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Bands
Grateful Dead
Today In History
June 11th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h52571
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k190
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.8k375
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2.1k276
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.2k527
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.6k953
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.8k338
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k128
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.4k272
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h943106
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k210
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k507
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.3k167
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k149
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.3k286
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.3k257
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k212
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k259
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.5k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h17.9k2.3k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h20822
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.8k492
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.4k1.5k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k248
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k185
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k161
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h54670
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8112
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h44929
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h564
7d895
30d58534
2 shows
2 tapes
1973
Sources
Transferrer: Charlie Miller
3:21:46
SBD
Rating:
9.11 / 9 ratings
Transferrer:
Charlie Miller
SHNID:
gd1973-12-19.sbd.miller.113503.flac16
Source:
SBD -> Master Reel -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- I corrected the pitch and fixed the levels -- There were a few pops that were also removed -- Thanks to Rob Eaton for the Dats -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller; Dan
3:27:17
SBD
Rating:
10.00 / 4 ratings
Transferrer:
Charlie Miller; Dan
SHNID:
gd1973-12-19.107984.sbd.dan.patch-97361.flac16
Source:
SBD -> Master Reel -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC
Taper Notes:
View NotesPatch source: Sony EMC-22 mic-> cheap mono cassette (probably Sony) - TDK SD C90s (still strong after 37 years) -> Tascam 112-> M-Audio Audiophile 24/96 at 24 bit, 96 kHz. Converted to 16-bit, 44.1 kHz and edited using Diamond Cut 7.5 Forensics. Also used DC 7.5 to correct for a slight azimuth alignment problem, cross-fade\d and cut on sector boundaries. I have added the spoken intro before Promised Land and added the bass solo in between Nobody's Fault But Mine and The other One. I was sitting in the seats on the right as close to the speakers as I could get without looking suspicious. Maybe 50-60 feet. For what it's worth, that's me saying "They're a lot more casual tonight" just before Promised Land (comparing it to 12/18/73).
Transferrer: Charlie Miller; Dan
33:36
SBD
Transferrer:
Charlie Miller; Dan
SHNID:
gd1973-12-19.sbd-part.dan.patch-97361.107984.flac16
Source:
SBD -> Master Reel -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC
Taper Notes:
View NotesThese are just the files that were patched as part of 107984.
Transferrer: Charlie Miller
3:19:31
SBD
Rating:
10.00 / 7 ratings
Transferrer:
Charlie Miller
SHNID:
gd1973-12-19.sbd.miller.97361.sbeok.flac16
Source:
SBD -> Master Reel -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- Thanks to Rob Eaton for the Dats
Source 5 of 7
1:13:17
SBD
Rating:
9.45 / 11 ratings
SHNID:
gd73-12-19.sbd.finney.outtakes.197.sbeok.shnf
Source:
Soundboard
Lineage:
Dick's Picks Leftovers
Taper Notes:
View Notes"DP 1 Leftovers"; via Gans, D. Finney; rest is on Dick's Picks 1- <a href="http://www.dead.net/merchandising/music/grateful_dead/Dicks_Picks_5/index.html" rel="ugc nofollow">go buy it</a>
Source 6 of 7
3:48:27
Rating:
9.33 / 3 ratings
SHNID:
gd1973-12-19.126124.mtx.dusborne.droncit.flac16
Source:
Matrix from sources: soundboard: 97361; and Dan McDonald's audience tape (new flat transfer)
Taper Notes:
View NotesAudience material from source B (almost entirely) Set I Source a= soundboard shnid 97361 (not pitch-corrected) Source b= Dan McDonald (droncit) audience flat transfer of cassette masters Source b transferred with Nakamichi BX-1 adapted for flat transfer; eq applied with Diamond Cut Forensics 8. Notes: I have put the longer audience, tuning, announcements, portions as separate tracks so that those who want the full show will have that, while those who want only the music can eliminate those portions. The single exception is the beginning of Weather Report Suite, which is announced as "for all you rowdies out there." Occasionally, there is variation in the vocal location. This appears to be some sort of anomaly between what was recorded through the 'soundboard' tape and what actually went through the speakers. Audience/tuning material from source B (almost entirely) Dusborne did all the synchronization work. Droncit is responsible for the overall mix and sound. Designed to be played loud. If your speakers aren't able to handle the bass, please get new speakers. Thanks to TDK for making tapes that can hold up well for 40 years. Thanks to Craig of Diamond Cut for all the help with the theory and eq curves. Thanks to my dad for the electronics tweaks. 87 and going strong! Thanks to Dusborne for all the synchronization work. Thanks to Mrs. Dusborne (Tina Usborne) for listening and offering opinions. Thanks to Melinda B. (wherever you are) for help with the microphone/recorder and comments about Bob Weir's haircut. Problems/Comments: [email protected] *last 7 minutes or so from source A only (rejoins during last vocal) **about 16 seconds of the jam portion from Source B only. ***verse beginning "she comes from the town" source b only for about a minute ****source b only *****almost all of Around & Around and all of Casey Jones are soundboard only
Taper: Dan McDonald
3:36:00
Rating:
9.00 / 10 ratings
Taper:
Dan McDonald
SHNID:
gd73-12-19.aud.clugston.8602.sbeok.shnf
Source:
Audience Recording
Lineage:
MAC>PCM>Cassette>CD
Taper Notes:
View NotesAudience; MAC>PCM>Cassette>CD; Seeded to etree by Scott Clugston; Note- Parts of this show appear on DP1; <a href="http://www.dead.net/merchandising/music/grateful_dead/Dicks_Picks_5/index.html" rel="ugc nofollow">go buy it</a>