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Today In History
June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.1k423
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h69497
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h3.4k461
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k130
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.7k228
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.6k339
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.9k488
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k139
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k283
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h953106
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.9k220
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.5k199
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k191
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k212
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.9k563
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.4k190
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.4k1.1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.7k2.1k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h10.6k1.5k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h76170
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.2k524
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h4.1k540
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.9k360
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k248
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h6.4k616
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h3.1k500
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h52966
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14820
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h50038
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h372
7d1468
30d57134
2 shows
2 tapes
1982
7/31/82
Intro
0:04
Alabama Getaway
5:05
Promised Land
4:48
Candyman
7:36
El Paso
5:57
Bird Song
9:41
Little Red Rooster
8:08
Ramble on Rose
7:15
All Over Now
9:09
Brown Eyed Women
5:38
The Music Never Stopped
7:31
Deal
6:16
Intro
0:30
Scarlet Begonias
12:46
Fire on the Mountain
10:26
Estimated Prophet
11:22
Eyes of the World
13:57
Jam>Drums
2:07
Space
5:55
Uncle Johns Band
8:20
Truckin'
8:53
Morning Dew
10:54
One More Saturday Night
4:49
FIN
View on archive.org
Sources
Taper: Frank Streeter and Tim Dalton
2:59:53
SBD
Rating:
8.50 / 4 ratings
Taper:
Frank Streeter and Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-07-31.141511.sbd.pcm.streeter.dalton.miller.clugston.flac1644
Source:
Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the 1st generation Reels - Thanks to Tim Dalton for the PCM source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Steve Martin and Jack Warner for the shnid19017 Nakamichi 700 source which supplies a 0:17 patch in "Eyes Of The World", a 0:09 patch in "One More Saturday Night", as well as the crowd and first note of "Don't Ease Me In" (0:04 total) Mastered by Scott Clugston March 27, 2018
Transferrer: Charlie Miller
2:59:07
SBD
Rating:
9.33 / 10 ratings
Transferrer:
Charlie Miller
SHNID:
gd82-07-31.sbd.miller.31002.sbeok.flacf
Source:
Soundboard
Lineage:
SBD > Cassette Master > DAT (44.1khz) > Sony R500 > SEK'D Prodif Plus > Samplitude Professional v7.02 > FLAC16
Taper Notes:
View Notes<b>flac16</b>; SBD -> Cassette Master -> Dat (44.1k) Transferred and Edited By Charlie Miller
Transferrer: Matrix by Kevin Tobin
3:08:37
SBD
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1982-07-31.167919.mtx.tobin.flac16
Source:
SBD + AUD Matrix 2 Source Mix (44/16)
Taper Notes:
View NotesBoth SBD and AUD were patched with the following sources: AUD (shnid = 019017) MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) A > D by Steven Martin EAC > SHN by Jack Warner (jackmw1ATsbcglobalDOTnet) BHP Video original audience soundtrack (no shnid) - mostly dead air between songs during the 1st set so that this audio matches the video --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 28-JUN-2024 - Trader Little Helper - Tagged 28-JUN-2024 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Jamie Waddell
3:00:25
SBD
Rating:
9.20 / 11 ratings
Transferrer:
Jamie Waddell
SHNID:
gd1982-07-31.112575.sbd.LATVALA.GEMS.flac16
Source:
<b>fkac16:</b> Exact "as is" untouched DAT transfers from Dick Latvala Transfered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1 kHz
Transferrer: Chris Chappell
3:01:30
SBD
Rating:
9.57 / 14 ratings
Transferrer:
Chris Chappell
SHNID:
gd1982-07-31.mtx.chappell.sb11.30625.sbeok.flac16
Source:
SBD: (shn ID 3415); AUD: (shn ID 19017)
Lineage:
SRCS > WAV > Vegas 5 (matrix) > WAV > CD Wave > FLAC 16 (level 8)
Taper Notes:
View NotesThis show is simply smokin', definately top 5 '82 along with 9-17, 4-6, 8-10 and 8-3. Apparently, post drums is actually after midnight, thus Jerry's birthday, which a few people remind him during the mellow part of the Dew. The crowd certainly got treated to "one of those shows" this night at the racetrack.
Transferrer: Jeff M and Chris Perkins
3:00:56
SBD
Transferrer:
Jeff M and Chris Perkins
SHNID:
gd1982-07-31.sbd.jeffm.13310.sbeok.shnf
Source:
Soundboard>Master Cassette>Cassette>Dat>CDR>EAC>SHN
Taper Notes:
View Notes*** Jerrys guitar is low in the mix during Alabama, but gets better quick and for the rest of the show it is fine. Email Jeff M. at above email with any flaw notation additions *** Chris Perkins - notes & minor changes 08/01 *** -split Alabama Getaway into a Tuning & song track using CD Wav -split Scarlet > Fire using CD Wav and re-encoded to Shn -renumbered disc 1 & 2 tracks to reflect above -deleted 0.56 second silent gap at 4.8 seconds of Sat Nite, essentially turning a drop-out into a splice. there may have been more than 0.56 seconds missing. -merged new version of Sat Nite with Don't Ease and re-cut on sector boudaries -all of Set 1 will fit on an 80 minute disc -other flaws - d2t05 (Eyes): small dropout at 11:48 - d3t02 (UJB): some amp noise, primarily a buzz in right channel, 3:15-3:39 - d3t05 (Dew): a few volume changes and some distortion, 4:08-4:25
Transferrer: Jeff M.
