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June 6th
Years
1995
29.2k
PlaybackListensHours
48h2.2k304
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67896
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h4.9k659
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.3k166
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h3k395
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.8k360
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.7k466
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k150
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.7k289
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h82792
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k237
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.5k194
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k188
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.8k230
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.2k283
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.8k672
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.3k182
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h6.4k817
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h14.3k1.9k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h7.4k1k
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h85471
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.2k528
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.3k568
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.2k391
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.1k238
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h7.8k764
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.4k570
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h59874
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13820
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h44432
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h483
7d1277
30d57234
2 shows
2 tapes
1978
10/22/78
Intro
1:46
Hamza el-Din #1
2:44
Hamza el-Din #2
3:53
Ollin Arrageed >
20:27
Deal
7:18
Me & My Uncle >
3:21
Big River
7:13
Friend Of The Devil
9:03
Minglewood Blues
5:18
Peggy-O
10:30
Jack Straw
6:27
Intro
1:03
Scarlet Begonias >
11:44
Fire On The Mountain
14:04
Samson & Delilah
9:52
From The Heart Of Me
4:51
I Need A Miracle >
7:49
Drums > **
12:29
Not Fade Away > **
21:57
Goin' Down The Road ***
8:39
Johnny B. Goode
5:00
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:59:25
SBD
Rating:
6.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1978-10-22.sbd.miller.92567.sbeok.flac16
Source:
SBD -> Cassette Master (Maxell UDXL-I) -> PCM (Analog Out) -> DSony R500 (A>D Only) -> Peak -> AIFF D
Lineage:
AIFF -> Samplitude Professional v10.1 -> FLAC (3 Discs Audio / 2 Discs FLAC)
Taper Notes:
View NotesPatch Info: Notes: -- All disc changes are seamless -- Not Fade Away contains a Mind Left Body Jam, Caution Jam and Mojo Jam -- Hamza el-Din on Ollin Arrageed -- Lee Oskar (harmonica) on Drums -- John Cipollina (guitar) on Not Fade Away and GDTRFB -- Patch material supplied by Pat Lee and transferred by Matt Smith -- Patch was recorded by Reinhart Holwein on a Sony TC-158 cassette deck (AKG D224E -> Cassette Master -> Reel -> Reel -> MiniMe -> CD) -- Patch supplies: Goin' Down The Road Feeling Bad (3:28 - 4:08)
Transferrer: Hunter Seamons
2:58:47
SBD
Rating:
10.00 / 1 rating
Transferrer:
Hunter Seamons
SHNID:
gd1978-10-22.mtx.seamons.99496.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes*Matrix* ---------------------------------------------------- SBD (shnid=92567): Recording Info: SBD -> Cassette Master (Maxell UDXL-I) -> PCM (Analog Out) -> Sony R500 (A>D Only) -> Peak -> AIFF Transfer Info: AIFF -> Samplitude Professional v10.1 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] July 3, 2008 ---------------------------------------------------- AUD (shnid=94605): OTB Release: 0018 16/44.1 Release Date: 2008-09-25 Band: Grateful Dead Date: 1978-10-22 (Sunday) Venue: Winterland Location: San Fransico, CA Analog Audience Source: Aud Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG d224e => Sony TC 158 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Derek McCabe Tagged by: Jeff Thomas Special: Rhinotrocity #5 --------------------------------------------------- Thank you to Charlie Miller for the SBD transfer, to Reinhart Hohlwein for recording the show, and to Bob Menke, Derek McCabe, and Jeff Thomas for the AUD transfer. Notes: 1) Not Fade Away contains a Mind Left Body Jam, Caution Jam, and Mojo Jam.
