104k13.2k
42 shows
324 tapes
1973
81.1k
PlaybackListensHours
48h6.4k813
7d11.1k1.4k
30d81.1k10.3k
75 shows
445 tapes
1972
71k
PlaybackListensHours
48h2.4k306
7d8k987
30d71k8.6k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k192
7d5.2k585
30d34.3k3.9k
82 shows
357 tapes
1970
45.8k
PlaybackListensHours
48h1.9k213
7d17.9k1.8k
30d45.8k4.9k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.7k278
7d7k1.1k
30d27.1k4.1k
112 shows
326 tapes
1968
7.2k
PlaybackListensHours
48h946128
7d1.5k192
30d7.2k901
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13318
7d34448
30d1.5k213
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h29117
7d86062
30d8k535
32 shows
78 tapes
1965
594
PlaybackListensHours
48h422
7d1076
30d59434
2 shows
2 tapes
1983
Sources
Taper: David Gans
1:48:15
SBD
Taper:
David Gans
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1983-04-15.140059.set2.sbd.pcm.gans.miller.clugston.flac1644
Source:
Master Soundboard PCM > PCM
Taper Notes:
View NotesNotes: - Thanks to David Gans for the PCM clone - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for shnid9974 sennheiser 421 source which supplies the crowd/tunings and first few notes of "Maybe You Know" (0:12 in total) - Thanks to Charlie Miller for the shnid94282 Audio Technica source that supplies some crowd and the first 0:04 of "It's All Over Now, Baby Blue" - Jam with Bob and drummers before "Drums" - All copies in general circulation emanate from this PCM clone Transfer by Charlie Miller Mastered by Scott Clugston Date 11/22/17
Transferrer: Matrix by Dave Usborne
2:53:08
SBD
Rating:
10.00 / 3 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1983-04-15.138067.mtx.dusborne.flac16
Source:
2 source matrix by Dusborne; Soundboard (shnid:32780), Recording Info: set 1: SBD -> Cassette Master -> Reel -> Dat (48k)Set 2: SBD -> PCM -> Dat (44.1k)Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC and Audience (shnid:94282), Recording Info: (FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II/Dolby B); Transfer Info: Cassette Master (Namamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) ->Samplitude Professional v10.1 -> FLAC/16, Recorded and Transfered By Charlie Miller
Transferrer: Charlie Miller
2:47:42
SBD
Rating:
8.60 / 11 ratings
Transferrer:
Charlie Miller
SHNID:
gd1983-04-15.sbd.miller.32780.sbeok.flac16
Source:
Set 1: SBD -> Cassette, Set 2: SBD -> PCM
Lineage:
Set 1: Cassette Master -> Reel -> Dat (48k), Set 2: PCM -> Dat (44.1k), both sets: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View NotesPatch Info: (FOB) Audio Technica's>Cass Master recorded by Charlie Miller supplies: 2 seconds at the start of My Brother Esau 4 seconds at the start of Baby Blue Notes: -- Seamless transition between Discs 2 and 3
Taper: david barfield + david lane
2:42:18
SBD
Taper:
david barfield + david lane
Transferrer:
david barfield
SHNID:
gd1983-04-15.140687.nak300.flac2496
Source:
source: nak-300 (12’ near sbd) > tcd5m > udxliis +dolby > tascam 122mkii > apogee rosetta 200 (24/96) > audacity (normalize, fades, tracks) > flac2496 > xact (tags, checksums); recorded: david barfield + david lane; transferred seeded: barfield
Source 5 of 23
1:43:51
SBD
Rating:
8.55 / 11 ratings
SHNID:
gd83-04-15s2.sbd.dodd.9975.sbeok.shnf
Source:
SBD>PCM>DAT>Sonic Solutions>CDR
Taper Notes:
View Notes2nd set; SBD>PCM>DAT>Sonic Solutions>CDR; via Paul B; Seeded to etree by Ernie Dodd
Taper: Rob Eaton
3:01:54
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1983-04-15.163649.senn441.neumann.u87.miller.clugston.flac2496
Source:
Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (left + right) + (1) Neumann U87 (center) blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Charlie Miller and Ernie Dodd for the Audio Technica and Sennheiser 421 sources, which combined, supplies a 15:46 patch from "Little Star" thru "Drums" - Pitch corrected Mastered by Scott Clugston November 2022
Taper: Rob Eaton
3:01:54
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1983-04-15.163648.senn441.neumann.u87.miller.clugston.flac1648
Source:
Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (left + right) + (1) Neumann U87 (center) blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Charlie Miller and Ernie Dodd for the Audio Technica and Sennheiser 421 sources, which combined, supplies a 15:46 patch from "Little Star" thru "Drums" - Pitch corrected Mastered by Scott Clugston November 2022
Taper: Charlie Miller
2:51:14
Taper:
Charlie Miller
Transferrer:
Charlie Miller
SHNID:
gd1983-04-15.143504.fob.atm11.cm.miller.flac1644
Source:
(FOB) Audio Technica ATM11 > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This was the first Grateful Dead show I taped -- Recorded 15 feet in front of sbd, about 10 feet to the right -- I was patched out of a Sony TC-D5M (lead deck) -- This source is an upgraded transfer (this is the last one) -- I chose to playback without dolby since it sounded better -- Patch source recorded by Brian Schley -- Thanks to Joe B. Jones for the pitch correction settings -- This file set is 16 bit @ 44.1
Transferrer: Charlie Miller
2:51:14
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1983-04-15.143055.at.miller.flac2496
Source:
(FOB) Audio Technica ATM11 > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: (FOB) Nakamichi 300/CP4 > Cassette Master > FLAC (shnid=135460) supplies: He's Gone (12:53 - 13:01) Little Star (0:31 - 0:39) Drums (0:13 - end of track) Space (0:00 - 0:48) Around And Around (0:00 - 0:07) (0:56 - 1:09) Notes: -- This was the first Grateful Dead show I taped -- Recorded 15 feet in front of sbd, about 10 feet to the right -- I was patched out of a Sony TC-D5M (lead deck) -- This source is an upgraded transfer (this is the last one) -- I chose to playback without dolby since it sounded better -- Patch source recorded by Brian Schley -- Thanks to Joe B. Jones for the pitch correction settings
Taper: Charlie Miller
2:52:09
Rating:
10.00 / 2 ratings
Taper:
Charlie Miller
Transferrer:
Charlie Miller
SHNID:
gd1983-04-15.fob.miller.94283.sbeok.flac24
Source:
(FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II/Dolby B)
Lineage:
Cassette Master (Namamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24
Taper Notes:
View NotesPatch Info: (FOB) Sennheiser 421 -> Cassette Master -> Dat -> CD (shnid=9974) supplies: Little Star (0:31 - 0:40) Drums (0:15 - end of track) Space (0:00 - 0:30) Around And Around (0:50 - 1:05) Notes: -- Recorded 15 feet in front of sbd, about 10 feet to the right -- This was the first Grateful Dead show I taped -- Unpatched cut during first few seconds of Around And Around -- Previous transfers were not dolby decoded, this one is
Taper: Charlie Miller
2:52:10
Rating:
10.00 / 2 ratings
Taper:
Charlie Miller
Transferrer:
Charlie Miller
SHNID:
gd1983-04-15.fob.miller.94282.sbeok.flac16
Source:
(FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II/Dolby B)
Lineage:
Cassette Master (Namamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16
Taper Notes:
View NotesPatch Info: (FOB) Sennheiser 421 -> Cassette Master -> Dat -> CD (shnid=9974) supplies: Little Star (0:31 - 0:40) Drums (0:15 - end of track) Space (0:00 - 0:30) Around And Around (0:50 - 1:05) Notes: -- Set 2 is seamless -- Recorded 15 feet in front of sbd, about 10 feet to the right -- This was the first Grateful Dead show I taped -- Unpatched cut during first few seconds of Around And Around -- Previous transfers were not dolby decoded, this one is
