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1973
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June 18th
9 shows
70 tapes
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1995
30.6k
49 shows
343 tapes
1994
13k
85 shows
460 tapes
1993
40k
83 shows
656 tapes
1992
44.9k
57 shows
539 tapes
1991
44.7k
78 shows
973 tapes
1990
54.4k
78 shows
1,139 tapes
1989
48.4k
78 shows
1,017 tapes
1988
20.1k
82 shows
882 tapes
1987
43.2k
88 shows
1,025 tapes
1986
12.7k
47 shows
684 tapes
1985
33.3k
73 shows
1,357 tapes
1984
27.1k
67 shows
1,075 tapes
1983
20.7k
71 shows
1,069 tapes
1982
42.3k
63 shows
753 tapes
1981
30k
92 shows
868 tapes
1980
70.8k
91 shows
794 tapes
1979
21.2k
79 shows
608 tapes
1978
37.7k
87 shows
592 tapes
1977
241.3k
64 shows
418 tapes
1976
103.1k
45 shows
298 tapes
1975
6.4k
25 shows
63 tapes
1974
87.5k
42 shows
324 tapes
1973
90.6k
75 shows
445 tapes
1972
57.5k
88 shows
361 tapes
1971
33.6k
82 shows
357 tapes
1970
38.8k
101 shows
376 tapes
1969
28.6k
112 shows
326 tapes
1968
7.5k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
7k
32 shows
78 tapes
1965
637
2 shows
2 tapes
1973
12/18/73
Tennessee Jed
8:30
Me And My Uncle
3:00
Don't Ease Me In
3:57
Looks Like Rain
7:38
They Love Each Other
6:01
Me And Bobby McGee
7:29
Brown Eyed Women
5:01
Beat It On Down The Line
3:40
Peggy-O
5:48
El Paso
4:29
Deal
5:06
Jack Straw
5:07
China Cat Sunflower
8:47
I Know You Rider
4:55
The Promised Land
4:12
Bertha
5:57
Greatest Story Ever Told
5:12
Row Jimmy
9:04
WRS Prelude
1:27
WRS Part 1
4:53
Let It Grow
9:05
Dark Star
21:29
Drums
1:59
Eyes Of The World
13:53
Wharf Rat
9:35
Sugar Magnolia
10:13
Uncle John's Band
7:18
FIN
View on archive.org
Sources
Transferrer: Matrix by dusborne and Droncit
3:26:40
Rating:
8.00 / 4 ratings
Transferrer:
Matrix by dusborne and Droncit
SHNID:
gd1973-12-18.126123.mtx.dusborne.droncit.flac16
Source:
3 source matrix: Soundboard (shnid 97511); AdamG's audience recording (new flat transfer); and Dan McDonald's audience recording (new flat transfer)
Taper Notes:
View NotesMatrix: Source a= soundboard shnid 97511 (not pitch-corrected) Source b= Dan McDonald audience flat transfer of cassette masters Source c= Adam G audience flat transfer of cassette masters Sources b & c transferred with Nakamichi BX-1 adapted for flat transfer; eq applied with Diamond Cut Forensics 8. Notes: Notes: I have put the longer audience, tuning, announcements, portions as separate tracks so that those who want the full show will have that, while those who want only the music can eliminate those portions. The single exception is the beginning of Weather Report Suite, which is announced as "for all you rowdies out there." Occasionally, there is variation in the vocal location. This appears to be some sort of anomaly between what was recorded through the 'soundboard' tape and what actually went through the speakers. Audience/tuning material from source B (almost entirely) Dusborne did all the synchronization work. Droncit is responsible for the overall mix and sound. Designed to be played loud. Thanks to Adam G for trusting me with the tapes and doing such a nice job on the recording. Thanks to TDK for making tapes that can hold up well for 40 years. Thanks to Craig of Diamond Cut for all the help with the theory and eq curves. Thanks to my dad for the electronics tweaks. 87 and going strong! Thanks to Dusborne (Dave Usborne) for all the synchronization work. Thanks to Mrs. Dusborne (Tina Usborne) for listening and offering opinions. Thanks to Melinda B. (wherever you are) for help with the microphone/recorder and comments about Bob Weir's haircut. ------- *Me & Bobby McGee - Source a & b only **Jack Straw & China Cat Sunflower/I Know You Rider: sources a and c only ***U-boat Story - Source B only (Source C had a lot of level changes)
Source 8 of 8
2:58:40
Rating:
9.50 / 8 ratings
SHNID:
gd1973-12-18.122508.aud.adamg.droncit.flac16
Source:
Audience Cassette->Nakamichi Dragon->Sony PCMR300 Dat (16/44.1)->Sound Forge eq and normalization
Taper Notes:
View NotesThis was recorded by a friend of mine. He had Garcia's/the band's permission, and was able to record very close to the stage. It doesn't appear to circulate very much, although know some dat copies were made in the mid-1990s. This is from a transfer he did in 1998, burned to CD. No Microphone information. He used a Sony TC-126 deck with CRO2 tape, no dolby. Lineage for this version : Cassette-> Nakamichi Dragon-> Sony PCMR300 Dat (16/44.1)-> sound Forge equalization & normalization. I extracted it from CD and haven't done anything else with it. I thought I heard a few digital artifacts suggesting noise reduction, but his notes don't indicate that. He missed taping "Me & Bobby McGee" I have tracked thw songs sequentually rather than by disk. If you want to burn to CD, tracks 1-14 make CD1 tracks 15-19 make cd2, with room for track 25, and tracks 20-24 fit as cd3. Otherwise, you will neeed 4 cds to keep them in order. Adam, if you're out there, email me at [email protected]. ____________________________________________________________________________________________________ ____________________________________________________________________________________________________ Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. B. Proctor 10-23-12