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1978
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June 16th
5 shows
82 tapes
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1995
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43k
78 shows
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1990
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1989
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1988
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1987
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1986
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1985
24.7k
73 shows
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1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
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1982
42.4k
63 shows
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1981
31.2k
92 shows
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1980
71.1k
91 shows
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1979
21.7k
79 shows
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1978
38.8k
87 shows
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1977
267.8k
64 shows
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1976
91.9k
45 shows
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1975
6.3k
25 shows
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1974
89.9k
42 shows
324 tapes
1973
90.4k
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1972
62.9k
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1971
33.7k
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1970
39.3k
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1969
28.3k
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1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1978
10/22/78
Introduction
1:32
Hamza el-Din
6:39
Ollin Arrageed ->
21:13
Deal
7:31
Me And My Uncle ->
3:12
Big River
7:39
Friend Of The Devil
10:09
New Minglewood Blues
5:56
Peggy-O
12:05
Jack Straw
6:38
Introduction
1:08
Scarlet Begonias ->
11:43
Fire On The Mountain
14:03
Samson And Delilah
10:18
From The Heart Of Me
4:10
I Need A Miracle ->
7:42
Drums ->
13:20
Not Fade Away ->
21:37
Goin' Down The Road Feeling Bad
8:10
Johnny B. Goode
4:40
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:59:25
SBD
Rating:
6.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1978-10-22.sbd.miller.92567.sbeok.flac16
Source:
SBD -> Cassette Master (Maxell UDXL-I) -> PCM (Analog Out) -> DSony R500 (A>D Only) -> Peak -> AIFF D
Lineage:
AIFF -> Samplitude Professional v10.1 -> FLAC (3 Discs Audio / 2 Discs FLAC)
Taper Notes:
View NotesPatch Info: Notes: -- All disc changes are seamless -- Not Fade Away contains a Mind Left Body Jam, Caution Jam and Mojo Jam -- Hamza el-Din on Ollin Arrageed -- Lee Oskar (harmonica) on Drums -- John Cipollina (guitar) on Not Fade Away and GDTRFB -- Patch material supplied by Pat Lee and transferred by Matt Smith -- Patch was recorded by Reinhart Holwein on a Sony TC-158 cassette deck (AKG D224E -> Cassette Master -> Reel -> Reel -> MiniMe -> CD) -- Patch supplies: Goin' Down The Road Feeling Bad (3:28 - 4:08)
Transferrer: Hunter Seamons
2:58:47
SBD
Rating:
10.00 / 1 rating
Transferrer:
Hunter Seamons
SHNID:
gd1978-10-22.mtx.seamons.99496.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes*Matrix* ---------------------------------------------------- SBD (shnid=92567): Recording Info: SBD -> Cassette Master (Maxell UDXL-I) -> PCM (Analog Out) -> Sony R500 (A>D Only) -> Peak -> AIFF Transfer Info: AIFF -> Samplitude Professional v10.1 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] July 3, 2008 ---------------------------------------------------- AUD (shnid=94605): OTB Release: 0018 16/44.1 Release Date: 2008-09-25 Band: Grateful Dead Date: 1978-10-22 (Sunday) Venue: Winterland Location: San Fransico, CA Analog Audience Source: Aud Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG d224e => Sony TC 158 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Derek McCabe Tagged by: Jeff Thomas Special: Rhinotrocity #5 --------------------------------------------------- Thank you to Charlie Miller for the SBD transfer, to Reinhart Hohlwein for recording the show, and to Bob Menke, Derek McCabe, and Jeff Thomas for the AUD transfer. Notes: 1) Not Fade Away contains a Mind Left Body Jam, Caution Jam, and Mojo Jam.