Taper: Charlie Miller
2:52:06
Rating:
6.00 / 2 ratings
Taper:
Charlie Miller
Transferrer:
Charlie Miller
SHNID:
gd1983-04-15.fob.miller.87753.flac24
Source:
(FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II)
Lineage:
Cassette Master (Namamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/24
Taper Notes:
View Notes-- Set 2 is seamless -- This is a 24-bit recording, 16-bit version also circulates -- Recorded 15 feet in front of sbd, about 10 feet to the right -- This was the first Grateful Dead show I taped -- Patch source was slightly EQ'd to better match my tape -- Unpatched cut during first few seconds of Around And Around
Taper: Charlie Miller
2:52:06
Rating:
8.67 / 3 ratings
Taper:
Charlie Miller
Transferrer:
Charlie Miller
SHNID:
gd1983-04-15.fob.at.miller.87725.sbeok.flac16
Source:
(FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II)
Lineage:
Cassette Master (Namamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16
Taper Notes:
View NotesPatch Info: (FOB) Sennheiser 421 -> Cassette Master -> Dat -> CD (shnid=9974) supplies: Little Star (0:32 - 0:37) Drums (0:16 - end of track) Space (0:00 - 1:47) Around And Around (0:50 - 1:03) Notes: -- Set 2 is seamless -- Recorded 15 feet in front of sbd, about 10 feet to the right -- This was the first Grateful Dead show I taped -- Patch source was slightly EQ'd to better match my tape -- Unpatched cut during first few seconds of Around And Around
Taper: Tom Pinney assist to Executive Crew
2:36:59
Taper:
Tom Pinney assist to Executive Crew
Transferrer:
Kyle Holbrook
SHNID:
gd1983-04-15.141641.senn421.executive-crew.holbrook.flac2448
Source:
flac24/48; First Gen AUD: Master was: Sennheiser MD421's XY 60ft from stacks ->Sony TCD5M -> Marantz Superscope PMD430 (3rd in line)|TDK MA no Dolby
Lineage:
JVC -> Sony TCD5MTransfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD
Taper Notes:
View NotesRecording notes * ~6:45 brief drop outs / tape flip // pause tape /# two cuts, first for this deck, 2nd for the lead deck /* cut from lead deck, start again with space /## two cuts but about 2 minutes apart
Taper: Tom Pinney assist to Executive Crew
2:37:00
Taper:
Tom Pinney assist to Executive Crew
Transferrer:
Kyle Holbrook
SHNID:
gd1983-04-15.141640.senn421.executive-crew.holbrook.flac1644
Source:
flac24/48; First Gen AUD: Master was: Sennheiser MD421's XY 60ft from stacks ->Sony TCD5M -> Marantz Superscope PMD430 (3rd in line)|TDK MA no Dolby
Lineage:
JVC -> Sony TCD5MTransfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD
Taper Notes:
View NotesRecording notes * ~6:45 brief drop outs / tape flip // pause tape /# two cuts, first for this deck, 2nd for the lead deck /* cut from lead deck, start again with space /## two cuts but about 2 minutes apart
Taper: Executive Crew;Kyle Holbrook;Olvy Johnson;Mike Yacavone;assist to Tom Pinney
2:44:19
Taper:
Executive Crew;Kyle Holbrook;Olvy Johnson;Mike Yacavone;assist to Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1983-04-15.141639.beyerm201.executive-crew.holbrook.flac2448
Source:
<b/>flac24/48 </b> Recording InformationMaster AUD: Beyer M201 hypercardiod XY 65ft from stacks ->Sony TCD5M|TDK MA 90 No Dolby
Lineage:
Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD
Taper Notes:
View NotesRecording notes * ~7:00 brief drop outs / tape flip /^ tape swap from tape 1 to 2 /^^tape swap from 2 to 1 Olvy had the idea that he wanted to record ALL of the drums and space so he decided to keep tape 1 side B in the deck to start set 2. Fortunate were we as many tapers had cuts. A bit of tape hiss throughout, no dolby added some noise to these old tapes.