3:00:57
SBD
Rating:
8.63 / 33 ratings
Transferrer:
Jeff M.
SHNID:
gd82-07-31.sbd.martinson.3419.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > Master Cassette > Cassette > DAT > CDR > EAC > SHN
Taper Notes:
View NotesSoundboard> Master Cassette> Cassette> Dat> CDR> EAC> SHN; DAE (EAC) + SHN Encoding by Jeff M.
Taper: Rodney Michael
3:02:36
Rating:
8.00 / 1 rating
Taper:
Rodney Michael
Transferrer:
Tim McKenzie;Charlie Miller;Scott Clugston
SHNID:
gd1982-07-31.167996.senn421.beyer.blend.michael.mckenzie.miller.clugston.flac1644
Lineage:
Master Cassettes (Sony D5M)> Panasonic SV-3800 DAT(x0) (16/44.1)(KAO KD4-60M), Sony PCM-M1 playback)> Sony 7-pin/Oade digi I/O> Hosa DRA-501 coaxial cable> Tascam CD-RW750 > CDR's > xACT > .wav 16/44.1 > Adobe Audition CC 2024 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Rodney Michael for the Master cassette recording and transfer to DAT (16/44.1) - Thanks to Tim McKenzie for the source DAT (.wav 16/44.1) and transfer to CDR - Thanks to Charlie Miller for coordinating this effort - Thanks to Jim Vita (RIP) for the Beyer M88 source which supplies the first 0:48 of "Alabama Getaway", a 0:09 patch in "Eyes Of The World", a 7:06 patch in "Drums", a 0:28 patch in "Uncle John's Band", a 0:24 patch in "Truckin'", as well as a 0:55 patch in "Morning Dew" (patches in UJB, Truckin' and Morning Dew due to an issue with the left channel on the master cassette) - Pitch corrected Mastered by Scott Clugston June 2024
Taper: Jim Vita
3:01:06
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1982-07-31.158063.beyer.m88.vita.miller.clugston.flac2496
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Steve Martin and Jack Warner for the Nakamichi 700 source which supplies a 12:43 patch in "Drums > Space" - Most likely courtesy of Rip Tompkins and Richie Stankiewicz - Occasional slight wind noise - Pitch corrected Mastered by Scott Clugston March 2022
Taper: Jim Vita
3:01:06
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1982-07-31.158062.beyer.m88.vita.miller.clugston.flac1648
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Steve Martin and Jack Warner for the Nakamichi 700 source which supplies a 12:43 patch in "Drums > Space" - Most likely courtesy of Rip Tompkins and Richie Stankiewicz - Occasional slight wind noise - Pitch corrected Mastered by Scott Clugston March 2022
Taper: Master Cassettes Recorded by Jon Bernstein
3:04:07
Taper:
Master Cassettes Recorded by Jon Bernstein
Transferrer:
Transfer & Mastering by Ray Ackerman Edited & Processed w/ add'l Mastering by Joe Noel January 30, 2026
SHNID:
gd1982-07-31.176352.aud.bernstein.ackerman.noel.flac2496
Source:
?? mics > ?? lead deck > Sony TC-D5 > Master Cassettes (Maxell XLIIS-90's)
Lineage:
Master Cassettes > Nakamichi Cassette Deck 1 > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 > Adobe Audition > FLAC 2496
Taper Notes:
View NotesNotes; - officially released as 30 Trips Around The Sun - mics or lead deck can't be recalled. - a quick listen reveals Bernstein has found the sweet spot. - checksums & tags created in xACT Thanks to; - Jon Bernstein for his recording efforts & sharing his masters - Ray Ackerman for the quality transfer - Jim Vita for the patch source
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
3:08:37
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1982-07-31.167921.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View NotesBoth SBD and AUD were patched with the following sources: AUD (shnid = 019017) MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) A > D by Steven Martin EAC > SHN by Jack Warner (jackmw1ATsbcglobalDOTnet) BHP Video original audience soundtrack (no shnid) - mostly dead air between songs during the 1st set so that this audio matches the video --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 28-JUN-2024 - Trader Little Helper - Tagged 28-JUN-2024 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Michael Gardner
2:47:07
Taper:
Michael Gardner
Transferrer:
Tony Suraci
SHNID:
gd1982-07-31.156440.gardner.suraci.nak300.flac16
Source:
Nakamichi CM304>Sony TCD-5M (Maxell XLllS) Location: FOB, Stand at 6 feet*
Lineage:
Transfer: Nakamichi Cassette Deck 1 (manual azimuth adjust)>Sound Devices Mix Pre 6 @24/48 Editing: SD card>Adobe Audition 3.0>CDwav>TLH>flac16
Taper: Michael Gardner
