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June 5th
Years
1995
27k
PlaybackListensHours
48h3k414
7d8.6k1.2k
30d27k3.8k
49 shows
340 tapes
1994
8k
PlaybackListensHours
48h69296
7d1.1k167
30d8k1.2k
85 shows
460 tapes
1993
31.5k
PlaybackListensHours
48h3.5k480
7d1.9k257
30d31.5k4.2k
83 shows
656 tapes
1992
32.7k
PlaybackListensHours
48h1k133
7d8.1k1k
30d32.7k4.4k
57 shows
539 tapes
1991
35.8k
PlaybackListensHours
48h1.7k229
7d8k1.1k
30d35.8k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.7k344
7d5k661
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.2k
PlaybackListensHours
48h3.9k494
7d5.7k709
30d45.2k5.6k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.2k140
7d4.1k444
30d21k2.4k
82 shows
882 tapes
1987
38.4k
PlaybackListensHours
48h2.7k287
7d8.6k821
30d38.4k4.2k
88 shows
1,025 tapes
1986
14.4k
PlaybackListensHours
48h940105
7d1.8k202
30d14.4k1.7k
47 shows
683 tapes
1985
19.9k
PlaybackListensHours
48h1.9k228
7d3.4k399
30d19.9k2.3k
73 shows
1,356 tapes
1984
20.3k
PlaybackListensHours
48h1.6k200
7d2.2k289
30d20.3k2.6k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.5k194
7d3.3k441
30d32.4k4.3k
71 shows
1,069 tapes
1982
40k
PlaybackListensHours
48h1.7k215
7d3.4k418
30d40k5k
63 shows
753 tapes
1981
56.7k
PlaybackListensHours
48h2.1k269
7d4.4k552
30d56.7k7.2k
92 shows
868 tapes
1980
67.5k
PlaybackListensHours
48h5.2k594
7d12.3k1.5k
30d67.5k7.9k
91 shows
794 tapes
1979
27.9k
PlaybackListensHours
48h1.4k193
7d3k406
30d27.9k3.9k
79 shows
600 tapes
1978
52.8k
PlaybackListensHours
48h8.4k1.1k
7d5.4k719
30d52.8k7.3k
87 shows
592 tapes
1977
329.3k
PlaybackListensHours
48h15.9k2.1k
7d25k3.5k
30d329.3k46k
64 shows
419 tapes
1976
37.9k
PlaybackListensHours
48h10.3k1.4k
7d17.3k2.4k
30d37.9k5.1k
45 shows
298 tapes
1975
5.1k
PlaybackListensHours
48h78672
7d71378
30d5.1k544
25 shows
63 tapes
1974
94.5k
PlaybackListensHours
48h4.2k529
7d10.2k1.3k
30d94.5k11.9k
42 shows
324 tapes
1973
76.5k
PlaybackListensHours
48h4.2k551
7d9.7k1.3k
30d76.5k9.7k
75 shows
445 tapes
1972
75k
PlaybackListensHours
48h3k365
7d6.8k832
30d75k9.1k
88 shows
361 tapes
1971
32.6k
PlaybackListensHours
48h2.2k250
7d5.3k592
30d32.6k3.7k
82 shows
356 tapes
1970
31.5k
PlaybackListensHours
48h6.6k638
7d3.8k409
30d31.5k3.5k
101 shows
376 tapes
1969
22.6k
PlaybackListensHours
48h3.2k519
7d6.7k892
30d22.6k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h52066
7d1.1k133
30d6.4k799
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h14922
7d28439
30d1.4k197
23 shows
55 tapes
1966
7.6k
PlaybackListensHours
48h51339
7d1k60
30d7.6k497
32 shows
78 tapes
1965
553
PlaybackListensHours
48h372
7d1086
30d55333
2 shows
2 tapes
1978
10/21/78
Introduction
1:07
Hamza el Din Song #1
3:41
Hamza el Din Song #2
3:08
Ollin Arrageed ->
18:33
The Promised Land
6:23
Sugaree
14:44
Passenger
5:16
Ramble On Rose
7:31
Looks Like Rain
8:45
Stagger Lee
7:31
I Need A Miracle
7:58
Tuning
0:18
Bertha ->
7:08
Good Lovin'
9:24
It Must Have Been The Roses
7:11
Estimated Prophet ->
14:42
He's Gone ->
10:11
Drums ->
16:01
Space ->
1:52
Got My Mojo Workin' ->
10:48
The Other One ->
7:31
Stella Blue ->
11:54
Sugar Magnolia
8:59
U.S. Blues
6:08
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
3:16:44
SBD