Taper: Reinhart Hohlwein
2:55:36
REMASTER
Rating:
10.00 / 1 rating
Taper:
Reinhart Hohlwein
Transferrer:
acetboy
SHNID:
gd1978-10-22.166113.aud.remaster.acetboy.flac1644
Source:
remaster of shn #94604 audience recording by Reinhart Hohlwein
Taper Notes:
View NotesThis is a remaster of shn #94604. I re-patched Not Fade Away with an audience recording. The source of the patch is shn #102076. Thanks to those who shared it. Thanks to the taper and the MOTB people and all who bring this stuff to share. All of the work I do is in ocenaudio and Harrison Mixbus. Everything I do is basically about levels. Keeping them the same in both channels throughout the frequency range. When I speak of levels I mean RMS levels. Average levels. I also tighten up phase issues when needed. Clear up any gaps that may be found. If original files are high res, I have done most of the work at the higher sample frequency and bit depths. Then towards the end I've converted to 44.1 16 bit. About the screen grabs: One can not see everything I do in these images but it shows something about how the audio has changed between before and after. If I'm working from high res files the before FFT and Spectral images look quite a bit different inherently. But you can still see how they differ otherwise. acetboy 2023-10-22
Taper: Mike Martin and Mark Bunton
3:07:36
Rating:
8.00 / 2 ratings
Taper:
Mike Martin and Mark Bunton
Transferrer:
Mike Martin
SHNID:
gd1978-10-22.sonyecm280.martin-bunton.102077.flac24
Source:
Two Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape
Lineage:
Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Flac (level 8)
Taper Notes:
View NotesFifty-Nine distracting ôout of syncö claps deleted on disc 1 track 4. The tape was flipped during Olin Arageed and the two pieces were spliced together (disc 1 track 4 at 17:00). A microphone became unplugged during Olin Arageed and a psudo stereo mix was created (disc 1 track 4 from 18:45 to 19:30). A piece of applause from an earlier track has been tacked onto the applause after New Minglewood Blues (disc 1 track 9 from 4:50 to 5:24). The tape was again flipped during Fire On The Mountain . To fill in the missing section 12 seconds from an alternate source recorded by Reinhart Hohlwein was inserted (disc 2 track 6 from 11:35 to 11:47). Finally the last tape flip is during Not Fade Away (disc 3 track 6 at 0:36). These breaks were spliced together with NERO wave editor. NERO wave editor was also used to make volume adjustments and to surgically remove distracting ôclapsö one at a time. Finally the FLAC conversion was performed at level 8. As a note, the Sony ecm-280 cardiod microphone specification page describes the frequency response as 30 to 18KHz. No Eq or Noise reduction used. There is a slight fluttering noise in the master cassettes during the quieter sections. Thanks to John Musgrave for the use of his recording equipment. Mike Martin September 2009
Taper: a friend of a friend
2:37:07
Rating:
6.00 / 2 ratings
Taper:
a friend of a friend
Transferrer:
Pantagruel
SHNID:
gd1978-10-22.aud.pantagruel.96700.flac16
Source:
audience recording on a Marantz pro cassette deck (don't recall the model) & Sennheiser MKH404 mics
Lineage:
master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav
Taper Notes:
View Notes* with Hamza el Din & with Lee Oskar # with John Cippolina Notes: I assume there are better audience recordings of this show, but I got tired of waiting for one of them to appear. This was recorded by the same crew that did the recent seeds of the 01/07/78 San Diego show and the 01/11/78 LA show. I just love the sound of Cipollina on this recording, so I'm cuttin' it loose. If you got a better, bring it on. The sound is a little distant and quiet at the beginning, but it gets better as the show goes on. It was hard to hit a good balance between the delicate, quiet parts and the ragingly hot parts, but I did my best. You can hear a bit of noise in the really quiet parts due to the analog generations. There are flaws. The deck was stopped or paused between many songs, which accounts for some of the odd little tuning/crowd tracks. I tried to clean these up a bit, but I didn't want to get into a lot of fancy editing just for that. Plus, I think that fewer crossfades might make it easier in case somebody out there wants to have a crack at a matrix (HINT, HINT). Ollin Arageed cuts in, I don't know how much is missing. There's a cut in Ollin Arageed at about 11:18. I left it alone. The sound goes monaural in Ollin Arageed @ about 13:15 though 14:00 due to a temporary silence in the right channel. There was a brutal tape flip at about 30 seconds into Not Fade Away. I did a crossfade to minimize the pain.