Transferrer: nugs.net
2:55:26
SBD
Rating:
10.00 / 3 ratings
Transferrer:
nugs.net
SHNID:
gd1978-10-22.sbd.nugs.21247.flac16
Source:
SBD>Master Reel>Cassette>DAT>WAV
Taper Notes:
View NotesHamza El Din plays solo until the Dead join in for Ollin Arageed Drums tith Lee Oskar on harmonica "NFA" through "GDTRFB" wtih John Cipollina on guitar SOURCE INFORMATION: SBD>Master Reel>Cassette>DAT>WAV Despite some minor flaws, this is the best representation of what went down at Winterland in October of 1978 (short of an official Vault release which we can only hope for). All five shows come from soundboard sources of varying degrees of quality. Some sets are spliced together from various sources, with an audience patch at the end of 10/21/78 Stella Blue. There are some cuts due to cassette flips.
Source 4 of 10
2:55:46
SBD
Rating:
9.22 / 18 ratings
SHNID:
gd78-10-22.sbd.kempa.299.sbeok.shnf
Source:
Soundboard
Lineage:
Sbd: Reel: PCM: Dat; D> CD: Tascam DA30MKII> Opcode Datport> HD (CoolEdit 2000)> Cdwav> SHN
Taper Notes:
View NotesSbd: Reel: PCM: Dat; D> CD: Tascam DA30MKII> Opcode Datport> HD (Cool Edit 2000)> Cdwav> SHN; Notes: SRC done by CE2K, and normalization also done by CE2K; via N. "NateDawg" Hifko, tracked for 3 discs by Yubah; etreed 5/10; Jeff K. hosted 5/15 with alternate tracking (q.v.) for d2,3
Taper: Reinhart Hohlwein
2:55:36
REMASTER
Rating:
10.00 / 1 rating
Taper:
Reinhart Hohlwein
Transferrer:
acetboy
SHNID:
gd1978-10-22.166113.aud.remaster.acetboy.flac1644
Source:
remaster of shn #94604 audience recording by Reinhart Hohlwein
Taper Notes:
View NotesThis is a remaster of shn #94604. I re-patched Not Fade Away with an audience recording. The source of the patch is shn #102076. Thanks to those who shared it. Thanks to the taper and the MOTB people and all who bring this stuff to share. All of the work I do is in ocenaudio and Harrison Mixbus. Everything I do is basically about levels. Keeping them the same in both channels throughout the frequency range. When I speak of levels I mean RMS levels. Average levels. I also tighten up phase issues when needed. Clear up any gaps that may be found. If original files are high res, I have done most of the work at the higher sample frequency and bit depths. Then towards the end I've converted to 44.1 16 bit. About the screen grabs: One can not see everything I do in these images but it shows something about how the audio has changed between before and after. If I'm working from high res files the before FFT and Spectral images look quite a bit different inherently. But you can still see how they differ otherwise. acetboy 2023-10-22
Taper: Mike Martin and Mark Bunton
3:07:36
Rating:
8.00 / 2 ratings
Taper:
Mike Martin and Mark Bunton
Transferrer:
Mike Martin
SHNID:
gd1978-10-22.sonyecm280.martin-bunton.102077.flac24
Source:
Two Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape
Lineage:
Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Flac (level 8)
Taper Notes:
View NotesFifty-Nine distracting ôout of syncö claps deleted on disc 1 track 4. The tape was flipped during Olin Arageed and the two pieces were spliced together (disc 1 track 4 at 17:00). A microphone became unplugged during Olin Arageed and a psudo stereo mix was created (disc 1 track 4 from 18:45 to 19:30). A piece of applause from an earlier track has been tacked onto the applause after New Minglewood Blues (disc 1 track 9 from 4:50 to 5:24). The tape was again flipped during Fire On The Mountain . To fill in the missing section 12 seconds from an alternate source recorded by Reinhart Hohlwein was inserted (disc 2 track 6 from 11:35 to 11:47). Finally the last tape flip is during Not Fade Away (disc 3 track 6 at 0:36). These breaks were spliced together with NERO wave editor. NERO wave editor was also used to make volume adjustments and to surgically remove distracting ôclapsö one at a time. Finally the FLAC conversion was performed at level 8. As a note, the Sony ecm-280 cardiod microphone specification page describes the frequency response as 30 to 18KHz. No Eq or Noise reduction used. There is a slight fluttering noise in the master cassettes during the quieter sections. Thanks to John Musgrave for the use of his recording equipment. Mike Martin September 2009
Taper: Mike Martin and Mark Bunton
3:07:35
Rating:
8.00 / 2 ratings
Taper:
Mike Martin and Mark Bunton
Transferrer:
Mike Martin
SHNID:
gd1978-10-22.sonyecm280.martin-bunton.102076.flac16
Source:
2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center.