Rating:
9.20 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1978-10-21.sbd.miller.89721.sbeok.flac16
Source:
SBD -> Master Reel -> Reel -> Dat (44.1k) D
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC
Taper Notes:
View NotesPatch Info: AKG D224E -> Cassette Master -> Reel -> Reel -> MiniMe -> CD supplies: Sugaree (11:40 - 12:54) He's Gone (7:41 - 9:58) Stella Blue (10:18 - end of track) Sugar Magnolia (0:00 - 0:21) Notes: -- All disc changes are seamless -- Some in between song tuning supplied by shnid=6100 -- Numerous spots of diginoise in I Need A Miracle patched with shnid=6100 -- Many flaws cleaned up -- Dat was labled SBD -> Master Reel -> PCM -> Dat which is wrong -- Patch material supplied by Pat Lee and transferred by Matt Smith -- Patch was recorded by Reinhart Holwein on a Sony TC-158 cassette deck -- Lee Oskar plays harmonica on Drums through Got My Mojo Workin' and Sugar Mags
Transferrer: Hunter Seamons
3:19:05
SBD
Rating:
8.00 / 1 rating
Transferrer:
Hunter Seamons
SHNID:
gd1978-10-21.mtx.seamons.94852.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes***30th Anniversary Matrix*** ---------------------------------------------------- SBD: Recording Info: SBD -> Master Reel -> Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] January 28, 2008 [Cuts:] Sugaree (11:40 - 12:54) He's Gone (7:41 - 9:58) Stella Blue (10:18 - end of track) Sugar Magnolia (0:00 - 0:21) Notes: -- All disc changes are seamless -- Some in between song tuning supplied by shnid=6100 -- Numerous spots of diginoise in I Need A Miracle patched with shnid=6100 -- Many flaws cleaned up ---------------------------------------------------- AUD: MOTB Release: 0015 16/44. Release Date: 2008-09-25 Analog Audience Source: Aud Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG d224e => Sony TC 158 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Derek McCabe Tagged by: Jeff Thomas Special: Rhinotrocity #5 [Cuts:] "He's Gone" patched at 3:43 - 4:07 "Stella Blue" patched at 0:03 - 0:12 "Sugar Magnolia" patched at 7:44 - 8:24 --------------------------------------------------- Thank you to Charlie Miller for the SBD transfer, to Reinhart Hohlwein for recording the show, and to Bob Menke, Derek McCabe, and Jeff Thomas for the AUD transfer. Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) September 28, 2008 Notes: 1) There were occasional, brief "phasing" sounds in the SBD, yet not in the AUD, particularly during Hamza el Din Song #1, Promised Land (and after the song), and I Need a Miracle. Most of this seems to be from Miller's patching of the source with SHNID 6100, which sounded differently when mixed with the AUD, or on it's own. 2) There is a noticeable tonal shift in the AUD during Hamza el Din Song #1 from the mic being moved around. 3) There were cuts in the SBD and AUD between songs, whereupon only one source plays in the matrix. 4) Interestingly, Lee Oskar's harp is more audible on the AUD than the SBD, which is good. 5) As noted above, unfortunate cuts in the AUD right after a stellar Other One and a raging Sugar Magnolia, so the roaring crowd is just a little low during those parts. Cut in the AUD for the tail end of the recording as well.
