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Grateful Dead
Today In History
June 10th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h60481
7d4.3k583
30d30.1k4.2k
49 shows
341 tapes
1994
9.1k
PlaybackListensHours
48h1.8k230
7d2.2k287
30d9.1k1.3k
85 shows
460 tapes
1993
39.7k
PlaybackListensHours
48h2.7k338
7d9.6k1.3k
30d39.7k5.2k
83 shows
656 tapes
1992
37.2k
PlaybackListensHours
48h1.9k247
7d5.3k681
30d37.2k4.9k
57 shows
539 tapes
1991
40k
PlaybackListensHours
48h3k435
7d12.5k1.7k
30d40k5.4k
78 shows
973 tapes
1990
39.4k
PlaybackListensHours
48h8.9k1.1k
7d10.6k1.4k
30d39.4k5.2k
78 shows
1,139 tapes
1989
48k
PlaybackListensHours
48h2.3k290
7d8.5k1.1k
30d48k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.1k128
7d3.4k389
30d21.8k2.5k
82 shows
882 tapes
1987
34.4k
PlaybackListensHours
48h1.8k203
7d6k654
30d34.4k3.7k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h70479
7d2.3k257
30d12.5k1.4k
47 shows
684 tapes
1985
22.1k
PlaybackListensHours
48h1.5k170
7d4.7k552
30d22.1k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h4k472
7d3.2k420
30d15.8k2k
67 shows
1,075 tapes
1983
33.9k
PlaybackListensHours
48h1.1k154
7d3.8k501
30d33.9k4.5k
71 shows
1,069 tapes
1982
42.3k
PlaybackListensHours
48h1.1k135
7d4.4k549
30d42.3k5.3k
63 shows
753 tapes
1981
50k
PlaybackListensHours
48h1.6k196
7d5.5k706
30d50k6.3k
92 shows
868 tapes
1980
73.6k
PlaybackListensHours
48h3.4k386
7d15.8k1.8k
30d73.6k8.5k
91 shows
794 tapes
1979
25.3k
PlaybackListensHours
48h1.5k210
7d3.6k507
30d25.3k3.5k
79 shows
600 tapes
1978
54.1k
PlaybackListensHours
48h1.8k240
7d11.8k1.5k
30d54.1k7.4k
87 shows
592 tapes
1977
296.5k
PlaybackListensHours
48h18.6k2.5k
7d45.5k6.3k
30d296.5k40.9k
64 shows
419 tapes
1976
51.2k
PlaybackListensHours
48h8.5k1.2k
7d16.4k2.3k
30d51.2k7k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h37140
7d2.1k192
30d6.6k673
25 shows
63 tapes
1974
104k
PlaybackListensHours
48h5.2k698
7d14.3k1.8k
30d104k13.2k
42 shows
324 tapes
1973
81.1k
PlaybackListensHours
48h7.7k1k
7d11.1k1.4k
30d81.1k10.3k
75 shows
445 tapes
1972
71k
PlaybackListensHours
48h2.1k266
7d8k987
30d71k8.6k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k193
7d5.2k585
30d34.3k3.9k
82 shows
357 tapes
1970
45.8k
PlaybackListensHours
48h1.7k187
7d17.9k1.8k
30d45.8k4.9k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.3k204
7d7k1.1k
30d27.1k4.1k
112 shows
326 tapes
1968
7.2k
PlaybackListensHours
48h856112
7d1.5k192
30d7.2k901
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h12918
7d34448
30d1.5k213
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h33920
7d86062
30d8k535
32 shows
78 tapes
1965
594
PlaybackListensHours
48h604
7d1076
30d59434
2 shows
2 tapes
1976
Sources
Transferrer: Chris Chappell
2:36:35
SBD
Rating:
8.00 / 1 rating
Transferrer:
Chris Chappell
SHNID:
gd1976-07-17.mtx.chappell.sb25.95734.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View NotesMatrix: (SBD + AUD mix) SBd/AUD Ratio = Phi SBD: (shnid=34708 - fix of 243) Master Reel > DAT > CD via? fix via Bill Tetzeli (crossfaded patch in Eyes) AUD: (shnid=18389) Source: Recorded by Bob Menke; Sony ECM-280s> Sony TC-152 from front of balcony Lineage: MAC>R>D>WAV>SHN DAT -> SHN Conversion: Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > sector boundary verification (shntool v1.01) > CD/SHN by David Minches, info file by Matt Vernon Matrixed by Chris Chappell [email protected] Novemeber 9, 2008 General Notes: Shnid 91827 was an earlier version of this matrix which derived from reference CDRs that I had sent to Rob Bertrando who suggested I do a matrix of this show. His edits included adding some low end, pitch correction, and swapping channels in the patch in Eyes. Noah Weiner made flacs of