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Today In History
June 15th
Years
1995
30.1k
PlaybackListensHours
48h1.2k150
7d1.4k193
30d30.1k4.2k
49 shows
343 tapes
1994
11.7k
PlaybackListensHours
48h1.7k260
7d4.2k594
30d11.7k1.7k
85 shows
460 tapes
1993
38.6k
PlaybackListensHours
48h1.6k219
7d7.7k1k
30d38.6k5.1k
83 shows
656 tapes
1992
43.8k
PlaybackListensHours
48h2.4k316
7d7.7k1k
30d43.8k5.8k
57 shows
539 tapes
1991
41.9k
PlaybackListensHours
48h2.6k344
7d11.2k1.5k
30d41.9k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h4.3k597
7d15.4k1.9k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.1k260
7d7.4k913
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.4k
PlaybackListensHours
48h1.1k127
7d3.2k376
30d20.4k2.4k
82 shows
882 tapes
1987
40.5k
PlaybackListensHours
48h4.7k589
7d11.5k1.4k
30d40.5k4.5k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h80993
7d2.5k279
30d12.5k1.4k
47 shows
684 tapes
1985
23.3k
PlaybackListensHours
48h5.4k621
7d4.5k525
30d23.3k2.7k
73 shows
1,357 tapes
1984
25.7k
PlaybackListensHours
48h2.6k318
7d12.5k1.5k
30d25.7k3.2k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h902115
7d3.5k460
30d21.3k2.8k
71 shows
1,069 tapes
1982
42.5k
PlaybackListensHours
48h1.3k164
7d3.4k425
30d42.5k5.3k
63 shows
753 tapes
1981
35.9k
PlaybackListensHours
48h1.8k223
7d5k630
30d35.9k4.5k
92 shows
868 tapes
1980
69.8k
PlaybackListensHours
48h4.4k500
7d14k1.6k
30d69.8k8.1k
91 shows
794 tapes
1979
21.8k
PlaybackListensHours
48h1k148
7d4.2k593
30d21.8k3.1k
79 shows
608 tapes
1978
42.3k
PlaybackListensHours
48h1.5k202
7d5.1k689
30d42.3k5.7k
87 shows
592 tapes
1977
278k
PlaybackListensHours
48h7.6k1.1k
7d32.8k4.5k
30d278k38.4k
64 shows
418 tapes
1976
85.9k
PlaybackListensHours
48h13.9k1.9k
7d39.4k5.3k
30d85.9k11.6k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h37839
7d85890
30d6.4k654
25 shows
63 tapes
1974
93.1k
PlaybackListensHours
48h2.9k374
7d10.4k1.4k
30d93.1k11.8k
42 shows
324 tapes
1973
90k
PlaybackListensHours
48h3.8k508
7d20.5k2.8k
30d90k11.6k
75 shows
445 tapes
1972
63.5k
PlaybackListensHours
48h2.4k299
7d6.3k805
30d63.5k7.8k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h1.4k147
7d4.7k518
30d33.9k3.9k
82 shows
357 tapes
1970
39.5k
PlaybackListensHours
48h1.2k150
7d4.5k522
30d39.5k4.2k
101 shows
376 tapes
1969
27.8k
PlaybackListensHours
48h1.5k238
7d3.5k490
30d27.8k4.1k
112 shows
326 tapes
1968
7.7k
PlaybackListensHours
48h76894
7d1.6k199
30d7.7k970
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h10815
7d29842
30d1.7k228
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h35622
7d99767
30d8k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h362
7d1128
30d63237
2 shows
2 tapes
1982
8/4/82
Feel Like a Stranger / *
8:09
Friend of the Devil /
9:38
C.C. Rider /
7:25
Brown Eyed Women /
5:30
Mama Tried
2:24
Mexicali Blues //
4:39
Row Jimmy
10:52
Looks Like Rain /
8:15
Stagger Lee /
6:18
Promised Land
4:23
Never Trust a Woman -> /
6:58
Estimated Prophet ->
11:44
Terrapin Station ->
15:40
Drums -> //
10:14
space ->
7:08
Not Fade Away ->
7:40
Black Peter ->
8:09
Around and Around ->
3:50
Good Lovin'
7:51
U.S. Blues
5:04
FIN
View on archive.org
