Bands
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Bands
Grateful Dead
Today In History
June 9th
9 shows
89 tapes
Years
1995
29.8k
PlaybackListensHours
48h62284
7d4k544
30d29.8k4.2k
49 shows
341 tapes
1994
8.4k
PlaybackListensHours
48h1.7k213
7d1.4k195
30d8.4k1.2k
85 shows
460 tapes
1993
38.1k
PlaybackListensHours
48h3.1k375
7d8k1.1k
30d38.1k5k
83 shows
656 tapes
1992
35.9k
PlaybackListensHours
48h2.3k300
7d4k503
30d35.9k4.8k
57 shows
539 tapes
1991
38.5k
PlaybackListensHours
48h3.2k464
7d11k1.5k
30d38.5k5.2k
78 shows
973 tapes
1990
34.4k
PlaybackListensHours
48h9.2k1.1k
7d5.6k731
30d34.4k4.5k
78 shows
1,139 tapes
1989
46.7k
PlaybackListensHours
48h2.4k299
7d7.2k909
30d46.7k5.8k
78 shows
1,017 tapes
1988
21.1k
PlaybackListensHours
48h1.1k132
7d2.7k310
30d21.1k2.4k
82 shows
882 tapes
1987
33.6k
PlaybackListensHours
48h1.8k198
7d5.2k565
30d33.6k3.7k
88 shows
1,025 tapes
1986
12k
PlaybackListensHours
48h69578
7d1.9k211
30d12k1.4k
47 shows
683 tapes
1985
21.3k
PlaybackListensHours
48h1.4k158
7d3.9k464
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h2.6k316
7d2.8k363
30d15.3k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.2k160
7d3.2k413
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k144
7d3.7k457
30d41.6k5.2k
63 shows
753 tapes
1981
49.2k
PlaybackListensHours
48h1.4k174
7d4.6k599
30d49.2k6.2k
92 shows
868 tapes
1980
69.6k
PlaybackListensHours
48h5k568
7d11.8k1.3k
30d69.6k8.1k
91 shows
794 tapes
1979
24.5k
PlaybackListensHours
48h1.5k215
7d2.8k389
30d24.5k3.4k
79 shows
600 tapes
1978
53.2k
PlaybackListensHours
48h1.7k230
7d11k1.4k
30d53.2k7.3k
87 shows
592 tapes
1977
286k
PlaybackListensHours
48h20.1k2.8k
7d35.1k4.7k
30d286k39.4k
64 shows
419 tapes
1976
49.6k
PlaybackListensHours
48h5.8k829
7d14.8k2.1k
30d49.6k6.7k
45 shows
298 tapes
1975
6.2k
PlaybackListensHours
48h58757
7d1.7k157
30d6.2k638
25 shows
63 tapes
1974
98.7k
PlaybackListensHours
48h7.3k965
7d9.1k1.1k
30d98.7k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h5.6k721
7d9.2k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
69.8k
PlaybackListensHours
48h2.2k285
7d6.8k831
30d69.8k8.5k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.6k177
7d4.5k500
30d33.5k3.8k
82 shows
357 tapes
1970
44.4k
PlaybackListensHours
48h2k227
7d16.6k1.7k
30d44.4k4.7k
101 shows
376 tapes
1969
25.9k
PlaybackListensHours
48h1.8k293
7d5.7k931
30d25.9k3.8k
112 shows
326 tapes
1968
6.7k
PlaybackListensHours
48h900122
7d991122
30d6.7k831
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13618
7d26437
30d1.5k202
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h29316
7d76858
30d7.9k532
32 shows
78 tapes
1965
579
PlaybackListensHours
48h342
7d925
30d57934
2 shows
2 tapes
1977
Sources
Transferrer: Matrix by dusborne
3:15:05
SBD
Rating:
10.00 / 8 ratings
Transferrer:
Matrix by dusborne
SHNID:
gd1977-05-07.124619.mtx.dusborne.flac16
Source:
2 Source Matrix by dusborne; Soundboard (shinid:088525) Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller and Audience (shnid:6021) audMC > DAT > Soundforge > CDWAV > SHN Taper: Steve Rolfe Sony ECM 33P mic > TC-152 deck A > D transfer by Noah Weiner
Taper Notes:
View Notes------------------------------------------------------------------------------------ Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use st5 to validate audio integrity. Md5 values will change if tagging is altered. dusborne 05-21-2013
Transferrer: Charlie Miller
3:08:32
SBD
Rating:
9.69 / 40 ratings
Transferrer:
Charlie Miller
SHNID:
gd1977-05-07.sbd.miller.88525.flac16
Source:
SBD -> Master Reel -> PCM -> Dat (44.1k) D
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC
Taper Notes:
View NotesPatch Info: Sony ECM 33P -> Cassette Master -> Sound Forge -> SHN (shnid=6021) supplies: Around And Around (1:48 - 2:09) Alternate SBD source supplies: U.S. Blues (complete track) Notes: -- All disc changes are seamless -- Adjusted pitch of AUD patch to match Master Reel SBD
Taper: Source & Transfer by Anonymous
3:11:29
SBD
Taper:
Source & Transfer by Anonymous
Transferrer:
Edited & Mastered using Adobe Audition by Joe Noel
SHNID:
gd1977-05-07.148755.SBD.Betty.Anon.Noel.fix.t-flac2448
Source:
Source: Betty Cantor's SBD Reel Master > PCM > Beta PCM clone > cloned to wav file on computer by Sony SLHF300 Betamax and modified Sony PCM601esd via spdif output > VX pocket SPDIF input > emphasis decoded in software and played out of computer via SPDIF out into Myteck Stereo DAC96 (balanced analog out with Superclock on) > DBX150X Type I dbx decode (balanced analog in and out) > Korg MR2000 (1 bit) > rendered to 24 48 in Audiogate