these changes but had inadvertently checked the replay gain option. So 91827 had 2 DAEs in the lineage, plus replay gain (my v.1 ref CDRs > DAE > Rob's edits > CDRs > DAE > Noah's Flacs). This new version has similar edits, EQ, pitch correction, etc. to those that Rob had done, slightly different SBD/AUD ratio, and no DAEs. The timing of the initial seed being what it was, I am making this version retroactive and naming it Vol. 25. Many thanks to Rob Bertrando for the motivation to work on this fine show - the Comes A Time intro and post jam are worth the price of admission alone. Thanks to Bob Menke for recording the AUD, and to David Minches for the transfer. It's not clear who was responsible for putting the SBD into circulation - so whoever you are - Thanks! Enjoy! - Chris
Taper: itch Correction & Slight Bass Boost processed by Rob Bertrando. Final matrix seed discs provided by Rob Betrando EAC > FLAC by Noah Weiner
2:36:17
SBD
Rating:
8.00 / 6 ratings
Taper:
itch Correction & Slight Bass Boost processed by Rob Bertrando. Final matrix seed discs provided by Rob Betrando EAC > FLAC by Noah Weiner
SHNID:
gd1976-07-17.mtx.chappell-bertrando.91827.sbeok.flac16
Source:
Matrix Ratio: 60%(SBD) / 40%(AUD)
Lineage:
Matrix created by Chris Chappell. note: Corrected for flipped channels in SBD patch in Eyes
Taper Notes:
View NotesNote: Donna was absent during the second set
Transferrer: Fix of shnid 243 by Bill Tetzeli
2:32:35
SBD
Rating:
8.00 / 7 ratings
Transferrer:
Fix of shnid 243 by Bill Tetzeli
SHNID:
gd1976-07-17.sbd.fricker-fix.tetzeli.34708.sbefail.flac16
Source:
SBD: Master Reel > DAT > CD
Taper Notes:
View NotesThis source contains the following fix - I smoothed out the splice in Eyes by crossfading it in Cool Edit Pro. The original splice had a one note repeat at the beginning (~2:39)and a ~2.5 sec repeat at the end (~3:18), very jarring. Because there was only a small overlap in the beginning the crossfade is still noticeable, but not nearly as jarring as hearing the repeats. Because there was more overlap at the end of the splice I was able to make the transition much more transparent there. Bill Tetzeli ([email protected]) 3/28/2006 "Eyes of the World" has a 45-second splice from a cassette sbd.
Source 4 of 7
2:32:37
SBD
Rating:
8.82 / 17 ratings
Source:
Soundboard
Lineage:
SBD: Master Reel > DAT > CD
Taper Notes:
View NotesSBD: Master Reel > DAT > CD (possible "new leak"?); Eyes has a 45-second AUD splice, and 2 sec repeat at 3:30 (is that the splice point?); via J. Fricker
Taper: Taped By: Bob Menke
2:35:46
SBD
Rating:
9.00 / 2 ratings
Taper:
Taped By: Bob Menke
Transferrer:
Transfer By: Bob Menke Mastering By: Derek McCabe
SHNID:
gd1976-07-17.157427.mtx.motb.0201.flac16
Source:
Analog Soundboard Source: gd76-07-17.sbd.34708 Analog Audience Source: ECM 280's 152
Lineage:
Analog Sound Preservation: MAC > Nak DR-1 > Korg at 5.6 mhz
Taper: Bob Menke
2:39:39
Taper:
Bob Menke
Transferrer:
Charlie Miller
SHNID:
gd1976-07-17.141966.ecm270.menke-miller.flac1644
Source:
<b/>flac </b> Recording Info:(Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> DatTransfer Info:Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC(3 Discs Audio / 1 DVD FLAC)Recorded By Bob MenkeAll Transfers and Mastering By Charlie Miller
Taper Notes:
View NotesNotes: -- Set 2 is seamless
Taper: Bob Menke
2:35:56
Rating:
8.89 / 10 ratings
Taper:
Bob Menke
Transferrer:
David Minches
SHNID:
gd76-07-17.menke.minches.18389.sbeok.shnf
Source:
Audience Recording: Sony ECM-270s> Sony TC-152 from front of balcony
Lineage:
MAC> R> D> WAV> SHN
Taper Notes:
View NotesRecorded by Bob Menke; Sony ECM-280s> Sony TC-152 from front of balcony. Lineage: MAC>R>D>WAV>SHN via David Minches