Taper: Executive Crew;Kyle Holbrook;Olvy Johnson;Mike Yacavone;assist to Tom Pinney
2:44:19
Taper:
Executive Crew;Kyle Holbrook;Olvy Johnson;Mike Yacavone;assist to Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1983-04-15.141638.beyerm201.executive-crew.holbrook.flac1644
Source:
<b/>flac16/44.1 </b> Recording InformationMaster AUD: Beyer M201 hypercardiod XY 65ft from stacks ->Sony TCD5M|TDK MA 90 No Dolby
Lineage:
Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD
Taper Notes:
View NotesRecording notes * ~7:00 brief drop outs / tape flip /^ tape swap from tape 1 to 2 /^^tape swap from 2 to 1 Olvy had the idea that he wanted to record ALL of the drums and space so he decided to keep tape 1 side B in the deck to start set 2. Fortunate were we as many tapers had cuts. A bit of tape hiss throughout, no dolby added some noise to these old tapes.
Taper: Doug Lamarre
2:40:29
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1983-04-15.140095.aud.lamarre.berger.flac24
Source:
aud cassette master, nak 300 guns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
Taper: Doug Lamarre
2:40:29
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1983-04-15.140094.aud.lamarre.berger.flac16
Source:
aud cassette master; nak 300 guns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
Taper: Brian Schley
2:51:56
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1983-04-15.135460.nak300.schley.flac1644
Source:
AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLII (Set 1 + JBG & Baby Blue), Hitachi ME-Metal (Set 2 thru A&A), FOB recording by Brian Schley.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2016
Taper Notes:
View NotesNote: Re-mixed ID-9974 patches; Little Star 0:33 > 0:38, Drums 0:03 > Space 0:53, Around & Around 3:41 > Johnny B. Goode 0:04. Thanks Jon Pasternak & Charlie McGuth for organizing this project!
Taper: Rick "Coyotte" Colyard
2:44:06
Rating:
10.00 / 1 rating
Taper:
Rick "Coyotte" Colyard
Transferrer:
Muletaper
SHNID:
gd1983-04-15.senn421.coyotte.muletaper.88659.sbeok.flac16
Source:
Sennheiser MD421's>Sony D5 (two maxell UD-XL2-S-Cassettes), Location: FOB-11th row DFC @6 ft high on stand (head high)
Lineage:
Cassette Masters > Sony TC-W21 > Edirol Digi-Mod [email protected] > Optical out > Nomad JB3 > WAV > Poulderbits Sound Editor for (fades/cuts) > FlacFrontend (level-8) > flac-16
Taper Notes:
View Notes*Tape flip between rooster and dire wolf -no loss *Tapefip in between Hes Gone and Little star in set 2 *Tape starts at beginning of little star *Tape flip splice at beginning of around and around **most all transitions are smoothe
Source 22 of 23
2:48:45
Rating:
9.33 / 3 ratings
SHNID:
gd83-04-15.fob-miller.23850.sbeok.shnf
Source:
(FOB) Audio Technica Mics -> Sony D5 (Lead Deck) -> Cassette Master (Patched Off Of Lead Deck With Sony D6, Maxell XL-II)Transfer Info: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee MiniMe (24bit/96k) -> RME Hammerfall Digiface ->Sony V505 ->
Taper Notes:
View Notes(FOB) Audio Technica Mics -> Sony D5 (Lead Deck) -> Cassette Master (Patched Off Of Lead Deck With Sony D6, Maxell XL-II) Transfer Info: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee MiniMe (24bit/96k) -> RME Hammerfall Digiface -> Sony V505 -> Samplitude v7.02 Professional -> SHN. Recorded and Transfered By Charlie Miller
Source 23 of 23
2:48:50
Rating:
8.40 / 6 ratings
SHNID:
gd83-04-15.sennheiser.dodd.9974.sbeok.shnf
Source:
Senn. 421’s > MC>DAT>CD
Taper Notes:
View NotesSenn. 421Âs > MC>DAT>CD; via Paul B; Seeded to etree by Ernie Dodd