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Today In History
June 13th
Years
1995
30.2k
PlaybackListensHours
48h57676
7d1.5k202
30d30.2k4.2k
49 shows
341 tapes
1994
10.8k
PlaybackListensHours
48h745107
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h3.4k461
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h5k667
7d5.6k725
30d39.9k5.3k
57 shows
538 tapes
1991
39.2k
PlaybackListensHours
48h7k877
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h3k395
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h3k367
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.2k146
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h4.8k536
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1k113
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.8k216
7d4.2k488
30d22.9k2.7k
73 shows
1,356 tapes
1984
21.2k
PlaybackListensHours
48h3.4k406
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.5k188
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.2k153
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h2k246
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h5.5k655
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.8k247
7d3.9k557
30d21.7k3k
79 shows
600 tapes
1978
46.1k
PlaybackListensHours
48h1.9k265
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h8.9k1.2k
7d45.9k6.3k
30d290.3k40k
64 shows
418 tapes
1976
71.6k
PlaybackListensHours
48h22.4k2.9k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h26528
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.6k474
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.8k795
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.4k306
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.7k189
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.5k176
7d7.8k819
30d45k4.8k
101 shows
375 tapes
1969
27.4k
PlaybackListensHours
48h1.4k172
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h42955
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14418
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h40729
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h191
7d1268
30d63237
2 shows
2 tapes
1982
2/19/82
Bertha >
7:02
Greatest Story Ever Told
4:02
Dire Wolf
3:37
Little Red Rooster
8:50
Brown Eyed Women
5:29
Cassidy
5:49
Candyman
6:30
El Paso
5:48
Althea
7:46
Minglewood Blues
7:13
Alabama Getaway >
5:56
Promised Land
4:42
Ship of Fools
7:49
Lost Sailor >
7:11
Saint of Circumstance >
6:45
Jam >
5:21
Drums >
11:16
Space >
7:48
— The Other One >
11:02
Stella Blue >
9:56
Women are Smarter >
5:30
Johnny B. Goode
3:51
Encore: U.S. Blues
5:23
FIN
View on archive.org
Sources
Taper: Mark Severson
2:39:54
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-02-19.149020.fob.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center mic 6db EQ), X/Y 85 degrees > Sony D5 (55' from stage, 10' right of center, section 201, row 10, seat 4)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rango Keshavan and Charlie Miller for the (FOB) Sony ECM220t source which supplies a 0:18 patch in "Drums" - Other One space included in "The Other One" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston February 2020
Taper: Mark Severson
2:39:54
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-02-19.149019.fob.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center mic 6db EQ), X/Y 85 degrees > Sony D5 (55' from stage, 10' right of center, section 201, row 10, seat 4)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rango Keshavan and Charlie Miller for the (FOB) Sony ECM220t source which supplies a 0:18 patch in "Drums" - Other One space included in "The Other One" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston February 2020
Taper: Rango Keshavan
2:38:24
Rating:
9.78 / 10 ratings
Taper:
Rango Keshavan
Transferrer:
Charlie Miller
SHNID:
gd1982-02-19.fob.sonyecm220t.keshavan.miller.94395.sbeok.flac16
Source:
(FOB/6th Row) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji FeCr Tape/Dolby DB)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16
Taper Notes:
View NotesPatch Info: Nakamichi 700 -> Cassette Master -> CD (shnid=28382) supplies: El Paso (0:00 - 0:15) Drums (11:02 - 11:30) Man Smart (Woman Smarter) (5:29 - end of track) Johnny B. Goode (0:00 - 0:14) Notes: -- Set 2 is seamless -- Thanks to Rango Keshavan for lending me his masters
Taper: oncert recording by Rip Tompkins, & with thanks to Richie Stankiewicz!
2:36:43
Taper:
oncert recording by Rip Tompkins, & with thanks to Richie Stankiewicz!
