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Today In History
June 12th
Years
1995
30.1k
PlaybackListensHours
48h55375
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h995133
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3.2k439
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h3.7k490
7d5.9k756
30d38.5k5.1k
57 shows
538 tapes
1991
36.3k
PlaybackListensHours
48h6k751
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h4.6k594
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h2.8k345
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1k122
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h3.6k403
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h977109
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.7k200
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h3.5k416
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.3k171
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k149
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h2k246
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h3.8k453
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.6k218
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.9k259
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h8.5k1.2k
7d47.4k6.5k
30d292.7k40.4k
64 shows
418 tapes
1976
61.3k
PlaybackListensHours
48h20.4k2.7k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h22324
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.5k468
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h7.2k1k
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h2.2k278
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.5k170
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.4k170
7d12.9k1.3k
30d46.3k4.9k
101 shows
375 tapes
1969
27.2k
PlaybackListensHours
48h1.3k169
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h42955
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h11515
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h41427
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h242
7d1368
30d63237
2 shows
2 tapes
1982
8/4/82
Feel Like a Stranger / *
8:09
Friend of the Devil /
9:38
C.C. Rider /
7:25
Brown Eyed Women /
5:30
Mama Tried
2:24
Mexicali Blues //
4:39
Row Jimmy
10:52
Looks Like Rain /
8:15
Stagger Lee /
6:18
Promised Land
4:23
Never Trust a Woman -> /
6:58
Estimated Prophet ->
11:44
Terrapin Station ->
15:40
Drums -> //
10:14
space ->
7:08
Not Fade Away ->
7:40
Black Peter ->
8:09
Around and Around ->
3:50
Good Lovin'
7:51
U.S. Blues
5:04
FIN
View on archive.org
Sources
Taper: Frank Streeter and Tim Dalton
2:30:31
SBD
Rating:
8.00 / 1 rating
Taper:
Frank Streeter and Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-08-04.141652.sbd.pcm.streeter.dalton.miller.clugston.flac1644
Source:
Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the 1st generation Reels - Thanks to Tim Dalton for the PCM source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Executive Crew and Kyle Holbrook for the shnid138621 Beyer M201 source which supplies an 0:11 patch in "Row Jimmy", the crowd and first few notes of "Looks Like Rain" (0:15 total), the crowd and beginning of "Never Trust A Woman" (0:26 total), the crowd and beginning of "Estimated Prophet" (0:06 total), a 0:12 patch in "Terrapin Station", a 0:21 patch in the Jam/Space out of "Terrapin Station", as well as a 0:22 patch in the "Not Fade Away > Black Peter" transition - First few notes of "Feel Like A Stranger" clipped - Set break announcement clipped - NFA space included in "Not Fade Away" - Pitch corrected Mastered by Scott Clugston April 7, 2018
Transferrer: morst
2:26:37
SBD
Rating:
8.67 / 4 ratings
Transferrer:
morst
SHNID:
gd1982-08-04.sbd.morst.93839.flac16
Source:
SBD > ?
Lineage:
? > PCM > played through HHb CDR800 for digital signal lock > DAT (probably Panasonic SV3500 or SV3700). DAT > PCM-M1 > S/Pdif > Protools 4.1.1 > Audiomedia III PCI card > Powermac G3/266 > Protools 4.1.1 > AIFF > Powermac G4 MDD/ Dual 1.42 > Audacity 1.2.6 (tracking in 1/75 second increments) > AIFF\'s > xACT 1.64 > FLAC
Taper Notes:
View NotesNotes- First Stagger Lee since 12-04-79 d1t08 Missing first vocal line (Looks Like Rain) d2t01 Minor cut in start of track (Estimated) d2t02 Cut @ :33 (Terrapin) d2t03 Cut at start (Space) d2t06 Cut at very end of jam (NFA) set 2 is over 80 minutes so I have set the file names to place Never Trust a Woman at the end of disc one. Based on the locations of the cuts, it would seem that this was mastered originally with set 1 on a C90 or C100 cassette, and set 2 on a C100. With the exception of the uninterrupted CC Rider here, this source seems to have the same defects as gd82-08-04.sbd.willy.7388.sbeok.shnf, but based on the complete CC Rider, I will consider this to be an upgrade to that source. Everyone who appreciates the upgrade should thank Shane C. for requesting this in trade from my collection!
Source 3 of 7
2:26:56
SBD
Rating:
8.18 / 11 ratings
SHNID:
gd82-08-04.sbd.willy.7388.sbeok.shnf
Source:
Soundboard
Lineage:
SBD>MasterCass>DAT>CD
Taper Notes:
View NotesSBD>MasterCass>DAT>CD; via Scott Whitford; Seeded to etree by Willy
Taper: Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz!
