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Today In History
June 15th
7 shows
74 tapes
Years
1995
30.1k
PlaybackListensHours
48h1.1k136
7d1.4k193
30d30.1k4.2k
49 shows
343 tapes
1994
11.7k
PlaybackListensHours
48h1.7k273
7d4.2k594
30d11.7k1.7k
85 shows
460 tapes
1993
38.6k
PlaybackListensHours
48h1.7k224
7d7.7k1k
30d38.6k5.1k
83 shows
656 tapes
1992
43.8k
PlaybackListensHours
48h2.3k308
7d7.7k1k
30d43.8k5.8k
57 shows
539 tapes
1991
41.9k
PlaybackListensHours
48h2.7k348
7d11.2k1.5k
30d41.9k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h4.1k570
7d15.4k1.9k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.1k265
7d7.4k913
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.4k
PlaybackListensHours
48h1.1k129
7d3.2k376
30d20.4k2.4k
82 shows
882 tapes
1987
40.5k
PlaybackListensHours
48h4.9k612
7d11.5k1.4k
30d40.5k4.5k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h82294
7d2.5k279
30d12.5k1.4k
47 shows
684 tapes
1985
23.3k
PlaybackListensHours
48h5.1k588
7d4.5k525
30d23.3k2.7k
73 shows
1,357 tapes
1984
25.7k
PlaybackListensHours
48h2.8k339
7d12.5k1.5k
30d25.7k3.2k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h912116
7d3.5k460
30d21.3k2.8k
71 shows
1,069 tapes
1982
42.5k
PlaybackListensHours
48h1.3k163
7d3.4k425
30d42.5k5.3k
63 shows
753 tapes
1981
35.9k
PlaybackListensHours
48h1.7k215
7d5k630
30d35.9k4.5k
92 shows
868 tapes
1980
69.8k
PlaybackListensHours
48h4.5k520
7d14k1.6k
30d69.8k8.1k
91 shows
794 tapes
1979
21.8k
PlaybackListensHours
48h1k148
7d4.2k593
30d21.8k3.1k
79 shows
608 tapes
1978
42.3k
PlaybackListensHours
48h1.5k198
7d5.1k689
30d42.3k5.7k
87 shows
592 tapes
1977
278k
PlaybackListensHours
48h7.8k1.1k
7d32.8k4.5k
30d278k38.4k
64 shows
418 tapes
1976
85.9k
PlaybackListensHours
48h13.4k1.8k
7d39.4k5.3k
30d85.9k11.6k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h37338
7d85890
30d6.4k654
25 shows
63 tapes
1974
93.1k
PlaybackListensHours
48h2.9k369
7d10.4k1.4k
30d93.1k11.8k
42 shows
324 tapes
1973
90k
PlaybackListensHours
48h3.9k513
7d20.5k2.8k
30d90k11.6k
75 shows
445 tapes
1972
63.5k
PlaybackListensHours
48h2.4k298
7d6.3k805
30d63.5k7.8k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h1.3k145
7d4.7k518
30d33.9k3.9k
82 shows
357 tapes
1970
39.5k
PlaybackListensHours
48h1.3k157
7d4.5k522
30d39.5k4.2k
101 shows
376 tapes
1969
27.8k
PlaybackListensHours
48h1.5k240
7d3.5k490
30d27.8k4.1k
112 shows
326 tapes
1968
7.7k
PlaybackListensHours
48h76593
7d1.6k199
30d7.7k970
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h10515
7d29842
30d1.7k228
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h32320
7d99767
30d8k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h372
7d1128
30d63237
2 shows
2 tapes
1977
10/2/77
Crowd
1:05
Casey Jones
11:05
Jack Straw
5:23
Sunrise
4:40
Brown Eyed Women
5:55
El Paso
5:35
Dupree's Diamond Blues
6:10
Let It Grow
12:28
Deal
6:53
Crowd
2:00
Samson and Delilah
8:31
Scarlet Begonias
9:11
Fire On The Mountain
14:56
Funiculi Funicula
0:53
Playin' In The Band
9:46
Drums
5:09
The Wheel
5:24
Truckin'
10:34
The Other One
5:32
Wharf Rat
11:08
Sugar Magnolia
9:11
FIN
View on archive.org
Sources
Transferrer: Scott Clugston and Charlie Miller
2:43:01
SBD
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1977-10-02.142122.sbd.miller.clugston.patched.flac1644
Source:
SBD > Master Reel > PCM > Dat
Lineage:
Dat (Tascam DA-20) > Tascam SS-R05 > Samplitude Professional v11.2.1 > FLAC
Taper Notes:
View NotesNotes: - Thanks to Sandy Troy, Matt Smith and Charlie Miller for the AKG D224E source which supplies a 0:30 patch in "Wharf Rat" Mastered by Scott Clugston May 29, 2018
Transferrer: Charlie Miller
2:42:44
SBD
Rating:
9.33 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1977-10-02.123102.sbd.miller.flac16
Source:
SBD -> Master Reel -> PCM -> Dat
Lineage:
Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Tape flip in Wharf Rat at 9:24
Taper: Betty Cantor
2:43:21
SBD
Rating:
9.65 / 17 ratings
Taper:
Betty Cantor
Transferrer:
Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer..Transferred and mastered by ChrisL.