Transferrer:
Transferred by Andrew F. 04/2022
SHNID:
gd1982-02-19.156326.beyer.tompkins.flac2448
Source:
Source: BeyerDynamic mics > Sony TC-D5M > Maxell-MX.
Lineage:
Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.
Taper Notes:
View NotesNote: Sounds like the tapers moved their set-up, the mix changes between sets. Patches were added from ID-149020: Brown Eyed Women 0:00 > 0:05, Candyman 7:07 > El Paso 0:05, and Drums 5:32 > 10:32.
Taper: Gesine Lohr
2:28:53
Taper:
Gesine Lohr
Transferrer:
Matt Vernon
SHNID:
gd1982-02-19.151132.aud.lohr.vernon.flac2496
Source:
Nak CM700 > TC-D5 > MAC > This copy
Lineage:
his copy > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
Taper Notes:
View Notes05. tape flip 11. tape flip 16. tape flip 19. tape pause
Taper: Gesine Lohr
2:28:53
Taper:
Gesine Lohr
Transferrer:
Matt Vernon
SHNID:
gd1982-02-19.151131.aud.lohr.vernon.flac1648
Source:
Nak CM700 > TC-D5 > MAC > This copy
Lineage:
his copy > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
Taper Notes:
View Notes05. tape flip 11. tape flip 16. tape flip 19. tape pause
Taper: Brian Schley
2:34:36
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1982-02-19.136426.nak300.schley.flac1644
Source:
<b>flac 16</b>; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME-Metal. FOB recording by Brian Schley.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015
Taper Notes:
View NotesCaveat, the bass is a bit blown-out on parts of the recording, noticeable more in the 2nd Set. ID-28382 patches, Bertha 0:00 > 0:14 and Alabama Getaway 0:00 > 0:17. ID-94395 patch, Drums 9:36 > 10:31. Thanks Jon Pasternak & Charlie McGuth for organizing this project!
Taper: Rango Keshavan
2:36:52
Rating:
7.67 / 6 ratings
Taper:
Rango Keshavan
Source:
Audience Recording: Sony ECM 200T
Lineage:
6th row center: Sony ECM 220T mics on hats > Sony TCDM5 Cassette tape on Sony FeCr Type III tapes with Dolby B OnPlayback by Rango Keshavan Nak DR1 EQ Type II, Dolby B On > Sony PCMR500 DAT deck SBM On > Monster Digital Coax Cab
Taper Notes:
View NotesRecorded by Rango Keshavan 6th row center: Sony ECM 220T mics on hats > Sony TCDM5 Cassette tape on Sony FeCr Type III tapes with Dolby B On Playback by Rango Keshavan Nak DR1 EQ Type II, Dolby B On > Sony PCMR500 DAT deck SBM On > Monster Digital Coax Cable > Turtle Beach Montego II Digital I/O card > PC (CDWav used to record and break up tracks)
Taper: Steven Martin
2:35:00
Rating:
8.00 / 1 rating
Taper:
Steven Martin
SHNID:
gd82-02-19.nak700_martin.warner.28382.sbeok.flacf
Source:
Audience Recording: Nak CM700's
Lineage:
MAC (Recorded by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wav
Taper Notes:
View Notes<b>flac16</b>; MAC (Recorded by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0); A > D by Steven Martin, EAC> FLAC by Jack Warner
Source 10 of 10
2:36:38
Rating:
5.33 / 3 ratings
SHNID:
gd82-02-19.sony-unk.willy.13570.sbeok.shnf
Source:
Audience Recording: Sony ECM 200T
Lineage:
Sony ECM200T> SonyTCD5> C> NakDR1> PCM> PC> CoolEditBass Boost> DAT> CDR
Taper Notes:
View NotesSony ECM200T>SonyTCD5>C>NakDR1>PCM> PC>CoolEditBass Boost>DAT>CDR via Rick Martin, encoding by Willy, The Miami SHn Machine