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Grateful Dead
Today In History
June 10th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h57077
7d2.1k285
30d29.8k4.2k
49 shows
341 tapes
1994
8.7k
PlaybackListensHours
48h2k257
7d1.8k240
30d8.7k1.2k
85 shows
460 tapes
1993
39.3k
PlaybackListensHours
48h2.4k301
7d9k1.2k
30d39.3k5.2k
83 shows
656 tapes
1992
37k
PlaybackListensHours
48h1.5k197
7d4.8k614
30d37k4.9k
57 shows
539 tapes
1991
35k
PlaybackListensHours
48h2.9k419
7d11.7k1.6k
30d35k4.8k
78 shows
973 tapes
1990
38.5k
PlaybackListensHours
48h9.6k1.2k
7d9.3k1.2k
30d38.5k5k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.5k308
7d6.5k807
30d47k5.9k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.1k135
7d2.7k310
30d21k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h2.1k237
7d4.7k520
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h79591
7d1.8k197
30d11.7k1.3k
47 shows
684 tapes
1985
21.3k
PlaybackListensHours
48h1.7k194
7d3.7k437
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h5.5k637
7d2.6k335
30d15.3k2k
67 shows
1,075 tapes
1983
33.4k
PlaybackListensHours
48h1.2k157
7d3k402
30d33.4k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k148
7d3.8k466
30d41.6k5.2k
63 shows
753 tapes
1981
45.9k
PlaybackListensHours
48h1.9k236
7d4.5k573
30d45.9k5.8k
92 shows
868 tapes
1980
69.5k
PlaybackListensHours
48h2.6k300
7d14.6k1.6k
30d69.5k8.1k
91 shows
794 tapes
1979
22.9k
PlaybackListensHours
48h1.5k210
7d2.9k413
30d22.9k3.2k
79 shows
600 tapes
1978
51.7k
PlaybackListensHours
48h1.9k254
7d5.7k756
30d51.7k7.1k
87 shows
592 tapes
1977
285.6k
PlaybackListensHours
48h17.1k2.3k
7d36.3k5.1k
30d285.6k39.4k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h11.8k1.6k
7d8.9k1.2k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h33836
7d1.8k162
30d6.3k644
25 shows
63 tapes
1974
98.8k
PlaybackListensHours
48h4.2k559
7d12.3k1.6k
30d98.8k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h10.7k1.4k
7d8.9k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
68.1k
PlaybackListensHours
48h2.1k275
7d6.8k827
30d68.1k8.3k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.7k197
7d4.1k452
30d33.5k3.8k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.8k199
7d15.5k1.6k
30d45k4.8k
101 shows
376 tapes
1969
26.5k
PlaybackListensHours
48h1.1k163
7d6.2k1k
30d26.5k4k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h70688
7d1.3k168
30d6.9k870
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9114
7d27740
30d1.5k206
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h41726
7d55340
30d7.8k523
32 shows
78 tapes
1965
576
PlaybackListensHours
48h654
7d885
30d57633
2 shows
2 tapes
1976
Sources
Transferrer: Chris Chappell
2:36:35
SBD
Rating:
8.00 / 1 rating
Transferrer:
Chris Chappell
SHNID:
gd1976-07-17.mtx.chappell.sb25.95734.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View NotesMatrix: (SBD + AUD mix) SBd/AUD Ratio = Phi SBD: (shnid=34708 - fix of 243) Master Reel > DAT > CD via? fix via Bill Tetzeli (crossfaded patch in Eyes) AUD: (shnid=18389) Source: Recorded by Bob Menke; Sony ECM-280s> Sony TC-152 from front of balcony Lineage: MAC>R>D>WAV>SHN DAT -> SHN Conversion: Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > sector boundary verification (shntool v1.01) > CD/SHN by David Minches, info file by Matt Vernon Matrixed by Chris Chappell [email protected] Novemeber 9, 2008 General Notes: Shnid 91827 was an earlier version of this matrix which derived from reference CDRs that I had sent to Rob Bertrando who suggested I do a matrix of this show. His edits included adding some low end, pitch correction, and swapping channels in the patch in Eyes. Noah Weiner made flacs of these changes but had