RELISTENTOTHE Grateful Dead
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Today In History
June 7th
Years
1995
29.8k
PlaybackListensHours
48h1.1k151
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h64891
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h6.7k903
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.8k352
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h6k791
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h3.1k403
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3.5k431
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.4k164
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.7k302
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h917102
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h2.1k249
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.4k189
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k190
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h2k245
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.5k329
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h6.1k706
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.4k196
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h3.1k416
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h12.3k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h5.1k710
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h87173
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.9k609
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h5.1k660
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.8k473
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.4k267
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h10.7k1.1k
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h3.6k618
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h51662
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10817
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h32223
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h453
7d1066
30d56034
2 shows
2 tapes
1973
12/1/73
Workingman's Blues
6:26
Workingman's Blues
4:41
China Cat>
9:06
IKYR
5:51
WRS Pelude>
1:29
Part 1>
5:16
Let It Grow
9:39
Casey Jones
7:24
Half-Step
7:54
Playin'>
13:32
UJB>
12:59
Playin'
4:02
GSET
5:38
NFA>
10:21
GDTRFB>
8:44
OMSN
5:20
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
3:46:09
SBD
Rating:
8.00 / 10 ratings
Transferrer:
Charlie Miller
SHNID:
gd1973-12-01.sbd.miller.112205.flac16
Source:
SBD -> Master Reel -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional 11.2 -> FLAC
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- You can move the disc changes to fit the show onto 3 discs -- Thanks to David Gans for lending me his Dats -- Thanks to Robert Darst for his help with the soundcheck -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Matrix by dusborne
3:34:17
SBD
Rating:
9.33 / 4 ratings
Transferrer:
Matrix by dusborne
SHNID:
gd1973-12-01.124132.mtx.dusborne.flac16
Lineage:
Maxell UD90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F.
Taper Notes:
View NotesMatrix by dusborne 02-18-2013 ------------------------------------------------------------------------------------ Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. dusborne 02-18-2013
Transferrer: Scott Clugston
3:24:56
SBD
Rating:
9.75 / 9 ratings
Transferrer:
Scott Clugston
SHNID:
gd1973-12-01.sbd.clugston.6648.sbefail.shnf
Source:
Master Soundboard Reels > PCM > DAT> CDR
Taper Notes:
View Notesby re-assembling the discs, this 4 disc set can fit on 3 discs. However, the noodling/segue betweeen "Mississippi Half-Step" (d4t01) and "Playin' in the Band" (d4t02) would either be lost in a disc change, or, necessitate an overlap of music between disc 2 and disc 3. This segue has been left in place in this 4 disc set. there is a 0:01 burst of static at the 4:01 mark of "Big River" (d2t01) made possible thru the usual group of suspects/mental patients CD Mastering by Scott Clugston 9/16/01
Transferrer: Scott Clugston
1:58:22
SBD
Rating:
9.00 / 2 ratings
Transferrer:
Scott Clugston
SHNID:
gd1973-12-01.sbd.clugston.4972.sbefail.shnf
Source:
Master Soundboard Reel > DAT > CDR
Source 5 of 10
6:49:50
SBD
Rating:
6.00 / 1 rating
SHNID:
gd1973-12-01.sbd.gardner.4337.shnf
Taper: Joe Maloney
3:45:55
Taper:
Joe Maloney
Transferrer:
KRW_co
SHNID:
gd1973-12-01.158194.aud.maloney.flac16
Source:
Sony TC-110A deck with built in microphone
Lineage:
AUDIENCE ANALOG MASTER CASSETTE>NAKAMICHI DR-1 (W/MANUAL AZIMUTH ADJUSTMENT)> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV(24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV(24/96KHZ)>TRADERS LITTLE HELPER FLAC (LEVEL 8)
Taper Notes:
View NotesJOE'S MEMORIES: This was the show where I realized that I was a Grateful Dead "fan" and not a true "Deadhead". I had seen the Dead in Bangor, Maine in April 1971 and it was a great show and a nice experience. The people who were at that show were there to see the band and listen to the music, After the release of the "Europe '72" album and reading about the "Wall Of Sound" stage, I was looking forward to a great show. Unfortunately, it turned out to be a whole different experience. As we entered the Music Hall, we were amazed by the size of the "Wall Of Sound" and we were looking forward to a unique and exciting show. The two sets featured a great selection of songs, but the audience proved to be a challenge for those of us who were there to sit in our seats to listen and enjoy the music. As soon as the band took the stage, people stood up, left their seats and flooded the aisles to get closer to the stage. From that moment, it became a continuous battle between the ushers, who tried to keep the aisles clear and get people back to their seats, and the ones who kept going back into the aisles to block the view of those in the closer seats. Besides the people clogging the aisles