Bands
Featured
Bands
Grateful Dead
Today In History
June 14th
Years
1995
30.1k
PlaybackListensHours
48h53071
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.7k273
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.7k356
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h4.2k555
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h4k514
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3k402
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h3.1k381
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.5k175
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h8.1k984
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h1.1k124
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h1.8k214
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h5.8k662
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.5k191
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.6k200
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.8k232
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h10.2k1.2k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.8k256
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h2k275
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h9.9k1.4k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h14.5k1.9k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h40442
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h4k516
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h5.4k715
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h3k381
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.9k209
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h1.9k224
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.5k211
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h54968
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h14220
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h33325
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h302
7d1037
30d62737
2 shows
2 tapes
1982
Sources
Transferrer: Charlie Miller
1:18:21
SBD
Rating:
8.50 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1982-12-27.set2.sbd.miller.95954.sbeok.flac16
Source:
SBD -> PCM
Lineage:
PCM -> Peak -> Samplitude Professional v10.1 -> FLAC
Taper Notes:
View NotesPatch Info: SBD -> Cassette Master (shnid=81515) supplies: Scarlet Begonias (0:00 - 0:13) (7:18 - 7:22) Fire On The Mountain (3:11 - 8:21) Notes: -- First few notes of U.S. Blues missing -- Thanks to Michael Kirschner for lending me his PCM tapes
Taper: Cassettes provided by Joani Walker and Paul Scotton
1:18:43
SBD
Rating:
8.00 / 3 ratings
Taper:
Cassettes provided by Joani Walker and Paul Scotton
Transferrer:
Charlie Miller
SHNID:
gd1982-12-27.set-2.sbd.miller.81515.sbeok.flac16
Source:
SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90)
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16
Taper Notes:
View NotesNotes: -- Thanks to Paul Scotton and Joani Walker for the Cassettes -- The circulating 1st Set sbd sucks, so I didn't include it -- First few notes of U.S. Blues missing
Transferrer: Bill Koucky and Chris Ladner
2:11:48
SBD
Transferrer:
Bill Koucky and Chris Ladner
SHNID:
gd1982-12-27.sbd.ladner.32134.sbeok.flac16
Source:
SBD > MC(?) > Cx > DAT > DAT from Dr. Bruce Fried
Lineage:
4/96 > Panasonic SV 3700 DAT> Tascam CD-RW 700> EAC > WAV/FLAC > WAV (depopping/retracking, see below)> FLAC (level 5).
Taper Notes:
View NotesOriginal Seeder Notes: This is a poor recording of an excellent but very rare show. I put this out in hopes of finding an upgrade or possibly using it to make a matrix with my 1st gen sen 441 aud that I have put up. It sounds like it could be a monitor mix at times not all of the instruments are there and the crowd is silent in the tape. Very strange when compared to the aud and when being in the audience myself. Tons of energy and power that just does come accross on this recording Take it for what it's worth. The Mix in general poor editing from cassette to DAT-dead air after Big River and Drums at flips Whitch leads me to belive that the master was a cassete, no reel to reel at the time anyway...HELP!!! send comments to [email protected] Enjoy!!! C.Ladner's remastering comments: - there were multiple tiny little micropops throughout the show which I was able to sucessfully remove using Waves X-Crackle and Wavelab 5 without coloring the sound. - dead space associated with tape splices removed using Wavelab 5. - levels adjusted by + 1.7 dB and mastering using Waves L3 Multimaximizer > tracking into individual tracks (previously Me and My Uncle > Big River and Scarlet > Fire were one long track) and FLAC encoding (level 5) using CDWAV 1.9. No NR or selective frequency augmentation was used. -I spliced in the first 8 seconds of the encore (US Blues) from 1st Gen Aud Cass Sen 441> Sony D5 FOB source. This is easily the best SBD recording of this performance I have heard (having accumulated half a dozen different digital sources).
Taper: Chris Hecht
2:17:48
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-12-27.147920.senn421.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bill Koucky and Chris Ladner for the shnid777463 (FOB) Sennheiser 441 source which supplies the end of "Let It Grow", the crowd and first 0:15 of "Scarlet Begonias" (3:31 total), as well as a 0:13 patch in "Space" - Beginning of "US Blues" muffled - Pitch corrected Mastered by Scott Clugston August 2019
Taper: Chris Hecht
2:17:46
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-12-27.147919.senn421.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bill Koucky and Chris Ladner for the shnid777463 (FOB) Sennheiser 441 source which supplies the end of "Let It Grow", the crowd and first 0:15 of "Scarlet Begonias" (3:31 total), as well as a 0:13 patch in "Space" - Beginning of "US Blues" muffled - Pitch corrected Mastered by Scott Clugston August 2019
Taper: Bill Koucky
2:12:09
Rating:
8.00 / 2 ratings
Taper:
Bill Koucky
Transferrer:
Bill Koucky and Chris Ladner
SHNID:
gd1982-12-27.senn441.koucky.ladner.77463.sbeok.flac16
Source:
FOB Sennheiser 441s > Sony D5 > Sony D5 (first gen CM)
Lineage:
Playback on Nakamich BX-100 > Panasonic SV 3700 DAT> Tascam CD-RW 700> EAC > WAV > FLAC
Taper Notes:
View NotesOriginal seeder flaw notes: Pauses between 1st set tunes quick pause before encore. Remaster comments: There is some minor hiss during the quietest portions of the show which I left as is - no NR.
Transferrer: Bill Koucky and Chris Ladner and Chris Chappell
2:16:53
Rating:
9.33 / 6 ratings
Transferrer:
Bill Koucky and Chris Ladner and Chris Chappell
SHNID:
gd1982-12-27.mtx.sb18a.34705.sbeok.flac16
Source:
See info file
Lineage:
See info file