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June 13th
7 shows
49 tapes
Years
1995
30.2k
PlaybackListensHours
48h51968
7d1.5k202
30d30.2k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.1k170
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h2.8k385
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h4.6k612
7d5.6k725
30d39.9k5.3k
57 shows
539 tapes
1991
39.2k
PlaybackListensHours
48h5k650
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h2.7k355
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.9k362
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.4k159
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h6.5k761
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1.1k125
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.8k206
7d4.2k488
30d22.9k2.7k
73 shows
1,357 tapes
1984
21.2k
PlaybackListensHours
48h4.8k551
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.4k183
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.4k172
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h1.8k219
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h8.2k978
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.7k240
7d3.9k557
30d21.7k3k
79 shows
608 tapes
1978
46.1k
PlaybackListensHours
48h1.9k264
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h8.9k1.2k
7d45.9k6.3k
30d290.3k40k
64 shows
419 tapes
1976
71.6k
PlaybackListensHours
48h17.4k2.3k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h36739
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.8k488
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.3k715
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.8k353
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.9k206
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.5k178
7d7.8k819
30d45k4.8k
101 shows
376 tapes
1969
27.4k
PlaybackListensHours
48h1.4k182
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h43454
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14920
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h30521
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h161
7d1268
30d63237
2 shows
2 tapes
1977
10/2/77
Crowd
1:05
Casey Jones
11:05
Jack Straw
5:23
Sunrise
4:40
Brown Eyed Women
5:55
El Paso
5:35
Dupree's Diamond Blues
6:10
Let It Grow
12:28
Deal
6:53
Crowd
2:00
Samson and Delilah
8:31
Scarlet Begonias
9:11
Fire On The Mountain
14:56
Funiculi Funicula
0:53
Playin' In The Band
9:46
Drums
5:09
The Wheel
5:24
Truckin'
10:34
The Other One
5:32
Wharf Rat
11:08
Sugar Magnolia
9:11
FIN
View on archive.org
Sources
Transferrer: Scott Clugston and Charlie Miller
2:43:01
SBD
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1977-10-02.142122.sbd.miller.clugston.patched.flac1644
Source:
SBD > Master Reel > PCM > Dat
Lineage:
Dat (Tascam DA-20) > Tascam SS-R05 > Samplitude Professional v11.2.1 > FLAC
Taper Notes:
View NotesNotes: - Thanks to Sandy Troy, Matt Smith and Charlie Miller for the AKG D224E source which supplies a 0:30 patch in "Wharf Rat" Mastered by Scott Clugston May 29, 2018
Transferrer: Charlie Miller
2:42:44
SBD
Rating:
9.33 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1977-10-02.123102.sbd.miller.flac16
Source:
SBD -> Master Reel -> PCM -> Dat
Lineage:
Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Tape flip in Wharf Rat at 9:24
Taper: Betty Cantor
2:43:21
SBD
Rating:
9.65 / 17 ratings
Taper:
Betty Cantor
Transferrer:
Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer..Transferred and mastered by ChrisL.
SHNID:
gd1977-10-02.sbd.cantor.gmb.86354.sbeok.flac16
Source:
Betty Board (see comments)
Lineage:
See info file
Taper Notes:
View NotesSource: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz X2 > WBOTB Master DAT (DAT-2). Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transferred and mastered by ChrisL. Seeded by the Green Mountain Bros. at bt.etree.org, July 2007. Comments: - High pitched whine @ 15600 KHz was attenuated using Waves Q10 Supernotch on 24/96 fileset. - Intermittently before the start of several tracks, there is a stage-amplifier related buzzing that is faded up/down. - Reel flip during "Wharf Rat" smoothed to a nearly seamless state with a 4 measure loop and crossfade.
Source 4 of 6
2:43:11
SBD
Rating:
9.64 / 44 ratings
Source:
Soundboard
Lineage:
MR>P2>D1); 7in two track BBD reel w/ DBX-1@ 7 1/2 ips > PCM501ES @ 44.055 kHz; PCM501ES analog out > DBX-1 decoder> analog in PCM501ES; PCM501ES analog out > Fostex D5 @ 48 kHz
Taper Notes:
View NotesWBOTB <a href="http://gastineau.home.mindspring.com/cdr102.htm" rel="ugc nofollow">tree</a>; Complete show-- source tape: MR>P2>D1); 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz; PCM501ES analog out > DBX-1 decoder > analog in PCM501ES; PCM501ES analog out > Fostex D5 @ 48 kHz; Casey Jones, brief low-level crackle, poss bad mic; Wharf Rat ~30 sec section of analog tape damage leading to a cut during the song. There is an illegal bootleg available that apparently has no cut in Wharf Rat, but the cut has been edited out and the song is about 30 sec shorter than on the Betty reel. No EQ has been performed. You hear what is on the Betty reels.; <b>note</b> md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 7/99 shn set
Taper: Sandy Troy
2:31:18
Taper:
Sandy Troy
Transferrer:
Scott Clugston and Charlie Miller and Matt Smith
SHNID:
gd1977-10-02.142121.akg.d224e.troy.smith.miller.clugston.flac1648
Source:
Sandy Troy's Master 10" Audience Reels (Sony TC-755); AKG D224E mics
Taper Notes:
View NotesNotes: - Thanks to Matt Smith for the transfer - Thanks to Charlie Miller for the source and coordinating this effort - Pitch corrected - Missing "Johnny B. Goode" encore - 1st audience source in general circulation (5/2018) Mastered by Scott Clugston May 9, 2018
Taper: Sandy Troy
2:31:29
Taper:
Sandy Troy
Transferrer:
Matt Smith, Charlie Miller, Scott Clugston
SHNID:
gd1977-10-02.142120.akg.d224e.troy-smith-miller-clugston.flac2496
Source:
Sandy Troy's Master 10" Audience Reels (Sony TC-755); AKG D224E mics
Lineage:
Master Reels (Technics RS-1506)> Apogee Mini-Me > Apogee Mini DAC (.wav 24-bit/96k) > Adobe Audition 3.0 (24-bit/96k)> TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Matt Smith for the transfer - Thanks to Charlie Miller for the source and coordinating this effort - Pitch corrected - Missing "Johnny B. Goode" encore - 1st audience source in general circulation (5/2018) Mastered by Scott Clugston May 9, 2018