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June 6th
Years
1995
28.8k
PlaybackListensHours
48h1.2k174
7d10.2k1.4k
30d28.8k4k
49 shows
340 tapes
1994
8.1k
PlaybackListensHours
48h62589
7d1.2k178
30d8.1k1.2k
85 shows
460 tapes
1993
31.7k
PlaybackListensHours
48h6.3k845
7d2.1k271
30d31.7k4.2k
83 shows
656 tapes
1992
33k
PlaybackListensHours
48h2.4k307
7d3.3k423
30d33k4.4k
57 shows
539 tapes
1991
35.9k
PlaybackListensHours
48h5.3k702
7d8k1.1k
30d35.9k4.9k
78 shows
967 tapes
1990
33.8k
PlaybackListensHours
48h2.9k379
7d5k657
30d33.8k4.4k
78 shows
1,139 tapes
1989
45.3k
PlaybackListensHours
48h3.4k423
7d6.2k784
30d45.3k5.7k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.3k153
7d3.8k397
30d21k2.4k
82 shows
882 tapes
1987
38.5k
PlaybackListensHours
48h2.6k286
7d8.6k808
30d38.5k4.2k
88 shows
1,025 tapes
1986
14.6k
PlaybackListensHours
48h85496
7d1.7k194
30d14.6k1.7k
47 shows
683 tapes
1985
20.2k
PlaybackListensHours
48h2.1k244
7d3.4k403
30d20.2k2.4k
73 shows
1,356 tapes
1984
16k
PlaybackListensHours
48h1.4k184
7d2.4k306
30d16k2.1k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.4k186
7d3.3k437
30d32.4k4.3k
71 shows
1,069 tapes
1982
40.2k
PlaybackListensHours
48h1.9k238
7d3k375
30d40.2k5k
63 shows
753 tapes
1981
54.7k
PlaybackListensHours
48h2.4k305
7d4.3k547
30d54.7k6.9k
92 shows
868 tapes
1980
66k
PlaybackListensHours
48h5.9k691
7d6.7k783
30d66k7.7k
91 shows
794 tapes
1979
26.8k
PlaybackListensHours
48h1.3k183
7d2.8k384
30d26.8k3.8k
79 shows
600 tapes
1978
57.2k
PlaybackListensHours
48h3.3k436
7d10.1k1.3k
30d57.2k7.8k
87 shows
592 tapes
1977
315.2k
PlaybackListensHours
48h12k1.7k
7d27.3k3.7k
30d315.2k43.7k
64 shows
419 tapes
1976
44.3k
PlaybackListensHours
48h5.1k709
7d23.2k3.2k
30d44.3k6k
45 shows
298 tapes
1975
5.2k
PlaybackListensHours
48h89174
7d84593
30d5.2k549
25 shows
63 tapes
1974
95.1k
PlaybackListensHours
48h4.7k582
7d9.8k1.3k
30d95.1k12k
42 shows
324 tapes
1973
76.9k
PlaybackListensHours
48h4.7k608
7d9.3k1.2k
30d76.9k9.8k
75 shows
445 tapes
1972
74.5k
PlaybackListensHours
48h3.8k462
7d6.3k773
30d74.5k9k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h2.3k252
7d5.1k562
30d32.7k3.7k
82 shows
356 tapes
1970
32.7k
PlaybackListensHours
48h10.1k1k
7d5.3k543
30d32.7k3.6k
101 shows
376 tapes
1969
22.8k
PlaybackListensHours
48h3.6k622
7d4.2k585
30d22.8k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h50962
7d1.1k133
30d6.4k804
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h13319
7d27837
30d1.4k192
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h31322
7d1.1k65
30d7.8k513
32 shows
78 tapes
1965
542
PlaybackListensHours
48h423
7d885
30d54232
2 shows
2 tapes
1978
10/22/78
Intro
1:29
Hamza Jam #1
6:45
Hamza Jam #2
5:22
Ollin Agrageed
15:42
Deal
7:25
Me and My Uncle
3:14
Big River
7:07
Friend Of The Devil
10:03
Minglewood Blues
6:16
Peggy-O
11:52
Jack Straw
6:28
Intro
1:09
Scarlet Begonias
11:42
Fire On The Mountain
12:51
Samson & Delilah
9:01
From The Heart Of Me
3:58
I Need A Miracle
7:49
Drums
14:04
Not Fade Away
17:48
Mojo Jam
3:16
Goin' Down The Road Feelin' Bad
7:24
Johnny B. Goode
4:41
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:59:25
SBD
Rating:
6.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1978-10-22.sbd.miller.92567.sbeok.flac16
Source:
SBD -> Cassette Master (Maxell UDXL-I) -> PCM (Analog Out) -> DSony R500 (A>D Only) -> Peak -> AIFF D
Lineage:
AIFF -> Samplitude Professional v10.1 -> FLAC (3 Discs Audio / 2 Discs FLAC)
Taper Notes:
View NotesPatch Info: Notes: -- All disc changes are seamless -- Not Fade Away contains a Mind Left Body Jam, Caution Jam and Mojo Jam -- Hamza el-Din on Ollin Arrageed -- Lee Oskar (harmonica) on Drums -- John Cipollina (guitar) on Not Fade Away and GDTRFB -- Patch material supplied by Pat Lee and transferred by Matt Smith -- Patch was recorded by Reinhart Holwein on a Sony TC-158 cassette deck (AKG D224E -> Cassette Master -> Reel -> Reel -> MiniMe -> CD) -- Patch supplies: Goin' Down The Road Feeling Bad (3:28 - 4:08)
Transferrer: Hunter Seamons
2:58:47
SBD
Rating:
10.00 / 1 rating
Transferrer:
Hunter Seamons
SHNID:
gd1978-10-22.mtx.seamons.99496.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes*Matrix* ---------------------------------------------------- SBD (shnid=92567): Recording Info: SBD -> Cassette Master (Maxell UDXL-I) -> PCM (Analog Out) -> Sony R500 (A>D Only) -> Peak -> AIFF Transfer Info: AIFF -> Samplitude Professional v10.1 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] July 3, 2008 ---------------------------------------------------- AUD (shnid=94605): OTB Release: 0018 16/44.1 Release Date: 2008-09-25 Band: Grateful Dead Date: 1978-10-22 (Sunday) Venue: Winterland Location: San Fransico, CA Analog Audience Source: Aud Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG d224e => Sony TC 158 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Derek McCabe Tagged by: Jeff Thomas Special: Rhinotrocity #5 --------------------------------------------------- Thank you to Charlie Miller for the SBD transfer, to Reinhart Hohlwein for recording the show, and to Bob Menke, Derek McCabe, and Jeff Thomas for the AUD transfer. Notes: 1) Not Fade Away contains a Mind Left Body Jam, Caution Jam, and Mojo Jam.
Transferrer: nugs.net
2:55:26
SBD
Rating:
10.00 / 3 ratings
Transferrer:
nugs.net
SHNID:
gd1978-10-22.sbd.nugs.21247.flac16
Source:
SBD>Master Reel>Cassette>DAT>WAV
Taper Notes:
View NotesHamza El Din plays solo until the Dead join in for Ollin Arageed Drums tith Lee Oskar on harmonica "NFA" through "GDTRFB" wtih John Cipollina on guitar SOURCE INFORMATION: SBD>Master Reel>Cassette>DAT>WAV Despite some minor flaws, this is the best representation of what went down at Winterland in October of 1978 (short of an official Vault release which we can only hope for). All five shows come from soundboard sources of varying degrees of quality. Some sets are spliced together from various sources, with an audience patch at the end of 10/21/78 Stella Blue. There are some cuts due to cassette flips.
Source 4 of 10
2:55:46
SBD
Rating:
9.22 / 18 ratings
SHNID:
gd78-10-22.sbd.kempa.299.sbeok.shnf
Source:
Soundboard
Lineage:
Sbd: Reel: PCM: Dat; D> CD: Tascam DA30MKII> Opcode Datport> HD (CoolEdit 2000)> Cdwav> SHN
Taper Notes:
View NotesSbd: Reel: PCM: Dat; D> CD: Tascam DA30MKII> Opcode Datport> HD (Cool Edit 2000)> Cdwav> SHN; Notes: SRC done by CE2K, and normalization also done by CE2K; via N. "NateDawg" Hifko, tracked for 3 discs by Yubah; etreed 5/10; Jeff K. hosted 5/15 with alternate tracking (q.v.) for d2,3
Taper: Reinhart Hohlwein
2:55:36
REMASTER
Rating:
10.00 / 1 rating
Taper:
Reinhart Hohlwein
Transferrer:
acetboy
SHNID:
gd1978-10-22.166113.aud.remaster.acetboy.flac1644
Source:
remaster of shn #94604 audience recording by Reinhart Hohlwein
Taper Notes:
View NotesThis is a remaster of shn #94604. I re-patched Not Fade Away with an audience recording. The source of the patch is shn #102076. Thanks to those who shared it. Thanks to the taper and the MOTB people and all who bring this stuff to share. All of the work I do is in ocenaudio and Harrison Mixbus. Everything I do is basically about levels. Keeping them the same in both channels throughout the frequency range. When I speak of levels I mean RMS levels. Average levels. I also tighten up phase issues when needed. Clear up any gaps that may be found. If original files are high res, I have done most of the work at the higher sample frequency and bit depths. Then towards the end I've converted to 44.1 16 bit. About the screen grabs: One can not see everything I do in these images but it shows something about how the audio has changed between before and after. If I'm working from high res files the before FFT and Spectral images look quite a bit different inherently. But you can still see how they differ otherwise. acetboy 2023-10-22
Taper: Mike Martin and Mark Bunton
3:07:36
Rating:
8.00 / 2 ratings
Taper:
Mike Martin and Mark Bunton
Transferrer:
Mike Martin
SHNID:
gd1978-10-22.sonyecm280.martin-bunton.102077.flac24
Source:
Two Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape
Lineage:
Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Flac (level 8)
Taper Notes:
View NotesFifty-Nine distracting ôout of syncö claps deleted on disc 1 track 4. The tape was flipped during Olin Arageed and the two pieces were spliced together (disc 1 track 4 at 17:00). A microphone became unplugged during Olin Arageed and a psudo stereo mix was created (disc 1 track 4 from 18:45 to 19:30). A piece of applause from an earlier track has been tacked onto the applause after New Minglewood Blues (disc 1 track 9 from 4:50 to 5:24). The tape was again flipped during Fire On The Mountain . To fill in the missing section 12 seconds from an alternate source recorded by Reinhart Hohlwein was inserted (disc 2 track 6 from 11:35 to 11:47). Finally the last tape flip is during Not Fade Away (disc 3 track 6 at 0:36). These breaks were spliced together with NERO wave editor. NERO wave editor was also used to make volume adjustments and to surgically remove distracting ôclapsö one at a time. Finally the FLAC conversion was performed at level 8. As a note, the Sony ecm-280 cardiod microphone specification page describes the frequency response as 30 to 18KHz. No Eq or Noise reduction used. There is a slight fluttering noise in the master cassettes during the quieter sections. Thanks to John Musgrave for the use of his recording equipment. Mike Martin September 2009
Taper: Mike Martin and Mark Bunton
3:07:35
Rating:
8.00 / 2 ratings
Taper:
Mike Martin and Mark Bunton
Transferrer:
Mike Martin
SHNID:
gd1978-10-22.sonyecm280.martin-bunton.102076.flac16
Source:
2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center.
Lineage:
Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Dithered to 16 bit with Audacity > Flac (level 8).
Taper: a friend of a friend
2:37:07
Rating:
6.00 / 2 ratings
Taper:
a friend of a friend
Transferrer:
Pantagruel
SHNID:
gd1978-10-22.aud.pantagruel.96700.flac16
Source:
audience recording on a Marantz pro cassette deck (don't recall the model) & Sennheiser MKH404 mics
Lineage:
master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav
Taper Notes:
View Notes* with Hamza el Din & with Lee Oskar # with John Cippolina Notes: I assume there are better audience recordings of this show, but I got tired of waiting for one of them to appear. This was recorded by the same crew that did the recent seeds of the 01/07/78 San Diego show and the 01/11/78 LA show. I just love the sound of Cipollina on this recording, so I'm cuttin' it loose. If you got a better, bring it on. The sound is a little distant and quiet at the beginning, but it gets better as the show goes on. It was hard to hit a good balance between the delicate, quiet parts and the ragingly hot parts, but I did my best. You can hear a bit of noise in the really quiet parts due to the analog generations. There are flaws. The deck was stopped or paused between many songs, which accounts for some of the odd little tuning/crowd tracks. I tried to clean these up a bit, but I didn't want to get into a lot of fancy editing just for that. Plus, I think that fewer crossfades might make it easier in case somebody out there wants to have a crack at a matrix (HINT, HINT). Ollin Arageed cuts in, I don't know how much is missing. There's a cut in Ollin Arageed at about 11:18. I left it alone. The sound goes monaural in Ollin Arageed @ about 13:15 though 14:00 due to a temporary silence in the right channel. There was a brutal tape flip at about 30 seconds into Not Fade Away. I did a crossfade to minimize the pain.
Taper: Reinhart Hohlwein
2:55:28
Rating:
6.00 / 1 rating
Taper:
Reinhart Hohlwein
Transferrer:
Bob Menke and Derek McCabe and Jeff Thomas
SHNID:
gd1978-10-22.aud.rhinotrocity6.motb-0018.94605.flac16
Source:
2 x AKG d224e => Sony TC 158 => 3 x Maxell UDXL II
Lineage:
Master Cassette => Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taper Notes:
View Notes** with Lee Oskar *** with John Cipollina -- Not Fade Away contains a Mind Left Body Jam, Caution Jam and Mojo Jam Patch info: "Not Fade Away" tape flip at 1:37 - 1:51 patched with gd78-10-22.sbd.miller.92567.sbeok.flac16
Taper: Reinhart Hohlwein
2:55:28
Taper:
Reinhart Hohlwein
Transferrer:
Bob Menke and Derek McCabe and Jeff Thomas
SHNID:
gd1978-10-22.aud.rhinotrocity6.motb-0018.94604.flac24
Source:
2 x AKG d224e => Sony TC 158 => 3 x Maxell UDXL II
Lineage:
Master Cassette >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taper Notes:
View Notes** with Lee Oskar *** with John Cipollina -- Not Fade Away contains a Mind Left Body Jam, Caution Jam and Mojo Jam Patch info: "Not Fade Away" tape flip at 1:37 - 1:51 patched with gd78-10-22.sbd.miller.92567.sbeok.flac16