Bands
Featured
Bands
Grateful Dead
Today In History
June 10th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h61583
7d4.3k583
30d30.1k4.2k
49 shows
341 tapes
1994
9.1k
PlaybackListensHours
48h1.7k223
7d2.2k287
30d9.1k1.3k
85 shows
460 tapes
1993
39.7k
PlaybackListensHours
48h2.8k344
7d9.6k1.3k
30d39.7k5.2k
83 shows
656 tapes
1992
37.2k
PlaybackListensHours
48h2k255
7d5.3k681
30d37.2k4.9k
57 shows
539 tapes
1991
40k
PlaybackListensHours
48h3k437
7d12.5k1.7k
30d40k5.4k
78 shows
973 tapes
1990
39.4k
PlaybackListensHours
48h8.8k1.1k
7d10.6k1.4k
30d39.4k5.2k
78 shows
1,139 tapes
1989
48k
PlaybackListensHours
48h2.4k294
7d8.5k1.1k
30d48k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.1k127
7d3.4k389
30d21.8k2.5k
82 shows
882 tapes
1987
34.4k
PlaybackListensHours
48h1.8k199
7d6k654
30d34.4k3.7k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h70378
7d2.3k257
30d12.5k1.4k
47 shows
684 tapes
1985
22.1k
PlaybackListensHours
48h1.5k167
7d4.7k552
30d22.1k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h3.8k445
7d3.2k420
30d15.8k2k
67 shows
1,075 tapes
1983
33.9k
PlaybackListensHours
48h1.2k156
7d3.8k501
30d33.9k4.5k
71 shows
1,069 tapes
1982
42.3k
PlaybackListensHours
48h1.1k136
7d4.4k549
30d42.3k5.3k
63 shows
753 tapes
1981
50k
PlaybackListensHours
48h1.5k189
7d5.5k706
30d50k6.3k
92 shows
868 tapes
1980
73.6k
PlaybackListensHours
48h3.5k402
7d15.8k1.8k
30d73.6k8.5k
91 shows
794 tapes
1979
25.3k
PlaybackListensHours
48h1.5k214
7d3.6k507
30d25.3k3.5k
79 shows
600 tapes
1978
54.1k
PlaybackListensHours
48h1.8k239
7d11.8k1.5k
30d54.1k7.4k
87 shows
592 tapes
1977
296.5k
PlaybackListensHours
48h18.7k2.6k
7d45.5k6.3k
30d296.5k40.9k
64 shows
419 tapes
1976
51.2k
PlaybackListensHours
48h8k1.1k
7d16.4k2.3k
30d51.2k7k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h38842
7d2.1k192
30d6.6k673
25 shows
63 tapes
1974
104k
PlaybackListensHours
48h5.5k734
7d14.3k1.8k
30d104k13.2k
42 shows
324 tapes
1973
81.1k
PlaybackListensHours
48h7.3k937
7d11.1k1.4k
30d81.1k10.3k
75 shows
445 tapes
1972
71k
PlaybackListensHours
48h2k263
7d8k987
30d71k8.6k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k193
7d5.2k585
30d34.3k3.9k
82 shows
357 tapes
1970
45.8k
PlaybackListensHours
48h1.7k185
7d17.9k1.8k
30d45.8k4.9k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.4k218
7d7k1.1k
30d27.1k4.1k
112 shows
326 tapes
1968
7.2k
PlaybackListensHours
48h857113
7d1.5k192
30d7.2k901
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13318
7d34448
30d1.5k213
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h32819
7d86062
30d8k535
32 shows
78 tapes
1965
594
PlaybackListensHours
48h584
7d1076
30d59434
2 shows
2 tapes
1973
Sources
Transferrer: Charlie Miller
3:21:46
SBD
Rating:
9.11 / 9 ratings
Transferrer:
Charlie Miller
SHNID:
gd1973-12-19.sbd.miller.113503.flac16
Source:
SBD -> Master Reel -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- I corrected the pitch and fixed the levels -- There were a few pops that were also removed -- Thanks to Rob Eaton for the Dats -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller; Dan
3:27:17
SBD
Rating:
10.00 / 4 ratings
Transferrer:
Charlie Miller; Dan
SHNID:
gd1973-12-19.107984.sbd.dan.patch-97361.flac16
Source:
SBD -> Master Reel -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC
Taper Notes:
View NotesPatch source: Sony EMC-22 mic-> cheap mono cassette (probably Sony) - TDK SD C90s (still strong after 37 years) -> Tascam 112-> M-Audio Audiophile 24/96 at 24 bit, 96 kHz. Converted to 16-bit, 44.1 kHz and edited using Diamond Cut 7.5 Forensics. Also used DC 7.5 to correct for a slight azimuth alignment problem, cross-fade\d and cut on sector boundaries. I have added the spoken intro before Promised Land and added the bass solo in between Nobody's Fault But Mine and The other One. I was sitting in the seats on the right as close to the speakers as I could get without looking suspicious. Maybe 50-60 feet. For what it's worth, that's me saying "They're a lot more casual tonight" just before Promised Land (comparing it to 12/18/73).
