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Bands
Grateful Dead
Today In History
June 14th
10 shows
102 tapes
Years
1995
30.1k
PlaybackListensHours
48h54373
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.7k283
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.7k353
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h4.1k553
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h3.9k504
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3.1k410
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h3.1k382
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.5k178
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h8.4k1k
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h1.1k127
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h1.9k222
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h5.9k678
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.5k194
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.7k208
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.9k241
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h10.3k1.2k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.8k255
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h2k277
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h10.2k1.4k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h14.3k1.9k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h40842
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h4.1k524
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h5.6k737
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h3.1k391
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.9k204
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h2k233
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.6k222
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h61877
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13318
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h33025
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h322
7d1037
30d62737
2 shows
2 tapes
1976
Sources
Taper: Betty Cantor and Tim Dalton
2:58:16
SBD
Rating:
10.00 / 2 ratings
Taper:
Betty Cantor and Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1976-06-15.143119.sbd.betty.dalton.clugston.miller.flac1644
Source:
Betty's 7" two track Master Soundboard Reels @ 7 1/2 ips > PCM (16-bit/44.1k)
Lineage:
PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Tim Dalton for the PCM source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Dave Minor, Dale Shepherd and Matt Vernon for the shnid10307 Sony ECM 99A source which supplies the crowd and beginning of "St. Stephen" (0:32 total), a 0:14 patch in "St.Stephen", as well as a 0:06 patch in "Friend Of The Devil" - The mix wanders, Keith is in the right channel most of the time (incorrect for this time period)and in both channels sometimes, however, if the channels are swapped to correct for Keith, the rest of the band are in the wrong channels most of the time, so I left it as is. It seems most, if not all, of June 1976 reel mixes are not period correct Mastered by Scott Clugston August 2018
Transferrer: Charlie Miller
2:56:56
SBD
Rating:
10.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1976-06-15.sbd.miller.110148.flac16
Source:
SBD -> Master Reel -> PCM -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC
Taper Notes:
View NotesNotes: -- All disc changes are seamless
Transferrer: Matrix by Dave Usborne
2:59:04
SBD
Rating:
10.00 / 1 rating
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1976-06-15.130335.mtx.dusborne.flac16
Source:
2 Source Matrix by Dusborne; Soundboard (shnid:110148) Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC and Audience (shnid:10307) Source: Sony TC 153 Sony ECM 99A Mikes > Cassette x 2 > DAT; DAT clone > Tascam Da-p1 dat @48khz > Sek'd Prodif+ card (48>44.1khz) > Sek'd Red Roaster (fades, edits*) > Cdwav (splits) > Mkw
Taper Notes:
View NotesMatrix by dusborne 05-26-2014 ------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 5-26-2014
Taper: Betty Cantor
2:58:46
SBD
Rating:
9.60 / 5 ratings
Taper:
Betty Cantor
Transferrer:
Bill Koucky
SHNID:
gd1976-06-15.sbd.cantor.gmb.96088.flac16
Source:
Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz
Lineage:
Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with Waves L3 Multimaximizer Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac
Taper Notes:
View NotesTo Burn to 3 discs: Disc 1 s1t01 - s1t08 65:06 Disc 2 s1t09 - s2t06 77:25 Disc 3 s2t07 - s2t12 36:28 Source/Mastering Notes: Many drop out throughout the source tapes due to reel changes, some were patched and others were edited out and crossfaded. In the later case the patch would have been more abrupt than the edit. Patch source supplies Tuning and Saint Stephen 0:00-0:25, 2:50-3:00 and 9:44-9:48, and FOTD 4:18 - 4:30 Drop out removed In It Must Have Been The Roses at 5:44 and 6:40 Drop out removed in Tennessee Jed at 8:34 Drop out removed from Might As Well at 2:55 Drop out removed from Stella Blue at at 0:12 Drop out removed during crowd / encore call at 3:10 before Johnny B. Goode No Noise reduction or EQ adjustments were used.
Source 5 of 8
2:57:41
SBD
Rating:
9.29 / 14 ratings
SHNID:
gd76-06-15.sbd.bertha-ashley.8732.sbeok.shnf
Source:
Soundboard
Lineage:
SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CD
Taper Notes:
View NotesJay Ashley (Bertha) remaster of <a href="http://db.etree.org/shninfo_detail.php?shnid=241" rel="nofollow">original</a> reel source; SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CD
Source 6 of 8
2:58:15
SBD
Rating:
10.00 / 1 rating
Source:
SBD>DAT(s)>Tascam DA-20MKII>WaveTerminal 2596>CDWave>SHN
Taper Notes:
View NotesPossibly specific To The SBD lineage, The beginning Of Saint Stephen is clipped and splices In Might As Well, Saint Stephen And Friend Of The Devil. there are few hacks throughout this show, but I believe they are consistant with other DAT's out there pbg
Source 7 of 8
2:56:15
SBD
Rating:
9.26 / 19 ratings
SHNID:
gd76-06-15.sbd.kempa.241.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > Master Reel > PCM > DAT
Taper Notes:
View NotesSBD > Master Reel > PCM > DAT; Transfer:Â DAT > WAV (via TB Fiji S/PDIF) > SHN; via Andy Gustin, Jeff Kempka; see info file and pub comments for flaw notes
Source 8 of 8
2:59:44
Rating:
8.00 / 4 ratings
SHNID:
gd76-06-15.sony.vernon.10307.sbeok.shnf
Source:
Audience Recording
Lineage:
ony TC 153 Sony ECM 99A Mikes > Cassette x 2 > DAT
Taper Notes:
View NotesSony TC 153 Sony ECM 99A Mikes > Cassette x 2 > DAT; See info file for transfer details; via Dale Shepherd, Dave Minor; Seeded to etree by Matt Vernon