RELISTENTOTHE Grateful Dead
Re
1982
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June 16th
Years
1995
30.1k
PlaybackListensHours
48h1.5k182
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k240
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k247
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k375
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k360
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.3k747
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k274
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k134
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.1k505
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86499
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.8k776
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.2k280
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h967122
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k159
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h1.9k242
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k441
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k161
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k216
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h16.1k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42745
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k517
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k314
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.6k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k146
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k231
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h73290
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13819
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1982
7/31/82
Alabama Getaway-> * ++
5:02
Promised Land /
4:14
Candyman / ++
6:42
El Paso /
5:11
Bird Song->
9:43
Little Red Rooster //
8:00
Ramble On Rose /
7:04
It's All Over Now /
9:25
Brown Eyed Women ->
5:44
The Music Never Stopped
7:42
Deal
6:22
Scarlet Begonias->
6:45
Fire On The Mountain
16:25
Estimated Prophet->
11:20
Eyes Of The World-> Jam-> /
11:09
Drums-> // Drums / / #
3:07
Space->
7:03
Uncle John's Band-> &
9:47
Truckin'->
7:07
Morning Dew->
11:10
One More Saturday Night
4:43
Don't Ease Me In
3:13
FIN
View on archive.org
Sources
Taper: Frank Streeter and Tim Dalton
2:59:53
SBD
Rating:
8.50 / 4 ratings
Taper:
Frank Streeter and Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-07-31.141511.sbd.pcm.streeter.dalton.miller.clugston.flac1644
Source:
Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the 1st generation Reels - Thanks to Tim Dalton for the PCM source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Steve Martin and Jack Warner for the shnid19017 Nakamichi 700 source which supplies a 0:17 patch in "Eyes Of The World", a 0:09 patch in "One More Saturday Night", as well as the crowd and first note of "Don't Ease Me In" (0:04 total) Mastered by Scott Clugston March 27, 2018
Transferrer: Matrix by Kevin Tobin
3:08:37
SBD
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1982-07-31.167919.mtx.tobin.flac16
Source:
SBD + AUD Matrix 2 Source Mix (44/16)
Taper Notes:
View NotesBoth SBD and AUD were patched with the following sources: AUD (shnid = 019017) MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) A > D by Steven Martin EAC > SHN by Jack Warner (jackmw1ATsbcglobalDOTnet) BHP Video original audience soundtrack (no shnid) - mostly dead air between songs during the 1st set so that this audio matches the video --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 28-JUN-2024 - Trader Little Helper - Tagged 28-JUN-2024 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Jeff M and Chris Perkins
3:00:56
SBD
Transferrer:
Jeff M and Chris Perkins
SHNID:
gd1982-07-31.sbd.jeffm.13310.sbeok.shnf
Source:
Soundboard>Master Cassette>Cassette>Dat>CDR>EAC>SHN
Taper Notes:
View Notes*** Jerrys guitar is low in the mix during Alabama, but gets better quick and for the rest of the show it is fine. Email Jeff M. at above email with any flaw notation additions *** Chris Perkins - notes & minor changes 08/01 *** -split Alabama Getaway into a Tuning & song track using CD Wav -split Scarlet > Fire using CD Wav and re-encoded to Shn -renumbered disc 1 & 2 tracks to reflect above -deleted 0.56 second silent gap at 4.8 seconds of Sat Nite, essentially turning a drop-out into a splice. there may have been more than 0.56 seconds missing. -merged new version of Sat Nite with Don't Ease and re-cut on sector boudaries -all of Set 1 will fit on an 80 minute disc -other flaws - d2t05 (Eyes): small dropout at 11:48 - d3t02 (UJB): some amp noise, primarily a buzz in right channel, 3:15-3:39 - d3t05 (Dew): a few volume changes and some distortion, 4:08-4:25
Taper: Rodney Michael
3:02:36
Rating:
8.00 / 1 rating
Taper:
Rodney Michael
Transferrer:
Tim McKenzie;Charlie Miller;Scott Clugston
SHNID:
gd1982-07-31.167996.senn421.beyer.blend.michael.mckenzie.miller.clugston.flac1644
Lineage:
Master Cassettes (Sony D5M)> Panasonic SV-3800 DAT(x0) (16/44.1)(KAO KD4-60M), Sony PCM-M1 playback)> Sony 7-pin/Oade digi I/O> Hosa DRA-501 coaxial cable> Tascam CD-RW750 > CDR's > xACT > .wav 16/44.1 > Adobe Audition CC 2024 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Rodney Michael for the Master cassette recording and transfer to DAT (16/44.1) - Thanks to Tim McKenzie for the source DAT (.wav 16/44.1) and transfer to CDR - Thanks to Charlie Miller for coordinating this effort - Thanks to Jim Vita (RIP) for the Beyer M88 source which supplies the first 0:48 of "Alabama Getaway", a 0:09 patch in "Eyes Of The World", a 7:06 patch in "Drums", a 0:28 patch in "Uncle John's Band", a 0:24 patch in "Truckin'", as well as a 0:55 patch in "Morning Dew" (patches in UJB, Truckin' and Morning Dew due to an issue with the left channel on the master cassette) - Pitch corrected Mastered by Scott Clugston June 2024
