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Today In History
June 9th
Years
1995
30.1k
PlaybackListensHours
48h56175
7d7k942
30d30.1k4.2k
49 shows
341 tapes
1994
8.6k
PlaybackListensHours
48h1.5k179
7d1.7k245
30d8.6k1.2k
85 shows
460 tapes
1993
38.4k
PlaybackListensHours
48h2.8k339
7d8.6k1.2k
30d38.4k5.1k
83 shows
656 tapes
1992
36.1k
PlaybackListensHours
48h2.2k287
7d4.5k577
30d36.1k4.8k
57 shows
539 tapes
1991
42k
PlaybackListensHours
48h3.5k503
7d11.8k1.6k
30d42k5.7k
78 shows
973 tapes
1990
35.2k
PlaybackListensHours
48h8k987
7d6.7k884
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h2.3k291
7d8.9k1.1k
30d47.8k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.2k134
7d3.3k377
30d21.8k2.5k
82 shows
882 tapes
1987
35.1k
PlaybackListensHours
48h1.6k176
7d6.6k713
30d35.1k3.8k
88 shows
1,025 tapes
1986
14.3k
PlaybackListensHours
48h63270
7d2.3k259
30d14.3k1.6k
47 shows
683 tapes
1985
21.9k
PlaybackListensHours
48h1.4k156
7d4.8k565
30d21.9k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.9k230
7d3.4k440
30d15.8k2k
67 shows
1,075 tapes
1983
33.7k
PlaybackListensHours
48h1.2k162
7d3.9k502
30d33.7k4.5k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.2k153
7d4.6k569
30d42.1k5.2k
63 shows
753 tapes
1981
52.1k
PlaybackListensHours
48h1.5k186
7d5.7k734
30d52.1k6.5k
92 shows
868 tapes
1980
72.7k
PlaybackListensHours
48h6.1k673
7d13.1k1.5k
30d72.7k8.4k
91 shows
794 tapes
1979
25.8k
PlaybackListensHours
48h1.4k196
7d3.4k480
30d25.8k3.6k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h1.7k230
7d12.2k1.6k
30d56.3k7.7k
87 shows
592 tapes
1977
299.2k
PlaybackListensHours
48h19.6k2.8k
7d40.6k5.5k
30d299.2k41.2k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h4.3k609
7d27.7k3.9k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h59759
7d1.9k184
30d6.3k650
25 shows
63 tapes
1974
99.8k
PlaybackListensHours
48h7.3k959
7d11.5k1.5k
30d99.8k12.6k
42 shows
324 tapes
1973
80.6k
PlaybackListensHours
48h4.7k594
7d11.1k1.5k
30d80.6k10.3k
75 shows
445 tapes
1972
74.3k
PlaybackListensHours
48h2.2k279
7d8.3k1k
30d74.3k9k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.5k170
7d5.8k647
30d34.3k3.9k
82 shows
357 tapes
1970
45.2k
PlaybackListensHours
48h2.5k265
7d17.7k1.8k
30d45.2k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.9k319
7d6.2k1k
30d26.6k3.9k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h829112
7d1.3k156
30d6.8k854
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h12617
7d32346
30d1.5k208
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h25513
7d1k70
30d8k536
32 shows
78 tapes
1965
592
PlaybackListensHours
48h382
7d1156
30d59235
2 shows
2 tapes
1982
2/19/82
Bertha >
7:02
Greatest Story Ever Told
4:02
Dire Wolf
3:37
Little Red Rooster
8:50
Brown Eyed Women
5:29
Cassidy
5:49
Candyman
6:30
El Paso
5:48
Althea
7:46
Minglewood Blues
7:13
Alabama Getaway >
5:56
Promised Land
4:42
Ship of Fools
7:49
Lost Sailor >
7:11
Saint of Circumstance >
6:45
Jam >
5:21
Drums >
11:16
Space >
7:48
— The Other One >
11:02
Stella Blue >
9:56
Women are Smarter >
5:30
Johnny B. Goode
3:51
Encore: U.S. Blues
5:23
FIN
View on archive.org
Sources
Taper: Mark Severson
2:39:54
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-02-19.149020.fob.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center mic 6db EQ), X/Y 85 degrees > Sony D5 (55' from stage, 10' right of center, section 201, row 10, seat 4)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rango Keshavan and Charlie Miller for the (FOB) Sony ECM220t source which supplies a 0:18 patch in "Drums" - Other One space included in "The Other One" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston February 2020
Taper: Mark Severson
2:39:54
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-02-19.149019.fob.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center mic 6db EQ), X/Y 85 degrees > Sony D5 (55' from stage, 10' right of center, section 201, row 10, seat 4)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rango Keshavan and Charlie Miller for the (FOB) Sony ECM220t source which supplies a 0:18 patch in "Drums" - Other One space included in "The Other One" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston February 2020
Taper: Rango Keshavan
2:38:24
Rating:
9.78 / 10 ratings
Taper:
Rango Keshavan
Transferrer:
Charlie Miller
SHNID:
gd1982-02-19.fob.sonyecm220t.keshavan.miller.94395.sbeok.flac16
Source:
(FOB/6th Row) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji FeCr Tape/Dolby DB)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16
Taper Notes:
View NotesPatch Info: Nakamichi 700 -> Cassette Master -> CD (shnid=28382) supplies: El Paso (0:00 - 0:15) Drums (11:02 - 11:30) Man Smart (Woman Smarter) (5:29 - end of track) Johnny B. Goode (0:00 - 0:14) Notes: -- Set 2 is seamless -- Thanks to Rango Keshavan for lending me his masters
Taper: oncert recording by Rip Tompkins, & with thanks to Richie Stankiewicz!