inadvertently checked the replay gain option. So 91827 had 2 DAEs in the lineage, plus replay gain (my v.1 ref CDRs > DAE > Rob's edits > CDRs > DAE > Noah's Flacs). This new version has similar edits, EQ, pitch correction, etc. to those that Rob had done, slightly different SBD/AUD ratio, and no DAEs. The timing of the initial seed being what it was, I am making this version retroactive and naming it Vol. 25. Many thanks to Rob Bertrando for the motivation to work on this fine show - the Comes A Time intro and post jam are worth the price of admission alone. Thanks to Bob Menke for recording the AUD, and to David Minches for the transfer. It's not clear who was responsible for putting the SBD into circulation - so whoever you are - Thanks! Enjoy! - Chris
Taper: itch Correction & Slight Bass Boost processed by Rob Bertrando. Final matrix seed discs provided by Rob Betrando EAC > FLAC by Noah Weiner
2:36:17
SBD
Rating:
8.00 / 6 ratings
Taper:
itch Correction & Slight Bass Boost processed by Rob Bertrando. Final matrix seed discs provided by Rob Betrando EAC > FLAC by Noah Weiner
SHNID:
gd1976-07-17.mtx.chappell-bertrando.91827.sbeok.flac16
Source:
Matrix Ratio: 60%(SBD) / 40%(AUD)
Lineage:
Matrix created by Chris Chappell. note: Corrected for flipped channels in SBD patch in Eyes
Taper Notes:
View NotesNote: Donna was absent during the second set
Transferrer: Fix of shnid 243 by Bill Tetzeli
2:32:35
SBD
Rating:
8.00 / 7 ratings
Transferrer:
Fix of shnid 243 by Bill Tetzeli
SHNID:
gd1976-07-17.sbd.fricker-fix.tetzeli.34708.sbefail.flac16
Source:
SBD: Master Reel > DAT > CD
Taper Notes:
View NotesThis source contains the following fix - I smoothed out the splice in Eyes by crossfading it in Cool Edit Pro. The original splice had a one note repeat at the beginning (~2:39)and a ~2.5 sec repeat at the end (~3:18), very jarring. Because there was only a small overlap in the beginning the crossfade is still noticeable, but not nearly as jarring as hearing the repeats. Because there was more overlap at the end of the splice I was able to make the transition much more transparent there. Bill Tetzeli ([email protected]) 3/28/2006 "Eyes of the World" has a 45-second splice from a cassette sbd.
Source 4 of 7
2:32:37
SBD
Rating:
8.82 / 17 ratings
Source:
Soundboard
Lineage:
SBD: Master Reel > DAT > CD
Taper Notes:
View NotesSBD: Master Reel > DAT > CD (possible "new leak"?); Eyes has a 45-second AUD splice, and 2 sec repeat at 3:30 (is that the splice point?); via J. Fricker
Taper: Taped By: Bob Menke
2:35:46
SBD
Rating:
9.00 / 2 ratings
Taper:
Taped By: Bob Menke
Transferrer:
Transfer By: Bob Menke Mastering By: Derek McCabe
SHNID:
gd1976-07-17.157427.mtx.motb.0201.flac16
Source:
Analog Soundboard Source: gd76-07-17.sbd.34708 Analog Audience Source: ECM 280's 152
Lineage:
Analog Sound Preservation: MAC > Nak DR-1 > Korg at 5.6 mhz
Taper: Bob Menke
2:39:39
Taper:
Bob Menke
Transferrer:
Charlie Miller
SHNID:
gd1976-07-17.141966.ecm270.menke-miller.flac1644
Source:
<b/>flac </b> Recording Info:(Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> DatTransfer Info:Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC(3 Discs Audio / 1 DVD FLAC)Recorded By Bob MenkeAll Transfers and Mastering By Charlie Miller
Taper Notes:
View NotesNotes: -- Set 2 is seamless
Taper: Bob Menke
2:35:56
Rating:
8.89 / 10 ratings
Taper:
Bob Menke
Transferrer:
David Minches
SHNID:
gd76-07-17.menke.minches.18389.sbeok.shnf
Source:
Audience Recording: Sony ECM-270s> Sony TC-152 from front of balcony
Lineage:
MAC> R> D> WAV> SHN
Taper Notes:
View NotesRecorded by Bob Menke; Sony ECM-280s> Sony TC-152 from front of balcony. Lineage: MAC>R>D>WAV>SHN via David Minches