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Today In History
June 13th
7 shows
49 tapes
Years
1995
30.2k
PlaybackListensHours
48h51768
7d1.5k202
30d30.2k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h959152
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h2.8k385
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h4.7k622
7d5.6k725
30d39.9k5.3k
57 shows
539 tapes
1991
39.2k
PlaybackListensHours
48h5.2k670
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h2.6k347
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.9k356
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.3k157
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h6.2k728
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1.1k119
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.7k201
7d4.2k488
30d22.9k2.7k
73 shows
1,357 tapes
1984
21.2k
PlaybackListensHours
48h4.6k529
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.4k181
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.3k166
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h1.8k217
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h7.9k943
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.7k236
7d3.9k557
30d21.7k3k
79 shows
608 tapes
1978
46.1k
PlaybackListensHours
48h1.9k262
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h8.8k1.2k
7d45.9k6.3k
30d290.3k40k
64 shows
419 tapes
1976
71.6k
PlaybackListensHours
48h17.9k2.4k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h35838
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.7k482
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.3k717
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.7k347
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.9k207
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.5k173
7d7.8k819
30d45k4.8k
101 shows
376 tapes
1969
27.4k
PlaybackListensHours
48h1.4k180
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h42953
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14219
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h31322
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h151
7d1268
30d63237
2 shows
2 tapes
1973
12/1/73
The Promised Land
2:29
Sugaree
7:32
Tennessee Jed
8:19
Looks Like Rain
7:17
China Cat Sunflower
9:01
I Know You Rider
5:20
Big River
5:09
Brokedown Palace
5:27
Weather Report Suite Prelude & Part 1
6:28
Let It Grow
9:01
Casey Jones
6:50
Human rattlesnake banter Around And Around
5:31
They Love Each Other
5:33
Me And My Uncle
2:51
Don't Ease Me In
3:58
Me And Bobby McGee
5:23
Mississippi Half-Step Uptown Toodeloo
7:26
Playing In The Band
12:59
Uncle John's Band
10:24
Playing In The Band
6:06
Row Jimmy
9:15
Not Fade Away
10:24
Goin' Down The Road Feeling Bad
8:28
One More Saturday Night
5:11
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
3:46:09
SBD
Rating:
8.00 / 10 ratings
Transferrer:
Charlie Miller
SHNID:
gd1973-12-01.sbd.miller.112205.flac16
Source:
SBD -> Master Reel -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional 11.2 -> FLAC
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- You can move the disc changes to fit the show onto 3 discs -- Thanks to David Gans for lending me his Dats -- Thanks to Robert Darst for his help with the soundcheck -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Matrix by dusborne
3:34:17
SBD
Rating:
9.33 / 4 ratings
Transferrer:
Matrix by dusborne
SHNID:
gd1973-12-01.124132.mtx.dusborne.flac16
Lineage:
Maxell UD90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F.
Taper Notes:
View NotesMatrix by dusborne 02-18-2013 ------------------------------------------------------------------------------------ Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. dusborne 02-18-2013
Transferrer: Scott Clugston
3:24:56
SBD
Rating:
9.75 / 9 ratings
Transferrer:
Scott Clugston
SHNID:
gd1973-12-01.sbd.clugston.6648.sbefail.shnf
Source:
Master Soundboard Reels > PCM > DAT> CDR
Taper Notes:
View Notesby re-assembling the discs, this 4 disc set can fit on 3 discs. However, the noodling/segue betweeen "Mississippi Half-Step" (d4t01) and "Playin' in the Band" (d4t02) would either be lost in a disc change, or, necessitate an overlap of music between disc 2 and disc 3. This segue has been left in place in this 4 disc set. there is a 0:01 burst of static at the 4:01 mark of "Big River" (d2t01) made possible thru the usual group of suspects/mental patients CD Mastering by Scott Clugston 9/16/01
Transferrer: Scott Clugston
1:58:22
SBD
Rating:
9.00 / 2 ratings
Transferrer:
Scott Clugston
SHNID:
gd1973-12-01.sbd.clugston.4972.sbefail.shnf
Source:
Master Soundboard Reel > DAT > CDR
Source 5 of 10
6:49:50
SBD
Rating:
6.00 / 1 rating
SHNID:
gd1973-12-01.sbd.gardner.4337.shnf
Taper: Joe Maloney
3:45:55
Taper:
Joe Maloney
Transferrer:
KRW_co
SHNID:
gd1973-12-01.158194.aud.maloney.flac16
Source:
Sony TC-110A deck with built in microphone
Lineage:
AUDIENCE ANALOG MASTER CASSETTE>NAKAMICHI DR-1 (W/MANUAL AZIMUTH ADJUSTMENT)> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV(24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV(24/96KHZ)>TRADERS LITTLE HELPER FLAC (LEVEL 8)
Taper Notes:
View NotesJOE'S MEMORIES: This was the show where I realized that I was a Grateful Dead "fan" and not a true "Deadhead". I had seen the Dead in Bangor, Maine in April 1971 and it was a great show and a nice experience. The people who were at that show were there to see the band and listen to the music, After the release of the "Europe '72" album and reading about the "Wall Of Sound" stage, I was looking forward to a great show. Unfortunately, it turned out to be a whole different experience. As we entered the Music Hall, we were amazed by the size of the "Wall Of Sound" and we were looking forward to a unique and exciting show. The two sets featured a great selection of songs, but the audience proved to be a challenge for those of us who were there to sit in our seats to listen and enjoy the music. As soon as the band took the stage, people stood up, left their seats and flooded the aisles to get closer to the stage. From that moment, it became