2:36:43
Taper:
oncert recording by Rip Tompkins, & with thanks to Richie Stankiewicz!
Transferrer:
Transferred by Andrew F. 04/2022
SHNID:
gd1982-02-19.156326.beyer.tompkins.flac2448
Source:
Source: BeyerDynamic mics > Sony TC-D5M > Maxell-MX.
Lineage:
Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.
Taper Notes:
View NotesNote: Sounds like the tapers moved their set-up, the mix changes between sets. Patches were added from ID-149020: Brown Eyed Women 0:00 > 0:05, Candyman 7:07 > El Paso 0:05, and Drums 5:32 > 10:32.
Taper: Gesine Lohr
2:28:53
Taper:
Gesine Lohr
Transferrer:
Matt Vernon
SHNID:
gd1982-02-19.151132.aud.lohr.vernon.flac2496
Source:
Nak CM700 > TC-D5 > MAC > This copy
Lineage:
his copy > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
Taper Notes:
View Notes05. tape flip 11. tape flip 16. tape flip 19. tape pause
Taper: Gesine Lohr
2:28:53
Taper:
Gesine Lohr
Transferrer:
Matt Vernon
SHNID:
gd1982-02-19.151131.aud.lohr.vernon.flac1648
Source:
Nak CM700 > TC-D5 > MAC > This copy
Lineage:
his copy > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
Taper Notes:
View Notes05. tape flip 11. tape flip 16. tape flip 19. tape pause
Taper: Brian Schley
2:34:36
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1982-02-19.136426.nak300.schley.flac1644
Source:
<b>flac 16</b>; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME-Metal. FOB recording by Brian Schley.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015
Taper Notes:
View NotesCaveat, the bass is a bit blown-out on parts of the recording, noticeable more in the 2nd Set. ID-28382 patches, Bertha 0:00 > 0:14 and Alabama Getaway 0:00 > 0:17. ID-94395 patch, Drums 9:36 > 10:31. Thanks Jon Pasternak & Charlie McGuth for organizing this project!
Taper: Rango Keshavan
2:36:52
Rating:
7.67 / 6 ratings
Taper:
Rango Keshavan
Source:
Audience Recording: Sony ECM 200T
Lineage:
6th row center: Sony ECM 220T mics on hats > Sony TCDM5 Cassette tape on Sony FeCr Type III tapes with Dolby B OnPlayback by Rango Keshavan Nak DR1 EQ Type II, Dolby B On > Sony PCMR500 DAT deck SBM On > Monster Digital Coax Cab
Taper Notes:
View NotesRecorded by Rango Keshavan 6th row center: Sony ECM 220T mics on hats > Sony TCDM5 Cassette tape on Sony FeCr Type III tapes with Dolby B On Playback by Rango Keshavan Nak DR1 EQ Type II, Dolby B On > Sony PCMR500 DAT deck SBM On > Monster Digital Coax Cable > Turtle Beach Montego II Digital I/O card > PC (CDWav used to record and break up tracks)
Taper: Steven Martin
2:35:00
Rating:
8.00 / 1 rating
Taper:
Steven Martin
SHNID:
gd82-02-19.nak700_martin.warner.28382.sbeok.flacf
Source:
Audience Recording: Nak CM700's
Lineage:
MAC (Recorded by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wav
Taper Notes:
View Notes<b>flac16</b>; MAC (Recorded by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0); A > D by Steven Martin, EAC> FLAC by Jack Warner
Source 10 of 10
2:36:38
Rating:
5.33 / 3 ratings
SHNID:
gd82-02-19.sony-unk.willy.13570.sbeok.shnf
Source:
Audience Recording: Sony ECM 200T
Lineage:
Sony ECM200T> SonyTCD5> C> NakDR1> PCM> PC> CoolEditBass Boost> DAT> CDR
Taper Notes:
View NotesSony ECM200T>SonyTCD5>C>NakDR1>PCM> PC>CoolEditBass Boost>DAT>CDR via Rick Martin, encoding by Willy, The Miami SHn Machine