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Today In History
June 7th
6 shows
37 tapes
Years
1995
29.5k
PlaybackListensHours
48h773107
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h63389
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h4k525
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.8k356
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h9.1k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k339
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h3k371
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k155
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.2k251
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h90199
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k215
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k146
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.5k204
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k222
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k300
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h6k642
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k184
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k290
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h18.1k2.5k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.7k506
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h79278
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k561
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.5k592
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.5k426
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2.1k229
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k954
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k366
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h42351
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10014
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h23318
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1978
10/22/78
Bill Graham Intro
1:36
Hamza el-Din 1
2:55
Hamza el-Din 2
3:56
Ollin Arrageed ->
20:55
Deal
7:31
Me & My Uncle ->
3:12
Big River
7:02
Friend Of The Devil
10:09
Minglewood Blues
4:55
Peggy-O
12:03
Jack Straw
6:27
Bill Graham Intro
1:13
Scarlet Begonias ->
11:43
Fire On The Mountain
14:02
Samson & Delilah
9:58
From The Heart Of Me
4:49
I Need A Miracle ->
7:38
Drums ->
13:20
Not Fade Away ->
21:38
Goin' Down The Road
9:00
Johnny B. Goode
4:45
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:59:25
SBD
Rating:
6.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1978-10-22.sbd.miller.92567.sbeok.flac16
Source:
SBD -> Cassette Master (Maxell UDXL-I) -> PCM (Analog Out) -> DSony R500 (A>D Only) -> Peak -> AIFF D
Lineage:
AIFF -> Samplitude Professional v10.1 -> FLAC (3 Discs Audio / 2 Discs FLAC)
Taper Notes:
View NotesPatch Info: Notes: -- All disc changes are seamless -- Not Fade Away contains a Mind Left Body Jam, Caution Jam and Mojo Jam -- Hamza el-Din on Ollin Arrageed -- Lee Oskar (harmonica) on Drums -- John Cipollina (guitar) on Not Fade Away and GDTRFB -- Patch material supplied by Pat Lee and transferred by Matt Smith -- Patch was recorded by Reinhart Holwein on a Sony TC-158 cassette deck (AKG D224E -> Cassette Master -> Reel -> Reel -> MiniMe -> CD) -- Patch supplies: Goin' Down The Road Feeling Bad (3:28 - 4:08)
Transferrer: Hunter Seamons
2:58:47
SBD
Rating:
10.00 / 1 rating
Transferrer:
Hunter Seamons
SHNID:
gd1978-10-22.mtx.seamons.99496.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes*Matrix* ---------------------------------------------------- SBD (shnid=92567): Recording Info: SBD -> Cassette Master (Maxell UDXL-I) -> PCM (Analog Out) -> Sony R500 (A>D Only) -> Peak -> AIFF Transfer Info: AIFF -> Samplitude Professional v10.1 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] July 3, 2008 ---------------------------------------------------- AUD (shnid=94605): OTB Release: 0018 16/44.1 Release Date: 2008-09-25 Band: Grateful Dead Date: 1978-10-22 (Sunday) Venue: Winterland Location: San Fransico, CA Analog Audience Source: Aud Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG d224e => Sony TC 158 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Derek McCabe Tagged by: Jeff Thomas Special: Rhinotrocity #5 --------------------------------------------------- Thank you to Charlie Miller for the SBD transfer, to Reinhart Hohlwein for recording the show, and to Bob Menke, Derek McCabe, and Jeff Thomas for the AUD transfer. Notes: 1) Not Fade Away contains a Mind Left Body Jam, Caution Jam, and Mojo Jam.
