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Today In History
June 7th
6 shows
37 tapes
Years
1995
29.8k
PlaybackListensHours
48h1.1k158
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h63590
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h6.5k874
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.6k329
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h5.7k744
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h3k389
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3.4k423
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.4k159
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.7k297
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h87197
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h2.1k246
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.4k185
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k190
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.9k242
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.4k313
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h6k698
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.3k190
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h3.2k420
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h11.9k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h5.1k706
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h87272
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.8k594
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.8k625
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.8k471
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.3k258
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h10.4k1.1k
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h3.6k620
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h50961
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h12018
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h31822
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h443
7d1066
30d56034
2 shows
2 tapes
1982
8/8/82
Alabama Getaway > Promised Land
9:38
They Love Each Other
8:37
Mama Tried > Mexicali Blues
7:47
Loser >
7:14
Little Red Rooster
7:56
Brown Eyed Women
5:26
Looks Like Rain
8:36
Peggy-O
7:25
Samson & Delilah
7:57
Crowd/Tuning
0:49
Far From Me
4:43
Scarlet Begonias > Fire On The Mountain >
23:57
Estimated Prophet >
18:08
Drums >
10:16
Space >
2:37
The Other One >
9:03
Not Fade Away >
4:02
Wharf Rat >
8:46
Good Lovin'
9:16
E1: (I Can't Get No) Satisfaction >
7:23
E2: Brokedown Palace
5:45
FIN
View on archive.org
Sources
Taper: Dan Healy & Frank Streeter
2:58:50
SBD
Taper:
Dan Healy & Frank Streeter
Transferrer:
Matt Smith, Scott Clugston, Charlie Miller
SHNID:
gd1982-08-08.144730.sbd.healy.streeter.smith.miller.clugston.flac1648
Source:
Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)
Lineage:
1st generation Reels (Akai GX-625)> Tascam DA-3000 (DSF-1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the 1st generation reels - Thanks to Matt Smith for the azimuth adjusted transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Frank Streeter, SirMick and Charlie Miller for the (FOB) Beyer M160 source which supplies the crowd and beginning of "Loser" (4:31 total), a 0:23 patch in "Estimated Prophet", as well as a 0:22 patch in the "Wharf Rat > Good Lovin'" transition - Other One space included in "The Other One" - Thanks to Joe B. Jones for verifying the pitch - "Drums" with Zakir Hussain - "The Other One" thru the end of the show with John Cippolina Mastered by Scott Clugston January 2019
Taper: Frank Streeter and Tim Dalton
2:53:41
SBD
Taper:
Frank Streeter and Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller and Harvey Lubar
SHNID:
gd1982-08-08.141498.sbd.pcm.healy.streeter.lubar.dalton.miller.clugston.flac1644
Source:
Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)(Harvey Lubar transfer)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the 1st generation Reels - Thanks to Harvey Lubar (R.I.P.) for the Reel > PCM transfer - Thanks to Tim Dalton for the PCM source - Thanks to Charlie Miller for the PCM > .wav transfer and coordinating this effort - Thanks to Frank Streeter, Charlie Miller and SirMick for the shnid140124 Beyer M160 source which supplies the crowd and first 2:37 of "Loser"(3:12 total), a 0:13 patch in the "Wharf Rat > Good Lovin'" transition, as well as the crowd and first 0:03 of "Satisfaction" (0:08 total) - Jam with Bobby, Brent, Billy & Mickey after "Estimated Prophet" - "Drums > Space" with Zakir Hussain - Other One space included in "The Other One" - "Not Fade Away > Wharf Rat > Good Lovin'" with John Cipollina Mastered by Scott Clugston March 26, 2018