Lineage:
Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Dithered to 16 bit with Audacity > Flac (level 8).
Taper: a friend of a friend
2:37:07
Rating:
6.00 / 2 ratings
Taper:
a friend of a friend
Transferrer:
Pantagruel
SHNID:
gd1978-10-22.aud.pantagruel.96700.flac16
Source:
audience recording on a Marantz pro cassette deck (don't recall the model) & Sennheiser MKH404 mics
Lineage:
master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav
Taper Notes:
View Notes* with Hamza el Din & with Lee Oskar # with John Cippolina Notes: I assume there are better audience recordings of this show, but I got tired of waiting for one of them to appear. This was recorded by the same crew that did the recent seeds of the 01/07/78 San Diego show and the 01/11/78 LA show. I just love the sound of Cipollina on this recording, so I'm cuttin' it loose. If you got a better, bring it on. The sound is a little distant and quiet at the beginning, but it gets better as the show goes on. It was hard to hit a good balance between the delicate, quiet parts and the ragingly hot parts, but I did my best. You can hear a bit of noise in the really quiet parts due to the analog generations. There are flaws. The deck was stopped or paused between many songs, which accounts for some of the odd little tuning/crowd tracks. I tried to clean these up a bit, but I didn't want to get into a lot of fancy editing just for that. Plus, I think that fewer crossfades might make it easier in case somebody out there wants to have a crack at a matrix (HINT, HINT). Ollin Arageed cuts in, I don't know how much is missing. There's a cut in Ollin Arageed at about 11:18. I left it alone. The sound goes monaural in Ollin Arageed @ about 13:15 though 14:00 due to a temporary silence in the right channel. There was a brutal tape flip at about 30 seconds into Not Fade Away. I did a crossfade to minimize the pain.
Taper: Reinhart Hohlwein
2:55:28
Rating:
6.00 / 1 rating
Taper:
Reinhart Hohlwein
Transferrer:
Bob Menke and Derek McCabe and Jeff Thomas
SHNID:
gd1978-10-22.aud.rhinotrocity6.motb-0018.94605.flac16
Source:
2 x AKG d224e => Sony TC 158 => 3 x Maxell UDXL II
Lineage:
Master Cassette => Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taper Notes:
View Notes** with Lee Oskar *** with John Cipollina -- Not Fade Away contains a Mind Left Body Jam, Caution Jam and Mojo Jam Patch info: "Not Fade Away" tape flip at 1:37 - 1:51 patched with gd78-10-22.sbd.miller.92567.sbeok.flac16
Taper: Reinhart Hohlwein
2:55:28
Taper:
Reinhart Hohlwein
Transferrer:
Bob Menke and Derek McCabe and Jeff Thomas
SHNID:
gd1978-10-22.aud.rhinotrocity6.motb-0018.94604.flac24
Source:
2 x AKG d224e => Sony TC 158 => 3 x Maxell UDXL II
Lineage:
Master Cassette >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taper Notes:
View Notes** with Lee Oskar *** with John Cipollina -- Not Fade Away contains a Mind Left Body Jam, Caution Jam and Mojo Jam Patch info: "Not Fade Away" tape flip at 1:37 - 1:51 patched with gd78-10-22.sbd.miller.92567.sbeok.flac16