Transferrer: nugs.net
2:55:26
SBD
Rating:
10.00 / 3 ratings
Transferrer:
nugs.net
SHNID:
gd1978-10-22.sbd.nugs.21247.flac16
Source:
SBD>Master Reel>Cassette>DAT>WAV
Taper Notes:
View NotesHamza El Din plays solo until the Dead join in for Ollin Arageed Drums tith Lee Oskar on harmonica "NFA" through "GDTRFB" wtih John Cipollina on guitar SOURCE INFORMATION: SBD>Master Reel>Cassette>DAT>WAV Despite some minor flaws, this is the best representation of what went down at Winterland in October of 1978 (short of an official Vault release which we can only hope for). All five shows come from soundboard sources of varying degrees of quality. Some sets are spliced together from various sources, with an audience patch at the end of 10/21/78 Stella Blue. There are some cuts due to cassette flips.
Source 4 of 10
2:55:46
SBD
Rating:
9.22 / 18 ratings
SHNID:
gd78-10-22.sbd.kempa.299.sbeok.shnf
Source:
Soundboard
Lineage:
Sbd: Reel: PCM: Dat; D> CD: Tascam DA30MKII> Opcode Datport> HD (CoolEdit 2000)> Cdwav> SHN
Taper Notes:
View NotesSbd: Reel: PCM: Dat; D> CD: Tascam DA30MKII> Opcode Datport> HD (Cool Edit 2000)> Cdwav> SHN; Notes: SRC done by CE2K, and normalization also done by CE2K; via N. "NateDawg" Hifko, tracked for 3 discs by Yubah; etreed 5/10; Jeff K. hosted 5/15 with alternate tracking (q.v.) for d2,3
Taper: Reinhart Hohlwein
2:55:36
REMASTER
Rating:
10.00 / 1 rating
Taper:
Reinhart Hohlwein
Transferrer:
acetboy
SHNID:
gd1978-10-22.166113.aud.remaster.acetboy.flac1644
Source:
remaster of shn #94604 audience recording by Reinhart Hohlwein
Taper Notes:
View NotesThis is a remaster of shn #94604. I re-patched Not Fade Away with an audience recording. The source of the patch is shn #102076. Thanks to those who shared it. Thanks to the taper and the MOTB people and all who bring this stuff to share. All of the work I do is in ocenaudio and Harrison Mixbus. Everything I do is basically about levels. Keeping them the same in both channels throughout the frequency range. When I speak of levels I mean RMS levels. Average levels. I also tighten up phase issues when needed. Clear up any gaps that may be found. If original files are high res, I have done most of the work at the higher sample frequency and bit depths. Then towards the end I've converted to 44.1 16 bit. About the screen grabs: One can not see everything I do in these images but it shows something about how the audio has changed between before and after. If I'm working from high res files the before FFT and Spectral images look quite a bit different inherently. But you can still see how they differ otherwise. acetboy 2023-10-22
Taper: Mike Martin and Mark Bunton
3:07:36
Rating:
8.00 / 2 ratings
Taper:
Mike Martin and Mark Bunton
Transferrer:
Mike Martin
SHNID:
gd1978-10-22.sonyecm280.martin-bunton.102077.flac24
Source:
Two Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape
Lineage:
Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Flac (level 8)
Taper Notes:
View NotesFifty-Nine distracting ôout of syncö claps deleted on disc 1 track 4. The tape was flipped during Olin Arageed and the two pieces were spliced together (disc 1 track 4 at 17:00). A microphone became unplugged during Olin Arageed and a psudo stereo mix was created (disc 1 track 4 from 18:45 to 19:30). A piece of applause from an earlier track has been tacked onto the applause after New Minglewood Blues (disc 1 track 9 from 4:50 to 5:24). The tape was again flipped during Fire On The Mountain . To fill in the missing section 12 seconds from an alternate source recorded by Reinhart Hohlwein was inserted (disc 2 track 6 from 11:35 to 11:47). Finally the last tape flip is during Not Fade Away (disc 3 track 6 at 0:36). These breaks were spliced together with NERO wave editor. NERO wave editor was also used to make volume adjustments and to surgically remove distracting ôclapsö one at a time. Finally the FLAC conversion was performed at level 8. As a note, the Sony ecm-280 cardiod microphone specification page describes the frequency response as 30 to 18KHz. No Eq or Noise reduction used. There is a slight fluttering noise in the master cassettes during the quieter sections. Thanks to John Musgrave for the use of his recording equipment. Mike Martin September 2009
Taper: Mike Martin and Mark Bunton
3:07:35
Rating:
8.00 / 2 ratings
Taper:
Mike Martin and Mark Bunton
Transferrer:
Mike Martin
SHNID:
gd1978-10-22.sonyecm280.martin-bunton.102076.flac16
Source:
2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center.