Sources
Taper: Frank Streeter and Tim Dalton
2:30:31
SBD
Rating:
8.00 / 1 rating
Taper:
Frank Streeter and Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-08-04.141652.sbd.pcm.streeter.dalton.miller.clugston.flac1644
Source:
Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the 1st generation Reels - Thanks to Tim Dalton for the PCM source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Executive Crew and Kyle Holbrook for the shnid138621 Beyer M201 source which supplies an 0:11 patch in "Row Jimmy", the crowd and first few notes of "Looks Like Rain" (0:15 total), the crowd and beginning of "Never Trust A Woman" (0:26 total), the crowd and beginning of "Estimated Prophet" (0:06 total), a 0:12 patch in "Terrapin Station", a 0:21 patch in the Jam/Space out of "Terrapin Station", as well as a 0:22 patch in the "Not Fade Away > Black Peter" transition - First few notes of "Feel Like A Stranger" clipped - Set break announcement clipped - NFA space included in "Not Fade Away" - Pitch corrected Mastered by Scott Clugston April 7, 2018
Transferrer: morst
2:26:37
SBD
Rating:
8.67 / 4 ratings
Transferrer:
morst
SHNID:
gd1982-08-04.sbd.morst.93839.flac16
Source:
SBD > ?
Lineage:
? > PCM > played through HHb CDR800 for digital signal lock > DAT (probably Panasonic SV3500 or SV3700). DAT > PCM-M1 > S/Pdif > Protools 4.1.1 > Audiomedia III PCI card > Powermac G3/266 > Protools 4.1.1 > AIFF > Powermac G4 MDD/ Dual 1.42 > Audacity 1.2.6 (tracking in 1/75 second increments) > AIFF\'s > xACT 1.64 > FLAC
Taper Notes:
View NotesNotes- First Stagger Lee since 12-04-79 d1t08 Missing first vocal line (Looks Like Rain) d2t01 Minor cut in start of track (Estimated) d2t02 Cut @ :33 (Terrapin) d2t03 Cut at start (Space) d2t06 Cut at very end of jam (NFA) set 2 is over 80 minutes so I have set the file names to place Never Trust a Woman at the end of disc one. Based on the locations of the cuts, it would seem that this was mastered originally with set 1 on a C90 or C100 cassette, and set 2 on a C100. With the exception of the uninterrupted CC Rider here, this source seems to have the same defects as gd82-08-04.sbd.willy.7388.sbeok.shnf, but based on the complete CC Rider, I will consider this to be an upgrade to that source. Everyone who appreciates the upgrade should thank Shane C. for requesting this in trade from my collection!
Source 3 of 7
2:26:56
SBD
Rating:
8.18 / 11 ratings
SHNID:
gd82-08-04.sbd.willy.7388.sbeok.shnf
Source:
Soundboard
Lineage:
SBD>MasterCass>DAT>CD
Taper Notes:
View NotesSBD>MasterCass>DAT>CD; via Scott Whitford; Seeded to etree by Willy
Taper: Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz!
2:34:40
Taper:
Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz!
Transferrer:
Transferred by Andrew F. 08/2021
SHNID:
gd1982-08-04.153018.beyer.tompkins.flac2448
Source:
FOB Beyers mics > Sony TC-D5M > TDK MA-90's.
Lineage:
Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.
Taper Notes:
View NotesNote: Brief mic-cable drop-outs in Stranger and Mama/Mexicali, cross-faded to mono for those passages. Patches from ID-138621 covers first 19 seconds of NTAW, and first 30 seconds of Space.