SHNID:
gd1977-10-02.sbd.cantor.gmb.86354.sbeok.flac16
Source:
Betty Board (see comments)
Lineage:
See info file
Taper Notes:
View NotesSource: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz X2 > WBOTB Master DAT (DAT-2). Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transferred and mastered by ChrisL. Seeded by the Green Mountain Bros. at bt.etree.org, July 2007. Comments: - High pitched whine @ 15600 KHz was attenuated using Waves Q10 Supernotch on 24/96 fileset. - Intermittently before the start of several tracks, there is a stage-amplifier related buzzing that is faded up/down. - Reel flip during "Wharf Rat" smoothed to a nearly seamless state with a 4 measure loop and crossfade.
Source 4 of 6
2:43:11
SBD
Rating:
9.64 / 44 ratings
Source:
Soundboard
Lineage:
MR>P2>D1); 7in two track BBD reel w/ DBX-1@ 7 1/2 ips > PCM501ES @ 44.055 kHz; PCM501ES analog out > DBX-1 decoder> analog in PCM501ES; PCM501ES analog out > Fostex D5 @ 48 kHz
Taper Notes:
View NotesWBOTB <a href="http://gastineau.home.mindspring.com/cdr102.htm" rel="ugc nofollow">tree</a>; Complete show-- source tape: MR>P2>D1); 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz; PCM501ES analog out > DBX-1 decoder > analog in PCM501ES; PCM501ES analog out > Fostex D5 @ 48 kHz; Casey Jones, brief low-level crackle, poss bad mic; Wharf Rat ~30 sec section of analog tape damage leading to a cut during the song. There is an illegal bootleg available that apparently has no cut in Wharf Rat, but the cut has been edited out and the song is about 30 sec shorter than on the Betty reel. No EQ has been performed. You hear what is on the Betty reels.; <b>note</b> md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 7/99 shn set
Taper: Sandy Troy
2:31:18
Taper:
Sandy Troy
Transferrer:
Scott Clugston and Charlie Miller and Matt Smith
SHNID:
gd1977-10-02.142121.akg.d224e.troy.smith.miller.clugston.flac1648
Source:
Sandy Troy's Master 10" Audience Reels (Sony TC-755); AKG D224E mics
Taper Notes:
View NotesNotes: - Thanks to Matt Smith for the transfer - Thanks to Charlie Miller for the source and coordinating this effort - Pitch corrected - Missing "Johnny B. Goode" encore - 1st audience source in general circulation (5/2018) Mastered by Scott Clugston May 9, 2018
Taper: Sandy Troy
2:31:29
Taper:
Sandy Troy
Transferrer:
Matt Smith, Charlie Miller, Scott Clugston
SHNID:
gd1977-10-02.142120.akg.d224e.troy-smith-miller-clugston.flac2496
Source:
Sandy Troy's Master 10" Audience Reels (Sony TC-755); AKG D224E mics
Lineage:
Master Reels (Technics RS-1506)> Apogee Mini-Me > Apogee Mini DAC (.wav 24-bit/96k) > Adobe Audition 3.0 (24-bit/96k)> TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Matt Smith for the transfer - Thanks to Charlie Miller for the source and coordinating this effort - Pitch corrected - Missing "Johnny B. Goode" encore - 1st audience source in general circulation (5/2018) Mastered by Scott Clugston May 9, 2018