Taper: Dan Healy & Frank Streeter
2:58:50
SBD
Rating:
10.00 / 1 rating
Taper:
Dan Healy & Frank Streeter
Transferrer:
Matt Smitt, Scott Clugston, Charlier Miller
SHNID:
gd1982-08-08.144731.sbd.healy.streeter.smith.miller.clugston.flac2496
Source:
Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)
Lineage:
1st generation Reels (Akai GX-625)> Tascam DA-3000 (DSF-1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the 1st generation reels - Thanks to Matt Smith for the azimuth adjusted transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Frank Streeter, SirMick and Charlie Miller for the (FOB) Beyer M160 source which supplies the crowd and beginning of "Loser" (4:31 total), a 0:23 patch in "Estimated Prophet", as well as a 0:22 patch in the "Wharf Rat > Good Lovin'" transition - Other One space included in "The Other One" - Thanks to Joe B. Jones for verifying the pitch - "Drums" with Zakir Hussain - "The Other One" thru the end of the show with John Cippolina Mastered by Scott Clugston January 2019
Taper: Executive Crew Kyle Holbrook & Phil Schuman
2:48:19
SBD
Rating:
8.00 / 2 ratings
Taper:
Executive Crew Kyle Holbrook & Phil Schuman
Transferrer:
Kyle Holbrook
SHNID:
gd1982-08-08.138625.nak300.holbrook.flac2448
Source:
<b/>flac24 48khz</b> Master: Nakamichi 300 guns with NAK 300 center "blend" mic -> Nak MX 100 3 channel mixer 100 feet from stage|5 feet up|15 feet ROC-Right front Corner SBD >>Nakamichi 550 >>Sony TCD5 2nd in line; Maxell XLII 90, Dolby B on
Lineage:
Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)Taped by: Executive Crew Kyle Holbrook & Phil SchumanTransferred by Kyle Holbrook
Taper Notes:
View NotesRecording notes: / paused deck between tracks (trying to save tape!) # Sudden volume drop on master- left channel exhibits some fluctuations // tape flip & Bass distortion from Pre-amps /// Tape swap to put Encore at end of tape 1 sideB Alpine Valley Music Center AUgust 7 & 8 1982 Microphone locations (in front of and on corner of soundboard) We had lawn tickets but I was determined to make it to the pavilion to set up near that front rail like the previous night. I snuck through the back rail separating the lawn from pavilion seating and got to the front of the board. A guy I had seen at Red Rocks was setting up some Nakamichi's at the right corner of the soundboard. He let me patch out of his setup. It turned out he was friends with the sound crew and that the 3-4 seats next to the booth were empty and we had the run of them. A great time at a special Grateful Dead show. Zakir Hussein came out during drums and played until encore and John Cippolina came onstage after space and inspired Phil to jam his ass off behind John's sharp leads and Jerry's more melodic ones. The complete story of our summer tour can be read in the text file.
Taper: Executive Crew Kyle Holbrook & Phil Schuman
2:48:19
SBD
Rating:
9.00 / 2 ratings
Taper:
Executive Crew Kyle Holbrook & Phil Schuman
Transferrer:
Kyle Holbrook
SHNID:
gd1982-08-08.138624.nak300.holbrook.flac1644
Source:
<b/>flac16 44.1khz</b> Master: Nakamichi 300 guns with NAK 300 center "blend" mic -> Nak MX 100 3 channel mixer 100 feet from stage|5 feet up|15 feet ROC-Right front Corner SBD >>Nakamichi 550 >>Sony TCD5 2nd in line; Maxell XLII 90, Dolby B on
Lineage:
Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)Taped by: Executive Crew Kyle Holbrook & Phil SchumanTransferred by Kyle Holbrook
Taper Notes:
View NotesRecording notes: / paused deck between tracks (trying to save tape!) # Sudden volume drop on master- left channel exhibits some fluctuations // tape flip & Bass distortion from Pre-amps /// Tape swap to put Encore at end of tape 1 sideB Alpine Valley Music Center AUgust 7 & 8 1982 Microphone locations (in front of and on corner of soundboard) We had lawn tickets but I was determined to make it to the pavilion to set up near that front rail like the previous night. I snuck through the back rail separating the lawn from pavilion seating and got to the front of the board. A guy I had seen at Red Rocks was setting up some Nakamichi's at the right corner of the soundboard. He let me patch out of his setup. It turned out he was friends with the sound crew and that the 3-4 seats next to the booth were empty and we had the run of them. A great time at a special Grateful Dead show. Zakir Hussein came out during drums and played until encore and John Cippolina came onstage after space and inspired Phil to jam his ass off behind John's sharp leads and Jerry's more melodic ones. The complete story of our summer tour can be read in the text file.
