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June 16th
5 shows
82 tapes
Years
1995
30.1k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
20.3k
82 shows
882 tapes
1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1976
6/15/76
Promised Land
4:27
Sugaree
11:15
Cassidy
5:59
Candyman
8:46
The Music Never Stopped
7:44
It Must Have Been The Roses
8:40
Looks Like Rain
7:48
Tennessee Jed
10:47
Let It Grow ->
7:16
Drums ->
3:20
Let It Grow ->
2:39
Might As Well
5:32
Saint Stephen ->
11:12
Not Fade Away ->
12:08
Stella Blue
15:47
Samson & Delilah
7:28
Friend of the Devil
10:55
Dancing in the Streets ->
12:38
The Wheel ->
4:41
Sugar Magnolia
6:06
Scarlet Begonias ->
4:50
Sunshine Daydream
4:49
Johnny B. Goode
4:17
FIN
View on archive.org
Sources
Taper: Betty Cantor and Tim Dalton
2:58:16
SBD
Rating:
10.00 / 2 ratings
Taper:
Betty Cantor and Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1976-06-15.143119.sbd.betty.dalton.clugston.miller.flac1644
Source:
Betty's 7" two track Master Soundboard Reels @ 7 1/2 ips > PCM (16-bit/44.1k)
Lineage:
PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Tim Dalton for the PCM source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Dave Minor, Dale Shepherd and Matt Vernon for the shnid10307 Sony ECM 99A source which supplies the crowd and beginning of "St. Stephen" (0:32 total), a 0:14 patch in "St.Stephen", as well as a 0:06 patch in "Friend Of The Devil" - The mix wanders, Keith is in the right channel most of the time (incorrect for this time period)and in both channels sometimes, however, if the channels are swapped to correct for Keith, the rest of the band are in the wrong channels most of the time, so I left it as is. It seems most, if not all, of June 1976 reel mixes are not period correct Mastered by Scott Clugston August 2018
Transferrer: Matrix by Dave Usborne
2:59:04
SBD
Rating:
10.00 / 1 rating
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1976-06-15.130335.mtx.dusborne.flac16
Source:
2 Source Matrix by Dusborne; Soundboard (shnid:110148) Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC and Audience (shnid:10307) Source: Sony TC 153 Sony ECM 99A Mikes > Cassette x 2 > DAT; DAT clone > Tascam Da-p1 dat @48khz > Sek'd Prodif+ card (48>44.1khz) > Sek'd Red Roaster (fades, edits*) > Cdwav (splits) > Mkw
Taper Notes:
View NotesMatrix by dusborne 05-26-2014 ------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 5-26-2014
Taper: Betty Cantor
2:58:46
SBD
Rating:
9.60 / 5 ratings
Taper:
Betty Cantor
Transferrer:
Bill Koucky
SHNID:
gd1976-06-15.sbd.cantor.gmb.96088.flac16
Source:
Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz
Lineage:
Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with Waves L3 Multimaximizer Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac
Taper Notes:
View NotesTo Burn to 3 discs: Disc 1 s1t01 - s1t08 65:06 Disc 2 s1t09 - s2t06 77:25 Disc 3 s2t07 - s2t12 36:28 Source/Mastering Notes: Many drop out throughout the source tapes due to reel changes, some were patched and others were edited out and crossfaded. In the later case the patch would have been more abrupt than the edit. Patch source supplies Tuning and Saint Stephen 0:00-0:25, 2:50-3:00 and 9:44-9:48, and FOTD 4:18 - 4:30 Drop out removed In It Must Have Been The Roses at 5:44 and 6:40 Drop out removed in Tennessee Jed at 8:34 Drop out removed from Might As Well at 2:55 Drop out removed from Stella Blue at at 0:12 Drop out removed during crowd / encore call at 3:10 before Johnny B. Goode No Noise reduction or EQ adjustments were used.