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Bands
Grateful Dead
Today In History
June 7th
6 shows
37 tapes
Years
1995
29.8k
PlaybackListensHours
48h954136
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h59285
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h6.1k823
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.7k339
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h6.2k813
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h2.9k386
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3.3k410
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.4k160
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.7k296
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h917102
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h2k236
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.3k177
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.3k176
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.9k232
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.3k304
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h5.3k615
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.3k191
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h2.8k378
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h11.8k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h4.7k656
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h81466
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.6k577
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h5k647
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.7k460
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.3k255
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h10.3k1.1k
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h3.2k550
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h47056
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9114
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h30521
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h443
7d1066
30d56034
2 shows
2 tapes
1973
Sources
Transferrer: Charlie Miller
3:21:46
SBD
Rating:
9.11 / 9 ratings
Transferrer:
Charlie Miller
SHNID:
gd1973-12-19.sbd.miller.113503.flac16
Source:
SBD -> Master Reel -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- I corrected the pitch and fixed the levels -- There were a few pops that were also removed -- Thanks to Rob Eaton for the Dats -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller; Dan
3:27:17
SBD
Rating:
10.00 / 4 ratings
Transferrer:
Charlie Miller; Dan
SHNID:
gd1973-12-19.107984.sbd.dan.patch-97361.flac16
Source:
SBD -> Master Reel -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC
Taper Notes:
View NotesPatch source: Sony EMC-22 mic-> cheap mono cassette (probably Sony) - TDK SD C90s (still strong after 37 years) -> Tascam 112-> M-Audio Audiophile 24/96 at 24 bit, 96 kHz. Converted to 16-bit, 44.1 kHz and edited using Diamond Cut 7.5 Forensics. Also used DC 7.5 to correct for a slight azimuth alignment problem, cross-fade\d and cut on sector boundaries. I have added the spoken intro before Promised Land and added the bass solo in between Nobody's Fault But Mine and The other One. I was sitting in the seats on the right as close to the speakers as I could get without looking suspicious. Maybe 50-60 feet. For what it's worth, that's me saying "They're a lot more casual tonight" just before Promised Land (comparing it to 12/18/73).
Transferrer: Charlie Miller; Dan
33:36
SBD
Transferrer:
Charlie Miller; Dan
SHNID:
gd1973-12-19.sbd-part.dan.patch-97361.107984.flac16
Source:
SBD -> Master Reel -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC
Taper Notes:
View NotesThese are just the files that were patched as part of 107984.
Transferrer: Charlie Miller
3:19:31
SBD
Rating:
10.00 / 7 ratings
Transferrer:
Charlie Miller
SHNID:
gd1973-12-19.sbd.miller.97361.sbeok.flac16
Source:
SBD -> Master Reel -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- Thanks to Rob Eaton for the Dats
Source 5 of 7
1:13:17
SBD
Rating:
9.45 / 11 ratings
SHNID:
gd73-12-19.sbd.finney.outtakes.197.sbeok.shnf
Source:
Soundboard
Lineage:
Dick's Picks Leftovers
Taper Notes:
View Notes"DP 1 Leftovers"; via Gans, D. Finney; rest is on Dick's Picks 1- <a href="http://www.dead.net/merchandising/music/grateful_dead/Dicks_Picks_5/index.html" rel="ugc nofollow">go buy it</a>
Source 6 of 7
3:48:27
Rating:
9.33 / 3 ratings
SHNID:
gd1973-12-19.126124.mtx.dusborne.droncit.flac16
Source:
Matrix from sources: soundboard: 97361; and Dan McDonald's audience tape (new flat transfer)
Taper Notes:
View NotesAudience material from source B (almost entirely) Set I Source a= soundboard shnid 97361 (not pitch-corrected) Source b= Dan McDonald (droncit) audience flat transfer of cassette masters Source b transferred with Nakamichi BX-1 adapted for flat transfer; eq applied with Diamond Cut Forensics 8. Notes: I have put the longer audience, tuning, announcements, portions as separate tracks so that those who want the full show will have that, while those who want only the music can eliminate those portions. The single exception is the beginning of Weather Report Suite, which is announced as "for all you rowdies out there." Occasionally, there is variation in the vocal location. This appears to be some sort of anomaly between what was recorded through the 'soundboard' tape and what actually went through the speakers. Audience/tuning material from source B (almost entirely) Dusborne did all the synchronization work. Droncit is responsible for the overall mix and sound. Designed to be played loud. If your speakers aren't able to handle the bass, please get new speakers. Thanks to TDK for making tapes that can hold up well for 40 years. Thanks to Craig of Diamond Cut for all the help with the theory and eq curves. Thanks to my dad for the electronics tweaks. 87 and going strong! Thanks to Dusborne for all the synchronization work. Thanks to Mrs. Dusborne (Tina Usborne) for listening and offering opinions. Thanks to Melinda B. (wherever you are) for help with the microphone/recorder and comments about Bob Weir's haircut. Problems/Comments: [email protected] *last 7 minutes or so from source A only (rejoins during last vocal) **about 16 seconds of the jam portion from Source B only. ***verse beginning "she comes from the town" source b only for about a minute ****source b only *****almost all of Around & Around and all of Casey Jones are soundboard only
Taper: Dan McDonald
3:36:00
Rating:
9.00 / 10 ratings
Taper:
Dan McDonald
SHNID:
gd73-12-19.aud.clugston.8602.sbeok.shnf
Source:
Audience Recording
Lineage:
MAC>PCM>Cassette>CD
Taper Notes:
View NotesAudience; MAC>PCM>Cassette>CD; Seeded to etree by Scott Clugston; Note- Parts of this show appear on DP1; <a href="http://www.dead.net/merchandising/music/grateful_dead/Dicks_Picks_5/index.html" rel="ugc nofollow">go buy it</a>