Transferrer: Charlie Miller; Dan
33:36
SBD
Transferrer:
Charlie Miller; Dan
SHNID:
gd1973-12-19.sbd-part.dan.patch-97361.107984.flac16
Source:
SBD -> Master Reel -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC
Taper Notes:
View NotesThese are just the files that were patched as part of 107984.
Transferrer: Charlie Miller
3:19:31
SBD
Rating:
10.00 / 7 ratings
Transferrer:
Charlie Miller
SHNID:
gd1973-12-19.sbd.miller.97361.sbeok.flac16
Source:
SBD -> Master Reel -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- Thanks to Rob Eaton for the Dats
Source 5 of 7
1:13:17
SBD
Rating:
9.45 / 11 ratings
SHNID:
gd73-12-19.sbd.finney.outtakes.197.sbeok.shnf
Source:
Soundboard
Lineage:
Dick's Picks Leftovers
Taper Notes:
View Notes"DP 1 Leftovers"; via Gans, D. Finney; rest is on Dick's Picks 1- <a href="http://www.dead.net/merchandising/music/grateful_dead/Dicks_Picks_5/index.html" rel="ugc nofollow">go buy it</a>
Source 6 of 7
3:48:27
Rating:
9.33 / 3 ratings
SHNID:
gd1973-12-19.126124.mtx.dusborne.droncit.flac16
Source:
Matrix from sources: soundboard: 97361; and Dan McDonald's audience tape (new flat transfer)
Taper Notes:
View NotesAudience material from source B (almost entirely) Set I Source a= soundboard shnid 97361 (not pitch-corrected) Source b= Dan McDonald (droncit) audience flat transfer of cassette masters Source b transferred with Nakamichi BX-1 adapted for flat transfer; eq applied with Diamond Cut Forensics 8. Notes: I have put the longer audience, tuning, announcements, portions as separate tracks so that those who want the full show will have that, while those who want only the music can eliminate those portions. The single exception is the beginning of Weather Report Suite, which is announced as "for all you rowdies out there." Occasionally, there is variation in the vocal location. This appears to be some sort of anomaly between what was recorded through the 'soundboard' tape and what actually went through the speakers. Audience/tuning material from source B (almost entirely) Dusborne did all the synchronization work. Droncit is responsible for the overall mix and sound. Designed to be played loud. If your speakers aren't able to handle the bass, please get new speakers. Thanks to TDK for making tapes that can hold up well for 40 years. Thanks to Craig of Diamond Cut for all the help with the theory and eq curves. Thanks to my dad for the electronics tweaks. 87 and going strong! Thanks to Dusborne for all the synchronization work. Thanks to Mrs. Dusborne (Tina Usborne) for listening and offering opinions. Thanks to Melinda B. (wherever you are) for help with the microphone/recorder and comments about Bob Weir's haircut. Problems/Comments: [email protected] *last 7 minutes or so from source A only (rejoins during last vocal) **about 16 seconds of the jam portion from Source B only. ***verse beginning "she comes from the town" source b only for about a minute ****source b only *****almost all of Around & Around and all of Casey Jones are soundboard only
Taper: Dan McDonald
3:36:00
Rating:
9.00 / 10 ratings
Taper:
Dan McDonald
SHNID:
gd73-12-19.aud.clugston.8602.sbeok.shnf
Source:
Audience Recording
Lineage:
MAC>PCM>Cassette>CD
Taper Notes:
View NotesAudience; MAC>PCM>Cassette>CD; Seeded to etree by Scott Clugston; Note- Parts of this show appear on DP1; <a href="http://www.dead.net/merchandising/music/grateful_dead/Dicks_Picks_5/index.html" rel="ugc nofollow">go buy it</a>