Source 6 of 11
2:50:20
SBD
Rating:
9.33 / 7 ratings
SHNID:
gd82-08-08.sbd.skankweed.15580.sbeok.shnf
Source:
Soundboard
Lineage:
Soundboard cassette-> Reel-> DAT-> CDR-> .WAV-> SHN-> WAV-> SF 5.0 (retrack, d/o fixes)-> CD WAVE-> SHN
Taper Notes:
View NotesSoundboard cassette-> Reel-> DAT-> CDR-> .WAV-> SHN-> WAV-> SF 5.0 (retrack, d/o fixes)-> CD WAVE-> SHN, by Skankweed; Retrack/fix of previously circulating version (Merry Pranksters tree, apparently not listed here yet)
Taper: Jim Wise
2:49:47
SBD
Rating:
9.00 / 20 ratings
Taper:
Jim Wise
Source:
Soundboard
Lineage:
SBD : MC > MR > DAT > CDR
Taper Notes:
View NotesSBD : MC > MR > DAT > CDR Transfer done by Jim Wise
Taper: Rodney Michael
2:55:21
Taper:
Rodney Michael
Transferrer:
Tim McKenzie;Charlie Miller;Scott Clugston
SHNID:
gd1982-08-08.167917.senn421.michael.mckenzie.miller.clugston.flac1644
Source:
Rodney Michael's Master FOB (24th row) Audience Cassettes; Sennheiser 421 mics > Sony D5M > DAT (x0) > Tim McKenzie's CDR's
Lineage:
Master Cassettes (Sony D5M)> Panasonic SV-3800 DAT(x0) (16/44.1)(KAO KD4-60M), Sony PCM-M1 playback)> Sony 7-pin/Oade digi I/O> Hosa DRA-501 coaxial cable> Tascam CD-RW750 > CDR's > xACT > .wav 16/44.1 > Adobe Audition CC 2024 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Rodney Michael for the Master cassette recording and transfer to DAT (16/44.1) - Thanks to Tim McKenzie for the source DAT (.wav 16/44.1) and transfer to CDR - Thanks to Charlie Miller for coordinating this effort - Thanks to Kyle Holbrook for the Nakamichi 300 blend source which supplies a 0:24 patch in "Mama Tried", the first 0:22 of "Loser", a 0:16 patch in "Space", as well the final 2:52 of "Brokedown Palace" - Thanks to Dan Healy and all the folks responsible for the soundboard source which supplies a 0:09 patch in "Drums" - Other One space included in "The Other One" - "Drums" with Zakir Hussain - "The Other One" through the end of the show with John Cippolina - Pitch corrected Mastered by Scott Clugston June 2024
Taper: Frank Streeter
2:59:32
Rating:
2.00 / 1 rating
Taper:
Frank Streeter
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1982-08-08.140500.beyer-m160.streeter.miller.sirmick.flac1644
Source:
Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > Celemony Capstan > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24
Taper Notes:
View NotesComments: (1) with Zakir Hussain (2) with John Cipollina "Satisfaction" has a bit of "Wang Dang Doodle" thrown in. Notes: - All tracks have been pitch corrected. - "Loser" had some wow and flutter which has more or less been corrected. - Patches All of tuning Set I, "Alabama Getaway" and "The Promised Land" "Brown Eyed Women" 3:10-3:55 All of "Drums" The patch sourced used is shnid 138625 - Thank you Kyle Holbrook & Phil Schuman apart from the first 5:58of drums which is shnid 07690 - Thank you Frank Streeter, Dan Healy, Russell Levine and Jim Wise - I also adjusted the levels in "Alabama Getaway" and "The Promised Land" Thanks to Frank Streeter and Charlie miller
Taper: Frank Streeter
2:59:31
Taper:
Frank Streeter
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1982-08-08.140124.beyer-m160.streeter.miller.sirmick.flac2496
Source:
Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > Celemony Capstan > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24
Taper Notes:
View NotesComments: (1) with Zakir Hussain (2) with John Cipollina "Satisfaction" has a bit of "Wang Dang Doodle" thrown in. Notes: - All tracks have been pitch corrected. - "Loser" had some wow and flutter which has more or less been corrected. - Patches All of tuning Set I, "Alabama Getaway" and "The Promised Land" "Brown Eyed Women" 3:10-3:55 All of "Drums" The patch sourced used is shnid 138625 - Thank you Kyle Holbrook & Phil Schuman apart from the first 5:58of drums which is shnid 07690 - Thank you Frank Streeter, Dan Healy, Russell Levine and Jim Wise - I also adjusted the levels in "Alabama Getaway" and "The Promised Land" Thanks to Frank Streeter and Charlie miller
Source 11 of 11
2:55:02
Rating:
9.14 / 15 ratings
SHNID:
gd1982-08-08.unk.barrick.333.sbefail.shnf
Taper Notes:
View Notes*w/ Zakir Hussain **also w/ John Cipollina