Lineage:
Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Dithered to 16 bit with Audacity > Flac (level 8).
Taper: a friend of a friend
2:37:07
Rating:
6.00 / 2 ratings
Taper:
a friend of a friend
Transferrer:
Pantagruel
SHNID:
gd1978-10-22.aud.pantagruel.96700.flac16
Source:
audience recording on a Marantz pro cassette deck (don't recall the model) & Sennheiser MKH404 mics
Lineage:
master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav
Taper Notes:
View Notes* with Hamza el Din & with Lee Oskar # with John Cippolina Notes: I assume there are better audience recordings of this show, but I got tired of waiting for one of them to appear. This was recorded by the same crew that did the recent seeds of the 01/07/78 San Diego show and the 01/11/78 LA show. I just love the sound of Cipollina on this recording, so I'm cuttin' it loose. If you got a better, bring it on. The sound is a little distant and quiet at the beginning, but it gets better as the show goes on. It was hard to hit a good balance between the delicate, quiet parts and the ragingly hot parts, but I did my best. You can hear a bit of noise in the really quiet parts due to the analog generations. There are flaws. The deck was stopped or paused between many songs, which accounts for some of the odd little tuning/crowd tracks. I tried to clean these up a bit, but I didn't want to get into a lot of fancy editing just for that. Plus, I think that fewer crossfades might make it easier in case somebody out there wants to have a crack at a matrix (HINT, HINT). Ollin Arageed cuts in, I don't know how much is missing. There's a cut in Ollin Arageed at about 11:18. I left it alone. The sound goes monaural in Ollin Arageed @ about 13:15 though 14:00 due to a temporary silence in the right channel. There was a brutal tape flip at about 30 seconds into Not Fade Away. I did a crossfade to minimize the pain.
Taper: Reinhart Hohlwein
2:55:28
Rating:
6.00 / 1 rating
Taper:
Reinhart Hohlwein
Transferrer:
Bob Menke and Derek McCabe and Jeff Thomas
SHNID:
gd1978-10-22.aud.rhinotrocity6.motb-0018.94605.flac16
Source:
2 x AKG d224e => Sony TC 158 => 3 x Maxell UDXL II
Lineage:
Master Cassette => Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taper Notes:
View Notes** with Lee Oskar *** with John Cipollina -- Not Fade Away contains a Mind Left Body Jam, Caution Jam and Mojo Jam Patch info: "Not Fade Away" tape flip at 1:37 - 1:51 patched with gd78-10-22.sbd.miller.92567.sbeok.flac16
Taper: Reinhart Hohlwein
2:55:28
Taper:
Reinhart Hohlwein
Transferrer:
Bob Menke and Derek McCabe and Jeff Thomas
SHNID:
gd1978-10-22.aud.rhinotrocity6.motb-0018.94604.flac24
Source:
2 x AKG d224e => Sony TC 158 => 3 x Maxell UDXL II
Lineage:
Master Cassette >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taper Notes:
View Notes** with Lee Oskar *** with John Cipollina -- Not Fade Away contains a Mind Left Body Jam, Caution Jam and Mojo Jam Patch info: "Not Fade Away" tape flip at 1:37 - 1:51 patched with gd78-10-22.sbd.miller.92567.sbeok.flac16