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June 8th
Years
1995
30k
PlaybackListensHours
48h62786
7d11.4k1.6k
30d30k4.2k
49 shows
341 tapes
1994
8.5k
PlaybackListensHours
48h769104
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h3.2k421
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.6k327
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h8.3k1.1k
7d9k1.2k
30d40.6k5.5k
78 shows
972 tapes
1990
35.2k
PlaybackListensHours
48h2.8k370
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.9k357
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.2k144
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h2.1k232
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h86295
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.6k194
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1k134
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.5k194
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.7k214
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.2k279
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.5k693
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.2k179
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h1.8k247
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.1k2.6k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.3k456
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h85683
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.6k586
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.2k552
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h3.1k377
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.9k207
7d6.2k691
30d34.3k3.9k
82 shows
357 tapes
1970
42.2k
PlaybackListensHours
48h8.2k836
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.2k352
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h35543
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h11516
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h22317
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h382
7d1026
30d57334
2 shows
2 tapes
1982
8/4/82
Feel Like a Stranger / *
8:09
Friend of the Devil /
9:38
C.C. Rider /
7:25
Brown Eyed Women /
5:30
Mama Tried
2:24
Mexicali Blues //
4:39
Row Jimmy
10:52
Looks Like Rain /
8:15
Stagger Lee /
6:18
Promised Land
4:23
Never Trust a Woman -> /
6:58
Estimated Prophet ->
11:44
Terrapin Station ->
15:40
Drums -> //
10:14
space ->
7:08
Not Fade Away ->
7:40
Black Peter ->
8:09
Around and Around ->
3:50
Good Lovin'
7:51
U.S. Blues
5:04
FIN
View on archive.org
Sources
Taper: Frank Streeter and Tim Dalton
2:30:31
SBD
Rating:
8.00 / 1 rating
Taper:
Frank Streeter and Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-08-04.141652.sbd.pcm.streeter.dalton.miller.clugston.flac1644
Source:
Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the 1st generation Reels - Thanks to Tim Dalton for the PCM source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Executive Crew and Kyle Holbrook for the shnid138621 Beyer M201 source which supplies an 0:11 patch in "Row Jimmy", the crowd and first few notes of "Looks Like Rain" (0:15 total), the crowd and beginning of "Never Trust A Woman" (0:26 total), the crowd and beginning of "Estimated Prophet" (0:06 total), a 0:12 patch in "Terrapin Station", a 0:21 patch in the Jam/Space out of "Terrapin Station", as well as a 0:22 patch in the "Not Fade Away > Black Peter" transition - First few notes of "Feel Like A Stranger" clipped - Set break announcement clipped - NFA space included in "Not Fade Away" - Pitch corrected Mastered by Scott Clugston April 7, 2018
Transferrer: morst
2:26:37
SBD
Rating:
8.67 / 4 ratings
Transferrer:
morst
SHNID:
gd1982-08-04.sbd.morst.93839.flac16
Source:
SBD > ?
Lineage:
? > PCM > played through HHb CDR800 for digital signal lock > DAT (probably Panasonic SV3500 or SV3700). DAT > PCM-M1 > S/Pdif > Protools 4.1.1 > Audiomedia III PCI card > Powermac G3/266 > Protools 4.1.1 > AIFF > Powermac G4 MDD/ Dual 1.42 > Audacity 1.2.6 (tracking in 1/75 second increments) > AIFF\'s > xACT 1.64 > FLAC
Taper Notes:
View NotesNotes- First Stagger Lee since 12-04-79 d1t08 Missing first vocal line (Looks Like Rain) d2t01 Minor cut in start of track (Estimated) d2t02 Cut @ :33 (Terrapin) d2t03 Cut at start (Space) d2t06 Cut at very end of jam (NFA) set 2 is over 80 minutes so I have set the file names to place Never Trust a Woman at the end of disc one. Based on the locations of the cuts, it would seem that this was mastered originally with set 1 on a C90 or C100 cassette, and set 2 on a C100. With the exception of the uninterrupted CC Rider here, this source seems to have the same defects as gd82-08-04.sbd.willy.7388.sbeok.shnf, but based on the complete CC Rider, I will consider this to be an upgrade to that source. Everyone who appreciates the upgrade should thank Shane C. for requesting this in trade from my collection!
Source 3 of 7
2:26:56
SBD
Rating:
8.18 / 11 ratings
SHNID:
gd82-08-04.sbd.willy.7388.sbeok.shnf
Source:
Soundboard
Lineage:
SBD>MasterCass>DAT>CD
Taper Notes:
View NotesSBD>MasterCass>DAT>CD; via Scott Whitford; Seeded to etree by Willy
Taper: Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz!
