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June 13th
Years
1995
30.2k
PlaybackListensHours
48h58678
7d1.5k202
30d30.2k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h757113
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h3.3k456
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h5.3k704
7d5.6k725
30d39.9k5.3k
57 shows
539 tapes
1991
39.2k
PlaybackListensHours
48h6.8k855
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h2.9k384
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.9k361
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.3k149
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h5k561
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1k115
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.8k210
7d4.2k488
30d22.9k2.7k
73 shows
1,357 tapes
1984
21.2k
PlaybackListensHours
48h3.6k425
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.5k188
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.3k158
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h2k249
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h6.1k731
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.7k238
7d3.9k557
30d21.7k3k
79 shows
608 tapes
1978
46.1k
PlaybackListensHours
48h2k277
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h9k1.3k
7d45.9k6.3k
30d290.3k40k
64 shows
419 tapes
1976
71.6k
PlaybackListensHours
48h22k2.9k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h28831
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.7k490
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.6k766
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.5k314
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h2k217
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.4k170
7d7.8k819
30d45k4.8k
101 shows
376 tapes
1969
27.4k
PlaybackListensHours
48h1.4k180
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h41452
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15020
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h41630
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h181
7d1268
30d63237
2 shows
2 tapes
1982
8/8/82
Alabama Getaway > Promised Land
9:38
They Love Each Other
8:37
Mama Tried > Mexicali Blues
7:47
Loser >
7:14
Little Red Rooster
7:56
Brown Eyed Women
5:26
Looks Like Rain
8:36
Peggy-O
7:25
Samson & Delilah
7:57
Crowd/Tuning
0:49
Far From Me
4:43
Scarlet Begonias > Fire On The Mountain >
23:57
Estimated Prophet >
18:08
Drums >
10:16
Space >
2:37
The Other One >
9:03
Not Fade Away >
4:02
Wharf Rat >
8:46
Good Lovin'
9:16
E1: (I Can't Get No) Satisfaction >
7:23
E2: Brokedown Palace
5:45
FIN
View on archive.org
Sources
Taper: Dan Healy & Frank Streeter
2:58:50
SBD
Taper:
Dan Healy & Frank Streeter
Transferrer:
Matt Smith, Scott Clugston, Charlie Miller
SHNID:
gd1982-08-08.144730.sbd.healy.streeter.smith.miller.clugston.flac1648
Source:
Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)
Lineage:
1st generation Reels (Akai GX-625)> Tascam DA-3000 (DSF-1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the 1st generation reels - Thanks to Matt Smith for the azimuth adjusted transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Frank Streeter, SirMick and Charlie Miller for the (FOB) Beyer M160 source which supplies the crowd and beginning of "Loser" (4:31 total), a 0:23 patch in "Estimated Prophet", as well as a 0:22 patch in the "Wharf Rat > Good Lovin'" transition - Other One space included in "The Other One" - Thanks to Joe B. Jones for verifying the pitch - "Drums" with Zakir Hussain - "The Other One" thru the end of the show with John Cippolina Mastered by Scott Clugston January 2019
Taper: Frank Streeter and Tim Dalton
2:53:41
SBD
Taper:
Frank Streeter and Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller and Harvey Lubar
SHNID:
gd1982-08-08.141498.sbd.pcm.healy.streeter.lubar.dalton.miller.clugston.flac1644
Source:
Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)(Harvey Lubar transfer)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the 1st generation Reels - Thanks to Harvey Lubar (R.I.P.) for the Reel > PCM transfer - Thanks to Tim Dalton for the PCM source - Thanks to Charlie Miller for the PCM > .wav transfer and coordinating this effort - Thanks to Frank Streeter, Charlie Miller and SirMick for the shnid140124 Beyer M160 source which supplies the crowd and first 2:37 of "Loser"(3:12 total), a 0:13 patch in the "Wharf Rat > Good Lovin'" transition, as well as the crowd and first 0:03 of "Satisfaction" (0:08 total) - Jam with Bobby, Brent, Billy & Mickey after "Estimated Prophet" - "Drums > Space" with Zakir Hussain - Other One space included in "The Other One" - "Not Fade Away > Wharf Rat > Good Lovin'" with John Cipollina Mastered by Scott Clugston March 26, 2018