a continuous battle between the ushers, who tried to keep the aisles clear and get people back to their seats, and the ones who kept going back into the aisles to block the view of those in the closer seats. Besides the people clogging the aisles and blocking everyone's vision, there were the ones who were under the influences of various "substances",shouting and making a general nuisance of themselves. I had looked forward to this show for quite a while and it was very frustrating to not be able to be comfortable and enjoy it. The audiences for certain British and Southern Rock bands were always a little more "boisterous" in Boston, but they usually listened to the music. Unfortunately, this was a whole different scene. Although the band was sounding as good as ever and we got to see Jerry without his beard for the first time in a long while, it just wasn't a good atmosphere to be in. They didn't even have any bright lights to highlight the members of the band as they performed, so I couldn't even get any good photos of them. Needless to say, this was my last live Dead show. I still remain a fan, after all these years, but I had to leave the live show experience for the others, who chose to walk, "twirl" and yell. Eventually, the "tapers" ended up getting the best deal, when special seating areas were set up just for them and they were able to stay apart from the noise and confusion. Many Many Thanks To Joe
Taper: Joe Maloney
3:45:56
Taper:
Joe Maloney
Transferrer:
KRW_co
SHNID:
gd1973-12-01.158193.aud.maloney.flac2496
Source:
Sony TC-110A deck with built in microphone
Lineage:
AUDIENCE ANALOG MASTER CASSETTE>NAKAMICHI DR-1 (W/MANUAL AZIMUTH ADJUSTMENT)> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV(24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV(24/96KHZ)>TRADERS LITTLE HELPER FLAC (LEVEL 8)
Taper Notes:
View NotesJOE'S MEMORIES: This was the show where I realized that I was a Grateful Dead "fan" and not a true "Deadhead". I had seen the Dead in Bangor, Maine in April 1971 and it was a great show and a nice experience. The people who were at that show were there to see the band and listen to the music, After the release of the "Europe '72" album and reading about the "Wall Of Sound" stage, I was looking forward to a great show. Unfortunately, it turned out to be a whole different experience. As we entered the Music Hall, we were amazed by the size of the "Wall Of Sound" and we were looking forward to a unique and exciting show. The two sets featured a great selection of songs, but the audience proved to be a challenge for those of us who were there to sit in our seats to listen and enjoy the music. As soon as the band took the stage, people stood up, left their seats and flooded the aisles to get closer to the stage. From that moment, it became a continuous battle between the ushers, who tried to keep the aisles clear and get people back to their seats, and the ones who kept going back into the aisles to block the view of those in the closer seats. Besides the people clogging the aisles and blocking everyone's vision, there were the ones who were under the influences of various "substances",shouting and making a general nuisance of themselves. I had looked forward to this show for quite a while and it was very frustrating to not be able to be comfortable and enjoy it. The audiences for certain British and Southern Rock bands were always a little more "boisterous" in Boston, but they usually listened to the music. Unfortunately, this was a whole different scene. Although the band was sounding as good as ever and we got to see Jerry without his beard for the first time in a long while, it just wasn't a good atmosphere to be in. They didn't even have any bright lights to highlight the members of the band as they performed, so I couldn't even get any good photos of them. Needless to say, this was my last live Dead show. I still remain a fan, after all these years, but I had to leave the live show experience for the others, who chose to walk, "twirl" and yell. Eventually, the "tapers" ended up getting the best deal, when special seating areas were set up just for them and they were able to stay apart from the noise and confusion. Many Many Thanks To Joe
Taper: Bill Degen. This transfer is 1st Gen cassettes, kindly provided by Tim Friend.
3:17:43
Rating:
6.00 / 1 rating
Taper:
Bill Degen. This transfer is 1st Gen cassettes, kindly provided by Tim Friend.
Transferrer:
Transfer by Andrew F.
SHNID:
gd1973-12-01.aud.degen.110781.flac1644
Lineage:
Maxell UD90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged.
Taper Notes:
View NotesTim's comment: "It's Bill Degen's tape, I sat about four seats from him. I know we were in front of the board, maybe 12th row or so." Degen's masters have apparently been lost in a fire, so this might be the best surviving copy at this time. The recording does not match either of the Auds currently in the database (18094 & 98049). It's mono, but due to the good orchestra location, the sound is clear and without much distortion or crowd interference. Some tape damage audible in Around & Around. Patches were inserted from ID-98049 as follows: - Tennessee Jed 3:34 > 3:42 - Looks Like Rain 0:00 > 0:09 - Let it Grow 4:37 > 4:44 - "human rattlesnake" 0:00 > 0:17 - "this lame trip" 0:00 > 0:06 - Playin' in the Band 12:40 > 12:56 - Row Jimmy (all of it) 0:00 > 10:11 - Not Fade Away 0:00 > 0:05 Suggested CDR burning: D1 s1t01 > s1t12, D2 s1t13 > s2t12, and D3 s2t13 > s2t17 plus the partial 12-02-1973 s1t01 > s1t07. THANKS to Bill Degen for taping, and Tim Friend for saving tapes!
Source 9 of 10
3:54:13
Rating:
7.00 / 4 ratings
SHNID:
gd1973-12-01.aud.maloney.98049.flac16
Source:
AUDIENCE ANALOG MASTER>CDR
Lineage:
CDR>EAC>FLAC;
Taper Notes:
View NotesSpecial thanks to Joe Maloney for making this recording available. Please do not "Remaster" and then re-post this recording.
Taper: Unknown
2:46:22
Rating:
2.67 / 4 ratings
Transferrer:
Matt Vernon and Marc Pujol
SHNID:
gd73-12-01.aud.vernon.18094.sbeok.shnf
Source:
Audience Recording