Source 3 of 11
3:12:15
SBD
Rating:
10.00 / 2 ratings
SHNID:
gd1978-10-21.sbd.nugs.21248.sbeok.flac16
Source:
SBD>Master Reel>Cassette>DAT>WAV
Taper Notes:
View NotesDespite some minor flaws, this is the best representation of what went down at Winterland in October of 1978 (short of an official Vault release which we can only hope for). All five shows come from soundboard sources of varying degrees of quality. Some sets are spliced together from various sources, with an audience patch at the end of 10/21/78 Stella Blue. There are some cuts due to cassette flips. Special thanks to dug for the sources.
Source 4 of 11
3:09:53
SBD
Rating:
8.94 / 34 ratings
SHNID:
gd78-10-21.sbd.popi.6100.sbeok.shnf
Source:
Soundboard
Lineage:
sbd> mr> dats> wav> shn
Taper Notes:
View Notessbd> mr> dats> wav> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT seed; see info file for flaw and patch notes
Taper: Mark Severson
2:09:34
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1978-10-21.148355.1p.2.sony.ecm270.severson.miller.clugston.flac2496
Source:
Mark Severson's Master Audience Cassettes; Sony ECM-270 mics > Sony TC-158SD > 1st generation cassettes
Lineage:
1st generation cassettes (Nakamichi CR7-A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the MOTB folks for the shnid94600 (FOB) AKG S224E source which supplies a 0:09 patch in "Looks Like Rain", a 0:23 patch in "He's Gone", as well as a 0:14 patch in "Stella Blue" - "Space" & "Got My Mojo Workin'" with Lee Oskar on harmonica - Pitch corrected - Unfortunately, Mark's masters of both the Egypt and Winterland run of shows were stolen. This is Mark's "car copy" he made which comprises highlights from the 1st set and the 2nd set in its entirety Mastered by Scott Clugston November 2019
Taper: Mark Severson
2:09:34
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1978-10-21.148354.1p.2.sony.ecm270.severson.miller.clugston.flac1648
Source:
Mark Severson's Master Audience Cassettes; Sony ECM-270 mics > Sony TC-158SD > 1st generation cassettes
Lineage:
1st generation cassettes (Nakamichi CR7-A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the MOTB folks for the shnid94600 (FOB) AKG S224E source which supplies a 0:09 patch in "Looks Like Rain", a 0:23 patch in "He's Gone", as well as a 0:14 patch in "Stella Blue" - "Space" & "Got My Mojo Workin'" with Lee Oskar on harmonica - Pitch corrected - Unfortunately, Mark's masters of both the Egypt and Winterland run of shows were stolen. This is Mark's "car copy" he made which comprises highlights from the 1st set and the 2nd set in its entirety Mastered by Scott Clugston November 2019
Taper: Reinhart Hohlwein
3:17:08
REMASTER
Rating:
10.00 / 1 rating
Taper:
Reinhart Hohlwein
Transferrer:
acetboy
SHNID:
gd1978-10-21.166112.aud.remaster.acetboy.flac1644
Source:
This is a remaster of the Reinhart Hohlwein shn #94600 by acetboy
Taper Notes:
View NotesThis is a remaster of shn #94600. When 94600 was created there was no other audience source for patching. So they used the soundboard. There is an alternative audience recording now. So I have used shn #102074 for the 3 patches. This is the info for that share: ============================ Recorded by: Mike Martin and Mark Bunton. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center. Equipment: 2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape Transfer: Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Flac (level 8) ============================ Thanks to the taper and the MOTB people and all who bring this stuff to share. And the people who shared shn #102074. All of the work I do is in ocenaudio and Harrison Mixbus. Everything I do is basically about levels. Keeping them the same in both channels throughout the frequency range. When I speak of levels I mean RMS levels. Average levels. I also tighten up phase issues when needed. Clear up any gaps that may be found. If original files are high res, I have done most of the work at the higher sample frequency and bit depths. Then towards the end I've converted to 44.1 16 bit. About the screen grabs: One can not see everything I do in these images but it shows something about how the audio has changed between before and after. If I'm working from high res files the before FFT and Spectral images look quite a bit different inherently. But you can still see how they differ otherwise. acetboy 2023-10-21
Taper: Mike Martin and Mark Bunton
3:27:03
Taper:
Mike Martin and Mark Bunton
Transferrer:
Mike Martin
SHNID:
gd1978-10-21.sonyecm280.martin-bunton.102075.flac24
Source:
Two Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape
Lineage:
Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Flac (level 8)
Taper Notes:
View NotesThe tape was flipped during Drums (disc 3 track 1 at 9:46). The tape was again flipped in the Sugar Magnolia > Sunshine Daydream transition. To fill in the missing section 5 seconds from an alternate source recorded by Reinhart Hohlwein (disc 3 track 7 from 0:01 to 0:06) was inserted. These breaks were spliced together with NERO wave editor. NERO wave editor was also used to make volume adjustments and to surgically remove distracting ôclapsö one at a time. Finally the FLAC conversion was performed at level 8. As a note, the Sony ecm-280 cardiod microphone specification page describes the frequency response as 30 to 18KHz. No Eq or Noise reduction used. There is a slight fluttering noise in the master cassettes during the quieter sections. Thanks to John Musgrave for the use of his recording equipment.
