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Bands
Grateful Dead
Today In History
June 12th
6 shows
74 tapes
Years
1995
30.1k
PlaybackListensHours
48h55674
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h1.5k184
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3.1k417
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h2.3k308
7d5.9k756
30d38.5k5.1k
57 shows
539 tapes
1991
36.3k
PlaybackListensHours
48h4.8k602
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h7.5k940
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h3k365
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1.1k129
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.6k294
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h965109
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.8k214
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h4.3k506
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.3k178
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k153
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h2.4k301
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h2.4k271
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.5k212
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.9k259
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h10.4k1.4k
7d47.4k6.5k
30d292.7k40.4k
64 shows
419 tapes
1976
61.3k
PlaybackListensHours
48h19.8k2.6k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h22824
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.8k497
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h10.3k1.4k
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h2k248
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.6k185
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.6k191
7d12.9k1.3k
30d46.3k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.3k173
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h57472
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8212
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h48131
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h554
7d1368
30d63237
2 shows
2 tapes
1973
Sources
Transferrer: Charlie Miller
3:21:46
SBD
Rating:
9.11 / 9 ratings
Transferrer:
Charlie Miller
SHNID:
gd1973-12-19.sbd.miller.113503.flac16
Source:
SBD -> Master Reel -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- I corrected the pitch and fixed the levels -- There were a few pops that were also removed -- Thanks to Rob Eaton for the Dats -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller; Dan
3:27:17
SBD
Rating:
10.00 / 4 ratings
Transferrer:
Charlie Miller; Dan
SHNID:
gd1973-12-19.107984.sbd.dan.patch-97361.flac16
Source:
SBD -> Master Reel -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC
Taper Notes:
View NotesPatch source: Sony EMC-22 mic-> cheap mono cassette (probably Sony) - TDK SD C90s (still strong after 37 years) -> Tascam 112-> M-Audio Audiophile 24/96 at 24 bit, 96 kHz. Converted to 16-bit, 44.1 kHz and edited using Diamond Cut 7.5 Forensics. Also used DC 7.5 to correct for a slight azimuth alignment problem, cross-fade\d and cut on sector boundaries. I have added the spoken intro before Promised Land and added the bass solo in between Nobody's Fault But Mine and The other One. I was sitting in the seats on the right as close to the speakers as I could get without looking suspicious. Maybe 50-60 feet. For what it's worth, that's me saying "They're a lot more casual tonight" just before Promised Land (comparing it to 12/18/73).
Transferrer: Charlie Miller; Dan
33:36
SBD
Transferrer:
Charlie Miller; Dan
SHNID:
gd1973-12-19.sbd-part.dan.patch-97361.107984.flac16
Source:
SBD -> Master Reel -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC
Taper Notes:
View NotesThese are just the files that were patched as part of 107984.
Transferrer: Charlie Miller
3:19:31
SBD
Rating:
10.00 / 7 ratings
Transferrer:
Charlie Miller
SHNID:
gd1973-12-19.sbd.miller.97361.sbeok.flac16
Source:
SBD -> Master Reel -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- Thanks to Rob Eaton for the Dats
Source 5 of 7
1:13:17
SBD
Rating:
9.45 / 11 ratings
SHNID:
gd73-12-19.sbd.finney.outtakes.197.sbeok.shnf
Source:
Soundboard
Lineage:
Dick's Picks Leftovers
Taper Notes:
View Notes"DP 1 Leftovers"; via Gans, D. Finney; rest is on Dick's Picks 1- <a href="http://www.dead.net/merchandising/music/grateful_dead/Dicks_Picks_5/index.html" rel="ugc nofollow">go buy it</a>
Source 6 of 7
3:48:27
Rating:
9.33 / 3 ratings
SHNID:
gd1973-12-19.126124.mtx.dusborne.droncit.flac16
Source:
Matrix from sources: soundboard: 97361; and Dan McDonald's audience tape (new flat transfer)
Taper Notes:
View NotesAudience material from source B (almost entirely) Set I Source a= soundboard shnid 97361 (not pitch-corrected) Source b= Dan McDonald (droncit) audience flat transfer of cassette masters Source b transferred with Nakamichi BX-1 adapted for flat transfer; eq applied with Diamond Cut Forensics 8. Notes: I have put the longer audience, tuning, announcements, portions as separate tracks so that those who want the full show will have that, while those who want only the music can eliminate those portions. The single exception is the beginning of Weather Report Suite, which is announced as "for all you rowdies out there." Occasionally, there is variation in the vocal location. This appears to be some sort of anomaly between what was recorded through the 'soundboard' tape and what actually went through the speakers. Audience/tuning material from source B (almost entirely) Dusborne did all the synchronization work. Droncit is responsible for the overall mix and sound. Designed to be played loud. If your speakers aren't able to handle the bass, please get new speakers. Thanks to TDK for making tapes that can hold up well for 40 years. Thanks to Craig of Diamond Cut for all the help with the theory and eq curves. Thanks to my dad for the electronics tweaks. 87 and going strong! Thanks to Dusborne for all the synchronization work. Thanks to Mrs. Dusborne (Tina Usborne) for listening and offering opinions. Thanks to Melinda B. (wherever you are) for help with the microphone/recorder and comments about Bob Weir's haircut. Problems/Comments: [email protected] *last 7 minutes or so from source A only (rejoins during last vocal) **about 16 seconds of the jam portion from Source B only. ***verse beginning "she comes from the town" source b only for about a minute ****source b only *****almost all of Around & Around and all of Casey Jones are soundboard only
Taper: Dan McDonald
3:36:00
Rating:
9.00 / 10 ratings
Taper:
Dan McDonald
SHNID:
gd73-12-19.aud.clugston.8602.sbeok.shnf
Source:
Audience Recording
Lineage:
MAC>PCM>Cassette>CD
Taper Notes:
View NotesAudience; MAC>PCM>Cassette>CD; Seeded to etree by Scott Clugston; Note- Parts of this show appear on DP1; <a href="http://www.dead.net/merchandising/music/grateful_dead/Dicks_Picks_5/index.html" rel="ugc nofollow">go buy it</a>