2:34:40
Taper:
Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz!
Transferrer:
Transferred by Andrew F. 08/2021
SHNID:
gd1982-08-04.153018.beyer.tompkins.flac2448
Source:
FOB Beyers mics > Sony TC-D5M > TDK MA-90's.
Lineage:
Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.
Taper Notes:
View NotesNote: Brief mic-cable drop-outs in Stranger and Mama/Mexicali, cross-faded to mono for those passages. Patches from ID-138621 covers first 19 seconds of NTAW, and first 30 seconds of Space.
Source 5 of 7
2:31:51
Rating:
8.00 / 1 rating
SHNID:
gd1982-08-04.138621.beyerm201.holbrook.flac2448
Source:
<b/>flac24 48khz</b> Source Audience Master Recording: Beyer M 201c Location: 25 feet from RT stacks (on axis with RT stack)|side section about 15 rows off floor
Lineage:
Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II Dolby B ONPlayback: Nakamichi LX-5 -> Tascam DR680 @ 24/48Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with overall bass boost below 400Hz, & some mid cut. set 2 equalized with less bass boost.Taped by: Executive Crew: Kyle Holbrook & Olvy JohnsonTransferred by Kyle Holbrook
Taper Notes:
View Notes* levels start low, some up/down level movement then normalize around 1:45 // Tape flip / Our practice at the time was to stop the recorder after every time the band stopped. The theory was saving batteries and tape space. We would learn to record the entire show by Spring 83! I cut dead space or faded down/up at those cuts but there are a few harsh stops/starts-apologies from my 21 year old self! Kiel Auditorium St. Louis MO August 4 1982 Mic Location: 25 feet from RT stacks side section about 15 rows off floor Skip was still with us, but I can't recall if he made it into this show. Kiel auditorium is a concrete cave with awful acoustics. On top of that they busted all the tapers on the way in or near the sbd. We had tickets in the lower section about 2 sections from the speaker stacks. It didn't matter. The sound on this tape was always near the lowest of the run, and the setlist didn't have deadheads years later clamoring for it in trades. Listening back, it isn't an awful first set. I do have a distinct memory of heading back from the concessions during Promised Land and how boomy the building sounded with Phil's bass bouncing off the walls. The complete story of our summer tour can be read in the text file.
Taper: Executive Crew: Kyle Holbrook & Olvy Johnson
2:31:51
Rating:
8.00 / 1 rating
Taper:
Executive Crew: Kyle Holbrook & Olvy Johnson
Transferrer:
Kyle Holbrook
SHNID:
gd1982-08-04.138620.beyerm201.holbrook.flac1644
Source:
<b/>flac16 44.1khz</b> Source Audience Master Recording: Beyer M 201c Location: 25 feet from RT stacks (on axis with RT stack)|side section about 15 rows off floor
Lineage:
Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II Dolby B ONPlayback: Nakamichi LX-5 -> Tascam DR680 @ 24/48Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with overall bass boost below 400Hz, & some mid cut. set 2 equalized with less bass boost.Taped by: Executive Crew: Kyle Holbrook & Olvy JohnsonTransferred by Kyle Holbrook
Taper Notes:
View Notes* levels start low, some up/down level movement then normalize around 1:45 // Tape flip / Our practice at the time was to stop the recorder after every time the band stopped. The theory was saving batteries and tape space. We would learn to record the entire show by Spring 83! I cut dead space or faded down/up at those cuts but there are a few harsh stops/starts-apologies from my 21 year old self! Kiel Auditorium St. Louis MO August 4 1982 Mic Location: 25 feet from RT stacks side section about 15 rows off floor Skip was still with us, but I can't recall if he made it into this show. Kiel auditorium is a concrete cave with awful acoustics. On top of that they busted all the tapers on the way in or near the sbd. We had tickets in the lower section about 2 sections from the speaker stacks. It didn't matter. The sound on this tape was always near the lowest of the run, and the setlist didn't have deadheads years later clamoring for it in trades. Listening back, it isn't an awful first set. I do have a distinct memory of heading back from the concessions during Promised Land and how boomy the building sounded with Phil's bass bouncing off the walls. The complete story of our summer tour can be read in the text file.
Taper: Jon Bernstein
2:34:45
Rating:
6.00 / 1 rating
Taper:
Jon Bernstein
Transferrer:
Andrew F.
SHNID:
gd1982-08-04.136573.aud.bernstein.flac1644
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. July 2016
Taper Notes:
View NotesIt appears the tapers were far up and/or under the balcony, and despite best efforts, the recording fell prey to the building's janky acoustics. Start of Good Times & Estimated slightly clipped.