Bands
Featured
Bands
Grateful Dead
Today In History
June 14th
10 shows
102 tapes
Years
1995
30.1k
PlaybackListensHours
48h53071
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.7k273
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.7k356
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h4.2k555
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h4k514
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3k402
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h3.1k381
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.5k175
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h8.1k984
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h1.1k124
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h1.8k214
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h5.8k662
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.5k191
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.6k200
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.8k232
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h10.2k1.2k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.8k256
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h2k275
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h9.9k1.4k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h14.5k1.9k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h40442
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h4k516
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h5.4k715
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h3k381
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.9k209
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h1.9k224
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.5k211
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h54968
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h14220
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h33325
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h302
7d1037
30d62737
2 shows
2 tapes
1976
Sources
Transferrer: Chris Chappell
2:36:35
SBD
Rating:
8.00 / 1 rating
Transferrer:
Chris Chappell
SHNID:
gd1976-07-17.mtx.chappell.sb25.95734.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View NotesMatrix: (SBD + AUD mix) SBd/AUD Ratio = Phi SBD: (shnid=34708 - fix of 243) Master Reel > DAT > CD via? fix via Bill Tetzeli (crossfaded patch in Eyes) AUD: (shnid=18389) Source: Recorded by Bob Menke; Sony ECM-280s> Sony TC-152 from front of balcony Lineage: MAC>R>D>WAV>SHN DAT -> SHN Conversion: Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > sector boundary verification (shntool v1.01) > CD/SHN by David Minches, info file by Matt Vernon Matrixed by Chris Chappell [email protected] Novemeber 9, 2008 General Notes: Shnid 91827 was an earlier version of this matrix which derived from reference CDRs that I had sent to Rob Bertrando who suggested I do a matrix of this show. His edits included adding some low end, pitch correction, and swapping channels in the patch in Eyes. Noah Weiner made flacs of these changes but had inadvertently checked the replay gain option. So 91827 had 2 DAEs in the lineage, plus replay gain (my v.1 ref CDRs > DAE > Rob's edits > CDRs > DAE > Noah's Flacs). This new version has similar edits, EQ, pitch correction, etc. to those that Rob had done, slightly different SBD/AUD ratio, and no DAEs. The timing of the initial seed being what it was, I am making this version retroactive and naming it Vol. 25. Many thanks to Rob Bertrando for the motivation to work on this fine show - the Comes A Time intro and post jam are worth the price of admission alone. Thanks to Bob Menke for recording the AUD, and to David Minches for the transfer. It's not clear who was responsible for putting the SBD into circulation - so whoever you are - Thanks! Enjoy! - Chris
Taper: itch Correction & Slight Bass Boost processed by Rob Bertrando. Final matrix seed discs provided by Rob Betrando EAC > FLAC by Noah Weiner
2:36:17
SBD
Rating:
8.00 / 6 ratings
Taper:
itch Correction & Slight Bass Boost processed by Rob Bertrando. Final matrix seed discs provided by Rob Betrando EAC > FLAC by Noah Weiner
SHNID:
gd1976-07-17.mtx.chappell-bertrando.91827.sbeok.flac16
Source:
Matrix Ratio: 60%(SBD) / 40%(AUD)
Lineage:
Matrix created by Chris Chappell. note: Corrected for flipped channels in SBD patch in Eyes
Taper Notes:
View NotesNote: Donna was absent during the second set
Transferrer: Fix of shnid 243 by Bill Tetzeli
2:32:35
SBD
Rating:
8.00 / 7 ratings
Transferrer:
Fix of shnid 243 by Bill Tetzeli
SHNID:
gd1976-07-17.sbd.fricker-fix.tetzeli.34708.sbefail.flac16
Source:
SBD: Master Reel > DAT > CD
Taper Notes:
View NotesThis source contains the following fix - I smoothed out the splice in Eyes by crossfading it in Cool Edit Pro. The original splice had a one note repeat at the beginning (~2:39)and a ~2.5 sec repeat at the end (~3:18), very jarring. Because there was only a small overlap in the beginning the crossfade is still noticeable, but not nearly as jarring as hearing the repeats. Because there was more overlap at the end of the splice I was able to make the transition much more transparent there. Bill Tetzeli ([email protected]) 3/28/2006 "Eyes of the World" has a 45-second splice from a cassette sbd.
Source 4 of 7
2:32:37
SBD
Rating:
8.82 / 17 ratings
Source:
Soundboard
Lineage:
SBD: Master Reel > DAT > CD
Taper Notes:
View NotesSBD: Master Reel > DAT > CD (possible "new leak"?); Eyes has a 45-second AUD splice, and 2 sec repeat at 3:30 (is that the splice point?); via J. Fricker
Taper: Taped By: Bob Menke
2:35:46
SBD
Rating:
9.00 / 2 ratings
Taper:
Taped By: Bob Menke
Transferrer:
Transfer By: Bob Menke Mastering By: Derek McCabe
SHNID:
gd1976-07-17.157427.mtx.motb.0201.flac16
Source:
Analog Soundboard Source: gd76-07-17.sbd.34708 Analog Audience Source: ECM 280's 152
Lineage:
Analog Sound Preservation: MAC > Nak DR-1 > Korg at 5.6 mhz
Taper: Bob Menke
2:39:39
Taper:
Bob Menke
Transferrer:
Charlie Miller
SHNID:
gd1976-07-17.141966.ecm270.menke-miller.flac1644
Source:
<b/>flac </b> Recording Info:(Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> DatTransfer Info:Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC(3 Discs Audio / 1 DVD FLAC)Recorded By Bob MenkeAll Transfers and Mastering By Charlie Miller
Taper Notes:
View NotesNotes: -- Set 2 is seamless
Taper: Bob Menke
2:35:56
Rating:
8.89 / 10 ratings
Taper:
Bob Menke
Transferrer:
David Minches
SHNID:
gd76-07-17.menke.minches.18389.sbeok.shnf
Source:
Audience Recording: Sony ECM-270s> Sony TC-152 from front of balcony
Lineage:
MAC> R> D> WAV> SHN
Taper Notes:
View NotesRecorded by Bob Menke; Sony ECM-280s> Sony TC-152 from front of balcony. Lineage: MAC>R>D>WAV>SHN via David Minches