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Bands
Grateful Dead
Today In History
June 6th
5 shows
39 tapes
Years
1995
29.2k
PlaybackListensHours
48h1.6k224
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h58983
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h5.5k738
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.7k223
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h4.2k552
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.7k354
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.3k407
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k147
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.5k274
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h78488
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k229
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.4k188
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k182
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k239
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.1k273
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.9k685
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.2k174
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h4.3k559
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h12.6k1.7k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h5.8k814
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h86372
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.4k552
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.3k571
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.4k417
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.2k245
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h8.7k869
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k591
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h60073
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13921
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h29522
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h402
7d1277
30d57234
2 shows
2 tapes
1976
Sources
Taper: Betty Cantor and Tim Dalton
2:58:16
SBD
Rating:
10.00 / 2 ratings
Taper:
Betty Cantor and Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1976-06-15.143119.sbd.betty.dalton.clugston.miller.flac1644
Source:
Betty's 7" two track Master Soundboard Reels @ 7 1/2 ips > PCM (16-bit/44.1k)
Lineage:
PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Tim Dalton for the PCM source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Dave Minor, Dale Shepherd and Matt Vernon for the shnid10307 Sony ECM 99A source which supplies the crowd and beginning of "St. Stephen" (0:32 total), a 0:14 patch in "St.Stephen", as well as a 0:06 patch in "Friend Of The Devil" - The mix wanders, Keith is in the right channel most of the time (incorrect for this time period)and in both channels sometimes, however, if the channels are swapped to correct for Keith, the rest of the band are in the wrong channels most of the time, so I left it as is. It seems most, if not all, of June 1976 reel mixes are not period correct Mastered by Scott Clugston August 2018
Transferrer: Charlie Miller
2:56:56
SBD
Rating:
10.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1976-06-15.sbd.miller.110148.flac16
Source:
SBD -> Master Reel -> PCM -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC
Taper Notes:
View NotesNotes: -- All disc changes are seamless
Transferrer: Matrix by Dave Usborne
2:59:04
SBD
Rating:
10.00 / 1 rating
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1976-06-15.130335.mtx.dusborne.flac16
Source:
2 Source Matrix by Dusborne; Soundboard (shnid:110148) Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC and Audience (shnid:10307) Source: Sony TC 153 Sony ECM 99A Mikes > Cassette x 2 > DAT; DAT clone > Tascam Da-p1 dat @48khz > Sek'd Prodif+ card (48>44.1khz) > Sek'd Red Roaster (fades, edits*) > Cdwav (splits) > Mkw
Taper Notes:
View NotesMatrix by dusborne 05-26-2014 ------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 5-26-2014
Taper: Betty Cantor
2:58:46
SBD
Rating:
9.60 / 5 ratings
Taper:
Betty Cantor
Transferrer:
Bill Koucky
SHNID:
gd1976-06-15.sbd.cantor.gmb.96088.flac16
Source:
Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz
Lineage:
Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with Waves L3 Multimaximizer Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac
Taper Notes:
View NotesTo Burn to 3 discs: Disc 1 s1t01 - s1t08 65:06 Disc 2 s1t09 - s2t06 77:25 Disc 3 s2t07 - s2t12 36:28 Source/Mastering Notes: Many drop out throughout the source tapes due to reel changes, some were patched and others were edited out and crossfaded. In the later case the patch would have been more abrupt than the edit. Patch source supplies Tuning and Saint Stephen 0:00-0:25, 2:50-3:00 and 9:44-9:48, and FOTD 4:18 - 4:30 Drop out removed In It Must Have Been The Roses at 5:44 and 6:40 Drop out removed in Tennessee Jed at 8:34 Drop out removed from Might As Well at 2:55 Drop out removed from Stella Blue at at 0:12 Drop out removed during crowd / encore call at 3:10 before Johnny B. Goode No Noise reduction or EQ adjustments were used.
Source 5 of 8
2:57:41
SBD
Rating:
9.29 / 14 ratings
SHNID:
gd76-06-15.sbd.bertha-ashley.8732.sbeok.shnf
Source:
Soundboard
Lineage:
SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CD
Taper Notes:
View NotesJay Ashley (Bertha) remaster of <a href="http://db.etree.org/shninfo_detail.php?shnid=241" rel="nofollow">original</a> reel source; SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CD
Source 6 of 8
2:58:15
SBD
Rating:
10.00 / 1 rating
Source:
SBD>DAT(s)>Tascam DA-20MKII>WaveTerminal 2596>CDWave>SHN
Taper Notes:
View NotesPossibly specific To The SBD lineage, The beginning Of Saint Stephen is clipped and splices In Might As Well, Saint Stephen And Friend Of The Devil. there are few hacks throughout this show, but I believe they are consistant with other DAT's out there pbg
Source 7 of 8
2:56:15
SBD
Rating:
9.26 / 19 ratings
SHNID:
gd76-06-15.sbd.kempa.241.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > Master Reel > PCM > DAT
Taper Notes:
View NotesSBD > Master Reel > PCM > DAT; Transfer:Â DAT > WAV (via TB Fiji S/PDIF) > SHN; via Andy Gustin, Jeff Kempka; see info file and pub comments for flaw notes
Source 8 of 8
2:59:44
Rating:
8.00 / 4 ratings
SHNID:
gd76-06-15.sony.vernon.10307.sbeok.shnf
Source:
Audience Recording
Lineage:
ony TC 153 Sony ECM 99A Mikes > Cassette x 2 > DAT
Taper Notes:
View NotesSony TC 153 Sony ECM 99A Mikes > Cassette x 2 > DAT; See info file for transfer details; via Dale Shepherd, Dave Minor; Seeded to etree by Matt Vernon