Taper: Dan Healy & Frank Streeter
2:58:50
SBD
Rating:
10.00 / 1 rating
Taper:
Dan Healy & Frank Streeter
Transferrer:
Matt Smitt, Scott Clugston, Charlier Miller
SHNID:
gd1982-08-08.144731.sbd.healy.streeter.smith.miller.clugston.flac2496
Source:
Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)
Lineage:
1st generation Reels (Akai GX-625)> Tascam DA-3000 (DSF-1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the 1st generation reels - Thanks to Matt Smith for the azimuth adjusted transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Frank Streeter, SirMick and Charlie Miller for the (FOB) Beyer M160 source which supplies the crowd and beginning of "Loser" (4:31 total), a 0:23 patch in "Estimated Prophet", as well as a 0:22 patch in the "Wharf Rat > Good Lovin'" transition - Other One space included in "The Other One" - Thanks to Joe B. Jones for verifying the pitch - "Drums" with Zakir Hussain - "The Other One" thru the end of the show with John Cippolina Mastered by Scott Clugston January 2019
Taper: Executive Crew Kyle Holbrook & Phil Schuman
2:48:19
SBD
Rating:
8.00 / 2 ratings
Taper:
Executive Crew Kyle Holbrook & Phil Schuman
Transferrer:
Kyle Holbrook
SHNID:
gd1982-08-08.138625.nak300.holbrook.flac2448
Source:
<b/>flac24 48khz</b> Master: Nakamichi 300 guns with NAK 300 center "blend" mic -> Nak MX 100 3 channel mixer 100 feet from stage|5 feet up|15 feet ROC-Right front Corner SBD >>Nakamichi 550 >>Sony TCD5 2nd in line; Maxell XLII 90, Dolby B on
Lineage:
Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)Taped by: Executive Crew Kyle Holbrook & Phil SchumanTransferred by Kyle Holbrook
Taper Notes:
View NotesRecording notes: / paused deck between tracks (trying to save tape!) # Sudden volume drop on master- left channel exhibits some fluctuations // tape flip & Bass distortion from Pre-amps /// Tape swap to put Encore at end of tape 1 sideB Alpine Valley Music Center AUgust 7 & 8 1982 Microphone locations (in front of and on corner of soundboard) We had lawn tickets but I was determined to make it to the pavilion to set up near that front rail like the previous night. I snuck through the back rail separating the lawn from pavilion seating and got to the front of the board. A guy I had seen at Red Rocks was setting up some Nakamichi's at the right corner of the soundboard. He let me patch out of his setup. It turned out he was friends with the sound crew and that the 3-4 seats next to the booth were empty and we had the run of them. A great time at a special Grateful Dead show. Zakir Hussein came out during drums and played until encore and John Cippolina came onstage after space and inspired Phil to jam his ass off behind John's sharp leads and Jerry's more melodic ones. The complete story of our summer tour can be read in the text file.
Taper: Executive Crew Kyle Holbrook & Phil Schuman
2:48:19
SBD
Rating:
9.00 / 2 ratings
Taper:
Executive Crew Kyle Holbrook & Phil Schuman
Transferrer:
Kyle Holbrook
SHNID:
gd1982-08-08.138624.nak300.holbrook.flac1644
Source:
<b/>flac16 44.1khz</b> Master: Nakamichi 300 guns with NAK 300 center "blend" mic -> Nak MX 100 3 channel mixer 100 feet from stage|5 feet up|15 feet ROC-Right front Corner SBD >>Nakamichi 550 >>Sony TCD5 2nd in line; Maxell XLII 90, Dolby B on
Lineage:
Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)Taped by: Executive Crew Kyle Holbrook & Phil SchumanTransferred by Kyle Holbrook
Taper Notes:
View NotesRecording notes: / paused deck between tracks (trying to save tape!) # Sudden volume drop on master- left channel exhibits some fluctuations // tape flip & Bass distortion from Pre-amps /// Tape swap to put Encore at end of tape 1 sideB Alpine Valley Music Center AUgust 7 & 8 1982 Microphone locations (in front of and on corner of soundboard) We had lawn tickets but I was determined to make it to the pavilion to set up near that front rail like the previous night. I snuck through the back rail separating the lawn from pavilion seating and got to the front of the board. A guy I had seen at Red Rocks was setting up some Nakamichi's at the right corner of the soundboard. He let me patch out of his setup. It turned out he was friends with the sound crew and that the 3-4 seats next to the booth were empty and we had the run of them. A great time at a special Grateful Dead show. Zakir Hussein came out during drums and played until encore and John Cippolina came onstage after space and inspired Phil to jam his ass off behind John's sharp leads and Jerry's more melodic ones. The complete story of our summer tour can be read in the text file.
