Bands
Featured
Bands
Grateful Dead
Today In History
June 8th
9 shows
70 tapes
Years
1995
30k
PlaybackListensHours
48h764105
7d11.4k1.6k
30d30k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h68296
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h3.8k505
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.9k363
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h9.3k1.3k
7d9k1.2k
30d40.6k5.5k
78 shows
967 tapes
1990
35.2k
PlaybackListensHours
48h2.6k346
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h3k372
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.3k157
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h2.2k248
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h932103
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.8k212
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.1k145
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.5k203
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.8k224
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.3k301
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.3k670
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.3k184
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h2.1k284
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.3k2.7k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.7k503
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h80481
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.3k560
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.6k603
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h3.4k420
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h2.1k228
7d6.2k691
30d34.3k3.9k
82 shows
356 tapes
1970
42.2k
PlaybackListensHours
48h9.3k947
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.2k360
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h42152
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10815
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h24318
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h493
7d1026
30d57334
2 shows
2 tapes
1977
Sources
Transferrer: Matrix by dusborne
3:15:05
SBD
Rating:
10.00 / 8 ratings
Transferrer:
Matrix by dusborne
SHNID:
gd1977-05-07.124619.mtx.dusborne.flac16
Source:
2 Source Matrix by dusborne; Soundboard (shinid:088525) Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller and Audience (shnid:6021) audMC > DAT > Soundforge > CDWAV > SHN Taper: Steve Rolfe Sony ECM 33P mic > TC-152 deck A > D transfer by Noah Weiner
Taper Notes:
View Notes------------------------------------------------------------------------------------ Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use st5 to validate audio integrity. Md5 values will change if tagging is altered. dusborne 05-21-2013
Transferrer: Charlie Miller
3:08:32
SBD
Rating:
9.69 / 40 ratings
Transferrer:
Charlie Miller
SHNID:
gd1977-05-07.sbd.miller.88525.flac16
Source:
SBD -> Master Reel -> PCM -> Dat (44.1k) D
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC
Taper Notes:
View NotesPatch Info: Sony ECM 33P -> Cassette Master -> Sound Forge -> SHN (shnid=6021) supplies: Around And Around (1:48 - 2:09) Alternate SBD source supplies: U.S. Blues (complete track) Notes: -- All disc changes are seamless -- Adjusted pitch of AUD patch to match Master Reel SBD
Taper: Source & Transfer by Anonymous
3:11:29
SBD
Taper:
Source & Transfer by Anonymous
Transferrer:
Edited & Mastered using Adobe Audition by Joe Noel
SHNID:
gd1977-05-07.148755.SBD.Betty.Anon.Noel.fix.t-flac2448
Source:
Source: Betty Cantor's SBD Reel Master > PCM > Beta PCM clone > cloned to wav file on computer by Sony SLHF300 Betamax and modified Sony PCM601esd via spdif output > VX pocket SPDIF input > emphasis decoded in software and played out of computer via SPDIF out into Myteck Stereo DAC96 (balanced analog out with Superclock on) > DBX150X Type I dbx decode (balanced analog in and out) > Korg MR2000 (1 bit) > rendered to 24 48 in Audiogate
Taper Notes:
View Notespatch info: - shnid (6021) supplies: - s2t12; 01:48 - 02:09 - shnid (124619) supplies: - s2t13; all - s2t14; all Notes: - Thanks to anonymous, for sharing this source while hiding out away from the Bay Area - Thanks to Steve Rolfe for recording the show - Thanks to dusborne for his work on the matrix - The bands equipment was working fine at soundcheck, come showtime, not so much. - Billy's 31st Birthday or his 18th, either way worldly. fix: - d/o's were repaired in the first set (no music was effected)
Taper: Betty Cantor
3:11:51
SBD
Rating:
9.00 / 2 ratings
Taper:
Betty Cantor
Transferrer:
Source & Transfer by Anonymous;Edited & Mastered using Adobe Audition by Joe Noel
SHNID:
gd1977-05-07.148736.SBD.Betty.Anon.Noel.t-flac2448
Source:
Source: Betty Cantor's SBD Reel Master > PCM > Beta PCM clone > cloned to wav file on computer by Sony SLHF300 Betamax and modified Sony PCM601esd via spdif output > VX pocket SPDIF input > emphasis decoded in software and played out of computer via SPDIF out into Myteck Stereo DAC96 (balanced analog out with Superclock on) > DBX150X Type I dbx decode (balanced analog in and out) > Korg MR2000 (1 bit) > rendered to 24 48 in Audiogate
Taper Notes:
View Notespatch info: - shnid (6021) supplies: - s2t12; 01:48 - 02:09 - shnid (124619) supplies: - s2t13; all - s2t14; all Notes: - Thanks to anonymous, for sharing this source while hiding out away from the Bay Area - Thanks to Steve Rolfe for recording the show - Thanks to dusborne for his work on the matrix - The bands equipment was working fine at soundcheck, come showtime, not so much. - Billy's 31st Birthday or his 18th, either way worldly.
