12
1982
Sources
Transferrer: Bill Koucky and Chris Ladner
2:11:48
SBD
Transferrer:
Bill Koucky and Chris Ladner
SHNID:
gd1982-12-27.sbd.ladner.32134.sbeok.flac16
Source:
SBD > MC(?) > Cx > DAT > DAT from Dr. Bruce Fried
Lineage:
4/96 > Panasonic SV 3700 DAT> Tascam CD-RW 700> EAC > WAV/FLAC > WAV (depopping/retracking, see below)> FLAC (level 5).
Taper Notes:
View NotesOriginal Seeder Notes: This is a poor recording of an excellent but very rare show. I put this out in hopes of finding an upgrade or possibly using it to make a matrix with my 1st gen sen 441 aud that I have put up. It sounds like it could be a monitor mix at times not all of the instruments are there and the crowd is silent in the tape. Very strange when compared to the aud and when being in the audience myself. Tons of energy and power that just does come accross on this recording Take it for what it's worth. The Mix in general poor editing from cassette to DAT-dead air after Big River and Drums at flips Whitch leads me to belive that the master was a cassete, no reel to reel at the time anyway...HELP!!! send comments to [email protected] Enjoy!!! C.Ladner's remastering comments: - there were multiple tiny little micropops throughout the show which I was able to sucessfully remove using Waves X-Crackle and Wavelab 5 without coloring the sound. - dead space associated with tape splices removed using Wavelab 5. - levels adjusted by + 1.7 dB and mastering using Waves L3 Multimaximizer > tracking into individual tracks (previously Me and My Uncle > Big River and Scarlet > Fire were one long track) and FLAC encoding (level 5) using CDWAV 1.9. No NR or selective frequency augmentation was used. -I spliced in the first 8 seconds of the encore (US Blues) from 1st Gen Aud Cass Sen 441> Sony D5 FOB source. This is easily the best SBD recording of this performance I have heard (having accumulated half a dozen different digital sources).
Taper: Chris Hecht
2:17:48
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-12-27.147920.senn421.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bill Koucky and Chris Ladner for the shnid777463 (FOB) Sennheiser 441 source which supplies the end of "Let It Grow", the crowd and first 0:15 of "Scarlet Begonias" (3:31 total), as well as a 0:13 patch in "Space" - Beginning of "US Blues" muffled - Pitch corrected Mastered by Scott Clugston August 2019
Taper: Chris Hecht
2:17:46
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-12-27.147919.senn421.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bill Koucky and Chris Ladner for the shnid777463 (FOB) Sennheiser 441 source which supplies the end of "Let It Grow", the crowd and first 0:15 of "Scarlet Begonias" (3:31 total), as well as a 0:13 patch in "Space" - Beginning of "US Blues" muffled - Pitch corrected Mastered by Scott Clugston August 2019