Taper: Master Cassettes Recorded by Jon Bernstein
3:04:07
Taper:
Master Cassettes Recorded by Jon Bernstein
Transferrer:
Transfer & Mastering by Ray Ackerman Edited & Processed w/ add'l Mastering by Joe Noel January 30, 2026
SHNID:
gd1982-07-31.176352.aud.bernstein.ackerman.noel.flac2496
Source:
?? mics > ?? lead deck > Sony TC-D5 > Master Cassettes (Maxell XLIIS-90's)
Lineage:
Master Cassettes > Nakamichi Cassette Deck 1 > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 > Adobe Audition > FLAC 2496
Taper Notes:
View NotesNotes; - officially released as 30 Trips Around The Sun - mics or lead deck can't be recalled. - a quick listen reveals Bernstein has found the sweet spot. - checksums & tags created in xACT Thanks to; - Jon Bernstein for his recording efforts & sharing his masters - Ray Ackerman for the quality transfer - Jim Vita for the patch source
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
3:08:37
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1982-07-31.167921.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View NotesBoth SBD and AUD were patched with the following sources: AUD (shnid = 019017) MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) A > D by Steven Martin EAC > SHN by Jack Warner (jackmw1ATsbcglobalDOTnet) BHP Video original audience soundtrack (no shnid) - mostly dead air between songs during the 1st set so that this audio matches the video --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 28-JUN-2024 - Trader Little Helper - Tagged 28-JUN-2024 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Executive Crew: Kyle Holbrook & Olvy Johnson
2:46:58
Taper:
Executive Crew: Kyle Holbrook & Olvy Johnson
Transferrer:
Kyle Holbrook
SHNID:
gd1982-07-31.138617.beyerm201.holbrook.flac2448
Source:
<b/>flac24 48khz</b> Source Audience Recording: Beyer M 201c Location: 85 feet from stage|DFC (15 feet in front of soundboard) Lineage FOB - Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ONPlayback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)Taped by; Executive Crew: Kyle Holbrook & Olvy JohnsonTransferred by Kyle Holbrook
Taper Notes:
View NotesNotes: * Missing start ++ slight distortion (t01@2' & t03 @12') // tape flip / / # cut twice after flip near end of drums-missing some drums, starts when Jerry, Bob, Phil, and Brent came on stage. & After first verse-odd static from PA lasts about 12 seconds. / general note: Our practice at the time was to stop the recorder after every time the band stopped. The theory was saving batteries and tape space. We would learn to record the entire show by Spring 83! Manor Downs Raceway, near Austin TX July 31 1982 Mic location: About 85 feet from stage near center We caravaned down to Austin the next afternoon arriving a bit late but buying tickets at the gate- for $10! We set up about 30 feet in front of the board next to about 3 groups of guys with mic stands, one guy using a crutch with a single mic on it and another guy holding up a boombox on a crutch recording the show with it. Eric lost his wallet, skip said he saw people having sex in the bushes, Olvy got mad at a dude yelling underneath HIS own mics (one pointed toward the sky the other at the stage!). The recording tells me we had a good time and came out with a relatively decent tape. The complete story of our summer tour can be read in the text file.
Taper: Executive Crew: Kyle Holbrook & Olvy Johnson
2:46:58
Taper:
Executive Crew: Kyle Holbrook & Olvy Johnson
Transferrer:
Kyle Holbrook
SHNID:
gd1982-07-31.138616.beyerm201.holbrook.flac1644
Source:
<b/>flac16 44.1khz </b>Source Audience Recording: Beyer M 201c Location: 85 feet from stage|DFC (15 feet in front of soundboard) Lineage FOB - Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ONPlayback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)Taped by; Executive Crew: Kyle Holbrook & Olvy JohnsonTransferred by Kyle Holbrook
Taper Notes:
View NotesNotes: * Missing start ++ slight distortion (t01@2' & t03 @12') // tape flip / / # cut twice after flip near end of drums-missing some drums, starts when Jerry, Bob, Phil, and Brent came on stage. & After first verse-odd static from PA lasts about 12 seconds. / general note: Our practice at the time was to stop the recorder after every time the band stopped. The theory was saving batteries and tape space. We would learn to record the entire show by Spring 83! Manor Downs Raceway, near Austin TX July 31 1982 Mic location: About 85 feet from stage near center We caravaned down to Austin the next afternoon arriving a bit late but buying tickets at the gate- for $10! We set up about 30 feet in front of the board next to about 3 groups of guys with mic stands, one guy using a crutch with a single mic on it and another guy holding up a boombox on a crutch recording the show with it. Eric lost his wallet, skip said he saw people having sex in the bushes, Olvy got mad at a dude yelling underneath HIS own mics (one pointed toward the sky the other at the stage!). The recording tells me we had a good time and came out with a relatively decent tape. The complete story of our summer tour can be read in the text file.