and blocking everyone's vision, there were the ones who were under the influences of various "substances",shouting and making a general nuisance of themselves. I had looked forward to this show for quite a while and it was very frustrating to not be able to be comfortable and enjoy it. The audiences for certain British and Southern Rock bands were always a little more "boisterous" in Boston, but they usually listened to the music. Unfortunately, this was a whole different scene. Although the band was sounding as good as ever and we got to see Jerry without his beard for the first time in a long while, it just wasn't a good atmosphere to be in. They didn't even have any bright lights to highlight the members of the band as they performed, so I couldn't even get any good photos of them. Needless to say, this was my last live Dead show. I still remain a fan, after all these years, but I had to leave the live show experience for the others, who chose to walk, "twirl" and yell. Eventually, the "tapers" ended up getting the best deal, when special seating areas were set up just for them and they were able to stay apart from the noise and confusion. Many Many Thanks To Joe
Taper: Joe Maloney
3:45:56
Taper:
Joe Maloney
Transferrer:
KRW_co
SHNID:
gd1973-12-01.158193.aud.maloney.flac2496
Source:
Sony TC-110A deck with built in microphone
Lineage:
AUDIENCE ANALOG MASTER CASSETTE>NAKAMICHI DR-1 (W/MANUAL AZIMUTH ADJUSTMENT)> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV(24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV(24/96KHZ)>TRADERS LITTLE HELPER FLAC (LEVEL 8)
Taper Notes:
View NotesJOE'S MEMORIES: This was the show where I realized that I was a Grateful Dead "fan" and not a true "Deadhead". I had seen the Dead in Bangor, Maine in April 1971 and it was a great show and a nice experience. The people who were at that show were there to see the band and listen to the music, After the release of the "Europe '72" album and reading about the "Wall Of Sound" stage, I was looking forward to a great show. Unfortunately, it turned out to be a whole different experience. As we entered the Music Hall, we were amazed by the size of the "Wall Of Sound" and we were looking forward to a unique and exciting show. The two sets featured a great selection of songs, but the audience proved to be a challenge for those of us who were there to sit in our seats to listen and enjoy the music. As soon as the band took the stage, people stood up, left their seats and flooded the aisles to get closer to the stage. From that moment, it became a continuous battle between the ushers, who tried to keep the aisles clear and get people back to their seats, and the ones who kept going back into the aisles to block the view of those in the closer seats. Besides the people clogging the aisles and blocking everyone's vision, there were the ones who were under the influences of various "substances",shouting and making a general nuisance of themselves. I had looked forward to this show for quite a while and it was very frustrating to not be able to be comfortable and enjoy it. The audiences for certain British and Southern Rock bands were always a little more "boisterous" in Boston, but they usually listened to the music. Unfortunately, this was a whole different scene. Although the band was sounding as good as ever and we got to see Jerry without his beard for the first time in a long while, it just wasn't a good atmosphere to be in. They didn't even have any bright lights to highlight the members of the band as they performed, so I couldn't even get any good photos of them. Needless to say, this was my last live Dead show. I still remain a fan, after all these years, but I had to leave the live show experience for the others, who chose to walk, "twirl" and yell. Eventually, the "tapers" ended up getting the best deal, when special seating areas were set up just for them and they were able to stay apart from the noise and confusion. Many Many Thanks To Joe
Taper: Bill Degen. This transfer is 1st Gen cassettes, kindly provided by Tim Friend.
3:17:43
Rating:
6.00 / 1 rating
Taper:
Bill Degen. This transfer is 1st Gen cassettes, kindly provided by Tim Friend.
Transferrer:
Transfer by Andrew F.
SHNID:
gd1973-12-01.aud.degen.110781.flac1644
Lineage:
Maxell UD90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged.
Taper Notes:
View NotesTim's comment: "It's Bill Degen's tape, I sat about four seats from him. I know we were in front of the board, maybe 12th row or so." Degen's masters have apparently been lost in a fire, so this might be the best surviving copy at this time. The recording does not match either of the Auds currently in the database (18094 & 98049). It's mono, but due to the good orchestra location, the sound is clear and without much distortion or crowd interference. Some tape damage audible in Around & Around. Patches were inserted from ID-98049 as follows: - Tennessee Jed 3:34 > 3:42 - Looks Like Rain 0:00 > 0:09 - Let it Grow 4:37 > 4:44 - "human rattlesnake" 0:00 > 0:17 - "this lame trip" 0:00 > 0:06 - Playin' in the Band 12:40 > 12:56 - Row Jimmy (all of it) 0:00 > 10:11 - Not Fade Away 0:00 > 0:05 Suggested CDR burning: D1 s1t01 > s1t12, D2 s1t13 > s2t12, and D3 s2t13 > s2t17 plus the partial 12-02-1973 s1t01 > s1t07. THANKS to Bill Degen for taping, and Tim Friend for saving tapes!
Source 9 of 10
3:54:13
Rating:
7.00 / 4 ratings
SHNID:
gd1973-12-01.aud.maloney.98049.flac16
Source:
AUDIENCE ANALOG MASTER>CDR
Lineage:
CDR>EAC>FLAC;
Taper Notes:
View NotesSpecial thanks to Joe Maloney for making this recording available. Please do not "Remaster" and then re-post this recording.
Taper: Unknown
2:46:22
Rating:
2.67 / 4 ratings
Transferrer:
Matt Vernon and Marc Pujol
SHNID:
gd73-12-01.aud.vernon.18094.sbeok.shnf
Source:
Audience Recording