Source 6 of 11
2:50:20
SBD
Rating:
9.33 / 7 ratings
SHNID:
gd82-08-08.sbd.skankweed.15580.sbeok.shnf
Source:
Soundboard
Lineage:
Soundboard cassette-> Reel-> DAT-> CDR-> .WAV-> SHN-> WAV-> SF 5.0 (retrack, d/o fixes)-> CD WAVE-> SHN
Taper Notes:
View NotesSoundboard cassette-> Reel-> DAT-> CDR-> .WAV-> SHN-> WAV-> SF 5.0 (retrack, d/o fixes)-> CD WAVE-> SHN, by Skankweed; Retrack/fix of previously circulating version (Merry Pranksters tree, apparently not listed here yet)
Taper: Jim Wise
2:49:47
SBD
Rating:
9.00 / 20 ratings
Taper:
Jim Wise
Source:
Soundboard
Lineage:
SBD : MC > MR > DAT > CDR
Taper Notes:
View NotesSBD : MC > MR > DAT > CDR Transfer done by Jim Wise
Taper: Rodney Michael
2:55:21
Taper:
Rodney Michael
Transferrer:
Tim McKenzie;Charlie Miller;Scott Clugston
SHNID:
gd1982-08-08.167917.senn421.michael.mckenzie.miller.clugston.flac1644
Source:
Rodney Michael's Master FOB (24th row) Audience Cassettes; Sennheiser 421 mics > Sony D5M > DAT (x0) > Tim McKenzie's CDR's
Lineage:
Master Cassettes (Sony D5M)> Panasonic SV-3800 DAT(x0) (16/44.1)(KAO KD4-60M), Sony PCM-M1 playback)> Sony 7-pin/Oade digi I/O> Hosa DRA-501 coaxial cable> Tascam CD-RW750 > CDR's > xACT > .wav 16/44.1 > Adobe Audition CC 2024 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Rodney Michael for the Master cassette recording and transfer to DAT (16/44.1) - Thanks to Tim McKenzie for the source DAT (.wav 16/44.1) and transfer to CDR - Thanks to Charlie Miller for coordinating this effort - Thanks to Kyle Holbrook for the Nakamichi 300 blend source which supplies a 0:24 patch in "Mama Tried", the first 0:22 of "Loser", a 0:16 patch in "Space", as well the final 2:52 of "Brokedown Palace" - Thanks to Dan Healy and all the folks responsible for the soundboard source which supplies a 0:09 patch in "Drums" - Other One space included in "The Other One" - "Drums" with Zakir Hussain - "The Other One" through the end of the show with John Cippolina - Pitch corrected Mastered by Scott Clugston June 2024
Taper: Frank Streeter
2:59:32
Rating:
2.00 / 1 rating
Taper:
Frank Streeter
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1982-08-08.140500.beyer-m160.streeter.miller.sirmick.flac1644
Source:
Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > Celemony Capstan > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24
Taper Notes:
View NotesComments: (1) with Zakir Hussain (2) with John Cipollina "Satisfaction" has a bit of "Wang Dang Doodle" thrown in. Notes: - All tracks have been pitch corrected. - "Loser" had some wow and flutter which has more or less been corrected. - Patches All of tuning Set I, "Alabama Getaway" and "The Promised Land" "Brown Eyed Women" 3:10-3:55 All of "Drums" The patch sourced used is shnid 138625 - Thank you Kyle Holbrook & Phil Schuman apart from the first 5:58of drums which is shnid 07690 - Thank you Frank Streeter, Dan Healy, Russell Levine and Jim Wise - I also adjusted the levels in "Alabama Getaway" and "The Promised Land" Thanks to Frank Streeter and Charlie miller
Taper: Frank Streeter
2:59:31
Taper:
Frank Streeter
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1982-08-08.140124.beyer-m160.streeter.miller.sirmick.flac2496
Source:
Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > Celemony Capstan > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24
Taper Notes:
View NotesComments: (1) with Zakir Hussain (2) with John Cipollina "Satisfaction" has a bit of "Wang Dang Doodle" thrown in. Notes: - All tracks have been pitch corrected. - "Loser" had some wow and flutter which has more or less been corrected. - Patches All of tuning Set I, "Alabama Getaway" and "The Promised Land" "Brown Eyed Women" 3:10-3:55 All of "Drums" The patch sourced used is shnid 138625 - Thank you Kyle Holbrook & Phil Schuman apart from the first 5:58of drums which is shnid 07690 - Thank you Frank Streeter, Dan Healy, Russell Levine and Jim Wise - I also adjusted the levels in "Alabama Getaway" and "The Promised Land" Thanks to Frank Streeter and Charlie miller
Source 11 of 11
2:55:02
Rating:
9.14 / 15 ratings
SHNID:
gd1982-08-08.unk.barrick.333.sbefail.shnf
Taper Notes:
View Notes*w/ Zakir Hussain **also w/ John Cipollina