2:47:07
Taper:
Michael Gardner
Transferrer:
Tony Suraci
SHNID:
gd1982-07-31.156439.gardner.suraci.nak300.flac24
Source:
Nakamichi CM304>Sony TCD-5M (Maxell XLllS) Location: FOB, Stand at 6 feet*
Lineage:
Transfer: Nakamichi Cassette Deck 1 (manual azimuth adjust)>Sound Devices Mix Pre 6 @24/48 Editing: SD card>Adobe Audition 3.0>CDwav>TLH>flac16
Taper: Executive Crew: Kyle Holbrook & Olvy Johnson
2:46:58
Taper:
Executive Crew: Kyle Holbrook & Olvy Johnson
Transferrer:
Kyle Holbrook
SHNID:
gd1982-07-31.138617.beyerm201.holbrook.flac2448
Source:
<b/>flac24 48khz</b> Source Audience Recording: Beyer M 201c Location: 85 feet from stage|DFC (15 feet in front of soundboard) Lineage FOB - Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ONPlayback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)Taped by; Executive Crew: Kyle Holbrook & Olvy JohnsonTransferred by Kyle Holbrook
Taper Notes:
View NotesNotes: * Missing start ++ slight distortion (t01@2' & t03 @12') // tape flip / / # cut twice after flip near end of drums-missing some drums, starts when Jerry, Bob, Phil, and Brent came on stage. & After first verse-odd static from PA lasts about 12 seconds. / general note: Our practice at the time was to stop the recorder after every time the band stopped. The theory was saving batteries and tape space. We would learn to record the entire show by Spring 83! Manor Downs Raceway, near Austin TX July 31 1982 Mic location: About 85 feet from stage near center We caravaned down to Austin the next afternoon arriving a bit late but buying tickets at the gate- for $10! We set up about 30 feet in front of the board next to about 3 groups of guys with mic stands, one guy using a crutch with a single mic on it and another guy holding up a boombox on a crutch recording the show with it. Eric lost his wallet, skip said he saw people having sex in the bushes, Olvy got mad at a dude yelling underneath HIS own mics (one pointed toward the sky the other at the stage!). The recording tells me we had a good time and came out with a relatively decent tape. The complete story of our summer tour can be read in the text file.
Taper: Executive Crew: Kyle Holbrook & Olvy Johnson
2:46:58
Taper:
Executive Crew: Kyle Holbrook & Olvy Johnson
Transferrer:
Kyle Holbrook
SHNID:
gd1982-07-31.138616.beyerm201.holbrook.flac1644
Source:
<b/>flac16 44.1khz </b>Source Audience Recording: Beyer M 201c Location: 85 feet from stage|DFC (15 feet in front of soundboard) Lineage FOB - Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ONPlayback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)Taped by; Executive Crew: Kyle Holbrook & Olvy JohnsonTransferred by Kyle Holbrook
Taper Notes:
View NotesNotes: * Missing start ++ slight distortion (t01@2' & t03 @12') // tape flip / / # cut twice after flip near end of drums-missing some drums, starts when Jerry, Bob, Phil, and Brent came on stage. & After first verse-odd static from PA lasts about 12 seconds. / general note: Our practice at the time was to stop the recorder after every time the band stopped. The theory was saving batteries and tape space. We would learn to record the entire show by Spring 83! Manor Downs Raceway, near Austin TX July 31 1982 Mic location: About 85 feet from stage near center We caravaned down to Austin the next afternoon arriving a bit late but buying tickets at the gate- for $10! We set up about 30 feet in front of the board next to about 3 groups of guys with mic stands, one guy using a crutch with a single mic on it and another guy holding up a boombox on a crutch recording the show with it. Eric lost his wallet, skip said he saw people having sex in the bushes, Olvy got mad at a dude yelling underneath HIS own mics (one pointed toward the sky the other at the stage!). The recording tells me we had a good time and came out with a relatively decent tape. The complete story of our summer tour can be read in the text file.
Taper: Steven Martin
3:01:18
Rating:
8.50 / 12 ratings
Taper:
Steven Martin
SHNID:
gd82-07-31.aud-nakcm700.martin.warner.19017.sbeok.shnf
Source:
Audience: modified Nakamichi CM-700's
Lineage:
modified Nak CM-700's > Sony TC-D5M > Nak Dragon > HHB CDR 800 > CDR > Samsung SW-232B > EAC v0.9 beta 4 > CD Wave > shntool > SHN
Taper Notes:
View NotesMAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)