Taper: Mike Martin;Mark Bunton
3:27:03
Rating:
10.00 / 2 ratings
Taper:
Mike Martin;Mark Bunton
Transferrer:
Mike Martin
SHNID:
gd1978-10-21.sonyecm280.martin-bunton.102074.flac16
Source:
Recorded by: Mike Martin and Mark Bunton. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center. Equipment: 2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape.
Lineage:
Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Dithered to 16 bit with Audacity > Flac (level 8)
Taper Notes:
View NotesThe tape was flipped during Drums (disc 3 track 1 at 9:46). The tape was again flipped in the Sugar Magnolia > Sunshine Daydream transition. To fill in the missing section 5 seconds from an alternate source recorded by Reinhart Hohlwein (disc 3 track 7 from 0:01 to 0:06) was inserted. These breaks were spliced together with NERO wave editor. NERO wave editor was also used to make volume adjustments and to surgically remove distracting 'claps' one at a time. Finally Audacity was used to dither the files to 16 bit and the FLAC conversion was performed at level 8. As a note, the Sony ecm-280 cardiod microphone specification page describes the frequency response as 30 to 18KHz. No Eq or Noise reduction used. There is a slight fluttering noise in the master cassettes during the quieter sections. Thanks to John Musgrave for the use of his recording equipment. Thanks to Bill Fridl for the permission to use his nice photos from these shows Mike Martin September 2009 Pictures - 1978 Bill Fridl. For more Information visit: http://www.grateful-dead-photos.com/shows.html
Taper: Reinhart Hohlwein
3:16:43
Rating:
10.00 / 3 ratings
Taper:
Reinhart Hohlwein
Transferrer:
Bob Menke and Derek McCabe and Jeff Thomas
SHNID:
gd1978-10-21.aud.rhinotrocity5.motb-0015.94600.flac24
Source:
2 x AKG d224e => Sony TC 158 => 3 x Maxell UDXL II
Lineage:
Master Cassette => Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taper Notes:
View NotesMastering Notes: Three patches were applied using the following source: gd78-10-21.sbd.miller.89721.flac16 "He's Gone" patched at 3:43 - 4:07 "Stella Blue" patched at 0:03 - 0:12 "Sugar Magnolia" patched at 7:44 - 8:24
Taper: Reinhart Hohlwein
3:16:44
Rating:
9.33 / 4 ratings
Taper:
Reinhart Hohlwein
Transferrer:
Bob Menke and Derek McCabe and Jeff Thomas
SHNID:
gd1978-10-21.aud.rhinotrocity5.motb-0015.94599.flac16
Source:
2 x AKG d224e => Sony TC 158 >> 3 x Maxell UDXL II
Lineage:
Master Cassette >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taper Notes:
View NotesMastering Notes: Three patches were applied using the following source: gd78-10-21.sbd.miller.89721.flac16 "He's Gone" patched at 3:43 - 4:07 "Stella Blue" patched at 0:03 - 0:12 "Sugar Magnolia" patched at 7:44 - 8:24