Taper Notes:
View Notespatch info: - shnid (6021) supplies: - s2t12; 01:48 - 02:09 - shnid (124619) supplies: - s2t13; all - s2t14; all Notes: - Thanks to anonymous, for sharing this source while hiding out away from the Bay Area - Thanks to Steve Rolfe for recording the show - Thanks to dusborne for his work on the matrix - The bands equipment was working fine at soundcheck, come showtime, not so much. - Billy's 31st Birthday or his 18th, either way worldly. fix: - d/o's were repaired in the first set (no music was effected)
Taper: Betty Cantor
3:11:51
SBD
Rating:
9.00 / 2 ratings
Taper:
Betty Cantor
Transferrer:
Source & Transfer by Anonymous;Edited & Mastered using Adobe Audition by Joe Noel
SHNID:
gd1977-05-07.148736.SBD.Betty.Anon.Noel.t-flac2448
Source:
Source: Betty Cantor's SBD Reel Master > PCM > Beta PCM clone > cloned to wav file on computer by Sony SLHF300 Betamax and modified Sony PCM601esd via spdif output > VX pocket SPDIF input > emphasis decoded in software and played out of computer via SPDIF out into Myteck Stereo DAC96 (balanced analog out with Superclock on) > DBX150X Type I dbx decode (balanced analog in and out) > Korg MR2000 (1 bit) > rendered to 24 48 in Audiogate
Taper Notes:
View Notespatch info: - shnid (6021) supplies: - s2t12; 01:48 - 02:09 - shnid (124619) supplies: - s2t13; all - s2t14; all Notes: - Thanks to anonymous, for sharing this source while hiding out away from the Bay Area - Thanks to Steve Rolfe for recording the show - Thanks to dusborne for his work on the matrix - The bands equipment was working fine at soundcheck, come showtime, not so much. - Billy's 31st Birthday or his 18th, either way worldly.
Source 5 of 9
3:15:28
SBD
Rating:
9.93 / 30 ratings
SHNID:
gd77-05-07.sbd.bertha-ashley.26361.sbeok.shnf
Source:
Soundboard
Lineage:
SBD> MR> DAT> editing> SHN> DAW(Bertha)> CDA/SHN
Taper Notes:
View NotesBertha Remaster of the Rob Eaton/The Wizard <a href="shn/26085" rel="ugc nofollow">soundboard source</a>: SBD> MR> DAT> editing> SHN> DAW(Bertha)> CDA/SHN, by Jay Ashley; see pub comments for extended notes
Source 6 of 9
3:15:25
SBD
Rating:
9.48 / 93 ratings
SHNID:
gd77-05-07.sbd.eaton.wizard.26085.sbeok.shnf
Source:
Soundboard
Lineage:
SBDMR > PCM > DAT > digital emphasis decode > D->A conversion > DBX Decode > digital mixing console (level adjustments > DAT > DAT (master clone)> WAV > additional editing (AUD patching, pop/glitch removal, etc.) > SHN. Digital encoding and DBX decoding b
Taper Notes:
View NotesSBDMR > PCM > DAT > digital emphasis decode > D->A conversion > DBX Decode > digital mixing console (level adjustments > DAT > DAT (master clone)> WAV > additional editing (AUD patching, pop/glitch removal, etc.) > SHN. Digital encoding and DBX decoding by Rob Eaton; CD editing and mastering by The Wizard.
Source 7 of 9
2:43:33
SBD
Rating:
9.80 / 53 ratings
Source:
Soundboard
Lineage:
SBD> Betty Reels> PCM> DAT> Digitally read in on SGI> SHN
Taper Notes:
View NotesSBD> Betty Reels> PCM> DAT> Digitally read in on SGI> SHN; USB missing, Around has a couple of uncorrectable blems; (note missing USB- one might infer this stemmed from the WBOTB source distribution- their USB was intended to become filler on a 4/78 show which did not end up getting around); note tracking in info file here is 9-6-4, tracking in md5s is 8-6-4?
Taper: Kathy Sublette
2:54:36
Taper:
Kathy Sublette
Transferrer:
DSF Transfer by Mark Goldey Edited & Mastered by Joe Noel April 02, 2024
SHNID:
gd1977-05-07.167736.ShureSM57.Sublette.noel.goldey.t-flac2496
Source:
Shure SM57 > Sony-TC158 (dolby ??) > Master Cassettes
Lineage:
Master Cassettes > Nak CR-7A > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition > Flac @ 2496
Taper Notes:
View NotesNotes: - The bands equipment was working fine at soundcheck, come showtime, not so much. - Billy's 31st Birthday or his 18th, either way, worldly. - The crowd was rowdy (but good natured, I'm sure.) Thanks to; - Kathy Sublette for recording the show. - Mark Goldey for the DSF Transfer. - Ted Mattes for organizing this project.
Taper: Steve Rolfe
3:12:47
Rating:
8.60 / 10 ratings
Taper:
Steve Rolfe
Transferrer:
Noah Weiner
SHNID:
gd77-05-07.rolfe.weiner.6021.sbeok.shnf
Source:
Audience Recording: Sony ECM 33P mic > TC-152 deck
Lineage:
AudMC > DAT > Soundforge > CDWAV > SHN
Taper Notes:
View NotesSony ECM 33P mic > TC-152 deck, Taper: Steve Rolfe; AudMC > DAT > Soundforge > CDWAV > SHN; A > D transfer by Noah Weiner: AudMC played back on a Nakamichi MR-1 > Fostex D5 (A>D only); Soundforge was used for normalizing and editing