Source 5 of 9
3:15:28
SBD
Rating:
9.93 / 30 ratings
SHNID:
gd77-05-07.sbd.bertha-ashley.26361.sbeok.shnf
Source:
Soundboard
Lineage:
SBD> MR> DAT> editing> SHN> DAW(Bertha)> CDA/SHN
Taper Notes:
View NotesBertha Remaster of the Rob Eaton/The Wizard <a href="shn/26085" rel="ugc nofollow">soundboard source</a>: SBD> MR> DAT> editing> SHN> DAW(Bertha)> CDA/SHN, by Jay Ashley; see pub comments for extended notes
Source 6 of 9
3:15:25
SBD
Rating:
9.48 / 93 ratings
SHNID:
gd77-05-07.sbd.eaton.wizard.26085.sbeok.shnf
Source:
Soundboard
Lineage:
SBDMR > PCM > DAT > digital emphasis decode > D->A conversion > DBX Decode > digital mixing console (level adjustments > DAT > DAT (master clone)> WAV > additional editing (AUD patching, pop/glitch removal, etc.) > SHN. Digital encoding and DBX decoding b
Taper Notes:
View NotesSBDMR > PCM > DAT > digital emphasis decode > D->A conversion > DBX Decode > digital mixing console (level adjustments > DAT > DAT (master clone)> WAV > additional editing (AUD patching, pop/glitch removal, etc.) > SHN. Digital encoding and DBX decoding by Rob Eaton; CD editing and mastering by The Wizard.
Source 7 of 9
2:43:33
SBD
Rating:
9.80 / 53 ratings
Source:
Soundboard
Lineage:
SBD> Betty Reels> PCM> DAT> Digitally read in on SGI> SHN
Taper Notes:
View NotesSBD> Betty Reels> PCM> DAT> Digitally read in on SGI> SHN; USB missing, Around has a couple of uncorrectable blems; (note missing USB- one might infer this stemmed from the WBOTB source distribution- their USB was intended to become filler on a 4/78 show which did not end up getting around); note tracking in info file here is 9-6-4, tracking in md5s is 8-6-4?
Taper: Kathy Sublette
2:54:36
Taper:
Kathy Sublette
Transferrer:
DSF Transfer by Mark Goldey Edited & Mastered by Joe Noel April 02, 2024
SHNID:
gd1977-05-07.167736.ShureSM57.Sublette.noel.goldey.t-flac2496
Source:
Shure SM57 > Sony-TC158 (dolby ??) > Master Cassettes
Lineage:
Master Cassettes > Nak CR-7A > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition > Flac @ 2496
Taper Notes:
View NotesNotes: - The bands equipment was working fine at soundcheck, come showtime, not so much. - Billy's 31st Birthday or his 18th, either way, worldly. - The crowd was rowdy (but good natured, I'm sure.) Thanks to; - Kathy Sublette for recording the show. - Mark Goldey for the DSF Transfer. - Ted Mattes for organizing this project.
Taper: Steve Rolfe
3:12:47
Rating:
8.60 / 10 ratings
Taper:
Steve Rolfe
Transferrer:
Noah Weiner
SHNID:
gd77-05-07.rolfe.weiner.6021.sbeok.shnf
Source:
Audience Recording: Sony ECM 33P mic > TC-152 deck
Lineage:
AudMC > DAT > Soundforge > CDWAV > SHN
Taper Notes:
View NotesSony ECM 33P mic > TC-152 deck, Taper: Steve Rolfe; AudMC > DAT > Soundforge > CDWAV > SHN; A > D transfer by Noah Weiner: AudMC played back on a Nakamichi MR-1 > Fostex D5 (A>D only); Soundforge was used for normalizing and editing