Source 5 of 7
2:31:51
Rating:
8.00 / 1 rating
SHNID:
gd1982-08-04.138621.beyerm201.holbrook.flac2448
Source:
<b/>flac24 48khz</b> Source Audience Master Recording: Beyer M 201c Location: 25 feet from RT stacks (on axis with RT stack)|side section about 15 rows off floor
Lineage:
Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II Dolby B ONPlayback: Nakamichi LX-5 -> Tascam DR680 @ 24/48Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with overall bass boost below 400Hz, & some mid cut. set 2 equalized with less bass boost.Taped by: Executive Crew: Kyle Holbrook & Olvy JohnsonTransferred by Kyle Holbrook
Taper Notes:
View Notes* levels start low, some up/down level movement then normalize around 1:45 // Tape flip / Our practice at the time was to stop the recorder after every time the band stopped. The theory was saving batteries and tape space. We would learn to record the entire show by Spring 83! I cut dead space or faded down/up at those cuts but there are a few harsh stops/starts-apologies from my 21 year old self! Kiel Auditorium St. Louis MO August 4 1982 Mic Location: 25 feet from RT stacks side section about 15 rows off floor Skip was still with us, but I can't recall if he made it into this show. Kiel auditorium is a concrete cave with awful acoustics. On top of that they busted all the tapers on the way in or near the sbd. We had tickets in the lower section about 2 sections from the speaker stacks. It didn't matter. The sound on this tape was always near the lowest of the run, and the setlist didn't have deadheads years later clamoring for it in trades. Listening back, it isn't an awful first set. I do have a distinct memory of heading back from the concessions during Promised Land and how boomy the building sounded with Phil's bass bouncing off the walls. The complete story of our summer tour can be read in the text file.
Taper: Executive Crew: Kyle Holbrook & Olvy Johnson
2:31:51
Rating:
8.00 / 1 rating
Taper:
Executive Crew: Kyle Holbrook & Olvy Johnson
Transferrer:
Kyle Holbrook
SHNID:
gd1982-08-04.138620.beyerm201.holbrook.flac1644
Source:
<b/>flac16 44.1khz</b> Source Audience Master Recording: Beyer M 201c Location: 25 feet from RT stacks (on axis with RT stack)|side section about 15 rows off floor
Lineage:
Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II Dolby B ONPlayback: Nakamichi LX-5 -> Tascam DR680 @ 24/48Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with overall bass boost below 400Hz, & some mid cut. set 2 equalized with less bass boost.Taped by: Executive Crew: Kyle Holbrook & Olvy JohnsonTransferred by Kyle Holbrook
Taper Notes:
View Notes* levels start low, some up/down level movement then normalize around 1:45 // Tape flip / Our practice at the time was to stop the recorder after every time the band stopped. The theory was saving batteries and tape space. We would learn to record the entire show by Spring 83! I cut dead space or faded down/up at those cuts but there are a few harsh stops/starts-apologies from my 21 year old self! Kiel Auditorium St. Louis MO August 4 1982 Mic Location: 25 feet from RT stacks side section about 15 rows off floor Skip was still with us, but I can't recall if he made it into this show. Kiel auditorium is a concrete cave with awful acoustics. On top of that they busted all the tapers on the way in or near the sbd. We had tickets in the lower section about 2 sections from the speaker stacks. It didn't matter. The sound on this tape was always near the lowest of the run, and the setlist didn't have deadheads years later clamoring for it in trades. Listening back, it isn't an awful first set. I do have a distinct memory of heading back from the concessions during Promised Land and how boomy the building sounded with Phil's bass bouncing off the walls. The complete story of our summer tour can be read in the text file.
Taper: Jon Bernstein
2:34:45
Rating:
6.00 / 1 rating
Taper:
Jon Bernstein
Transferrer:
Andrew F.
SHNID:
gd1982-08-04.136573.aud.bernstein.flac1644
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. July 2016
Taper Notes:
View NotesIt appears the tapers were far up and/or under the balcony, and despite best efforts, the recording fell prey to the building's janky acoustics. Start of Good Times & Estimated slightly clipped.