2:34:40
Taper:
Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz!
Transferrer:
Transferred by Andrew F. 08/2021
SHNID:
gd1982-08-04.153018.beyer.tompkins.flac2448
Source:
FOB Beyers mics > Sony TC-D5M > TDK MA-90's.
Lineage:
Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.
Taper Notes:
View NotesNote: Brief mic-cable drop-outs in Stranger and Mama/Mexicali, cross-faded to mono for those passages. Patches from ID-138621 covers first 19 seconds of NTAW, and first 30 seconds of Space.
Source 5 of 7
2:31:51
Rating:
8.00 / 1 rating
SHNID:
gd1982-08-04.138621.beyerm201.holbrook.flac2448
Source:
<b/>flac24 48khz</b> Source Audience Master Recording: Beyer M 201c Location: 25 feet from RT stacks (on axis with RT stack)|side section about 15 rows off floor
Lineage:
Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II Dolby B ONPlayback: Nakamichi LX-5 -> Tascam DR680 @ 24/48Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with overall bass boost below 400Hz, & some mid cut. set 2 equalized with less bass boost.Taped by: Executive Crew: Kyle Holbrook & Olvy JohnsonTransferred by Kyle Holbrook
Taper Notes:
View Notes* levels start low, some up/down level movement then normalize around 1:45 // Tape flip / Our practice at the time was to stop the recorder after every time the band stopped. The theory was saving batteries and tape space. We would learn to record the entire show by Spring 83! I cut dead space or faded down/up at those cuts but there are a few harsh stops/starts-apologies from my 21 year old self! Kiel Auditorium St. Louis MO August 4 1982 Mic Location: 25 feet from RT stacks side section about 15 rows off floor Skip was still with us, but I can't recall if he made it into this show. Kiel auditorium is a concrete cave with awful acoustics. On top of that they busted all the tapers on the way in or near the sbd. We had tickets in the lower section about 2 sections from the speaker stacks. It didn't matter. The sound on this tape was always near the lowest of the run, and the setlist didn't have deadheads years later clamoring for it in trades. Listening back, it isn't an awful first set. I do have a distinct memory of heading back from the concessions during Promised Land and how boomy the building sounded with Phil's bass bouncing off the walls. The complete story of our summer tour can be read in the text file.
Taper: Executive Crew: Kyle Holbrook & Olvy Johnson
2:31:51
Rating:
8.00 / 1 rating
Taper:
Executive Crew: Kyle Holbrook & Olvy Johnson
Transferrer:
Kyle Holbrook
SHNID:
gd1982-08-04.138620.beyerm201.holbrook.flac1644
Source:
<b/>flac16 44.1khz</b> Source Audience Master Recording: Beyer M 201c Location: 25 feet from RT stacks (on axis with RT stack)|side section about 15 rows off floor
Lineage:
Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II Dolby B ONPlayback: Nakamichi LX-5 -> Tascam DR680 @ 24/48Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with overall bass boost below 400Hz, & some mid cut. set 2 equalized with less bass boost.Taped by: Executive Crew: Kyle Holbrook & Olvy JohnsonTransferred by Kyle Holbrook
Taper Notes:
View Notes* levels start low, some up/down level movement then normalize around 1:45 // Tape flip / Our practice at the time was to stop the recorder after every time the band stopped. The theory was saving batteries and tape space. We would learn to record the entire show by Spring 83! I cut dead space or faded down/up at those cuts but there are a few harsh stops/starts-apologies from my 21 year old self! Kiel Auditorium St. Louis MO August 4 1982 Mic Location: 25 feet from RT stacks side section about 15 rows off floor Skip was still with us, but I can't recall if he made it into this show. Kiel auditorium is a concrete cave with awful acoustics. On top of that they busted all the tapers on the way in or near the sbd. We had tickets in the lower section about 2 sections from the speaker stacks. It didn't matter. The sound on this tape was always near the lowest of the run, and the setlist didn't have deadheads years later clamoring for it in trades. Listening back, it isn't an awful first set. I do have a distinct memory of heading back from the concessions during Promised Land and how boomy the building sounded with Phil's bass bouncing off the walls. The complete story of our summer tour can be read in the text file.
Taper: Jon Bernstein
2:34:45
Rating:
6.00 / 1 rating
Taper:
Jon Bernstein
Transferrer:
Andrew F.
SHNID:
gd1982-08-04.136573.aud.bernstein.flac1644
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. July 2016
Taper Notes:
View NotesIt appears the tapers were far up and/or under the balcony, and despite best efforts, the recording fell prey to the building's janky acoustics. Start of Good Times & Estimated slightly clipped.